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Camping with the Boss (Pride Summer Camp 2025)
Camping with the Boss (Pride Summer Camp 2025)
D.K. Sutton | 2025 | Contemporary, LGBTQ+, Romance
9
9.0 (1 Ratings)
Book Rating
CAMPING WITH THE BOSS is part of the Pride Summer Camp 2025 series and can be read as a standalone.

Whilst this is a romance, it is also a mystery, all wrapped up nicely with a company retreat, and a little Daddy bow on the top. Canyon and River are struggling to keep their house and their car. River works for Wade Darian and has set up a retreat, but then he disappears. Wade is none too impressed, and Canyon ends up filling River's shoes. BUT there's more going on than just Wade and Canyon getting jiggy with it. Everyone's got secrets. Who will share first?

I thoroughly enjoyed this story! There is an abundance of smaller mysteries going on, such as who is stealing the desserts from the break room, and you get answers to all of them. Obviously, the big mystery is who is behind all the drama within the company. The answer to that one, when it came, didn't come as a surprise, but I don't think it was meant to.

I loved Wade and Canyon so much, but I also want to see Ander and Jared have their story. And maybe Jet and River too. You can see where I'm going with this, surely? Suffice it to say, this was a brilliant story with amazing characters that I hope to read more of in the future. Definitely recommended by me.

** Same worded review will appear elsewhere. **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Jun 30, 2025
  
Chappie (2015)
Chappie (2015)
2015 | Action, Crime, Sci-Fi
A little rough around the edges
District 9 was a tough act to follow for first-time director Neill Blomkamp. His follow up to 2009’s sci-fi sleeper hit was the mediocre Elysium that whilst having a gargantuan budget and the likes of Jodie Foster and Matt Damon, failed on the most basic of levels – storytelling.

Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?

Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.

Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.

Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.

Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.

Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.

Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.

Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.

Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of

sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.

Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.

Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.

Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.

https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/
  
Selected Ambient Works 85-92 by Aphex Twin
Selected Ambient Works 85-92 by Aphex Twin
1992 | Rhythm And Blues, Techno
7.7 (7 Ratings)
Album Favorite

"I remember first hearing 'Xtal' - that is the sexiest ambient electronic song for me. I remember being in my first year of university in Brighton and moving away from home and being a bit lost and lonely in some ways, in this tiny little halls of residence room. This album, Ambient Works, was just constantly on my Walkman and I'd been exploring Björk, The Black Dog, Aphex Twin and Boards Of Canada, all this electronic music, this world that was opening up to me from the early to mid-nineties, which I was discovering it a bit later. I'd actually at that point bought a QY-70, which is a Yamaha sequencer - I remember reading Björk had written Debut on it and Tricky had one. Listening to Ambient Works, for the first time it seemed possible that I understood how those things were layered up - beats and beautiful little melodies and there was no singing on it, which for me at the time was great because I was very shy about singing. I remember just hearing that and then going to my QY and hearing little synth sounds that sounded similar. Although Aphex Twin's synth sounds were, in hindsight, put through loads of pedals - I can hear that he's got field recordings layered on top of stuff and probably synths he's made himself - but it made sense to me and encouraged me to go and make my own ambient songs. I remember meeting Aphex Twin around that time at a Björk Vespertine concert. I'd met him once before and I went up to him with my MiniDisc player, which I used to put things I'd produced on, and I played him a song at the bar. I kind of knew him at the time a little bit by face, I think we'd met at some nights he was doing at a warehouse in London and me and my boyfriend at the time liked dancing and going out, and I played it to him and he said: ""I think it's really good. The production's quite good for a girl"". [laughs] That's what he said to me! I didn't take it as a bad thing. I was just like, ""cool"". I mean, Aphex Twin liked my production skills, so whether I'm a girl or not, it's fine. But I just remember thinking how funny that was - but I took it like ""that's a real stamp of approval for me"". I do think he's been a really pivotal figure and an important person in my life, because he does electronic music and it's really sexy and emotional. It wasn't cold like some of the other people, like Stockhausen, but I felt like he understood the dance movement and got the loved-up aspect to ambient music. There's a darkness to it, and a light, but a real twisted, disgustingness in what he does, like 'Come To Daddy' and 'Windowlicker', this rank Englishness, [adopts croaky drawl] ""come to daddddyyyy!"", all that weird shit. He's got a sense of humour and just seems to be one of the modern day composers of our time that understood emotionalism in electronic music. Dirty, disgustingness and kind of surreal, how to fuck with your mind, and his body of work is huge. So, yeah, I think he's a dude."

Source
  
The Little Mermaid (1989)
The Little Mermaid (1989)
1989 | Animation
There are just some things that probably shouldn't be seen again, and for me the Little Mermaid is one of them. Any Disney movie with singable song in is a win for me, and of course, throw in a singalong version and it's even better. It doesn't really change the fact that... perhaps... *hushed tones* this one isn't a particularly good film. I know. I'm sorry. But apart from the bits with the big three songs in, nothing overly exciting happens. And poor old Ursula's song really isn't that good either, and I love a good villain song.

By far the best bit about this whole event was the audience. There were 17 of us watching, including the Ariel from the lobby, three children, 1 father, with the rest exclusively women over the age of 25. But out of those it was the family of four in front of me that won the evening.

They were wonderful. Mum, dad, daughter of about three and baby. Never judge a book by it's cover, I honestly thought dad was there under duress... but no I'll get to that in a bit. Cue the trailers, and The Incredibles 2. Frozone comes on the screen and daughter goes "daddy he looks like you!" And yes, the similarity was uncanny. Daughter is laughing, mum is laughing, I'm laughing. Dad turns to her completely deadpan and says "it's not funny, we don't laugh about it." But we all did. The movie starts and daughter is humming the Disney tune as the logo comes up. It was one of the cutest things I've witnessed, until the film itself starts up. Dad is singing along with he rest of us, he's even reciting the words of the script to his daughter... with voices. People... that's family goals right there.
  
Ollie (A Little Christmas #3)
Ollie (A Little Christmas #3)
JP Sayle | 2024 | Contemporary, LGBTQ+, Romance
10
10.0 (2 Ratings)
Book Rating
far too stinking cute/wam and fuzzies/low angst! Loved it!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Sometimes, Ms Sayle writes dark and deadly, sometimes things are just plain weird (rhubarb!) and sometimes, they are so delightfully cute and warm and fuzzies that the world is a brighter place.

This book falls into the last category, and I bloody loved it!

Ollie and Beckett meet online, and their relationship blooms over time. But Ollie will not let Beckett see him properly. Ollie is scared that Beckett will catch one look at him and run far away. But Beckett is far deeper than Ollie thnks, and the boy just needs to give Beckett a chance to prove that. Leeson's wedding cruise is that time.

I loved that Ollie and Beck got to know each other over time, their feelings brewing for the better part of a year. It meant that when they did meet, it was more about getting Ollie to see just how much he meant to Beckett, and how much Beckett wanted to be Ollie's Daddy, if only he'd let him.

I loved that there was overlap with Denton and Vic's book, Cruising Right Into Love. This book takes place alongside that one, on the cruise.

I loved how the focus of this book was NOT about the physical side of their relationship, but more about the emotional one. There is smexy times, but I found them very much low key and fade to grey, rather than up-in-yer-face type scenes. Loved it, to be honest.

This is part of the 3rd A Little Christmas series, a multi author series. I haven't read the others, but it's not necessary to really enjoy this one.

So much love in this book, and it hits all the warm and fuzzies and too stinking cute and low angst spots and I bloody loved it!

5 full and shiny stars

*same worded review will appear elsewhere
  
Summoned (Summoned, #1)
Summoned (Summoned, #1)
Rainy Kaye | 2014 | Erotica
8
6.0 (3 Ratings)
Book Rating
<em>Summoned</em> follows a 23-year-old genie named Dimitri - who, in typical genie fashion - is bound by his master to fulfill wishes. The twist is that Dimitri's master isn't limited to just 3 but has no limit.

The story opens with Dimitri fulfilling a kidnapping request followed by his inevitable rest period directly after - where he meets Syd in a dive bar. From there the story just gets a little weird - Dimitri takes Syd home and they end up having sex literally right away (nothing against it cause whatever floats your boat right?) But it was practically as soon as they got in Dimitri's house.

For a book that generally is considered fantasy with a bit of romance thrown in there's an awful lot of sex and it's rushed sex - almost as if the author felt a little weird writing the scenes - Syd is all kinds of crazy stalker as well, like she steals his number from his phone, turns up on his doorstep unannounced and threatens to slash his tires kinda crazy.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
The master - Karl - is an millionaire arse. I have nothing good to say about him whatsoever. Generally, Dimitri can rest for a day or two before Karl makes another wish but Karl starts to make make a new wish every day - Silvia is Karl's daughter and she screams spoiled rich girl who wants to breed with Dimitri - her inheritance.

It's all kinds of messed up.

Dimitri does a job for Karl and goes home to rest only to get a call from Stalker Syd going a little crazy on him for abandoning her - I forgot to mention that when Karl wants a wish he summons Dimitri to a chamber - the following day after yet more rushed sex Karl has another wish for Dimitri where he has to steal a safe - only he <em>fails</em>.

When Dimitri fails to fulfill a wish the buzz in his head grows and he ends up getting a really bad migraine until he fulfills his wish or pigs fly and Karl recant the wish.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Syd is all kinds of crazy. I don't think much of her character at all, it's like she's got her heart invested after a one night stand and then goes crazy everyone Dimitri doesn't do what she expects him to do.
<blockquote>"You're just gone so much." Syd's voice sounds so empty and hollow. "I never really know when you'll be back, what you're doing, or anything at all. I don't want to be that needy girlfriend, but it's so frustrating. I know it was meant to be casual, but I thought it could be... more. I just wanted some way to know you were thinking of me."</blockquote>
They've been having sex - not even dating - for what feels like 2 days but is more like 3 weeks or so. Little cray cray.

Silvia Walker is also all kinds of crazy - she wants to breed with Dimitri even if it's against his wishes, she murders small furry animals and she smokes like a chimney.  She's got it into her head that Dimitri is the love of her life even though he makes it abundantly clear that he can't stand the sight of her. To make matters worse, she finds out that her daddy is trying to sire a son to make sure she doesn't receive her inheritance.
<h2 style="text-align: center;"><span style="color: #f6c7b7;">∞</span></h2>
Although it's a very good concept - a power hungry, slightly crazy millionaire with his own personal genie to fulfill any and every wish he wants - there was just something missing. I don't know maybe the book was too short and the story was a little rushed for me, the insta-love between Dimitri and Syd bugged the ever-loving crap out of me.

The story as a whole was just too rushed for my tastes and at times I didn't get why something was happening or why Dimitri sounded like a stupid teenager, or why for an "all-powerful" master Karl was an absolute douchebag about a lot of stuff.Like wishing Dimitri kills Syd for one - what's his deal?

It had one <em>hell</em> of a twist at the end though. I didn't expect that all which is what pushed this review up from a 3 to a 3.5.
<blockquote>I'm no longer Leo, or Alan, or Alex.
I'm Dimitri.
And I'm free.</blockquote>
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