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Emma @ The Movies (1786 KP) rated Ready or Not (2019) in Movies
Nov 5, 2019
Contains spoilers, click to show
I enjoyed this because it was basically bat shit crazy, but I also had some issues with it. The trailers looked great but going back to them now you see quite a lot of action from key points in the film. Because of the haphazard nature of everything I don't think it spoils anything but at the time I couldn't remember many of the trailers going in. The vibe I remembered getting from them was very much You're Next with a vague hint of Clue.
What stopped me in my tracks a little was what the film was trying to be. I thought it was going to be a homedy (yes I'm still trying to make my horror-comedy hybrid work), your traditional crazy horror with a comedic leaning... but what happened was a lot of drama, they were actually trying to be serious. Well, as serious as you can get when you're in the middle of hunting a bride on her wedding night. When mother and son sit to have a heart to heart I was actually taken out of the film for a moment as it wasn't in keeping with what else was happening.
Had this gone all the way over to crazy horror I would have given it a higher rating, they're fast paced and entertaining, the slight indecisiveness of what came to the screen really knocked it down for me. Even with the bizarre magic box tradition this film could have been something more serious but not by the time we get to that ending.
I'm really thankful that this game adaptation was at least better than Truth Or Dare. I don't think I could stand another stinker like that. The story is a nice easy one to get along with, family acquire a magic box that keeps them thriving and all they have to do is occasionally sacrifice someone that's loved deeply by one of the family... good old Satan bringing us a solid storyline.
Samara Weaving, or as I have to keep reminding myself "not Margot Robbie", plays our blushing bride, Grace. Boy does she throw a lot at this role, I like to think she got a lot of stress relief out of this as she fights back at her would be murderers. Thankfully Grace didn't end up in many of the drama-y bits so there was little to be annoyed about. Her magic moments included punching Georgie, swearing at the car and wailing like a banshee at the end like she'd gone feral. Bravo! But I think the best and worst bit was when she climbed out of hell, you knew what she was thinking, you knew she had no option and oh my god did I hurt in sympathy.
Adam Brody has to be the other stand out performance for me as the brother-in-law, Daniel Le Domas. We get a very small introduction to his character as a child but it really did help you to understand the way he is and why he reacts the way he does as they hunt Grace. The guilt he has from the first Hide & Seek he participated in is clearly part of the reason he's the son who's off the rails, but he keeps his protective nature from his childhood in adulthood towards his brother and Grace. He stops and talks with Grace during the hunt and you can see him switching allegiances as we get further through the story. Brody conveys this well and is actually the one character that you can sort of sympathise with. His death is the beginning of the end and it's an emotional moment that played out well on screen. I think he probably came out better not surviving to the end of the film.
There are lots of highs and lows with various characters throughout. Fitch is the "dumb" one and there was something magical about seeing him YouTubing how to use a crossbow and later asking Charity at what point they should cut and run.
Mark O'Brien as Alex Le Domas was probably my least favourite character. His scripting felt rather bland compared to some of the others... but mainly... what an arsehole! Just live in sin man! Why potentially doom her, I'm sure it wouldn't have been too hard to fall off the radar somehow. If he was already slightly estranged I can't see that going altogether would be much of a stretch.
Alex also gets what is possibly the most annoying part of the script, he's handcuffed to the bed and he starts using the chain as a saw to try to get through the ornamental bar... these aren't bit of Ikea furniture... in what universe is that going to work in this timeframe?! Stand up and throw your weight on it until it snaps! I was wondering if he was actually trying to break the handcuffs (an equally stupid idea), and do we actually see how he gets out of them? Now I've confused myself.
Anyway, this will become an epic if I don't move on.
I quite liked the way the film looked, once we got to the evening the whole set became a beautiful golden autumnal palette and it gave you a sense of wealth and history, but when you add in the blood and seeking you get a real sense of the hiding (that makes sense in my head). It did at times become dark, it was never so bad that you couldn't see what was happening but it allowed for the reintroduction of light at the end as the house burns behind her which was a nice touch.
The final sequence should probably get its own mention. Alex, obviously about to break after seeing his brother die and Grace bludgeoning his mother, is bizarrely confirming his fears that the pair will not be together after what has happened. He then turns on her so he can get back the only thing left in his life, his (now slightly smaller) family. I loved the slightly vampiric turn the scene took as they're exposed to the morning sun, I'm not sure I'd have recoiled from it quite so much but I appreciated the comedic value it added. The family's actual demise and Grace's ghost sighting are the reason this needed to be a homedy (Still no? Whatever.), there's no way that fits in with anything more serious. And I'm sorry but overall I didn't find it that funny, much like Last Blood I was reacting to the ridiculous violence.
I like to think that as the last bit of the house disintegrates in the fire and Grace is still sitting bleeding on the steps that a firefighter comes over with the seemingly untouched magic box and hands it to her because it looks like a family heirloom. She's a Le Domas now, and everything is hers...
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/ready-or-not-spoilers-movie-review.html
What stopped me in my tracks a little was what the film was trying to be. I thought it was going to be a homedy (yes I'm still trying to make my horror-comedy hybrid work), your traditional crazy horror with a comedic leaning... but what happened was a lot of drama, they were actually trying to be serious. Well, as serious as you can get when you're in the middle of hunting a bride on her wedding night. When mother and son sit to have a heart to heart I was actually taken out of the film for a moment as it wasn't in keeping with what else was happening.
Had this gone all the way over to crazy horror I would have given it a higher rating, they're fast paced and entertaining, the slight indecisiveness of what came to the screen really knocked it down for me. Even with the bizarre magic box tradition this film could have been something more serious but not by the time we get to that ending.
I'm really thankful that this game adaptation was at least better than Truth Or Dare. I don't think I could stand another stinker like that. The story is a nice easy one to get along with, family acquire a magic box that keeps them thriving and all they have to do is occasionally sacrifice someone that's loved deeply by one of the family... good old Satan bringing us a solid storyline.
Samara Weaving, or as I have to keep reminding myself "not Margot Robbie", plays our blushing bride, Grace. Boy does she throw a lot at this role, I like to think she got a lot of stress relief out of this as she fights back at her would be murderers. Thankfully Grace didn't end up in many of the drama-y bits so there was little to be annoyed about. Her magic moments included punching Georgie, swearing at the car and wailing like a banshee at the end like she'd gone feral. Bravo! But I think the best and worst bit was when she climbed out of hell, you knew what she was thinking, you knew she had no option and oh my god did I hurt in sympathy.
Adam Brody has to be the other stand out performance for me as the brother-in-law, Daniel Le Domas. We get a very small introduction to his character as a child but it really did help you to understand the way he is and why he reacts the way he does as they hunt Grace. The guilt he has from the first Hide & Seek he participated in is clearly part of the reason he's the son who's off the rails, but he keeps his protective nature from his childhood in adulthood towards his brother and Grace. He stops and talks with Grace during the hunt and you can see him switching allegiances as we get further through the story. Brody conveys this well and is actually the one character that you can sort of sympathise with. His death is the beginning of the end and it's an emotional moment that played out well on screen. I think he probably came out better not surviving to the end of the film.
There are lots of highs and lows with various characters throughout. Fitch is the "dumb" one and there was something magical about seeing him YouTubing how to use a crossbow and later asking Charity at what point they should cut and run.
Mark O'Brien as Alex Le Domas was probably my least favourite character. His scripting felt rather bland compared to some of the others... but mainly... what an arsehole! Just live in sin man! Why potentially doom her, I'm sure it wouldn't have been too hard to fall off the radar somehow. If he was already slightly estranged I can't see that going altogether would be much of a stretch.
Alex also gets what is possibly the most annoying part of the script, he's handcuffed to the bed and he starts using the chain as a saw to try to get through the ornamental bar... these aren't bit of Ikea furniture... in what universe is that going to work in this timeframe?! Stand up and throw your weight on it until it snaps! I was wondering if he was actually trying to break the handcuffs (an equally stupid idea), and do we actually see how he gets out of them? Now I've confused myself.
Anyway, this will become an epic if I don't move on.
I quite liked the way the film looked, once we got to the evening the whole set became a beautiful golden autumnal palette and it gave you a sense of wealth and history, but when you add in the blood and seeking you get a real sense of the hiding (that makes sense in my head). It did at times become dark, it was never so bad that you couldn't see what was happening but it allowed for the reintroduction of light at the end as the house burns behind her which was a nice touch.
The final sequence should probably get its own mention. Alex, obviously about to break after seeing his brother die and Grace bludgeoning his mother, is bizarrely confirming his fears that the pair will not be together after what has happened. He then turns on her so he can get back the only thing left in his life, his (now slightly smaller) family. I loved the slightly vampiric turn the scene took as they're exposed to the morning sun, I'm not sure I'd have recoiled from it quite so much but I appreciated the comedic value it added. The family's actual demise and Grace's ghost sighting are the reason this needed to be a homedy (Still no? Whatever.), there's no way that fits in with anything more serious. And I'm sorry but overall I didn't find it that funny, much like Last Blood I was reacting to the ridiculous violence.
I like to think that as the last bit of the house disintegrates in the fire and Grace is still sitting bleeding on the steps that a firefighter comes over with the seemingly untouched magic box and hands it to her because it looks like a family heirloom. She's a Le Domas now, and everything is hers...
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/ready-or-not-spoilers-movie-review.html
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Sarah (7800 KP) rated This Is Where I Leave You (2014) in Movies
Jul 25, 2020
Heartwarming
This is a film that has flown under my radar since it was released - I don’t recall ever having seen it advertised until it recently popped up on Netflix, and I really wish I’d discovered it sooner.
Starting with the obvious, this film has an absolutely stellar cast. The number of fantastic actors in this is truly impressive and they’re partly the reason why I enjoyed this so much, as every single person performs wonderfully in their role, whether main (I cannot fault any of the main family) or side (Timothy Olyphant is particularly memorable). They’re helped by a great script which flits between incredibly heartwarming and darkly humorous with such ease. The plot itself is nothing new and this is where this film falls down a little as it’s nothing we haven’t seen before. However this film just goes to show that it’s the journey and not the destination that matters as this is so well executed that the unoriginal plot is only a minor issue.
The only other problem with this film is that it’s pretty much made me an emotional wreck. I haven’t laughed and cried so much in the space of 2 hours before. This might not be the most original film you’ll ever see, but it’s so lovely and heartwarming that I dare you not to feel anything by the end.
Starting with the obvious, this film has an absolutely stellar cast. The number of fantastic actors in this is truly impressive and they’re partly the reason why I enjoyed this so much, as every single person performs wonderfully in their role, whether main (I cannot fault any of the main family) or side (Timothy Olyphant is particularly memorable). They’re helped by a great script which flits between incredibly heartwarming and darkly humorous with such ease. The plot itself is nothing new and this is where this film falls down a little as it’s nothing we haven’t seen before. However this film just goes to show that it’s the journey and not the destination that matters as this is so well executed that the unoriginal plot is only a minor issue.
The only other problem with this film is that it’s pretty much made me an emotional wreck. I haven’t laughed and cried so much in the space of 2 hours before. This might not be the most original film you’ll ever see, but it’s so lovely and heartwarming that I dare you not to feel anything by the end.
Bong Mines Entertainment (15 KP) rated Taped - Single by Naaz in Music
Jul 10, 2019
Naaz is a 21-year old Kurdish singer-songwriter based in The Netherlands. Not too long ago, she released a lovely music video for her “Taped” single.
“Sometimes, people will hear your pain but not actually listen. It’s like their ears are taped to whatever they don’t want to hear. I told my friend about my never-ending nightmares that sometimes can feel so real that they’ve been altering the way I see the world. His reply was that he wouldn’t want to have my mind. So I wrote a song about it.” – Naaz
‘Taped’ tells an interesting tale of a young woman who tends to overshare what she thinks to people close to her.
But she feels awkward the moment she stops talking, not understanding why she thinks the way she thinks. Therefore, she shuts her thoughts up and feels less human whenever someone doesn’t appreciate her mind.
What she really wants is for people to relate to what she has to say, and for them to not feel alienated by her thoughts.
‘Taped’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation created by Naaz & Soulsearchin’.
“When I was 15-years-old, I had taught myself to stop speaking as it often brought me in trouble. I’ve always had such strong opinions that it ended up in me being bullied for years. Once I turned 18, I had to start socializing again as I was putting out music. I felt like my mind, ears, and mouth were TAPED shut for years. Therefore, I became an extremely open person just to make up for all the years before where I mistreated myself with my mindset. I realized my way of thinking was not too realistic, not everyone will leave me when I cry because everybody cries. I hope this song inspires you to be open and dare to scream out your feelings. Seriously, it will change everything. Allow yourself to be inspired by the struggle. Don’t let yourself be TAPED.” – Naaz
Naaz feels that honesty online could be the therapy that we all need, along with helping a few others along the way. Therefore, she practices what she preaches.
“This is the artwork. You see 3 generations of Naaz. This portrays the evolution of me, my music, and my life. A new era. Old and young Naaz is taping their eyes shut to what they don’t want to see. But I decide to confront myself and open up. I will no longer be TAPED.” – Naaz
Making music to Naaz is like having conversations with herself and others. She unfolds this in every song she’s ever written and communicated with her fanbase.
Not too long ago, her career skyrocketed shortly after releasing her debut EP, entitled, “Bits of Naaz”.
Since then, the bubbly pop star has won two Dutch Grammies (Edisons) and was nominated for Best Act at MTV’s EMAs. Also, she supported Arcade Fire, Jessie J, and Hayley Kiyoko.
Naaz will play across Europe towards the end of the year before ending in Amsterdam.
“Sometimes, people will hear your pain but not actually listen. It’s like their ears are taped to whatever they don’t want to hear. I told my friend about my never-ending nightmares that sometimes can feel so real that they’ve been altering the way I see the world. His reply was that he wouldn’t want to have my mind. So I wrote a song about it.” – Naaz
‘Taped’ tells an interesting tale of a young woman who tends to overshare what she thinks to people close to her.
But she feels awkward the moment she stops talking, not understanding why she thinks the way she thinks. Therefore, she shuts her thoughts up and feels less human whenever someone doesn’t appreciate her mind.
What she really wants is for people to relate to what she has to say, and for them to not feel alienated by her thoughts.
‘Taped’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation created by Naaz & Soulsearchin’.
“When I was 15-years-old, I had taught myself to stop speaking as it often brought me in trouble. I’ve always had such strong opinions that it ended up in me being bullied for years. Once I turned 18, I had to start socializing again as I was putting out music. I felt like my mind, ears, and mouth were TAPED shut for years. Therefore, I became an extremely open person just to make up for all the years before where I mistreated myself with my mindset. I realized my way of thinking was not too realistic, not everyone will leave me when I cry because everybody cries. I hope this song inspires you to be open and dare to scream out your feelings. Seriously, it will change everything. Allow yourself to be inspired by the struggle. Don’t let yourself be TAPED.” – Naaz
Naaz feels that honesty online could be the therapy that we all need, along with helping a few others along the way. Therefore, she practices what she preaches.
“This is the artwork. You see 3 generations of Naaz. This portrays the evolution of me, my music, and my life. A new era. Old and young Naaz is taping their eyes shut to what they don’t want to see. But I decide to confront myself and open up. I will no longer be TAPED.” – Naaz
Making music to Naaz is like having conversations with herself and others. She unfolds this in every song she’s ever written and communicated with her fanbase.
Not too long ago, her career skyrocketed shortly after releasing her debut EP, entitled, “Bits of Naaz”.
Since then, the bubbly pop star has won two Dutch Grammies (Edisons) and was nominated for Best Act at MTV’s EMAs. Also, she supported Arcade Fire, Jessie J, and Hayley Kiyoko.
Naaz will play across Europe towards the end of the year before ending in Amsterdam.
Gareth von Kallenbach (980 KP) rated Miss Bala (2019) in Movies
Jul 2, 2019
Gloria (Gina Rodriguez), a makeup artist in Los Angeles, heads to Tijuana for a fun weekend with her best friend, Suzu (Cristina Rodlo). Gloria is going to help Suzu prepare for the Miss Baja California beauty pageant. They decide to head to a club to rub elbows with one of the more important judges, Chief Saucedo (Damian Alcazar). That is when a fun trip turns into a nightmare, several members of a local cartel, Estrella (Spanish for star), break in and start shooting up the club. The leader of Estrella, Leno (Ismael Cruz Cordova), believes that Chief Saucedo is trying to cut into his business and is there to assassinate him. Gloria escapes but gets separated from Suzu. She searches all night and calls the hospitals but can’t find her friend. She finds a police officer to have him help search and tells him he saw the attackers. Instead of taking her to the police station he delivers her to Estrella and Leno. He agrees to help her find her friend but there is a price. Now Gloria will have go to great lengths to find her friend and survive a deadly battle between a cartel and the police from right in the middle of the chaos.
Gina Rodriguez is really good in this film. I thought her performance was definitely the best part of this film. Otherwise the performances were a mix bag of good and bad. Cruz Cordova in particular failed to really come across as a scary, but sensitive, cartel leader. The cameo by Anthony Mackie was a surprise. The story is really interesting and there were times that were suspenseful. The action was decent with some good scenes. The issue was there were also some campy performances and scene set ups that felt rushed. The film was shot decently and the music fit well. The end, which I would not dare spoil, really fell short of all of the buildup.
Before looking for a trailer for this movie I did not know that this was a remake of a 2012 film of the same name. I would be interested to see this film to compare the two because I enjoyed the story. This film missed on some points but really did entertain me for the hour and forty-four minutes. I would say that you could save this for streaming or rental. I don’t think that it would be a movie I would watch again in the theater.
Gina Rodriguez is really good in this film. I thought her performance was definitely the best part of this film. Otherwise the performances were a mix bag of good and bad. Cruz Cordova in particular failed to really come across as a scary, but sensitive, cartel leader. The cameo by Anthony Mackie was a surprise. The story is really interesting and there were times that were suspenseful. The action was decent with some good scenes. The issue was there were also some campy performances and scene set ups that felt rushed. The film was shot decently and the music fit well. The end, which I would not dare spoil, really fell short of all of the buildup.
Before looking for a trailer for this movie I did not know that this was a remake of a 2012 film of the same name. I would be interested to see this film to compare the two because I enjoyed the story. This film missed on some points but really did entertain me for the hour and forty-four minutes. I would say that you could save this for streaming or rental. I don’t think that it would be a movie I would watch again in the theater.
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Emma @ The Movies (1786 KP) rated Tom and Jerry (2021) in Movies
May 16, 2021
Reinventing the wheel has always come with some sceptical reactions from me, and Tom and Jerry has always been one of those treasured memories for me.
Jerry sets up a new home in the Royal Gate Hotel just before a high profile wedding is scheduled. When new hire Kayla is tasked with solving the hotel's new found mouse problem, she brings Tom into the fold to help.
Tom and Jerry is a classic I love and the thought of reimagining it in this way made me dubious to say the least. Traditionally you're only supposed to see humans from (roughly speaking) the knees down after all... and there are a lot of humans in this.
I'm not sure that the story here really matters all that much, Tom and Jerry should be about their action-y interactions. And there's the initial problem, because they should be the focus, and they're not. The human contingent takes up a hefty amount of screen time, and that to me sort of goes against the original concept.
The animation style isn't great, I have issues with CG animation, especially when it comes to things with a strong existing style. Once the film found its footing though I did find that I wasn't noticing it much, and in the end, dare I say it, I quite liked the successful animation of Toots and how it encompassed the stereotypical evils of feline nature.
When you combine the story with the cast (human and animated) you do get an amusing film, but it does feel a lot like the first Garfield film in how long it will be in people's minds.
What I will congratulate this film for is that it give you so wonderfully nostalgic moments, I loved seeing the "what's in my hands" gag... or maybe I'm easily pleased.
Chloë Grace Moretz and Michael Peña make for fun allies and adversaries to Tom and Jerry. But I think my favourite humans were Patsy Ferran as Joy the Bell Girl and Rob Delaney as the hotel manager. Though not on screen very often they broke up the "serious" moments nicely and added a much-needed break from everything else.
Tom and Jerry was exactly what I wanted, though I don't think it was what I expected. It won't be winning any awards, but I was pleasantly surprised by what it brought to the screen.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/tom-jerry-2021-movie-review.html
Jerry sets up a new home in the Royal Gate Hotel just before a high profile wedding is scheduled. When new hire Kayla is tasked with solving the hotel's new found mouse problem, she brings Tom into the fold to help.
Tom and Jerry is a classic I love and the thought of reimagining it in this way made me dubious to say the least. Traditionally you're only supposed to see humans from (roughly speaking) the knees down after all... and there are a lot of humans in this.
I'm not sure that the story here really matters all that much, Tom and Jerry should be about their action-y interactions. And there's the initial problem, because they should be the focus, and they're not. The human contingent takes up a hefty amount of screen time, and that to me sort of goes against the original concept.
The animation style isn't great, I have issues with CG animation, especially when it comes to things with a strong existing style. Once the film found its footing though I did find that I wasn't noticing it much, and in the end, dare I say it, I quite liked the successful animation of Toots and how it encompassed the stereotypical evils of feline nature.
When you combine the story with the cast (human and animated) you do get an amusing film, but it does feel a lot like the first Garfield film in how long it will be in people's minds.
What I will congratulate this film for is that it give you so wonderfully nostalgic moments, I loved seeing the "what's in my hands" gag... or maybe I'm easily pleased.
Chloë Grace Moretz and Michael Peña make for fun allies and adversaries to Tom and Jerry. But I think my favourite humans were Patsy Ferran as Joy the Bell Girl and Rob Delaney as the hotel manager. Though not on screen very often they broke up the "serious" moments nicely and added a much-needed break from everything else.
Tom and Jerry was exactly what I wanted, though I don't think it was what I expected. It won't be winning any awards, but I was pleasantly surprised by what it brought to the screen.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/05/tom-jerry-2021-movie-review.html