"The last one is Pulp Fiction. Me and my, as he was then, I suppose, eight-year-old, nine-year-old son, thought it was great. I just loved, again, the way [Quentin Tarantino] used time, the way he moved backwards and forwards in time, which I thought was sort of groundbreaking, although it may not have been. But I thought it was. And I saw the energy and the vigor of it all, and just the images of it. I just love that film. I watch it now and again, as it were, and it never palls for me at all, but I just thought he kind of invented a way, or kind of storytelling technique, which is sort of second nature to us all now, but again, that nonlinear business — for me, it was a revelation. I’m sure there have been other films like it, but this seemed to work so well within a very contemporary, very fast-moving, very original piece. To have the courage to play with the structure, and tell things backwards and forwards and all that sort of thing, I thought, was not just cute, or just showmanship. It actually enhanced the drama, trying to figure out where you were and what was going on. I found that a very creative effort, and so did my son, which thrilled me. He wasn’t fazed by it at all."