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The Amazing Spider-Man 2 (2014)
6.0
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Spider-Man fights to save New York from the sinister forces of OsCorp, a criminal known as the...
Marvel Superheroes Peter Parker Harry Osborn
The Place Beyond The Pines (2013)
6.7
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A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn...
Ryan Gosling heist drama crime
Chronicle (2012)
6.9
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In this tense, mind-bending thriller, three high school friends who make an extraordinary discovery...
Russ Troutt (291 KP) rated The Kid (2019) in Movies
Jun 28, 2019
One of my favorite genres that I don't feel we get enough quality movies of these days is western. The silver lining in that is in the over saturated world of movies and television today when a good one does get made it really shines. Directed by the amazingly talented Vincent D'Onofrio and starring a wonderful cast, including D'Onofrio's daughter, Ethan Hawke, Dane DeHaan(who reminds me of a young Leonardo DiCaprio), and Chris Pratt as a bad guy which was cool to see, The Kid shines brighter than a sheriff's badge during a gunfight at high noon.
Leap! (Ballerina) (2017)
7.2
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Starring: Elle Fanning, Dane DeHaan, Maddie Ziegler, Carly Rae Jepsen Felicie has one dream, to...
A Cure For Wellness (2017)
6.4
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An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious...
Sarah (7798 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Apr 2, 2018
All style, no substance
It's a shame that Luc Besson has resorted to this. Considering his previous films, this should have been so much better.
The opening title scene starts off fairly well, it's just a shame that it then goes badly downhill with the introduction of Valerian and Laureline. The script is terrible and very cringeworthy, and it isn't helped by the lack of real chemistry between Dane DeHaan and Cara Delavigne. The plot is very weak and really drags out its 2+ hour run time, and it's very predictable. I have no idea as to why they felt the need to include Ethan Hawke and Rihanna, as their part of the plot was filler at best and could've easily been removed with little effect to the overall outcome. The visual effects are fantastic, it's just a shame they've concentrated on this instead of sorting out the horrendous script and weak plot.
The opening title scene starts off fairly well, it's just a shame that it then goes badly downhill with the introduction of Valerian and Laureline. The script is terrible and very cringeworthy, and it isn't helped by the lack of real chemistry between Dane DeHaan and Cara Delavigne. The plot is very weak and really drags out its 2+ hour run time, and it's very predictable. I have no idea as to why they felt the need to include Ethan Hawke and Rihanna, as their part of the plot was filler at best and could've easily been removed with little effect to the overall outcome. The visual effects are fantastic, it's just a shame they've concentrated on this instead of sorting out the horrendous script and weak plot.
okletmereviewit (4 KP) rated A Cure For Wellness (2017) in Movies
May 11, 2018
Strange Psychological Thriller
This movie is dry but gripping. You start off the movie with a young business executive (Lockhart played by Dane DeHaan) being whisked away on a train heading through scenic Swiss countryside. He has been charged with the task of returning a top level CEO (Pembroke played by Harry Groener) who has to return to New York to broker a merger. The movie from the get go does a lot of jumping around. One moment you are watching scenes from the past thinking it is part of the present, and then you realize that you catching memories. But when they come into play they really make no sense to what is happening on screen at that moment.
Its not a horrible movie, just kind of dry with a lot of jumping around from one moment to the next. At points in the movie you feel a bit confused, and with the twists and turns you begin to wonder if what is happening is a delusion or if it is some type of dream state.
All in all its a good movie if you have about 2hrs to dedicate to it. But if you love psychological thrillers, beautiful scenery's, and twisted plot lines, you are sure to love this movie.
Its not a horrible movie, just kind of dry with a lot of jumping around from one moment to the next. At points in the movie you feel a bit confused, and with the twists and turns you begin to wonder if what is happening is a delusion or if it is some type of dream state.
All in all its a good movie if you have about 2hrs to dedicate to it. But if you love psychological thrillers, beautiful scenery's, and twisted plot lines, you are sure to love this movie.
Movie Metropolis (309 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 11, 2019
A film that never needed to exist
Marc Webb’s first attempt at being behind the lens of a Marvel film was 2012’s The Amazing Spider-Man. Just five years after Sam Raimi concluded his trilogy with Tobey Maguire in the tight fitting suit, Andrew Garfield donned the iconic costume in a film that was good if a little unnecessary. Here, Webb returns just two years later with The Amazing Spider-Man 2, but can it prove its worth?
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
Gareth von Kallenbach (965 KP) rated Lawless (2012) in Movies
Aug 7, 2019
Prohibition means profit to the bootlegging Bondurant brothers, until a new deputy appears wanting a cut of the action. When the family, led by oldest brother Forrest (Tom Hardy), refuses, it ignites a pattern of violent lawless retribution between the corrupt local authorities and the moonshine-selling brothers.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.
While adapted from the pages of a successful book, the plot of “Lawless” portrays a familiar story. A young romance slated against the challenges of a family who is literally and metaphorically, sticking to their guns. The brilliance of the film exists in the vivid set work, understated characterization, and graphic portrayals of unbridled yet historically accurate punishments.
There are bullet holes everywhere in this wild land of violence. The depictions of torture, while not the most graphically intensive in cinema, are characterized by psychological malice. The result is a film that manages to entirely pull the viewer into a different, much less civilized, time.
Led and narrated by seasoned actor, Shia LaBeouf, as the youngest brother, Jack Bondurant, the role is hardly a challenge. Yet his performances only stands out when supported by other cast members, such as the gangster Floyd Banner, played by Gary Oldman. And while LaBeouf’s performance is not a great as it could be, it shines next to his lackluster costar, Mia Wasikowska as Bertha Minnix the forbidden preacher’s daughter and object of young Jack’s eye.
The best performance in the film is not the lead, but that of his brother Forrest who dispenses well-timed wisdom or humor even in direst situations. Further helping in the films success are the supporting characters; the third Bondurant brother, Howard (Jason Clarke), mechanically gifted family friend, Cricket Pate (Dane DeHaan), and city wise beauty Maggie Beauford (Jessica Chastain).
While not as impressive as expected, the slow but steady story and complex visceral nature of “Lawless”, make it a film that is worth the price of a ticket, for anyone who can make it through the squeamish bits.