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Movie Metropolis (309 KP) rated Fifty Shades of Grey (2015) in Movies
Jun 10, 2019
A tiresome affair
The Fifty Shades phenomenon is something very hard to calculate. Yes, we know its sold millions of copies worldwide, but its readership is likely to be much higher. I’m sure someone somewhere will know another person who didn’t go out and buy the book, but just borrowed it.
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Daniel Boyd (1066 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 24, 2018 (Updated Oct 24, 2018)
Good ensemble cast (2 more)
Cool set design and use of space
Nice cinematography
Enjoy Your Stay
In this day and age, it is becoming increasingly difficult to go into a movie without already knowing a bunch of information about it. Somehow Bad Times At The El Royale managed that. Even though I was a week late to seeing this movie, I was still able to go into it with very little knowledge about what was going to unfold. That in and of itself is an impressive feat in 2018.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
BankofMarquis (1832 KP) rated Prey (2022) in Movies
Aug 12, 2022
Less Is More - And It Works!
In 1987, at the height of the ‘80’s action movie craze with the likes of Stallone, Van Damme, Segal, Norris and Willis, Arnold Schwarzenegger came out with what on the surface looked like a throw away macho, sci-fi action flick, PREDATOR. What it turned out to be was one of the all-time classic action films.
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
It has taken 35 years for a sequel (in this case, a prequel) to be mentioned in the same stratosphere as the first.
While the other 5 sequels (if you count the Alien vs. Predator cross-over films) delve deeper and harder into the science fiction and macho-action of the first film, the straight-to-streaming prequel PREY (on Hulu and now on Disney+) decided to go in the other direction, it simplified the Predator/Prey dynamic, eschewing deep sci-fi mythology and settled on the “less is more” dictum of storytelling to great affect.
Set in the Midwestern Plains in the 1710’s, PREY follows a group of Comanches as they live their unassuming lifestyle - living off and giving back to the land. A lifestyle that is slowly being encroached upon by foreign entities. At first these “aliens” are terrestrial in nature (the approach of the White Man, in this case, they are in the guise of French Voyageurs), but later, in it takes the form of the extraterrestrial Predator. It’s an interesting juxtaposition of the duo forces outside of what this tribe of Native Americans know - and how they deal with it.
Leading us into the conflict are the main protagonists - the brother/sister combo of Naru (Amber Midthunder, HELL OR HIGHWATER) and her older brother, Taabe (Dakota Beavers, in what is his feature film debut). These 2 - along with their Comanche brethren track and then begin to understand what they are encountering and since they know they are out-gunned, they need to outsmart the Predator.
This could have devolved, quickly, into a gorey, CGI-fest of carnage, but in the careful hands of Director Dan Trachtenberg (10 CLOVERFIELD LANE) and with an interesting screenplay by Trachtenberg and Patrick Aison, this film becomes a thoughtful, intelligence game of wits that is satisfying on both sides.
Midthunder and Beavers are very strong in their roles of the brother and sister Comanches and they are 2 characters that you quickly start rooting for in their battle. These characters are drawn in an interesting, 3-dimensional, way and are a pair that you want to spend these 2 hours of struggle with.
Trachtenberg helps these 2 - and the story - by setting a deliberate pace, as if you the audience are thinking and encountering things along with these 2. There are long bits of thought and talk highlighted by spikes of action that are well choreographed and interesting, but really add to the depths of the characters.
I am as surprised as you are that I encountered an interesting character study in disguise in an action-packed Predator film - but that is just what this is…and very well done to boot.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Louise (64 KP) rated Mad About the Hatter in Books
Jul 2, 2018
I received a free copy of this book to review from Netgalley.
Hatter has been kept prisoner in the red queens dungeons for longer than he can remember. Eventually the day has come, he has been summoned by the Queen herself what can only be for none the less a beheading as everyone knows this is her favourite pastime. To the Hatters amazement she is sparing his head by striking a deal that he can’t refuse (really he can’t refuse) by capturing ‘boy Alice’ – and returning him for a right old head lolloping.
‘Boy Alice’ is in fact Alice’s younger brother Henry(17). He has never believed Alice’s stories of wonderland and always thought she was attention seeking, for which they have never seen eye to eye.
All Henry remembers is Alice apologising after their recent altercation, handing him a glass of punch and telling him to find the Hatter!
Henry finds himself in a mysterious place of oversized flowers and a caterpillar sitting upon a mushroom that speaks in riddles – can it really be Wonderland? Was Alice really an attention seeking twit?.
When Hatter finds Henry they grow to like each other and try to figure a plan to get Henry back to his home but by doing so they have to cross some challenging areas within Wonderland such as the Neverglades and Drawrof, during this adventure the relationship between the Hatter and Henry blossom.
"Rules are merely a fistful of conundrums, obstacles and barriers knotted and twisted together for the sole purpose of sucking the last bit of fun out of every experience"
I loved this book so much! The world-building was amazing that I felt like I was in Wonderland alongside the Hatter and Henry. Every section of Wonderland they crossed was so different from the last and every bit as magical.
The book is only 190 pages so a very fast and easy read. I liked that all the original characters were used and they all had the same traits as from Alice in Wonderland and that new creatures added and were blended in well.
The friendship between Henry and that Hatter was very sweet and heartwarming as they ventured on through the mystical lands and defied death, the feelings for one another become more than companions.
There were some particularly funny moments in the book that did make me laugh out loud as they were quite witty and there were still some essence of nonsense but not as much as Alice in Wonderland.
Alice to me was the only character that I didn’t really feel genuine, it felt a bit forced like she had to been in the book because it was based on Alice in Wonderland by C.S Lewis.
Nearing the end of the book there was a particular cheesy bit that I didn’t really like as it was a bit of a cliché but other than that I thoroughly enjoyed the book. I was sucked in to the magical world that was Wonderland!
I think there is definitely room for a sequel.
"That’s the secret to Wonderland. Believing. It’s what fuels magic"
I would recommend this book for anyone that reads/likes Young Adult and Lite fantasy novels.
I have never read anything else by Dakota Chase, though she has other books published such as ‘Changing Jamie’ and ‘Monster Town’.
Overall I rate this 4 out of 5 stars
Hatter has been kept prisoner in the red queens dungeons for longer than he can remember. Eventually the day has come, he has been summoned by the Queen herself what can only be for none the less a beheading as everyone knows this is her favourite pastime. To the Hatters amazement she is sparing his head by striking a deal that he can’t refuse (really he can’t refuse) by capturing ‘boy Alice’ – and returning him for a right old head lolloping.
‘Boy Alice’ is in fact Alice’s younger brother Henry(17). He has never believed Alice’s stories of wonderland and always thought she was attention seeking, for which they have never seen eye to eye.
All Henry remembers is Alice apologising after their recent altercation, handing him a glass of punch and telling him to find the Hatter!
Henry finds himself in a mysterious place of oversized flowers and a caterpillar sitting upon a mushroom that speaks in riddles – can it really be Wonderland? Was Alice really an attention seeking twit?.
When Hatter finds Henry they grow to like each other and try to figure a plan to get Henry back to his home but by doing so they have to cross some challenging areas within Wonderland such as the Neverglades and Drawrof, during this adventure the relationship between the Hatter and Henry blossom.
"Rules are merely a fistful of conundrums, obstacles and barriers knotted and twisted together for the sole purpose of sucking the last bit of fun out of every experience"
I loved this book so much! The world-building was amazing that I felt like I was in Wonderland alongside the Hatter and Henry. Every section of Wonderland they crossed was so different from the last and every bit as magical.
The book is only 190 pages so a very fast and easy read. I liked that all the original characters were used and they all had the same traits as from Alice in Wonderland and that new creatures added and were blended in well.
The friendship between Henry and that Hatter was very sweet and heartwarming as they ventured on through the mystical lands and defied death, the feelings for one another become more than companions.
There were some particularly funny moments in the book that did make me laugh out loud as they were quite witty and there were still some essence of nonsense but not as much as Alice in Wonderland.
Alice to me was the only character that I didn’t really feel genuine, it felt a bit forced like she had to been in the book because it was based on Alice in Wonderland by C.S Lewis.
Nearing the end of the book there was a particular cheesy bit that I didn’t really like as it was a bit of a cliché but other than that I thoroughly enjoyed the book. I was sucked in to the magical world that was Wonderland!
I think there is definitely room for a sequel.
"That’s the secret to Wonderland. Believing. It’s what fuels magic"
I would recommend this book for anyone that reads/likes Young Adult and Lite fantasy novels.
I have never read anything else by Dakota Chase, though she has other books published such as ‘Changing Jamie’ and ‘Monster Town’.
Overall I rate this 4 out of 5 stars
Gareth von Kallenbach (971 KP) rated Fifty Shades Darker (2017) in Movies
Jun 19, 2019
Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) have returned in “50 Shades Darker” which looks to continue the massive success of the series.
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/
Gareth von Kallenbach (971 KP) rated Hide and Seek (2005) in Movies
Aug 14, 2019
The mind is a deep a complex organ that science still struggles to fully comprehend, despite the countless hours of research and study that have been expended in unlocking the mysteries contained within.
In the new thriller Hide and Seek, audiences are introduced to Dr. David Callaway (Robert De Niro), a Psychologist who is struggling to help his daughter Emile (Dakota Fanning) after the suicide of her mother. David believes that the best option is to move from New York City to a quite area upstate where he can focus on being a father to his daughter, who has become withdrawn despite intense counseling.
Despite opposition from Emily’s therapist and family friend Katherine (Famke Janssen), David and Emily relocate to a scenic and quite location and hour from the city.
At first everything seems to be going well with the move and David meets an attractive young lady named Elizabeth (Elisabeth Shue), who watches over a little girl for another member of her family. Thinking that a friend will snap Emily from her state, David encourages Elizabeth to come to the house.
David is convinced the addition of a friend will encourage Emily to stop talking about an imaginary friend named Charlie who seems to have preoccupied the little girls time. David is convinced that Charlie is a creation of Emily’s psyche that will fade over time especially as she makes friends and copes with the loss of her mother.
Emily instead withdraws even further from people and a series of bizarre and violent events ensue with Emily insisting that Charlie is the reason behind all of them. As David struggles to deal with the ever increasing tension caused by Charlie, he soon becomes caught up in a situation beyond his control.
The setup for the film is good as your mind races with a myriad of possibilities and outcome. Sadly many of my scenarios, and I suspect most of the audience were better and more satisfying then the conclusion of the film. The film quickly degrades into an abundance of absurdities and situations that seem lifted from the Drama 101 textbook as well as a dozen other and better films in the genre.
While the cast does good work with what they have, it is unsatisfying to see talent like Shue and Janssen reduced to minor supporting characters when they could have brought so much more to the film. Worse yet is De Niro seems to be going through the motions as this brilliant and gifted actor is not given any material that will challenge him and let his brilliant method acting shine.
For the first half of the film it is a mostly enjoyable and intriguing film that does hold your attention. However once the so called surprises of the film are revealed and the film moves towards it’s conclusion, you cant help but think that you have been cheated and deserved a much better payoff for sitting through the first hour of the film. Days after seeing it, I am still stunned at how badly the film ended and how such a good premise and talented cast were horribly wasted on a film that had surprisingly no scares or tension as the audience at my press screening sat largely in silence throughout the film.
My advice, save this for a rental as it is at best, a movie of the week quality film.
In the new thriller Hide and Seek, audiences are introduced to Dr. David Callaway (Robert De Niro), a Psychologist who is struggling to help his daughter Emile (Dakota Fanning) after the suicide of her mother. David believes that the best option is to move from New York City to a quite area upstate where he can focus on being a father to his daughter, who has become withdrawn despite intense counseling.
Despite opposition from Emily’s therapist and family friend Katherine (Famke Janssen), David and Emily relocate to a scenic and quite location and hour from the city.
At first everything seems to be going well with the move and David meets an attractive young lady named Elizabeth (Elisabeth Shue), who watches over a little girl for another member of her family. Thinking that a friend will snap Emily from her state, David encourages Elizabeth to come to the house.
David is convinced the addition of a friend will encourage Emily to stop talking about an imaginary friend named Charlie who seems to have preoccupied the little girls time. David is convinced that Charlie is a creation of Emily’s psyche that will fade over time especially as she makes friends and copes with the loss of her mother.
Emily instead withdraws even further from people and a series of bizarre and violent events ensue with Emily insisting that Charlie is the reason behind all of them. As David struggles to deal with the ever increasing tension caused by Charlie, he soon becomes caught up in a situation beyond his control.
The setup for the film is good as your mind races with a myriad of possibilities and outcome. Sadly many of my scenarios, and I suspect most of the audience were better and more satisfying then the conclusion of the film. The film quickly degrades into an abundance of absurdities and situations that seem lifted from the Drama 101 textbook as well as a dozen other and better films in the genre.
While the cast does good work with what they have, it is unsatisfying to see talent like Shue and Janssen reduced to minor supporting characters when they could have brought so much more to the film. Worse yet is De Niro seems to be going through the motions as this brilliant and gifted actor is not given any material that will challenge him and let his brilliant method acting shine.
For the first half of the film it is a mostly enjoyable and intriguing film that does hold your attention. However once the so called surprises of the film are revealed and the film moves towards it’s conclusion, you cant help but think that you have been cheated and deserved a much better payoff for sitting through the first hour of the film. Days after seeing it, I am still stunned at how badly the film ended and how such a good premise and talented cast were horribly wasted on a film that had surprisingly no scares or tension as the audience at my press screening sat largely in silence throughout the film.
My advice, save this for a rental as it is at best, a movie of the week quality film.
Darren (1599 KP) rated The Peanut Butter Falcon (2019) in Movies
Mar 14, 2020
Verdict: Beautiful Movie
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Gareth von Kallenbach (971 KP) rated We Bought a Zoo (2011) in Movies
Aug 7, 2019
From the director of Jerry Maguire and Almost Famous, Cameron Crowe has brought us a great new film starring Mat Damon, Scarlett Johansson, Thomas Hadden Church and up and coming star Elle Fanning. Packed with amazing talent; “We Bought a Zoo” is a heartwarming true story of a man who wants to start over and in doing so, he provides a new life for his young family and his new friends.
Benjamin Mee (Mat Damon), a widowed father of two young children Dylan (Colin Ford) and Rosie (Magie Elizabeth Jones) are in need of a new start. Benjamin’s brother Duncan (Thomas Haden Church) has always provided Benjamin with useless and impractical advice. Only this time he strikes the nail on the head by telling his brother that he has to start over. He teams up with Mr. Stevens (J.B Smoove), a first time real estate agent and his daughter Rosie to find the perfect home to start there new future. When they come across the perfect house it comes with some big responsibilities. The Mee family have just become the new owners of a struggling Zoo (Rosemoore Wildlife Park). The Zoo is run by Kelly Foster (Scarlett Johansson) head zookeeper, Peter, Robin and her cousin Lily (Elle Fanning).They are in need of someone to take charge of the Zoo or it will close forever. With over forty seven animal species, the Zoo is in need of someone with lots of heart and determination to keep it from closing. Although everybody has doubts about Benjamin, even himself, he never gives up. Benjamin and his family are able to start fresh and after an argument here and there among father and son, are able to leave the past behind and look forward to the future.
“We Bought a Zoo” is such a heartwarming true story that will leave you with inspiration. The film is filled with vibrant colors, great cinematography, amazing actors and filled with such inspiration that I would be surprised if it is not in this years Oscar line up. Mat Damon surely delivers in his portrayal of Benjamin Mee. Most children actors don’t go far in the showbiz but great things come in small packages with Magie Elizabeth Jones. At her very young age of seven and her performance in this film I would be surprised if she doesn’t end up being a big star. Elle Fanning and Colin Ford make the perfect young couple and were perfectly paired up as the roles of Colin and Lily and like her sister Dakota Fanning she is becoming a great young actress. I wasn’t very impressed with Scarlett Johansson in this film as she always in my opinion plays the same sort of character in most of her movies with the exception of The Black Widow in the Iron Man films. Though having a somewhat small part in this film, Thomas Haden Church always seems to live up to the characters he portrays especially as Duncan.
This film is one that definitely can not be missed and is a perfect film to kick of the new year. If you love animals and are wanting to see a heartfelt film you will with out a doubt love this film and is definitely Oscar worthy. I left the theater feeling inspired and wanting to help animals that are going extinct. Big cats are disappearing at an alarming rate and with our help we can cause an uproar. To help go to causeanuproar.org to help.
Benjamin Mee (Mat Damon), a widowed father of two young children Dylan (Colin Ford) and Rosie (Magie Elizabeth Jones) are in need of a new start. Benjamin’s brother Duncan (Thomas Haden Church) has always provided Benjamin with useless and impractical advice. Only this time he strikes the nail on the head by telling his brother that he has to start over. He teams up with Mr. Stevens (J.B Smoove), a first time real estate agent and his daughter Rosie to find the perfect home to start there new future. When they come across the perfect house it comes with some big responsibilities. The Mee family have just become the new owners of a struggling Zoo (Rosemoore Wildlife Park). The Zoo is run by Kelly Foster (Scarlett Johansson) head zookeeper, Peter, Robin and her cousin Lily (Elle Fanning).They are in need of someone to take charge of the Zoo or it will close forever. With over forty seven animal species, the Zoo is in need of someone with lots of heart and determination to keep it from closing. Although everybody has doubts about Benjamin, even himself, he never gives up. Benjamin and his family are able to start fresh and after an argument here and there among father and son, are able to leave the past behind and look forward to the future.
“We Bought a Zoo” is such a heartwarming true story that will leave you with inspiration. The film is filled with vibrant colors, great cinematography, amazing actors and filled with such inspiration that I would be surprised if it is not in this years Oscar line up. Mat Damon surely delivers in his portrayal of Benjamin Mee. Most children actors don’t go far in the showbiz but great things come in small packages with Magie Elizabeth Jones. At her very young age of seven and her performance in this film I would be surprised if she doesn’t end up being a big star. Elle Fanning and Colin Ford make the perfect young couple and were perfectly paired up as the roles of Colin and Lily and like her sister Dakota Fanning she is becoming a great young actress. I wasn’t very impressed with Scarlett Johansson in this film as she always in my opinion plays the same sort of character in most of her movies with the exception of The Black Widow in the Iron Man films. Though having a somewhat small part in this film, Thomas Haden Church always seems to live up to the characters he portrays especially as Duncan.
This film is one that definitely can not be missed and is a perfect film to kick of the new year. If you love animals and are wanting to see a heartfelt film you will with out a doubt love this film and is definitely Oscar worthy. I left the theater feeling inspired and wanting to help animals that are going extinct. Big cats are disappearing at an alarming rate and with our help we can cause an uproar. To help go to causeanuproar.org to help.
Debbiereadsbook (1092 KP) rated Smith's Corner: Hunter and Holden (The Heartwood Series #6) in Books
May 13, 2022
Long time coming, but these boys do not disappoint, no ma'am they do not!
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Gareth von Kallenbach (971 KP) rated Push (2009) in Movies
Aug 14, 2019
Inside a secure facility a woman named Kira (Camilla Belle), is about to be injected with an experimental drug that will soon set a chain of events into motion that will turn Hong Kong into a battleground. The facility is operated by the ultra secret agency known as “The Division” who are tasked with locating, controlling, training, and at times, eliminating those who possess psychic abilities as they endeavor to create an army of highly trained specialists with psychic abilities.
In the new action film “Push”, Chris Evans stars as Nick Grant, a man who has tried to keep a low profile after seeing his father murdered by Division ten years earlier. Nick has taken refuge in Hong Kong in an effort to stay away from Division as he has no desire to get involved with their or for that matter, anyone’s agenda or cause.
Nick has become indebted to several local thugs due to his gambling, and his inability to fully use his psychic ability to move objects with his mind and when Division arrives looking for a runaway, Nick is eager to get out of town before he gets dragged into the conflict.
Shortly after the Division agents leave his home, Nick is visited by a young girl named Cassie (Dakota Fanning), who informs him that they need to work with one another to earn 6 million dollars and save themselves. While Nick is hesitant, he remembers that is late father told him a young girl would one day give him a flower and when she comes, he must do as she says.
Before long, Nick and Cassie are attacked by a local gang who like Cassie and Nick are able to use psychic abilities. After a narrow escape, Nick learns that Cassie is able to see the future and she has learned that the woman that Division is seeking is vital as she has stolen a valuable drug that they need to enhance the psychic abilities of those they inject. They fact that the drug has proven fatal to everyone injected aside from Kira and would command a huge price has Division, Nick, Cassie, and the local gang scrambling to locate Kira. Cassie has also informed Nick that she sees both Nick and her dying as a result of their involvement and must find a way to change their fates.
As if matters were not complicated enough, leading the Division search is Henry Carver (Djimon Hounsou), the same man behind the death of Nick’s father. Carver will stop at nothing to retrieve Kira and the missing drug, and he and his dangerous minions do not care how many people die along the way.
“Push” is an interesting film that puts the focus on the characters rather than FX. While there is action in the film, it does not dominate the film. The neon and crowded streets of Hong Kong serve as a perfect backdrop to the film and the strong work by Evans and Fanning make them a winning combination as does the interesting premise of the film. While the film does lose some of its pacing along the way as it seems unsure if it wants to be an all out action flick, or a drama, the film rebounds and provides a conclusion which is an obvious lead for a sequel.
While some people have commented to me that the movies seems like a rip off of Heroes, I found it to be fresher and more entertaining than the show, which in my opinion has be coasting since the spectacular first 12 episodes.
In the end, “Push” has just enough action and originality to combine with the charismatic and interesting cast to make an enjoyable movie experience.
In the new action film “Push”, Chris Evans stars as Nick Grant, a man who has tried to keep a low profile after seeing his father murdered by Division ten years earlier. Nick has taken refuge in Hong Kong in an effort to stay away from Division as he has no desire to get involved with their or for that matter, anyone’s agenda or cause.
Nick has become indebted to several local thugs due to his gambling, and his inability to fully use his psychic ability to move objects with his mind and when Division arrives looking for a runaway, Nick is eager to get out of town before he gets dragged into the conflict.
Shortly after the Division agents leave his home, Nick is visited by a young girl named Cassie (Dakota Fanning), who informs him that they need to work with one another to earn 6 million dollars and save themselves. While Nick is hesitant, he remembers that is late father told him a young girl would one day give him a flower and when she comes, he must do as she says.
Before long, Nick and Cassie are attacked by a local gang who like Cassie and Nick are able to use psychic abilities. After a narrow escape, Nick learns that Cassie is able to see the future and she has learned that the woman that Division is seeking is vital as she has stolen a valuable drug that they need to enhance the psychic abilities of those they inject. They fact that the drug has proven fatal to everyone injected aside from Kira and would command a huge price has Division, Nick, Cassie, and the local gang scrambling to locate Kira. Cassie has also informed Nick that she sees both Nick and her dying as a result of their involvement and must find a way to change their fates.
As if matters were not complicated enough, leading the Division search is Henry Carver (Djimon Hounsou), the same man behind the death of Nick’s father. Carver will stop at nothing to retrieve Kira and the missing drug, and he and his dangerous minions do not care how many people die along the way.
“Push” is an interesting film that puts the focus on the characters rather than FX. While there is action in the film, it does not dominate the film. The neon and crowded streets of Hong Kong serve as a perfect backdrop to the film and the strong work by Evans and Fanning make them a winning combination as does the interesting premise of the film. While the film does lose some of its pacing along the way as it seems unsure if it wants to be an all out action flick, or a drama, the film rebounds and provides a conclusion which is an obvious lead for a sequel.
While some people have commented to me that the movies seems like a rip off of Heroes, I found it to be fresher and more entertaining than the show, which in my opinion has be coasting since the spectacular first 12 episodes.
In the end, “Push” has just enough action and originality to combine with the charismatic and interesting cast to make an enjoyable movie experience.