LeftSideCut (3776 KP) rated Planet Terror (2007) in Movies
Jan 22, 2021
Planet Terror is a glorious throwback to practical driven and blood soaked video nasties of the 70s and 80s, is super stylized to the point of self aware stupidity, and boasts a fantastic cast - a roll call of who's who in the cinema of Rodriguez/Tarantino.
Of course, Planet Terror is one half of the duos Grindhouse project, and for me, slightly takes the edge over Death Proof. Both films are great and gleefully brimming with tributes to the exploitative sub genre of its namesake, but Planet Terror is just balls to the wall fun, a blast from start to finish.
Its has badass female leads - Cherry Darling, a former go-go dancer with a gun-leg, and Dakota Block, a nurse who shoots trigger functioning syringes full of sedatives at anyone who pisses her off - Rose McGowan and Marley Shelton and both brilliant.
It has Bruce Willis mutating into God knows what. It has Tom Savini and Michael Biehn as zombie fighting sherrifs. It has Sayid from Lost collecting people's testicles in a pickle jar.
And Jesus Christ it has so. much. gore. It must have been a hell of a sticky set to work on to say the least.
To top it all off, it even opens with the now infamous Machete "trailer", with Danny Trejo and motherfucking Cheech Marin.
Planet Terror is a ride as soon as the opening credits start. An absolute must for any horror or grindhouse fan.
Verne Sankey: America's First Public Enemy
Book
In late January of 1934, as authorities delivered John Dillinger to an Indiana jail, the United...
Quiet Until the Thaw
Book
The debut novel from the bestselling author of Don’t Let’s Go to the Dogs Tonight and Leaving...
Fiction
Mike Wilder (20 KP) rated Real Steel (2011) in Movies
May 30, 2018
OK rant over.
This is a good film, not a great film but very good. Hugh Jackman is good in this but to be fair he is good in most things. He gets to show off a bigger range of his acting skills than he has in the X-Men films. He plays Charlie Kenton, a former boxer now heavily in debt due to pushing his fighting robots too hard and expecting more than they can give, like fighting a 300lb bull! This also stars Evangeline Lilly in I believe her first role since the series Lost ended. She is also very good in this. However, the star of the film is Dakota Goya as Max Kenton. He shines as the child thrown together with the father he doesn't know. He enters the world of robot fighting with his father and manages to rescue a robot from a scrap pile. He then convinces his father to enter the robot in the fights. You really get to experience the wonder of the Robots through him. The other star is the robot he rescues, Atom. Although not sentient, the director manages to bring him to life with good camera angles and subtle sounds. You really start to feel for the robot and you manage to forget the fights aren't real. The other very clever part of the film is the setting. It is set in the near future, but the only really futuristic thing is the robots. There are no fancy cars or clothes and this enables you to connect with the film easier.
The climax of the film (at the end!), is a big showdown with the undefeated champion. Instead of just two robots bashing each other, you get Atom, the underdog, controlled by Max, and helped by his father. You see and feel each blow the robot takes and through the acting skills of Dakota Goya, you forget it's a machine and you can't help but cheer him on.
This could have been an average film, but the fine performances by the cast and the skill of the director in bringing Atom to life with just the use of camera shots and clever subtle sounds turns this film in to a joy to watch as you take the journey with father, son and giant robot.
Is That All There is?: The Strange Life of Peggy Lee
Book
"She made you think that she knew who you were, that she was singing only to you..." Miss Peggy Lee...
The Score
John Banville and Richard Stark
Book
You probably haven't ever noticed them. But they've noticed you. They notice everything. That's...
Heather Cranmer (2721 KP) created a post
Jun 10, 2021
Hazel (2934 KP) rated Dakota Burn (Leine Basso #8) in Books
Sep 27, 2019
With an extremely disturbing but, tragically, all too realistic story line, this book contains subject matter which is distasteful and abhorrent to the majority of the "normal" population however, it is treated with respect and restraint by the author.
Excellent and believable characters litter this book from the goodies to the villains with Derek being a particular favourite of mine along with Jinn who gets better and better with each outing. The setting amongst the bleakness of an oil town in North Dakota is perfect and adds to the atmosphere and darkness of the subject matter.
Full of action and a fair amount of violence, this book is written at a quick pace which had me devouring it at every opportunity with the only complaint I have being that I finished it too quickly!
Another hit for me and I have no hesitation in recommending any of them in the series; you don't particularly need to read them in sequence but I would certainly advise that you do in order to get the most out of the characters and to have a greater understanding of their motivations and thought processes.
I must thank the author for sending me a copy in return for a honest and unbiased review - I can't wait for the next one.
Of Wilderness and Wolves
Paul Lester Errington and Matthew Wynn Sivils
Book
"I was a predator, myself, and lived close to the land." With these words, Paul L. Errington begins...
Mark @ Carstairs Considers (2544 KP) rated The Narrows (Harry Bosch, #10; Harry Bosch Universe, #13) in Books
May 22, 2019
While The Poet wasn’t originally part of the Harry Bosch series, this is a direct sequel to that Michael Connelly book. If you haven’t read it, you’ll definitely want to since it spoils twists in that book, and the story here will mean more to you as well. It is obvious to us that these two investigations are going to come together, and Connelly does a great job of keeping us entertained as he lays that ground work. We get plenty of twists as we go along, and the book kept me engrossed until we reached the very end. We get some follow up on the twist in Bosch’s personal life from the end of the previous book, and I enjoyed seeing his character grow as a result. The rest of the cast is just as strong, which is no surprise. We get the story from Bosch’s first-person point of view as well as the third-person point of view of other characters; these switches are never confusing and really enhance the story. Obviously, this is a darker book than my normal cozies, but I knew that going in and that didn’t bother me. This is another masterpiece from a wonderful writer.




