"The original was called Pollyanna, and then they did a remake of the film, called Polly, and it had Phylicia Rashad in it. It was probably one of the first musical films I had ever seen that was fully… Pretty much almost fully cast of Black men and women and children. And I think it was one of the reasons I was like, “Oh, I can do musicals. I can be in them. This is cool.” And I love the music. I still remember the songs, and it’s been a while since I’ve watched it. I have the VHS of it. I don’t even know if they do it on DVD. I don’t know if you can even get it on iTunes. But I loved it."

"To use another alcohol metaphor, owning the Criterion DVD of Ernst Lubitsch’s endlessly effervescent 1932 masterpiece is like being able to uncork and savor the same bottle of expensive champagne over and over again. A love triangle among social-climbing riffraff and upper-class beauties (call it “The Thief, the Pickpocket, and the Perfume Executive”), with Herbert Marshall torn between the beautiful Miriam Hopkins and the stunning Kay Francis, Trouble in Paradise has the great advantage of being made before the Code. It’s as frank and scintillating as it is urbane and surprisingly touching, and it’s one of the rare American screen comedies to be completely comfortable with European sophistication. Peter Bogdanovich’s video introduction lucidly explains the meaning of the “Lubitsch touch.”"

"The seemingly precious whimsy of Wes Anderson’s style masks a sensibility that is at once delicate and magnificently imaginative. The Royal Tenenbaums has been described as an adaptation of a great novel that doesn’t exist, and it is set in an upper Upper West Side that also doesn’t exist. Anderson literally creates a world of his own to explore the most primal emotions and family dynamics. There is so much to savor—the sweat suits, the enchanting music, Gene Hackman on a tricycle—and the DVD is also a world of its own, as beautifully packaged as, well, a Wes Anderson film, with Kent Jones’s lucid manifesto defining Anderson’s particular brand of genius, and a great gallery of production design drawings."