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Matthew Krueger (10051 KP) rated Halloween III: Season of the Witch (1982) in Movies
Oct 17, 2019
That Song
So this movie, why does this movie get hated on so much. Well one- no micheal myers in it. Two- the plot doesnt connect to the other movies. Three- the plot makes no sense. Four- the title of the film, lies their are no witches. Their are many reasons why this movie gets hated on. That why so many people love it, well because it is so different from the others, it is a oringal film, it is so weird, its so bad its good. Their are other reasons why people love this movie. So what happens in it you may say well....
Hospital emergency room Dr. Daniel "Dan" Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin), the daughter of a murder victim, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O'Herlihy), a madman who's planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge, the use of Silver Shamrock masks and a triggering device contained in a television commercial -- all designed to kill millions of children.
Also that damn song, that annoying song that plays on the tv.
So would i reccordmend this movie, well yes i would. It is so different from the others, its own movie.
Hospital emergency room Dr. Daniel "Dan" Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin), the daughter of a murder victim, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O'Herlihy), a madman who's planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge, the use of Silver Shamrock masks and a triggering device contained in a television commercial -- all designed to kill millions of children.
Also that damn song, that annoying song that plays on the tv.
So would i reccordmend this movie, well yes i would. It is so different from the others, its own movie.
The Kings and Their Gods: The Pathology of Power
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The scenario that confronts us in the biblical text of 1 and 2 Kings is a turbulent one. Daniel...
Insidious (FBI Thriller, #20)
6.5
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Insidious is the twentieth thriller in #1 New York Times bestselling author Catherine Coulter's FBI...
Mystery Thriller Suspense Book series
LeftSideCut (3778 KP) rated Nope (2022) in Movies
Oct 12, 2022
Jordan Peele has consistently delivered fresh, uncomfortable, and exciting material during his short time branching out into horror, and Nope may very well be his best work so far.
Everything from start to finish just works wonderfully. The narrative unravels at a perfect pace, giving us mystery, terror, and a hugely memorable finale. The general tone is one of unease and tension, and Nope plays it's cards close to it's chest fot the most part, keeping the audience in the unknown, even when they think they have it figured out.
There a plenty of chilling moments on display. There's one particular extended scene around the mid point (no spoilers here, but the one that happens at night time) that is pure sci-fi horror perfection.
It's all executed in a visually striking manner as well, from the inspired cinematography, to the stunning California valley vistas, to it's pleasing colour pallet.
Daniel Kaluuya and Keke Palmer are both fantastic, as they tend to be, and both bounce off eachother in a wonderfully natural way. The two of them elevate Nope to even higher levels.
Nope is just further proof of how important Peele is in the future of the genre, and I once again find myself excited for what he does next.
Everything from start to finish just works wonderfully. The narrative unravels at a perfect pace, giving us mystery, terror, and a hugely memorable finale. The general tone is one of unease and tension, and Nope plays it's cards close to it's chest fot the most part, keeping the audience in the unknown, even when they think they have it figured out.
There a plenty of chilling moments on display. There's one particular extended scene around the mid point (no spoilers here, but the one that happens at night time) that is pure sci-fi horror perfection.
It's all executed in a visually striking manner as well, from the inspired cinematography, to the stunning California valley vistas, to it's pleasing colour pallet.
Daniel Kaluuya and Keke Palmer are both fantastic, as they tend to be, and both bounce off eachother in a wonderfully natural way. The two of them elevate Nope to even higher levels.
Nope is just further proof of how important Peele is in the future of the genre, and I once again find myself excited for what he does next.
Emma @ The Movies (1786 KP) rated The Sun Is Also A Star (2019) in Movies
Jun 20, 2020
At some point I may get bored of YA adaptations that throw two young people together with a bit of adversity. I'm not saying that this wasn't good but there are other typed of YA books out there that could be done.
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
Hazel (1853 KP) rated A City Dreaming in Books
Dec 14, 2018
My rating: 2.5
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.
Sarah (7798 KP) rated Line of Duty - Season 3 in TV
May 12, 2019
Another excellent series
I’m starting to feel like a broken record reviewing Line of Duty, but it really is a highly entertaining and gripping show, and is showing now signs of slowing down.
Without going into spoiler territory, this series (despite not being the last) very much wraps up a number of outstanding storylines carried over from the first to series and it does so in a very satisfying way. A lot of shows would be willing to drag these out but not Line of Duty. Instead they’ve brought all of these storylines to a head in a thrilling and action packed manner. I won’t lie, the storyline was maybe a bit predictable in parts as we as the viewers always know more than the characters themselves, but this didn’t really matter that much as it was just good to enjoy the ride. I do like how the plot also tied into relevant historic cases that are current in the UK at the moment, made it a lot more realistic! My only criticism really is that Daniel May was brilliant, but perhaps a little underused but then when you see how the story pans out, it’s understandable. There are a lot of nasty and unlikeable characters in this, and it’s nice to see them get their comeuppance.
Without going into spoiler territory, this series (despite not being the last) very much wraps up a number of outstanding storylines carried over from the first to series and it does so in a very satisfying way. A lot of shows would be willing to drag these out but not Line of Duty. Instead they’ve brought all of these storylines to a head in a thrilling and action packed manner. I won’t lie, the storyline was maybe a bit predictable in parts as we as the viewers always know more than the characters themselves, but this didn’t really matter that much as it was just good to enjoy the ride. I do like how the plot also tied into relevant historic cases that are current in the UK at the moment, made it a lot more realistic! My only criticism really is that Daniel May was brilliant, but perhaps a little underused but then when you see how the story pans out, it’s understandable. There are a lot of nasty and unlikeable characters in this, and it’s nice to see them get their comeuppance.
The Perfect Mother
9.0
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She thought they wanted her baby. But they won’t stop there. Roz is young, penniless and...
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The Last Titan
9.0
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On the run from the government and a local gangster, Daniel White thought things could not get any...
Awix (3310 KP) rated The Girl in the Spider's Web (2018) in Movies
Dec 4, 2018
Another attempt at converting Stieg Larssen's very-popular-about-ten-years-ago characters into viable English-language multiplex fare. Film opens with implied child abuse followed by implied domestic violence (there's a lot of implication, in order to avoid the 18 certificate that scuppered the box office of the Daniel Craig/Rooney Mara movie), but this is mainly to set an authentically grim tone - the plot could fairly easily be retooled for one of the Bourne movies, as evil secret organisation tries to get its hands on apocalyptic McGuffin, hero gets framed for doing nasty things, and so on.
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)
Not sure about Foy's 'Allo Sven, I got a Volvo' accent, but on the whole this is a decent, watchable thriller even if it does look a bit like an Ikea advert with extra gore. But the thing is that it is terribly generic. If the only way to bring these books and characters to the screen is to basically fillet out everything that makes them distinctive and memorable, one wonders why anyone should bother. (The producers of the film may be able to name 31 million reasons (at the time of writing), but this still hardly qualifies as a hit movie.)
(And I know it's a bit ungallant to say this, but Foy is 34 - at what point does she become *The Woman* with (for example) the Dragon Tattoo? The point seems pertinent.)