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Andy Coolquitt
Blaffer Art Museum, Rachel Hooper, Dan Fox and Matthew Higgs
Book
Andy Coolquitt makes objects and environments that exist in symbiosis with human relationships....
Merissa (11731 KP) rated Misdemeanor (Responsible Adult #1) in Books
Jul 4, 2017
Misdemeanor (Responsible Adult #1) by C.F. White
Now, first thing I must say is that if you are looking for something light and fluffy, full of sparkles and rainbows, then you have definitely got the wrong book! Misdemeanor is a dark, gritty piece of work, telling how one man is trying to do the right thing after doing so many wrong things. How he doesn't think he deserves help, or anything good in his life, and the reasons why. You find out just how hard he is trying, and Micky will worm his way into your emotions without you even realising it. As for Flynn, well, I dare you to deny him entrance to your heart!
Dan and Micky appear to be complete opposites, but they are just what the other needs. With funny situations to lighten up the darkness at times, this is a hard-hitting book that will stay with you. Trust me, it's not all good. And at times characters act like first-class jerks, but that just gives it that slice of realism.
With two outstanding main characters, plus a host of brilliant supporting characters, this book is exceptionally written and with no editing or grammatical errors that disrupted my reading flow. It does end on one helluva cliffhanger though, so fair warning! An excellent start to the series, and I can't wait to read more. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dan and Micky appear to be complete opposites, but they are just what the other needs. With funny situations to lighten up the darkness at times, this is a hard-hitting book that will stay with you. Trust me, it's not all good. And at times characters act like first-class jerks, but that just gives it that slice of realism.
With two outstanding main characters, plus a host of brilliant supporting characters, this book is exceptionally written and with no editing or grammatical errors that disrupted my reading flow. It does end on one helluva cliffhanger though, so fair warning! An excellent start to the series, and I can't wait to read more. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Eccentric Orbits: The Iridium Story - How a Single Man Saved the World's Largest Satellite Constellation from Fiery Destruction
Book
In the early 1990s, Motorola, the legendary American company, made a huge gamble on a revolutionary...
LeftSideCut (3778 KP) rated Nightmare Alley (2021) in Movies
Feb 5, 2022
In short, Nightmare Alley is a sometimes plodding and bloated piece that gets by thanks to a hugely pleasing aesthetic, and a great cast.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.
Top Christmas Songs, Music & Carols with Lyrics: Holiday Edition
Music and Entertainment
App
"Voted No. 1 Christmas Music App in the AppStore!" "All Time Christmas Classics That Never Gets...
Rage
Book
Woodward, the No 1 international bestselling author of Fear: Trump in the White House, has uncovered...
Whatchareadin (174 KP) rated The House Girl in Books
May 10, 2018
Carolina Sparrow is a first year lawyer working in New York City. She is great at her job and her boss, Dan has told her that she is on track to become an excellent lawyer. Josephine Bell is a slave at the Bell Plantation in southern Virginia. It is the mid-1800's and she is ready to leave the slave life for something better. When a company contacts Lina's law firm to collect reparations for the slaves, Lina is given the task of finding a plaintiff who is a direct descendant of a slave. When Luann Bell's artwork comes into question at a local art exhibit, claiming the work could have been done by her house girl, Josephine, Lina uses this opening to find the plaintiff she may need. The book takes us back and forth between Lina and Josephine. Lina, trying to find a direct descendant of Josephine Bell and Josephine, trying to escape the Bell Plantation.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
graveyardgremlin (7194 KP) rated Patricia Briggs' Mercy Thompson: Homecoming in Books
Feb 15, 2019
Hmm...how to start? The first graphic novel featuring Mercy Thompson is a mixed bag; the story as a whole is perfectly fine, it may not be great but it's serviceable. The illustrations are very good and attractive, however Mercy herself is not. Well, okay, the girl(s) is actually drawn well, but she's not Mercy. My first thought was, "When did Mercy go from being Native American/white to Hispanic?" Even though there are different artists and styles of Mercy used in this book, like many graphic novels employ, none of them come close to matching her description. Save the cover illustration which is done by the same artist who does the full-length novel covers, Dan Dos Santos. Since she is the main character, I really think that is vital and hope the artists work on that for the next book. As for the dialogue, it's rather mediocre, sometimes choppy, and a few times didn't follow a logical sequence. I'd be reading along, then a sentence or statement would pop up that made me think I missed something somehow, so I'd proceed to go back, then find out I didn't miss anything after-all, and it just didn't make sense with everything around it. My last complaint has to do with how the book reads and the panel progression. The way the panels and speech balloons were set led to much confusion, I'd read one panel, move on to the next just to find out I should have read that one first. I have read graphic novels before and never had as many problems with them as I did with this one. I felt that more panels would have helped tell the story and there wouldn't be so much confusion as to what had actually happened. Still, the book isn't totally bad, it's a good starting place, but hopefully everyone involved will learn from this first graphic novel so the next will be better executed. I'd say that if you're not into graphic novels, that you should give it a pass unless you absolutely must read everything Mercy Thompson related.
Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art
Book
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world...
Lee (2222 KP) rated The Rental (2020) in Movies
Sep 2, 2020
Business startup partners Charlie (Dan Stevens) and Mina (Sheila Vand) are celebrating the success of their company by looking at Airbnb rentals for a weekend getaway. As Mina casually rests on Charlie, looking over his shoulder at the amazing, but expensive house they’re thinking of renting, you get the impression they are a couple. That is, until Charlie’s brother Josh (Jeremy Allen White) walks in, and we learn that it is Josh and Mina who are together. And that the weekend trip is to include Charlie’s wife Michelle (Alison Brie).
Some obstacles to a perfect weekend arise before the foursome even make it to their rented house. Josh has decided to bring along his dog, Reggie, a violation of the homeowners no-pets rule, and Mina is concerned that the homeowner may be racist. She had tried to book the exact same house just an hour before Charlie did but was turned down, and she believes her Middle-Eastern name (her surname is Mohammadi) was the reason.
They arrive at the idyllic house, set out in the woods and right by the ocean, where they are greeted by the caretaker, and brother of the homeowner, Taylor (Toby Huss). He’s not exactly a welcoming barrel of laughs though – unhappy at the group for arriving an hour late and definitely giving off some racist vibes towards Mina which only add fuel to the concerns she’d raised in the car earlier.
With Taylor gone, the couples begin to settle into their weekend break with some music, drink and drugs. When Josh and Michelle decide to get an early night in preparation for a planned hike the next day, business partners Charlie and Mina decide to go and try out the hottub. And, well, I’m sure you can figure out how much of a mistake that turns out to be. To top it all off, somebody seems to be watching the group from afar…
The Rental is the directorial debut of actor Dave Franco. It’s a horror movie, but spends half of its 88 minute runtime with very little happening at all. If it wasn’t for the foreboding music, and the occasional hint at some sort of stalker, you’d think this was just a drama about two couples getting themselves into a whole heap of trouble in a strangers house.
When things do begin to shift, some potentially interesting twists and plot setups quickly fall by the wayside, as The Rental slips into being just a very generic slasher movie with nothing we haven’t seen before. I suddenly realised just how interesting that first half was in comparison and what a waste of a great cast it was.
Some obstacles to a perfect weekend arise before the foursome even make it to their rented house. Josh has decided to bring along his dog, Reggie, a violation of the homeowners no-pets rule, and Mina is concerned that the homeowner may be racist. She had tried to book the exact same house just an hour before Charlie did but was turned down, and she believes her Middle-Eastern name (her surname is Mohammadi) was the reason.
They arrive at the idyllic house, set out in the woods and right by the ocean, where they are greeted by the caretaker, and brother of the homeowner, Taylor (Toby Huss). He’s not exactly a welcoming barrel of laughs though – unhappy at the group for arriving an hour late and definitely giving off some racist vibes towards Mina which only add fuel to the concerns she’d raised in the car earlier.
With Taylor gone, the couples begin to settle into their weekend break with some music, drink and drugs. When Josh and Michelle decide to get an early night in preparation for a planned hike the next day, business partners Charlie and Mina decide to go and try out the hottub. And, well, I’m sure you can figure out how much of a mistake that turns out to be. To top it all off, somebody seems to be watching the group from afar…
The Rental is the directorial debut of actor Dave Franco. It’s a horror movie, but spends half of its 88 minute runtime with very little happening at all. If it wasn’t for the foreboding music, and the occasional hint at some sort of stalker, you’d think this was just a drama about two couples getting themselves into a whole heap of trouble in a strangers house.
When things do begin to shift, some potentially interesting twists and plot setups quickly fall by the wayside, as The Rental slips into being just a very generic slasher movie with nothing we haven’t seen before. I suddenly realised just how interesting that first half was in comparison and what a waste of a great cast it was.