Search
Search results
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
Joe Goodhart (27 KP) rated DC Universe: Rebirth #1 in Books
Nov 30, 2020
When I still had my physical comic colletion, this had been one of the last ones purchased before making the change over to digital only, selling off the physical copies. That was then, this is now. Long story short, this review is based off of a re-read as part of my "Marvel's Making Some Dumb AF Decisions of Late, Let's Go With DC Instead" Tour!
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Let me just say I remember much of it, but it still hit me hard at the end of it! Just lots and lots of SUPER-feels (is that even a word/thing? Oh well, if not, it is now! lol)! Having the story told from Wally West's POV really helped to drive the overall feeling home.
Unfortunately (and this did not necessarily wreck my enjoyment), this re-reading helped to fuel my desire for DOOMSDAY CLOCK to just finish up already! Still not sure on how you can solicit something without it even being close to completely finished! Or better still how Windows 10 can be ready for release, yet every other week there's a new patch or update for it! :S
There was a lot of set-up for what was to come in the DCU, as well as some nods to things past (including WATCHMAN and CRISIS ON INFINITE EARTHS) and the New 52 (which, for the longest time, I hated with a passion)! You don't have to be a pro at "Where's Waldo?" or even Sherlock Holmes, you just need to be alert and taking in everything with a careful eye.
Speaking of attention to detail... Let me give a shout to all the artists involved in this undertaking: Gary Frank (I love the man's art, but his slowness as far as DOOMSDAY CLOCK is frustrating. Clearly, as this book indicates, he is better at illustrating shorter vignettes, rather than epic 12-issue maxi-series!), Ethan Van Sciver (love or hate, you gotta appreciate his art! Bee-yoo-ti-ful!), Phil Jimenez (always love me some Jimenez pencilling!), and Ivan Reis (never a disappointment). And as important as the artists were, it would be unfair of me not to also acknowledge the inkers and colorists on this: Brad Anderson, Jason Wright, and Joe Prado. So, a big ol' panda-rific round of applause and adulation for the art teams for all their hard work! You guys are all aces!
Over the years, DC has published a more than fair amount of solid events and single issues. Is this the best book they've ever published? I wouldn't go that far, but it a damned good one! And at the end of the day, that's what it really comes down to: whether it's a good or a bad one, hence the name of this pretty cool less-FB-ish social media site! :)
Gareth von Kallenbach (980 KP) rated Wonder Woman (2017) in Movies
Jul 11, 2019
The extent of my knowledge of Wonder Woman comes from vague memories of the TV show with Lynda Carter in the 70s and the Super Friends cartoon in the early 80s. So I knew she was an Amazon princess from Paradise Island who flew an invisible plane. I may have been Wonder Woman for Halloween back when you stuck your arms through a plastic sheet with Wonder Woman’s torso painted on it, that tied at the neck like a cheap, hospital gown, with a mask with eyes cutout and a mouth you really couldn’t breathe through. So really, I knew OF her, but I never really actually knew much about Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.
Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.
Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.
Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.
I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.
Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.
Connor Sheffield (293 KP) rated The Crow in Books
May 25, 2017
Emotionally written (2 more)
Poetic
Brilliantly drawn
My All Time Favourite
This graphic novel is my all time favourite. I have read it countless times, sometimes in a row. This is where it all began, and the author's tragic backstory, really helps bring forth the emotion from the pages.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
Fred (860 KP) rated Wonder Woman (2017) in Movies
Mar 26, 2018
Gal Gadot is great (1 more)
Chris Pine is great too
Boring (3 more)
Main villain is horrible
Story is terrible
Low on action
Wonder why it's such a hit.
After seeing Wonder Woman in what was the best part of the Batman/Superman movie, I was all pumped to see her in her own film. Unfortunately, DC is just not very good with superhero movies. And Wonder Woman is no exception. People were somehow blown away by Wonder Woman & I strain my brain trying to think why. It is boring. Very boring. So boring I was wishing that Superman would appear to fight Batman in the movie. Yes, that boring. I found myself not caring for anyone in the movie, WW included. Although she was great in the role, the character itself was uninteresting. Hell, we don't even see Wonder Woman until an hour into the movie & then it's a 2 minute action scene. Granted, that 2 minutes in awesome, but I can watch that on Youtube, and I would even put up with the 1 minute Youtube commercial just to see it. But the main problem of the movie is the story. The villain & his plot, which I couldn't remember what it was about if I wanted to. A very forgetful climax scene & we got a total mess.
David McK (3610 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 28, 2019
I saw this in my local Eason's one day and, thought that, even though it was advertised as DC Icons #2 (and I hadn't read #1) that I would give it a shot.
Now that I've read it, I'm going to make two main points:
1) Strictly speaking, this should be called "Bruce Wayne: Nightwalkers rather than "Batman: Nightwalkers". I get it, the Batman name has more 'pull' than the Bruce Wayne name, but in this he's only just turned 18 and has yet to take up the mantle of the Bat (despite lots of heavy foreshadowing).
2) Tied somewhat, perhaps, to point number 1 number: I found it kind hard to disassociate a teenage Bruce Wayne (proto-Batman) from the character as portrayed in the TV series Gotham. I'm sure I'm not the only one, which (perhaps) goes further towards explaining why this titled as Batman ...
As for the plot: I must say, I did find this largely intriguing, with the character of Madeline laying further groundwork (as it were) for who Bruce Wayne would later become. It was also interesting to see the early friendship between Harvey Dent (the future Two-Face) and Bruce Wayne explored further: it's just a pity, I felt, that you could see the 'twist' coming from miles and miles away!
Now that I've read it, I'm going to make two main points:
1) Strictly speaking, this should be called "Bruce Wayne: Nightwalkers rather than "Batman: Nightwalkers". I get it, the Batman name has more 'pull' than the Bruce Wayne name, but in this he's only just turned 18 and has yet to take up the mantle of the Bat (despite lots of heavy foreshadowing).
2) Tied somewhat, perhaps, to point number 1 number: I found it kind hard to disassociate a teenage Bruce Wayne (proto-Batman) from the character as portrayed in the TV series Gotham. I'm sure I'm not the only one, which (perhaps) goes further towards explaining why this titled as Batman ...
As for the plot: I must say, I did find this largely intriguing, with the character of Madeline laying further groundwork (as it were) for who Bruce Wayne would later become. It was also interesting to see the early friendship between Harvey Dent (the future Two-Face) and Bruce Wayne explored further: it's just a pity, I felt, that you could see the 'twist' coming from miles and miles away!
Parking Panda
Navigation, Travel and Stickers
App
Stop wasting time circling the block looking for the perfect parking spot! The Parking Panda iPhone...
The Targeter: My Life in the CIA, on the Hunt for the Godfather of Isis
Book
In 1999, 30-year-old Nada Bakos moved from her lifelong home in Montana to Washington, DC, to join...
Warrior Diplomat: A Green Beret's Battles from Washington to Afghanistan
Michael G. Waltz and Peter Bergen
Book
Grappling with centuries-old feuds, defeating a shrewd insurgency, and navigating the sometimes...
Loving and Leaving Washington: Reflections on Public Service
Book
Middle ground lost John Yochelson was seventeen when he first heard President Kennedy'scall, "Ask...