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Kevin Phillipson (10018 KP) rated Hercules (1997) in Movies
May 14, 2021
Matthew Krueger (10051 KP) rated Hercules (1997) in Movies
Mar 23, 2020
Go The Distance
I love this movie, this is one of my favorite animation films of all time. Its a classic. You have great songs like.."The Gospel Truth", "Go The Distance", "Zero to Hero", "I Wont Say" and "A Star is Born".
The plot: Disney tackles Greek mythology in this animated feature. Hercules (Tate Donovan), a son of gods, was snatched as a baby by Hades (James Woods) and forced to live among mortals as a half-man, half-god. Now a teenager, Hercules needs to perform a rite of passage on Earth to prove himself worthy of living with the gods on Mount Olympus. With his plucky satyr sidekick, Philoctetes (Danny DeVito), along for the ride, Hercules must learn how to use his strength to defeat a series of evil creatures.
Such a excellent, classic disney animation movie.
The plot: Disney tackles Greek mythology in this animated feature. Hercules (Tate Donovan), a son of gods, was snatched as a baby by Hades (James Woods) and forced to live among mortals as a half-man, half-god. Now a teenager, Hercules needs to perform a rite of passage on Earth to prove himself worthy of living with the gods on Mount Olympus. With his plucky satyr sidekick, Philoctetes (Danny DeVito), along for the ride, Hercules must learn how to use his strength to defeat a series of evil creatures.
Such a excellent, classic disney animation movie.
Ross (3284 KP) rated Smallfoot (2018) in Movies
Oct 18, 2018
A great, funny, charming family film. The cast of reasonable names (skinny John Cena Channing Tatum, Zendaya and the thoroughly detestable James F-ing Corden, boosted by Danny DeVito and others) don't detract from the story and make this a quite immersive enjoyable heart-warming family film. A Disney touch was added by including some songs that wouldn't have looked out of place in Moana or Frozen and helped keep the kids entertained.
Bob Mann (459 KP) rated Yesterday (2019) in Movies
Jun 21, 2019
All of the Beatles songs... I am of a certain age. (2 more)
Lily James - simply gorgeous
A joyous fantasy.
He loves it, yeah, yeah, yeah.
A joyous fantasy film - I just loved it from beginning to end. The full review is on One Mann's Movies here - https://bob-the-movie-man.com/2019/06/21/one-manns-movies-film-review-yesterday-2019/
Ross (3284 KP) created a post in Comedy Podcast Fans
Apr 6, 2018
Sarah (7798 KP) rated Yesterday (2019) in Movies
May 3, 2020
Enjoyable to a point
I love Danny Boyle, he's one of my favourite directors (and he's a local lad) although I have to admit this is probably one of my least favourite films of his so far.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
Richard Curtis and Danny Boyle working on the same film should be a match made in heaven. However the result is this enjoyable but sadly rather predictable romcom. Himesh Patel is a likeable lead, but I found the romance aspect with him and Lily James entirely corny and completely predictable, even for Richard Curtis. The music is good, it would be seen as it's the Beatles, however I did find it odd that in the story Himesh finds out about a number of bands and things that no longer exist (some are quite funny), yet only decides to choose the songs from the Beatles. Could they not get the rights for anything else?
There's a few laughs in this although not as many as I'd expected, and I loved the nod to Love Actually. Overall the film is enjoyable and your typical feel good Brit flick, however I don't think it's particularly memorable or exceptional.
David McK (3425 KP) rated Hercules (1997) in Movies
Nov 13, 2020
Zero to Hero. Or Hero to Zero?
Mid-to-late 90's (1997) Disney's take on the tale of the Greek demigod Heracles (aka Hercules), that takes more than a few liberties with those tales to put their own spin on it: here Hercules himself, for instance, does not suffer from the enmity of Hera, nor does he have the 12 labours to complete (although those are referenced).
The main 'big draw voice' in this is Danny DeVito as Hercules tutor Philoctetes, with Yate Donavan as Hercules himself and James Woods as the villain of the piece, Hades.
It also has very 'angular' and vibrant animation (to represent strength) which I find somewhat offputting, while none of the songs are really that memorable IMO.
The main 'big draw voice' in this is Danny DeVito as Hercules tutor Philoctetes, with Yate Donavan as Hercules himself and James Woods as the villain of the piece, Hades.
It also has very 'angular' and vibrant animation (to represent strength) which I find somewhat offputting, while none of the songs are really that memorable IMO.
Barry Newman (204 KP) rated Trance (2013) in Movies
Feb 1, 2020
Danny Boyle is a director who rarely disappoints me even with weaker material his unique visual style makes for entertaining viewing. For me this was one of his better recent efforts and the story here is compelling with twists and turns galore (some plausible and some perhaps not so plausible) as we slowly unravel multiple plot lines connected with hypnosis and a botched art heist. The film is well paced and visually very impressive and kept me suitably hooked. The performances are also strong with James McAvoy and Vincent Cassel being the standouts but if the films plot leaves you scratching your head just a bit too much then there is always an eyebrow raising turn from Rosario Dawson that will certainly leave you with fond memories of the film.
Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Lee (2222 KP) rated Fisherman's Friends (2019) in Movies
Mar 18, 2019 (Updated Mar 18, 2019)
Formulaic, clichéd, enjoyable bit of fun
Hot on the heels of Fighting with my Family comes yet another true story that I feel I should have known more about beforehand, but didn't. Fisherman's Friends tells the story of a group of singing Cornish fishermen who, in 2010, managed to land themselves not only a top 10 album but an appearance on Glastonbury's pyramid stage! The plot follows a much more formulaic and clichéd approach than Fighting with my Family does though, not quite managing to come close to the high bar that set, but is enjoyable enough all the same.
We begin by following a group of four men heading out on their stag do in the beautiful town of Port Isaac in Cornwall. A&R man Danny (Daniel Mays), his annoying record exec boss Troy (Noel Clarke) and a couple of their colleagues all arrive in the small fishing town for the weekend and immediately find themselves on the wrong side of the locals - driving the wrong way down a narrow one way street, foolishly ordering lager instead of bitter in the local pub (they don't serve fizzy drinks there) and needing to be rescued after their careless weekend enjoyment finds them all stranded at sea. City types who think they know it all, but haven't got a clue.
The fishermen that rescued the lads turn out to be part of a popular local singing group - singing sea shanties together while working out at sea and regularly putting on small concerts for the locals down on the harbour. It's while performing one of those gigs that Danny and his friends come across them. After a few moments of watching, Troy tells Danny that he wants him to go over and sign them up, and that he's not to take no for an answer. Off he goes, not knowing that it's all just a big joke, while his three colleagues all return home. Danny is left behind, struggling to try and convince the group that their unique sound is going to make them all big stars.
Out of the group of fishermen, only a handful of them are really explored and fleshed out as characters in any kind of way, with the majority of them simply fading into the background - backing singers if you will. Jim (James Purefoy) and his father Jago (David Hayman), are the main focus of the movie, along with Jim's single-mum daughter Alwyn (Tuppence Middleton), who Danny eventually begins to strike up a friendship with, and her young daughter. One of the other fishermen runs the local pub at the heart of the community, along with his wife, but is struggling to make ends meet in a sub-plot which comes to a head later on in the movie.
Fisherman's Friends is a movie full of clichés - the city slicker who initially doesn't understand the simple life, the familiar rom-com couple who start off disliking one another, but will clearly be falling madly in love before long, annoying city types who don't even look like they know how to tie their own shoelaces, let alone become successfully music moguls. But, despite it all, the movie works considerably well. The relationship and chemistry between Danny and Alwyn is believable, and the highs and lows that the group go through on their journey to stardom is both heartwarming and fun in equal measure. It's the kind of reliable movie you could quite happily sit and watch on the TV, on a lazy Sunday afternoon.
We begin by following a group of four men heading out on their stag do in the beautiful town of Port Isaac in Cornwall. A&R man Danny (Daniel Mays), his annoying record exec boss Troy (Noel Clarke) and a couple of their colleagues all arrive in the small fishing town for the weekend and immediately find themselves on the wrong side of the locals - driving the wrong way down a narrow one way street, foolishly ordering lager instead of bitter in the local pub (they don't serve fizzy drinks there) and needing to be rescued after their careless weekend enjoyment finds them all stranded at sea. City types who think they know it all, but haven't got a clue.
The fishermen that rescued the lads turn out to be part of a popular local singing group - singing sea shanties together while working out at sea and regularly putting on small concerts for the locals down on the harbour. It's while performing one of those gigs that Danny and his friends come across them. After a few moments of watching, Troy tells Danny that he wants him to go over and sign them up, and that he's not to take no for an answer. Off he goes, not knowing that it's all just a big joke, while his three colleagues all return home. Danny is left behind, struggling to try and convince the group that their unique sound is going to make them all big stars.
Out of the group of fishermen, only a handful of them are really explored and fleshed out as characters in any kind of way, with the majority of them simply fading into the background - backing singers if you will. Jim (James Purefoy) and his father Jago (David Hayman), are the main focus of the movie, along with Jim's single-mum daughter Alwyn (Tuppence Middleton), who Danny eventually begins to strike up a friendship with, and her young daughter. One of the other fishermen runs the local pub at the heart of the community, along with his wife, but is struggling to make ends meet in a sub-plot which comes to a head later on in the movie.
Fisherman's Friends is a movie full of clichés - the city slicker who initially doesn't understand the simple life, the familiar rom-com couple who start off disliking one another, but will clearly be falling madly in love before long, annoying city types who don't even look like they know how to tie their own shoelaces, let alone become successfully music moguls. But, despite it all, the movie works considerably well. The relationship and chemistry between Danny and Alwyn is believable, and the highs and lows that the group go through on their journey to stardom is both heartwarming and fun in equal measure. It's the kind of reliable movie you could quite happily sit and watch on the TV, on a lazy Sunday afternoon.