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The Problem (Single Dad Support Group #1)
9.0
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Laurence’s new lover is half his age. The problem? His relationship is about to make his life a...
Contemporary M_M M_Preg Romance
Cash (Ruthless Daddies #6)
8.0
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Cho “Brick” Brixton enjoys cooking, working in his yard, and binge-watching television while...
Contemporary MM Mafia Romance
Merissa (12061 KP) rated Lost and Found (Dave&Carter) in Books
Nov 22, 2018
REVIEW BY MERISSA - Lost and Found (Dave&Carter) by Quin Perin
Lost and Found is the first book by Quin and Perin I have read, but it definitely won't be the last.
Dave is the 'Daddy' in this relationship. He has feelings for Carter, and Carter needs him. For reasons I don't quite understand, he pulls back from Carter when Carter mentions feelings. Carter is the 'boy' and falls hard for Dave, but is mature enough to take a step back when he puts himself first.
This may only be classed as a novella, but there is one helluva story packed tightly between these pages. I was gripped from the very beginning, especially as Dave and Carter seemed to fall into their relationship so easily. Of course, it all had to go wrong somehow, and I'm not surprised with how it did. I understand that because of this, Dave might not be the most popular character, but I rather liked him. He is human, and makes mistakes. He has thoughts about what himself and what others might think, which for me, was completely understandable. I loved that once he got over being a jackass, he put Carter first, even though it broke his heart.
Did I get my happy ending? Well, I'll leave that for you to read and find out for yourself. What I will say is that I don't think I've had my fill of Dave and Carter, not at all. I loved this exceedingly well written story, that had no editing or grammatical errors to spoil my reading. With well-rounded out characters, and a storyline that intrigues, I have no hesitation in recommending this great story.
**same worded review will appear elsewhere**
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dave is the 'Daddy' in this relationship. He has feelings for Carter, and Carter needs him. For reasons I don't quite understand, he pulls back from Carter when Carter mentions feelings. Carter is the 'boy' and falls hard for Dave, but is mature enough to take a step back when he puts himself first.
This may only be classed as a novella, but there is one helluva story packed tightly between these pages. I was gripped from the very beginning, especially as Dave and Carter seemed to fall into their relationship so easily. Of course, it all had to go wrong somehow, and I'm not surprised with how it did. I understand that because of this, Dave might not be the most popular character, but I rather liked him. He is human, and makes mistakes. He has thoughts about what himself and what others might think, which for me, was completely understandable. I loved that once he got over being a jackass, he put Carter first, even though it broke his heart.
Did I get my happy ending? Well, I'll leave that for you to read and find out for yourself. What I will say is that I don't think I've had my fill of Dave and Carter, not at all. I loved this exceedingly well written story, that had no editing or grammatical errors to spoil my reading. With well-rounded out characters, and a storyline that intrigues, I have no hesitation in recommending this great story.
**same worded review will appear elsewhere**
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
My Sweetheart Surprise
10.0
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Parker: Everything was going fine. So what if my ex-boyfriend cheated on me and then took everything...
Contemporary MM Romance
Debbiereadsbook (1202 KP) rated B is for Beg (The Alphabet of Desire #2) in Books
Jul 28, 2021
best of the three, loved this one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, before this one. All three books run concurrently. I didn't know this going in! I'm also writing my review for this book after I've read C is for Comfort.
I think this is my favourite of the three!
Why?? Mostly, not because of Blake, but because of Gabe and Calvin and how THEIR relationship develops! Because until Blake, they did not think that way about each other. I mean, why would they? 2 Doms could never have any sort of meaningful relationship, could they? What surprised them both, and me, I think, was how quickly they settled into their new roles. Gabe as Blake's Daddy, and Calvin as his Dom.
Because Gabe and Calvin are SO different, they offer Blake a different touch, a differnt type of care, and Blake needs that. When some things are revealed, the dynamic changes slightly, but for the better.
I LOVED that Gabe calls Blake baby boy and Calvin calls him princess. It shows the difference in the way their dominance displays itself. Loved that both Doms loved that Blake liked pretty things!
The books are billed as low angst, but I found, mostly due to Blake's parents, and how they treat him compared to his brothers, this was the most angsty of the three.
But oh so steamy! Obviously, the steamiest since there are 3 of them, but there are scenes with just 2 of the three, in all combinations, and I really liked that those scenes were there. They were NEEDED I think, to cement the relationship between the pairings as well as the trio.
One thing I will say. There are some repeated conversations across all three books. When I realised that first, I was worried that there would be a lot of them but there aren't. Maybe one or two for each main character in each book. But after reading them, it's important to get the other half/third of these conversations. VERY important. So don't pass these books over because of that!
As I said, my favourite of the three, so . . .
5 full and pretty stars
**same worded review will appear elsewhere**
This is book 2 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, before this one. All three books run concurrently. I didn't know this going in! I'm also writing my review for this book after I've read C is for Comfort.
I think this is my favourite of the three!
Why?? Mostly, not because of Blake, but because of Gabe and Calvin and how THEIR relationship develops! Because until Blake, they did not think that way about each other. I mean, why would they? 2 Doms could never have any sort of meaningful relationship, could they? What surprised them both, and me, I think, was how quickly they settled into their new roles. Gabe as Blake's Daddy, and Calvin as his Dom.
Because Gabe and Calvin are SO different, they offer Blake a different touch, a differnt type of care, and Blake needs that. When some things are revealed, the dynamic changes slightly, but for the better.
I LOVED that Gabe calls Blake baby boy and Calvin calls him princess. It shows the difference in the way their dominance displays itself. Loved that both Doms loved that Blake liked pretty things!
The books are billed as low angst, but I found, mostly due to Blake's parents, and how they treat him compared to his brothers, this was the most angsty of the three.
But oh so steamy! Obviously, the steamiest since there are 3 of them, but there are scenes with just 2 of the three, in all combinations, and I really liked that those scenes were there. They were NEEDED I think, to cement the relationship between the pairings as well as the trio.
One thing I will say. There are some repeated conversations across all three books. When I realised that first, I was worried that there would be a lot of them but there aren't. Maybe one or two for each main character in each book. But after reading them, it's important to get the other half/third of these conversations. VERY important. So don't pass these books over because of that!
As I said, my favourite of the three, so . . .
5 full and pretty stars
**same worded review will appear elsewhere**
Debbiereadsbook (1202 KP) rated His Steady Heart in Books
May 30, 2019
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
I’m gonna jump straight in here, cos, well, because it’s my review and I can.
If you follow my reviews, you’ll know I have a particular dislike of several things.
First Person
Present Tense
Single Point of View.
So, when I started this book, and found it first person AND present tense, I got all ansty and twitchy and thought, nope, not doing it. THEN I realised it was single point of view, and my twitchiness went sky high and . . . .
bloody hell if I did not bloody LOVE this book!
Ashley or Buck, depending on who addresses him, was 22 years old when he first met Pippin and now, some 15 years (I was a bit unclear on that) later, he is still looking out for the little 6 year old boy who wormed his way into his heart. Now though, the little boy is all man, and when Pippin’s mother throws him under a bus (not literally, mind you!) of course Ashley will step up to look after the young man. But Pippin is proud, and won’t just take Ashley’s care, he must give back. The big bear of a man is Pippin’s idea of heaven, he just has to reach out and take him.
This has to be the sweetest, cutest CLEANEST book I've read in a long time, and I inhaled this book. I mean, I sat down, and didn’t move til I was done. It is only short, took me just over an hour but I really LOVED!
Ashley is the sweetest bear of a man, and no one can see that, except Pippin. Pippin sees Ashley, deep down, that he isn’t anyone’s “daddy”. He wants to look after people, yes, but PIPPIN is at the top of that very short list. PIPPIN is the one he realises he wants, even as he fights his attraction to the smaller man. PIPPIN tells Ashley he wants him, too, but not just for a quick lay. Pippin wants his first time to be special, and ASHLEY is that special man for Pippin.
I didn’t like what Pippin’s mum does to him, but you kinda saw that one coming like a train wreck and you can’t do anything to stop it.
The only thing, the one thing I cannot forgive is that Pippin doesn’t get a say! I wanted desperately to hear from him, even if it does make it first person/present tense/MULTI point of view (cos that would be my idea of Hell!) I NEEDED Pippin and I don’t get him. And I wanted to know, just what it was about Ashley that pushed his buttons, what he thought when Ashley’s ex turned up (and I LOVED how Pippin reacted to that!) and I wanted to know how he felt about his mum, and what she was doing to him.
That’s the only reason I gave it 4 stars and not 5 stars, was because I did not get Pippin and I really needed him.
I’ve not read anything by this author before, but if they are all this good, I’d gladly inhale a few more!
4 sweet, cute, warm and so bloody fuzzies stars
**same worded review will appear elsewhere**
love books like this, books that push MY buttons, in ways I didn't like before.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Patrick has been let down by the Cuff'd app, but a message from a new Daddy makes Patrick wish. It makes him wish he lived in Italy, where Akker lives. And Akker wishes too. Akker uses his friends to get Patrick to Italy. But that let down also follows Patrick and Patrick has to dig deep to get through.
I read a lot of kink books and I make no bones about what I like and what I do not like. And this book surprised me! In all the best ways!
There are some aspects of Patrick's kink that are at the very VERY bottom of my like list, but quite HIGH on my dislike list. I'm not going to say what, cos spoilers, but suffices to say, Sayle dealt with said kink very well. So very well, in fact, it wasn't till I finished that the penny dropped! I mean I read about it, when Akker and Patrick were together, but it did not click, it really didn't! So well played there!
I loved, I mean LOVED that Patrick showed Akker some things that he really hadn't considered his own kink. To be fair, I don't think that Patrick realised it was one of his kinks till the point he did what he did. I loved that an experienced Dom can learn new things, things that push his own buttons in ways he never knew could be pushed.
I didn't think this was especially hawt, in the grand scheme of things. Indeed, the smexy times are quite low, but the kink level is high. It is very emotional, for Patrick especially, I thought. He has some demons to slay, and Akker and his connections help him slay them.
I found it incredibly high on the too stinking cute and the warm and fuzzies scale though! I loved the interactions between Patrick, Beau and Jessie, who are sharing a house in the beginning. Jessie has his own story in His Boy To Tease, but Beau needs a story too! And Lowell, the poor kid who got dragged into this whole mess, he needs a happy every after, I felt sorry for him!
I love books like this, books that push MY buttons, in ways I didn't like before.
5 full and shiny stars
*same worded review will appear elsewhere
Patrick has been let down by the Cuff'd app, but a message from a new Daddy makes Patrick wish. It makes him wish he lived in Italy, where Akker lives. And Akker wishes too. Akker uses his friends to get Patrick to Italy. But that let down also follows Patrick and Patrick has to dig deep to get through.
I read a lot of kink books and I make no bones about what I like and what I do not like. And this book surprised me! In all the best ways!
There are some aspects of Patrick's kink that are at the very VERY bottom of my like list, but quite HIGH on my dislike list. I'm not going to say what, cos spoilers, but suffices to say, Sayle dealt with said kink very well. So very well, in fact, it wasn't till I finished that the penny dropped! I mean I read about it, when Akker and Patrick were together, but it did not click, it really didn't! So well played there!
I loved, I mean LOVED that Patrick showed Akker some things that he really hadn't considered his own kink. To be fair, I don't think that Patrick realised it was one of his kinks till the point he did what he did. I loved that an experienced Dom can learn new things, things that push his own buttons in ways he never knew could be pushed.
I didn't think this was especially hawt, in the grand scheme of things. Indeed, the smexy times are quite low, but the kink level is high. It is very emotional, for Patrick especially, I thought. He has some demons to slay, and Akker and his connections help him slay them.
I found it incredibly high on the too stinking cute and the warm and fuzzies scale though! I loved the interactions between Patrick, Beau and Jessie, who are sharing a house in the beginning. Jessie has his own story in His Boy To Tease, but Beau needs a story too! And Lowell, the poor kid who got dragged into this whole mess, he needs a happy every after, I felt sorry for him!
I love books like this, books that push MY buttons, in ways I didn't like before.
5 full and shiny stars
*same worded review will appear elsewhere
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Ryan Hill (152 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
May 10, 2019
"He may have been your father boy but he wasn't your daddy"
The follow-up chapter to Guardians of the Galaxy and fifteenth instalment in the Marvel Cinematic Universe, Guardians of the Galaxy Vol. 2 is bigger in both scale & scope and continues the journey of this oddball gang of extra-terrestrial misfits while also bringing more figures from their past into the spotlight and although its vibrant use of colour palette & another tightly curated soundtrack are notable highlights, the film as a whole lacks the freshness of the original.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
TheDefunctDiva (304 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Sep 27, 2017
C is for Candy
Contains spoilers, click to show
And yes, I certainly mean eye candy. Johnny Depp is gorgeous despite the makeup artists’ attempts to make him seem pale and awkward. My brain isn’t working properly due to lack of sleep so I’ll just go ahead and warn you that this is more a regurgitation than a review. Read at your own risk, because I even give the entire ending of the movie away…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…
This is the story of Charlie Bucket, an impoverished but genuinely good-natured child. His dream is one of millions: to win a Golden Ticket, and tour Willy Wonka’s chocolate factory in the hopes of obtaining an even bigger prize. If this plot sounds familiar, it’s because you’ve seen Willy Wonka and the Chocolate Factory, or have read the book. I profess my ignorance, for I haven’t read the book Roald Dahl wrote, and therefore have no idea which movie version adheres more strictly to the original text.
Let’s move on by more closely examining Burton’s version. Despite some of the world’s most recalcitrant children winning the four other tickets, Charlie lucks out and becomes the recipient of the last Golden Ticket. This brings great joy to his family and even makes the bed-ridden Grandpa Joe ambulatory again. I love Charlie’s family, especially because his Dad works in a toothpaste factory but everyone in the family has nasty teeth.
The glorious day of the tour arrives and each child shows up with a parental or grandparental guardian. They are introduced first to Willy Wonka by means of a puppet show, which ends in a glorious and unintentional fire. With the smoldering puppets dying disturbingly in the background, Wonka appears with cue cards, giving the impression that the man has no idea how to socially interact. The group then enters the factory.
The first child to be eliminated from the contest is Augustus Gloop. The group has been given free reign of a room made entirely of candy. Augustus cannot resist the lake of chocolate, and he falls in. He is sucked up a tube that leads to the fudge room. Then the Oompa Loompas appear and perform a song engineered for this particular predictable tragedy.
The Oompa Loompas in Burton’s version are short, and they do not have orange hair, but they all have the same face and body. Deep Roy, the actor portraying the Oompa Loompas, deserved an Oscar for effort in my book, for the special features indicate how very involved he was with this production. The songs sung by the Oompa Loompas varied significantly from those in the older version. In fact, I enjoyed how each song of admonishment involved a specific genre of music.
Next Violet Beauregard, the competitive one, is turned into a blueberry by chewing gum. And then we have the case of the sad and supremely spoiled Veruca Salt, who ends up getting thrown down a garbage chute by some very judgmental and highly trained squirrels. After each young lady has been expelled from the contest, the Oompa Loompas say adieu with a musical number.
Throughout the film, Wonka has flashbacks about his father. It seems the elder Wonka was a dentist, and he forbade the young Willy to eat candy. Several scenes show Willy Wonka defying the will of his father, which ultimately led Willy to be a world-renowned chocolatier. Though it was nice to have this subplot as an explanation for some of Wonka’s erratic behavior, I found that I like Gene Wilder’s portrayal of Willy Wonka better. He was whimsical and strange, but the film and the actor seemed to offer no explanation as to how he got that way.
Mike Teavee, a young boy with the attention span of a gnat on amphetamines, is the last of the factory’s victims. He decides to teleport himself into a television screen, which I’m sure seemed like a good idea at the time. Teavee is shown in peril as an Oompa Loompa flips the channels. Now incredibly small, Wonka decides that the best remedy for Mike is the taffy pulling machine.
Charlie is the only child left, and Wonka ushers Charlie and Grandpa Joe into the glass elevator. According to the button, they are going up and out. Indeed, they do, eventually stopping when they crash through the roof of the Bucket house. The grand prize is revealed: Willy Wonka is giving Charlie the factory. This becomes impossible when Wonka forces Charlie to choose between factory and family. Eventually, Wonka reconciles his Daddy issues and allows Charlie’s family to stay at the factory.
The visual effects in this film were amazing. As mentioned previously, Deep Roy was incredible as the face of the many Oompa Loompas. I thought the child actors in this film were also impressive in how they perfectly captured their respective vices. Overall, this was a good film. And yet I still miss moments from the older film, especially the poem with “the grisly reaper mowing.” Call me sentimental…