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Darren (1599 KP) rated Out of the Shadows (2017) in Movies
Oct 24, 2019
Story: Out of the Shadows starts as we follow a paranormal investigation team looking to recruit the only known survivor Carter (Kellogg) to join them as they search the answers about what happened on his famous activity tape.
With the team in place the teams sets up the cameras around the asylum with team member Cynthia (Morrison) getting the first does of activity in a communication from her father, whom went missing in asylum with Carter’s team. Using her as bait the team record her time inside the asylum as they look to explain the unexplainable.
Thoughts on Out of the Shadows
Characters – Carter is the lone survivor from a previous encounter inside the asylum, he goes back but could have his own motivation for this. Cynthia is searching for her father who went missing but the rest of the characters are just another mix of the crew you would expect on a paranormal investigation team.
Performances – The performances across the board are not the best, the crew does feel like it could be a real documentary crew at times but then other times its just a group of actors trying to overreact to everything going on.
Story – The story does have a good twist, which is the only interesting part of the story, it is nearly 90 minutes investigating the shadows with too many characters to follow, it gets difficult to follow the characters in the dark for the most part and as for the reasoning behind everything well, it doesn’t seem to have one.
Horror – The horror is a lot of jumping at the camera or activity happening behind the camera, it isn’t scary but will give you a forced jump.
Settings – The film could easily have only had one setting, the asylum but going back to the motel makes it feel like the evil could escape which does try to make it stand out from just a haunted asylum movie.
Special Effects – The effects are what you would expect for a found footage film, they work without being ground breaking.
Scene of the Movie – Welcome to the Devil’s Toy Box.
That Moment That Annoyed Me – The scares were too random.
Final Thoughts –This is a disappointing and mostly dull horror movie, the jumps are too random, the characters don’t make smart decisions and found footage only works in places.
Overall: Horror film to skip by the end.
With the team in place the teams sets up the cameras around the asylum with team member Cynthia (Morrison) getting the first does of activity in a communication from her father, whom went missing in asylum with Carter’s team. Using her as bait the team record her time inside the asylum as they look to explain the unexplainable.
Thoughts on Out of the Shadows
Characters – Carter is the lone survivor from a previous encounter inside the asylum, he goes back but could have his own motivation for this. Cynthia is searching for her father who went missing but the rest of the characters are just another mix of the crew you would expect on a paranormal investigation team.
Performances – The performances across the board are not the best, the crew does feel like it could be a real documentary crew at times but then other times its just a group of actors trying to overreact to everything going on.
Story – The story does have a good twist, which is the only interesting part of the story, it is nearly 90 minutes investigating the shadows with too many characters to follow, it gets difficult to follow the characters in the dark for the most part and as for the reasoning behind everything well, it doesn’t seem to have one.
Horror – The horror is a lot of jumping at the camera or activity happening behind the camera, it isn’t scary but will give you a forced jump.
Settings – The film could easily have only had one setting, the asylum but going back to the motel makes it feel like the evil could escape which does try to make it stand out from just a haunted asylum movie.
Special Effects – The effects are what you would expect for a found footage film, they work without being ground breaking.
Scene of the Movie – Welcome to the Devil’s Toy Box.
That Moment That Annoyed Me – The scares were too random.
Final Thoughts –This is a disappointing and mostly dull horror movie, the jumps are too random, the characters don’t make smart decisions and found footage only works in places.
Overall: Horror film to skip by the end.
Daniel Boyd (1066 KP) rated Widows (2018) in Movies
Nov 14, 2018 (Updated Nov 14, 2018)
Outstanding performances from the entire cast (3 more)
Phenomenal Direction
Clever Cinematography
A Brilliant Script With Sharp Dialogue
The Best Movie I Have Seen This Year
Widows is an outstanding thriller from Steve McQueen. It stars a brilliant Viola Davis as Veronica Rawlings at the top of her game as a widow of her criminal husband. He and his crew died during the heist and now she and the other widows of the recently deceased crew decide to complete the heist and take the money for themselves. That is the basic plot outline, but it is actually a lot more in depth and layered than that, embroiled in politics and gang rivalries, amongst even more complex elements. However, although there are a lot of moving parts in the film, it never seems confused or messy. It doesn't treat it's audience like idiots either, as long as you are paying attention.
The cast are astonishing in the movie and I truly believe that is the sign of a great director getting the best out of his actors. Viola Davis is an acting powerhouse, making you want to cry one moment and then stand up and jump into battle with her the next. That woman could read the phonebook and make it sound convincingly intense. She is supported by a fantastic turn from Michelle Rodrigez, an actress who I have been a fan of for years, but can sometimes be known to come across fairly wooden. Not here, she is convincing and passionate in every scene she appears in. I also really liked seeing Elizabeth Debecki playing against type here. She is usually cast as a 'perfect,' type of character, such as Tom Hiddleston's love interest in Night Manager or as a member of the perfect alien race in Guardians of The Galaxy. Here she is a much more realistic, down to earth character. Cynthia Erivo, who came out of nowhere and blew me away in Bad Times At The El Royale, also appears here as the crew's driver and gives a genuine, energetic performance who is also the first one to stand up to Veronica's hard-ass attitude. Carrie Coon appears briefly as another widow, but her role is more of a cameo than anything else, it is still important to the story though towards the film's conclusion.
The male actors in the film are equally as brilliant as their female counterparts. I don't want to give too much away about Liam Neeson's Henry Rawlings, but he is convincing and engaging in every part of his performance. Jon Bernthal is slowly becoming the king of appearing in small impactful roles in big ensemble movies. He has already done this in Wolf Of Wall Street, Baby Driver, Sicario and Wind River and he does it here too appearing in a small but memorable role as one of Henry's crew. Colin Farrell and Robert Duvall are great as usual here, as a believable father and son duo. Daniel Kaluuya deserves a special shout out as the movie's main antagonist. This role really gives Kaluuya a chance to flex his more cruel acting skills and show off his versatility as a performer.
The script written by McQueen and Gillian Flynn is full of razor sharp wit and electrifying moments. This is the type of golden material that most actors dream of getting to work with. The movie is shot by Sean Bobbitt who uses an array of clever camera angles and techniques to help convey the mood of each scene. Bobbit also shot Hunger, Shame and 12 Years a Slave and there is a reason that McQueen continues to use him to shoot his films. The score and audio mixing was also effective and helped to amplify the atmosphere throughout the movie.
Overall, Widows is a perfect storm of extremely high quality technical aspects and exquisite performances from an exceptionally talented ensemble of actors. If you didn't get what you wanted out of a female led heist thriller from Ocean's 8, then go out and see this masterpiece asap.
The cast are astonishing in the movie and I truly believe that is the sign of a great director getting the best out of his actors. Viola Davis is an acting powerhouse, making you want to cry one moment and then stand up and jump into battle with her the next. That woman could read the phonebook and make it sound convincingly intense. She is supported by a fantastic turn from Michelle Rodrigez, an actress who I have been a fan of for years, but can sometimes be known to come across fairly wooden. Not here, she is convincing and passionate in every scene she appears in. I also really liked seeing Elizabeth Debecki playing against type here. She is usually cast as a 'perfect,' type of character, such as Tom Hiddleston's love interest in Night Manager or as a member of the perfect alien race in Guardians of The Galaxy. Here she is a much more realistic, down to earth character. Cynthia Erivo, who came out of nowhere and blew me away in Bad Times At The El Royale, also appears here as the crew's driver and gives a genuine, energetic performance who is also the first one to stand up to Veronica's hard-ass attitude. Carrie Coon appears briefly as another widow, but her role is more of a cameo than anything else, it is still important to the story though towards the film's conclusion.
The male actors in the film are equally as brilliant as their female counterparts. I don't want to give too much away about Liam Neeson's Henry Rawlings, but he is convincing and engaging in every part of his performance. Jon Bernthal is slowly becoming the king of appearing in small impactful roles in big ensemble movies. He has already done this in Wolf Of Wall Street, Baby Driver, Sicario and Wind River and he does it here too appearing in a small but memorable role as one of Henry's crew. Colin Farrell and Robert Duvall are great as usual here, as a believable father and son duo. Daniel Kaluuya deserves a special shout out as the movie's main antagonist. This role really gives Kaluuya a chance to flex his more cruel acting skills and show off his versatility as a performer.
The script written by McQueen and Gillian Flynn is full of razor sharp wit and electrifying moments. This is the type of golden material that most actors dream of getting to work with. The movie is shot by Sean Bobbitt who uses an array of clever camera angles and techniques to help convey the mood of each scene. Bobbit also shot Hunger, Shame and 12 Years a Slave and there is a reason that McQueen continues to use him to shoot his films. The score and audio mixing was also effective and helped to amplify the atmosphere throughout the movie.
Overall, Widows is a perfect storm of extremely high quality technical aspects and exquisite performances from an exceptionally talented ensemble of actors. If you didn't get what you wanted out of a female led heist thriller from Ocean's 8, then go out and see this masterpiece asap.