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White Christmas (1954)
White Christmas (1954)
1954 | Classics, Family, Musical
Bing Crosby (2 more)
White Christmas
Danny kaye
The ultimate feel good Christmas movie I've forgotten how many times I've seen this movie but it's a timeless classic plus Danny kaye for comic relief thumbs up
  
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Joss Whedon recommended The Court Jester (1956) in Movies (curated)

 
The Court Jester (1956)
The Court Jester (1956)
1956 | Classics, Comedy
7.0 (1 Ratings)
Movie Favorite

"This is tough because they are a lot of guys in here, but you know what we’re going to do? We’re going to go with The Court Jester. I feel that it’s a perfect movie and contains some of the best sword fighting ever. I’m not always on the Danny Kaye boat, but this is the one where it threads the needle. He’s genius in this movie, and the plot is gorgeous, and everybody in it is funny. It’s so beautifully constructed, and they’re singing, and the world’s greatest sword fight between him and Basil Rathbone. It’s utterly committed to being as silly as it can be and it works like gangbusters."

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The Court Jester (1956)
The Court Jester (1956)
1956 | Classics, Comedy
7
7.0 (1 Ratings)
Movie Rating
Lavish musical-comedy spoof. Humble carnival entertainer Hubert Hawkins (Kaye) infiltrates the court of evil king Roderick as his new jester, in an attempt to get the rightful heir back on the throne, little suspecting that the man he's impersonating is the deadliest assassin in Europe.

Feels very dated now, and it's spoofing a genre of films which is even more old-fashioned (e.g. the 1938 Errol Flynn Robin Hood). How you feel about Danny Kaye's clowning, cross-talk routines and patter songs will also affect your response to this movie. Still, you have to admire Kaye's sheer dexterity as a performer, and there is still a touch of genius about routines like the chalice from the palace and the flagon with the dragon. He's well-supported too. Technicolour vaudeville in the end, but still very funny in places.
  
Casablanca (1942)
Casablanca (1942)
1942 | Drama, Romance, War
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."

"We'll always have Paris."

"Here's looking at you, kid."

"Louis, I think this is the beginning of a beautiful friendship."

And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.

Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.

Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.

Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...

Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".

Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.

Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.

The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.

If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.

Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.

Letter Grade: A+

10 stars (out of 10) and you can take that to the Bank(ofMarquis)