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Eleanor (1463 KP) rated Lies Lies Lies in Books
Aug 17, 2019
Good Twisty Domestic Thriller
A true page turner of a domestic thriller. Despite some hard to read content it was a book I tore through. Some good twists in and some hard hitting themes are dealt with.
Millie is the “miracle” daughter of Daisy and Simon; conceived after a long battle with infertility. Despite the perfect family appearance there are truths covered up by lies and after one fateful night their lives will change forever. The story is told through the alternating perspective views of Daisy and Simon as they reevaluate everything in their lives.
Early on this book deals with Simon and his ever increasing dependence on booze and it’s done in a very hard hitting way giving a really gritty feeling of the life as, and life living with an alcoholic. In particular viewing things from Simon’s perspective offered a really interesting perspective.
I found some of this uncomfortable to read and just wanted to shake the characters into facing their reality head on rather than avoiding difficult conversations with each other. Daisy became a bit too much of a useless protagonist I understand some things are difficult to face up to but throughout the book she really is useless. Unfortunately this is the second book in a row I’ve read with a very weak female lead in it, I don’t mind some vulnerability but show some backbone please or its just too frustrating to read.
The twists are interesting in this although I guessed one of the big ones early on it was still an interesting read and the “baddie” really did make my skin crawl. All in all an uncomfortable but worthwhile thriller, I just would of liked Daisy to be a more developed character.
Millie is the “miracle” daughter of Daisy and Simon; conceived after a long battle with infertility. Despite the perfect family appearance there are truths covered up by lies and after one fateful night their lives will change forever. The story is told through the alternating perspective views of Daisy and Simon as they reevaluate everything in their lives.
Early on this book deals with Simon and his ever increasing dependence on booze and it’s done in a very hard hitting way giving a really gritty feeling of the life as, and life living with an alcoholic. In particular viewing things from Simon’s perspective offered a really interesting perspective.
I found some of this uncomfortable to read and just wanted to shake the characters into facing their reality head on rather than avoiding difficult conversations with each other. Daisy became a bit too much of a useless protagonist I understand some things are difficult to face up to but throughout the book she really is useless. Unfortunately this is the second book in a row I’ve read with a very weak female lead in it, I don’t mind some vulnerability but show some backbone please or its just too frustrating to read.
The twists are interesting in this although I guessed one of the big ones early on it was still an interesting read and the “baddie” really did make my skin crawl. All in all an uncomfortable but worthwhile thriller, I just would of liked Daisy to be a more developed character.
Girlfriends - Series 1
10.0
Rate It
TV Show
Girlfriends follows the lives of three middle-aged women who have been friends since their teenage...
Drama
MelanieTheresa (997 KP) rated Daisy Jones & the Six in Books
Apr 4, 2019
I adored this book.
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
It's so completely different from anything I've recently read. I do love my psychological thrillers, but sometimes it's nice to jump into a totally different world. Daisy Jones & The Six perfectly fits the bill.
There's been so much hype surrounding this book that I'm sure you know the premise by now: set in the mid-sixties through late seventies, Daisy Jones & The Six is about the rise and eventual fall of a fictional rock band. It reads like a Rolling Stone interview, or an episode of Behind the Music, which is an interesting and effective approach to the subject matter. I was immediately immersed in the story, but this also means I flew through it so quickly that I was sad when it was over. It drew me in so completely that I actually forgot this was not a real band.
Sex? ✔ Drugs? ✔ Rock 'n' Roll? ✔
Daisy Jones & The Six has all this and more. I've heard that it bears more than a passing resemblance to Fleetwood Mac's history, which makes sense as the author herself states that she was very much influenced by Fleetwood Mac and Stevie Nicks (a living goddess if there ever was one). Every character is flawed, because, life. The descriptions of the songs, the music, are so complete, I could almost hear them in my head.
Last summer, Amazon ordered a 13-episode limited series of the book. The series will be co-produced by Amazon Studios and Reese Witherspoon’s Hello Sunshine banner. ALSO: Amazon will be distributing original music from the television adaptation exclusively through Amazon Music. ?
And I.Can't.Wait.
?
Victoria - Season 1
7.5
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Victoria comes to the throne at a time of great economic turbulence and resurgent republicanism –...
My Family Season 1
9.0
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TV Season
Ben, a dentist and Susan, the worst cook in the world, are certainly loving, caring parents, they...
Funny dysfunctional family
Keep the Home Fires Burning: The Complete Novel
Book
Return to Great Paxford or join us for your very first visit. Join Frances Barden, Sarah...
LeftSideCut (3778 KP) rated Fresh (2022) in Movies
Apr 6, 2022
Mimi Cave's feature debut is a delightfully slick, quirky, and gruesomely entertaining thriller that dives head first into the perils of dating in the modern world. Its first 30 minutes are pretty light hearted, with a whole bunch of funny moments, and a relatable and likable protagonist in Daisy Edgar-Jones' Noa. The chemistry she shares with Steve (Sebastian Stan) feels natural and the two of them make for an enjoyable couple to watch onscreen, and exactly the same can be said when it goes full horror suddenly. If it wasn't for the fairly aggresive advertising campaign that heavily focused on the cannibal side of the plot, one could be forgiven for thinking that Fresh was a straight up rom-com. The sudden change in vibe is executed nicely, complete with a title card 30 minutes in, and I'm a sucker for that shit.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.
What follows is a sometimes fun, sometimes grim, fight for survival. Edgar-Jones is a solid Final Girl, and Sebastian Stan is picture perfect as the suave psychopath that we've seen a fair few times before at this point, but he's clearly having a blast. It helps no end that he's so well known as Bucky Barnes, ensuring that his sinister role here hits even harder.
The last 40 minutes or so suffer from being quite predictable in how the narrative unfolds, but the films cast and some nice camera work ensure that it crosses the finish line without too many hiccups.
Horror comedy is a sub genre that shows no sign of dying anytime soon, and films like Fresh make sure of that. Definitely worth your attention.
Veronica Pena (690 KP) rated The Great Gatsby in Books
Mar 20, 2020
I'm so disappointed with this book. I know how many people love it and that it's a classic and something almost everyone's read. I was really hoping it would hold up. Almost everyone I asked said they really liked it and they thought I would enjoy it too. I didn't.
Overall, I didn't really get the point of Nick's character. Or Jordan for that matter. It felt like they were just extras and useless. Gatsby is desperate and it comes across so obviously - is that on purpose? Tom is obviously the worst character - he's misogynistic and racist and a hypocrite. And then Daisy. She's just insecure and probably lonely (I'd be really surprised if she wasn't) and I just found her to be so annoying. She heard all these things about Jay and then automatically decided, "well, my sucky husband is alright. I guess I'll stay with him."
I feel like Nick was just supposed to be some outside character, more of a narrator, but if that's what Fitzgerald wanted, why not just narrate? Why have a whole character who is basically useless but being equal parts annoyed and fascinated by his mysterious neighbor? It just didn't really make any sense. Jordan also felt useless. She was there to stir the pot, let Nick in on the gossip, be his kind-of-friend, kind-of-love-interest but not really.
Apparently, I either missed the whole point of the book or it's really that bad and we've all been brainwashed. I'm going to go with the latter, but it very well could be the former. Don't discount my ability to have things go over my head. I guess I should watch the movie now and see what I think. Leonardo DiCaprio, here I come!
Overall, I didn't really get the point of Nick's character. Or Jordan for that matter. It felt like they were just extras and useless. Gatsby is desperate and it comes across so obviously - is that on purpose? Tom is obviously the worst character - he's misogynistic and racist and a hypocrite. And then Daisy. She's just insecure and probably lonely (I'd be really surprised if she wasn't) and I just found her to be so annoying. She heard all these things about Jay and then automatically decided, "well, my sucky husband is alright. I guess I'll stay with him."
I feel like Nick was just supposed to be some outside character, more of a narrator, but if that's what Fitzgerald wanted, why not just narrate? Why have a whole character who is basically useless but being equal parts annoyed and fascinated by his mysterious neighbor? It just didn't really make any sense. Jordan also felt useless. She was there to stir the pot, let Nick in on the gossip, be his kind-of-friend, kind-of-love-interest but not really.
Apparently, I either missed the whole point of the book or it's really that bad and we've all been brainwashed. I'm going to go with the latter, but it very well could be the former. Don't discount my ability to have things go over my head. I guess I should watch the movie now and see what I think. Leonardo DiCaprio, here I come!
Quiet: The Power of Introverts in a World That Can't Stop Talking
7.6
Rate It
Book
Quiet by Susan Cain will change how you think about introverts forever A Sunday Times and New York...
colin... (64 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Sep 30, 2020
So, I'd like to preface this review by saying that I never thought i would. Thank you Star Wars fans. My experience while watching Endgame on opening night was one of the most atrocious theater going experiences I have ever had, with every single person yelping like baboons at every single line or character appearance. The Star Wars fans that showed up to almost sell out my theater were super respectful and didn't make a single peep through the runtime, thus making my experience much more enjoyable and giving me a clearer head to rate this film. Therefore, I have made the assertion that Marvel is the lowest common denominator and Star Wars gains a bit of respect in my books!
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.
Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.
Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.
Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.