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Sarah (7798 KP) rated Line of Duty - Season 3 in TV
May 12, 2019
Another excellent series
I’m starting to feel like a broken record reviewing Line of Duty, but it really is a highly entertaining and gripping show, and is showing now signs of slowing down.
Without going into spoiler territory, this series (despite not being the last) very much wraps up a number of outstanding storylines carried over from the first to series and it does so in a very satisfying way. A lot of shows would be willing to drag these out but not Line of Duty. Instead they’ve brought all of these storylines to a head in a thrilling and action packed manner. I won’t lie, the storyline was maybe a bit predictable in parts as we as the viewers always know more than the characters themselves, but this didn’t really matter that much as it was just good to enjoy the ride. I do like how the plot also tied into relevant historic cases that are current in the UK at the moment, made it a lot more realistic! My only criticism really is that Daniel May was brilliant, but perhaps a little underused but then when you see how the story pans out, it’s understandable. There are a lot of nasty and unlikeable characters in this, and it’s nice to see them get their comeuppance.
Without going into spoiler territory, this series (despite not being the last) very much wraps up a number of outstanding storylines carried over from the first to series and it does so in a very satisfying way. A lot of shows would be willing to drag these out but not Line of Duty. Instead they’ve brought all of these storylines to a head in a thrilling and action packed manner. I won’t lie, the storyline was maybe a bit predictable in parts as we as the viewers always know more than the characters themselves, but this didn’t really matter that much as it was just good to enjoy the ride. I do like how the plot also tied into relevant historic cases that are current in the UK at the moment, made it a lot more realistic! My only criticism really is that Daniel May was brilliant, but perhaps a little underused but then when you see how the story pans out, it’s understandable. There are a lot of nasty and unlikeable characters in this, and it’s nice to see them get their comeuppance.
Awix (3310 KP) rated The Girl in the Spider's Web (2018) in Movies
Dec 4, 2018
Another attempt at converting Stieg Larssen's very-popular-about-ten-years-ago characters into viable English-language multiplex fare. Film opens with implied child abuse followed by implied domestic violence (there's a lot of implication, in order to avoid the 18 certificate that scuppered the box office of the Daniel Craig/Rooney Mara movie), but this is mainly to set an authentically grim tone - the plot could fairly easily be retooled for one of the Bourne movies, as evil secret organisation tries to get its hands on apocalyptic McGuffin, hero gets framed for doing nasty things, and so on.
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
Gareth von Kallenbach (965 KP) rated Tomb Raider (2018) in Movies
Jun 19, 2019
The third film in the “Tomb Raider” film series has arrived and much like
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
Sassy Brit (97 KP) rated Become The Force: 9 Lessons on Living as a Master Jedi in Books
Jun 5, 2019
Become the Force: 9 Lessons on How to Live as a Jediist Master (For Everyone Who Loves Star Wars) is written by Daniel M. Jones, Theresa Cheung.
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Yes, I know what you are thinking! On the surface this does seem a bit of a giggle, but underneath it’s full of light goodness and that is simply a mix of being a good person over a bad person, and seeing the light side as opposed to the dark.
Disclosure: I am a Star Wars fan and I admit to taking a stand and putting my religion down as a Jedi Knight back in the last census of 2001. (Yep, I was one of those naughty people). Partly because of the protest but also partly because I’d always fancied myself as a Jedi Knight and it seemed a bit of a laugh at the time to say my religion was Jediism.
But that’s just it, whether you can truly classify it as a religion or not, this is more about a philosophy of being kind to yourself and each other. Many such teachings have been clearly taken from a mixture of Zen like “religions” as a way to understand your ‘self’ and to help make positive changes in our fast-moving, often stressful world.
In many ways I’d love to follow this path, yet I do see how some may never actually take this seriously, purely on account that some of these philosophies are based on the films, although not as heavily as some groups are. Yes there are other sects that differ and are more about the films than the mindfulness.
And that’s just what it is, mindfulness, living in the present and CBT techniques.
Believing in an energy force which surrounds us and is in all living things may sound like something out of a science fiction book, but it’s not. We are all living, breathing energy.
The author discusses spiritualist principles and ideas from great thinkers throughout history – from Plato to modern day Alan Watts (who proposed that Buddhism could be thought of as a form of psychotherapy and not a religion), and of course it goes without saying, our great philosopher Yoda, too!
I’m impressed at how this book has been put together, and that it is not as crazy as I first thought it might be! lol
Matthew Krueger (10051 KP) rated the Xbox One version of Amnesia: A Machine For Pigs in Video Games
Nov 14, 2020
Scary and Spooky
Amnesia: A Machine For Pigs- is a terrorfying, horrorfying, spooky, scary, creepy game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
The game features several interlocking storylines. Some take place in the past, some in the present, and some are overtly real while some may be imagined. Set in London on New Year's Eve, 1899, the game's protagonist is Oswald Mandus, a wealthy industrialist and butcher who is implied to be the great grand-nephew of Daniel, the protagonist of Amnesia: The Dark Descent.
The game is a survival horror game played from a first-person perspective.
Players explore the environments using a lantern, with diary entries and notes providing information on the lost memory of the title character. While the core of the game remains the same between the two, some elements of The Dark Descent have been removed for A Machine for Pigs, while new elements have been added, one reason being to provide a fresh gameplay experience to players of The Dark Descent.
Most of the puzzles are based on physically interacting with the environment because of this change. The sanity mechanic of the first game has been removed, meaning that the darkness and looking at the creatures no longer cause any drawbacks. Health lost when Mandus is injured, will regenerate after a certain period of time; thereby eliminating the need to find vials of laudanum to restore health as in The Dark Descent.
The game's level design has been touted as "significantly different" from that of The Dark Descent, with larger areas and outdoor environments included. AI was also adjusted to ensure players are unable to predict enemy behavior based on their experiences with the original game.
Its a excellent survival game.
365Flicks (235 KP) rated Lost Cat Corona (2017) in Movies
Nov 20, 2019
Holy shit people… Its Ralph freaking Macchio… I have got to admit its been some time since I saw Daniel Larusso in a movie so of course I was gonna sit down and watch this flick, what I did not expect was to find a whole cast of actors that maybe never set the world on fire but I have a certain affinity for.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Gareth von Kallenbach (965 KP) rated Big Hero 6 (2014) in Movies
Jun 19, 2019
Mixing Anime with the cutting edge animation that Disney is famous for, “Big Hero 6” is the latest offering from the studio legendary for animated classics.
The film is sent in a near-future San Francisco which is now known as San Fransokyo and follows a boy genius named Hiro (Ryan Potter) who along with his older brother Tadashi (Daniel Henney) lives with his Aunt after being orphaned.
Hiro is very good at designing fighting robots and despite it being illegal; he has managed to earn himself some nice money winning fights on the underground circuit.
His brother wants him to do better and takes him to his college, and encourages him to enroll and follow him and his friends in helping build a better tomorrow.
Hiro opts to enter a technology showcase and blows away the competition which ensures him a place in the school and working with his brother and his team.
At the moment of his greatest triumph, tragedy strikes and Hiro finds himself in deep depression and unwilling to enter school and complete his education. When a freak discovery leads Hiro to learn that his invention has been stolen by a mysterious figure in a Kabuki mask, Hiro must use his knowledge along with Baymax (Scott Adsit), a medical robot designed by his brother to save the day.
Hiro is not without help as aside from complex fighting and flight tools and armor added to Baymax, Hiro enlists and equips his brother’s friends to form an elite fighting unit.
As the team gets closer to the mystery the danger grows, and Hiro must grow beyond his years to do what is right and learn some hard life lessons in the process.
The film is a bit slow to start and parents will want to note the PG rating as it may be a bit dark and intense for younger viewers.
Old viewers may get a bit impatient with the setup but after the first 45 minutes the film gets down to great characters and action which are the selling points of the film.
It was very clear to me that Disney was aiming the film mainly to the Asian markets and to fans of anime but I found the characters growing on me as it went along and I really enjoyed the 3D animation which was wonderful to behold.
In the end it was a pleasant enough introduction to what I hope is the first of many films in the series. Eagle eyed viewers will want to look carefully for a Stan Lee cameo as it is one to enjoy as is this charming new franchise film from Disney.
http://sknr.net/2014/11/07/big-hero-6/
The film is sent in a near-future San Francisco which is now known as San Fransokyo and follows a boy genius named Hiro (Ryan Potter) who along with his older brother Tadashi (Daniel Henney) lives with his Aunt after being orphaned.
Hiro is very good at designing fighting robots and despite it being illegal; he has managed to earn himself some nice money winning fights on the underground circuit.
His brother wants him to do better and takes him to his college, and encourages him to enroll and follow him and his friends in helping build a better tomorrow.
Hiro opts to enter a technology showcase and blows away the competition which ensures him a place in the school and working with his brother and his team.
At the moment of his greatest triumph, tragedy strikes and Hiro finds himself in deep depression and unwilling to enter school and complete his education. When a freak discovery leads Hiro to learn that his invention has been stolen by a mysterious figure in a Kabuki mask, Hiro must use his knowledge along with Baymax (Scott Adsit), a medical robot designed by his brother to save the day.
Hiro is not without help as aside from complex fighting and flight tools and armor added to Baymax, Hiro enlists and equips his brother’s friends to form an elite fighting unit.
As the team gets closer to the mystery the danger grows, and Hiro must grow beyond his years to do what is right and learn some hard life lessons in the process.
The film is a bit slow to start and parents will want to note the PG rating as it may be a bit dark and intense for younger viewers.
Old viewers may get a bit impatient with the setup but after the first 45 minutes the film gets down to great characters and action which are the selling points of the film.
It was very clear to me that Disney was aiming the film mainly to the Asian markets and to fans of anime but I found the characters growing on me as it went along and I really enjoyed the 3D animation which was wonderful to behold.
In the end it was a pleasant enough introduction to what I hope is the first of many films in the series. Eagle eyed viewers will want to look carefully for a Stan Lee cameo as it is one to enjoy as is this charming new franchise film from Disney.
http://sknr.net/2014/11/07/big-hero-6/
Sassy Brit (97 KP) rated You Should Have Left in Books
Jun 5, 2019
by author Daniel Kehlmann is imaginatively written in such a way that you’re reading a scriptwriter’s notes from his notebook, as he is writing them. The main character bares his soul about his life, his thoughts and dreams. Much of it is mundane everyday stuff, until you realise that what is being said actually has a very different meaning. Darker and more horrific than it at first may seem.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Gareth von Kallenbach (965 KP) rated X-Men Origins - Wolverine (2009) in Movies
Aug 14, 2019
The 2009 summer movie season has arrived with the releases of “X-Men Origins: Wolverine”, which once again stars Hugh Jackman in the role of the razor clawed Wolverine.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
The film follows the characters origins in the mid 1800’s and how circumstances forced a young Logan to leave his home and spend the years hiding who he was.
With the only link to his past, a fellow mutant named Victor (Liev Schrieber), Logan and Victor ride out the years side by side taking part in wars ranging from The Civil War to Vietnam all the while trying as best as they can to hide their true nature.
When Victor starts to enjoy killing too much, and Logan tries to intercede, the duo find themselves the subject of unwanted attention in the guise of an officer named William Styker (William Houston), who recruits the duo to be part of a special team.
Victor and Logan find themselves part of a team of special powered operatives which includes the marksman Agent Zero (Daniel Henney), the Blade twirling Deadpool (Ryan Reynolds), The Blob (Kevin Durand), Bolt (Dominic Monaghan), and more. When an operation goes too far, Logan turns his back on the team for a peaceful life as a lumberjack and lives for years in peace with a woman named Kayla (Lynn Collins) very much in love.
Try as Logan may to escape his past, he is unable to when Stryker arrives and tells him that someone is hunting down the former team. Logan ignores the warning and is devastated when Victor is revealed to be behind the killings and strikes a devastating blow to Logan.
With nowhere to go, Logan agrees to Stryker’s plan and undergoes an experiment which infuses his body with the indestructible Adamantium but soon finds himself again on the run when he is betrayed and learns the true nature of Stryker’s plans.
In a race against time, Logan must find the mysterious Island where Stryker has captured several mutants for his experiments and exact his revenge.
The new film was plagued by rumors of issues, which were heightened by reported reshoots and script changes, but thankfully manages to pull together to be an enjoyable summer film. Some may say the film took a bit to get up to the action sequences, but thanks to the great play between Jackman and Schrieber, the film keeps your attention.
There are some solid action sequences in the film and Jackman does not disappoint as we gain insights into the mercurial nature of Wolverine, and how various aspects of his character such as his memory loss came to be.
I would have liked to have seen more action in the film as the main action scenes were a bit to restrained and infrequent for my liking. When I go to a summer movie, I expect to be blown away by the action, and with this one, I had a sense of being underwhelmed by the films action sequences, even the climactic battle.
This is not to say the film is bad, simply that it lacks the needed gear to shift the film into overdrive. I did enjoy Jackman’s performance and it was great seeing the new characters in the film especially Gambit. Fans with sharp eyes will note many characters pop up in cameos and there are some real surprise visits in the film. In the end, “X-Men Origins: Wolverine” is better than the last X-Men film and should prove enough life in the series for future projects.
JT (287 KP) rated Don't Breathe (2016) in Movies
Mar 10, 2020
Building suspense is considered a difficult task. Alfred Hitchcock was a master of this. You need look no further than the shower scene in Psycho for an example of his work. When a film delivers on suspense it can sometimes take the emphasis off a predictable twist ending. If the audience leaves the screening visibly shaken then a director has done his job.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.
Don’t Breathe, directed by Fede Alvarez, follows three amatuer burglers, Rocky (Jane Levy), Alex (Dylan Minnette), and the aptly named Money (Daniel Zovatto), who are looking for a big pay day. When they hear about a retired blind war veteran who lives alone, and who may have $300,000 in cash, the trio decide he would make easy prey – how wrong they were.
Rocky is the more cautious of the three, but having grown up in an abusive family she is looking for an escape plan and to take her sister Diddy (Emma Bercovici) to safety with her. This job is a means to an end for that scenario to happen.
If the audience leaves the screening visibly shaken then a director has done his job.
The opening doesn’t offer much other than setting the scene but once the doors are bolted and windows locked it’s game on. Alvarez has a solid understanding of this genre, no matter what you thought of his bloodthirsty Evil Dead remake? In the confines of this house of horrors he is able to let The Blind Man (Stephen Lang) run riot as he attempts to put a stop to the break-in.
There is a sense that Alvarez is toying with his audience, in a bid to starve off the ending. He’s having too much fun. The atmosphere is excruciatingly tense, particularly when The Blind Man levels the playing field in the basement by turning off all the lights. A neat twist in the story tries to create empathy, but it’s a little too late for that and the final act ramps up the suspense to Hitchcockian levels.
Any other person would have dropped the money and looked for a way out as quickly as possible. That is not the case here as each opportunity to escape is met with a roadblock that send the burglars back down a different path. The home invasion horror has been around for a while but done right it can be incredibly effective and in this case Don’t Breathe gets it spot on.