"A cultural analysis and breakdown of Manhattan specifically, and the physical attributes as well as social needs that defined New York’s iconic and exportable look. The culture of congestion, by now largely surpassed by Asian and South American cities, defines Manhattanism as the goal for the contemporary city… in 1978."

"This biography, written with a novelist’s stylization, was an incendiary moment in western culture. Ironically, it became the weapon that would win the cultural wars for dispossessed black, urban America. It’s impossible to think of what street culture of white Hollywood would look like without it. Slim is the most influential writer in English since Shakespeare."

"Nonfiction that reads like Jackie Collins, “Air Guitar” is the contemporary classic in cultural criticism, and further to that, more of a celebration than a critique on the cringe-worthy. You might never love being American more than after you read this. The section "Unbreak My Heart, An Overture,” has loosely defined my practice and life."

"It’s definitely up there because of the cinematography, the cultural references, the graffiti, and the art. It’s that kind of high-standard indie film and the French make such beautiful films anyway. They seem to be in a league of their own. All the references to the riots and the times and what was going on, that’s particularly why I love that film."

"I first saw this movie when I was a little girl. I was so drawn to Amy Irving, her personal style in this film. I loved this story of a progressive, intelligent, Jewish New Yorker who was so bonded to her grandmother, but not necessarily to her cultural traditions. And what a great romance! There is nothing else like this movie."

"If David Lynch is the American take on surrealism, this is the Soviet take. Iranians share a lot of cultural references with people from Armenia, and seeing this, I almost saw a path through Iranian culture. The movie juxtaposes surreal elements from my culture without going through a Western gaze. It has some of the most amazing imagery I’ve ever seen."

"This is a brilliant essay film. It uses some of the tropes of documentary, unearthing and presenting archival footage that cracks history open, drawing connections between previously unconnected historical figures. It also goes beyond that, using other contemporaneous material – ads and cultural artifacts – leading to some trenchant personal reflections. That’s hard to pull off, and very satisfying and throbbing when it succeeds."