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Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Darren (1599 KP) rated All Cheerleaders Die (2014) in Movies
Jun 20, 2019
Story: All Cheerleaders Die starts with a look at head cheerleader Alexis (Cooper) who literally thinks she has the whole school under her finger but while performing she dies. The girls hold auditions for new role in the squad which Alexis old friend Maddy takes a chance with a deeper quest to get her own revenge on Terry.
Once a member of the cheer-leading team we see how she starts pushing them away from the football stars including the captain Terry (Williamson) who ends up causing the deaths of members of the team, but when Leena (Smit-McPhee) a witch brings them back to life, but now they have a craving for human flesh and target Terry for the ultimate revenge.cheerleader
All Cheerleaders Die starts off very slowly for my liking trying to introduce the characters and tease at a massive revenge angle before anything happens. Once the cheerleaders get killed the film steps up and unloads all the horror comedy. I would like to see less from the start and more from the end because that is the part of the film you want to watch. I think this is a real entertaining film that really does keep you guessing just what will happen next.
Actor Review
Caitlin Stasey: Maddy is the newest addition to the cheer-leading squad who has been against the team captain of the football team for years. When she is killed she comes back with the rest of the team to get revenge on the football team. Caitlin does a good job in the leading role taking a more risky role that goes against most horror clichés.
Tom Williamson: Terry is the captain of the football team and an all around asshole, when he gets into a fight with his girlfriend he runs the cheerleaders off the road killing them all. When they return he ends up becoming the target of their vengeance. Tom creates the asshole persona really well in this film that could make this the most entertaining part when he gets what he deserves.terry
Sianoa Smit-McPhee: Leena is the witch who likes to work with dark magic but when she sees her friends die she brings them all back to life where she doesn’t understand the power she holds. Sianoa does a good job in this role being a completely different image to the rest of the cast.lenna
Brooke Butler: Tracy is the lead cheerleader who lets Maddy into the team, she is dating Terry but she is very insecure. She ends up thinking everyone is her friend but they turn on her quickly. Brooke does a good job in an early role for the young actress with a brave performance.
Support Cast: All Cheerleaders Die has a supporting cast that all play their part be it the football players or the dead cheerleaders who become disposable characters for the main ones to learn their powers.
Director Review: Lucky McKee, Chris Sivertson – The pair bring us a horror comedy that is fun once it all gets going.
Comedy: All Cheerleaders Die has solid comedy throughout which is mostly to do with the reactions of the cheerleaders to what is happening to them.
Horror: All Cheerleaders Die has plenty of blood splatter for all the kills for what the cheerleaders get up to on their revenge path.
Settings: All Cheerleaders Die using the settings all around the high school with the hang outs being away from public viewing which all work for the film.
Special Effects: All Cheerleaders Die has solid special effects with the problems being all too CGI for my liking.
Suggestion: All Cheerleaders Die is one I think the horror fans will enjoy because of the fun gore filled storyline. (Horror Fans Watch)
Best Part: Final battle against Terry.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: Left open for one.
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 29 Minutes
Tagline: You can’t kill their spirit
Overall: Horror comedy that has laughs and blood for all the fans to enjoy
https://moviesreview101.com/2016/01/01/movie-reviews-101-midnight-horror-all-cheerleaders-die-2013/
Once a member of the cheer-leading team we see how she starts pushing them away from the football stars including the captain Terry (Williamson) who ends up causing the deaths of members of the team, but when Leena (Smit-McPhee) a witch brings them back to life, but now they have a craving for human flesh and target Terry for the ultimate revenge.cheerleader
All Cheerleaders Die starts off very slowly for my liking trying to introduce the characters and tease at a massive revenge angle before anything happens. Once the cheerleaders get killed the film steps up and unloads all the horror comedy. I would like to see less from the start and more from the end because that is the part of the film you want to watch. I think this is a real entertaining film that really does keep you guessing just what will happen next.
Actor Review
Caitlin Stasey: Maddy is the newest addition to the cheer-leading squad who has been against the team captain of the football team for years. When she is killed she comes back with the rest of the team to get revenge on the football team. Caitlin does a good job in the leading role taking a more risky role that goes against most horror clichés.
Tom Williamson: Terry is the captain of the football team and an all around asshole, when he gets into a fight with his girlfriend he runs the cheerleaders off the road killing them all. When they return he ends up becoming the target of their vengeance. Tom creates the asshole persona really well in this film that could make this the most entertaining part when he gets what he deserves.terry
Sianoa Smit-McPhee: Leena is the witch who likes to work with dark magic but when she sees her friends die she brings them all back to life where she doesn’t understand the power she holds. Sianoa does a good job in this role being a completely different image to the rest of the cast.lenna
Brooke Butler: Tracy is the lead cheerleader who lets Maddy into the team, she is dating Terry but she is very insecure. She ends up thinking everyone is her friend but they turn on her quickly. Brooke does a good job in an early role for the young actress with a brave performance.
Support Cast: All Cheerleaders Die has a supporting cast that all play their part be it the football players or the dead cheerleaders who become disposable characters for the main ones to learn their powers.
Director Review: Lucky McKee, Chris Sivertson – The pair bring us a horror comedy that is fun once it all gets going.
Comedy: All Cheerleaders Die has solid comedy throughout which is mostly to do with the reactions of the cheerleaders to what is happening to them.
Horror: All Cheerleaders Die has plenty of blood splatter for all the kills for what the cheerleaders get up to on their revenge path.
Settings: All Cheerleaders Die using the settings all around the high school with the hang outs being away from public viewing which all work for the film.
Special Effects: All Cheerleaders Die has solid special effects with the problems being all too CGI for my liking.
Suggestion: All Cheerleaders Die is one I think the horror fans will enjoy because of the fun gore filled storyline. (Horror Fans Watch)
Best Part: Final battle against Terry.
Worst Part: Slow starting.
Believability: No
Chances of Tears: No
Chances of Sequel: Left open for one.
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 29 Minutes
Tagline: You can’t kill their spirit
Overall: Horror comedy that has laughs and blood for all the fans to enjoy
https://moviesreview101.com/2016/01/01/movie-reviews-101-midnight-horror-all-cheerleaders-die-2013/
XX is actually an anthology of 4 short films, all of which were directed by women.
Overall, the film is superbly directed and the acting is top notch too (the ever wonderful Melanie Lynskey delivers an outstanding performance in particular), but a couple of little niggles slightly lower my overall score.
First film, ‘The Box,’ is the best of them all - creepy and mysterious throughout, with all the elements needed for a thorough horror experience.
Next up is ‘The Birthday Party’ in which, as previously stated, Melanie Lynskey gives an amazing performance. I wouldn’t class this as a horror, more of a very dark comedy, but it’s still a superb piece of work.
‘Don’t Fall’ is where things begin to wane a little - it’s still a really good piece of work, just a little too short to make much of an impact.
Finally, ‘Her Only Living Son’ just doesn’t quite match the quality of the first three films. The storyline is good, but does get a bit confusing, and the acting is great too, but something just doesn’t sit right and I felt disappointed with this one.
Between each short film are sections which make up another little tale, but I found these a bit pointless and just seemed to pad out the overall running time.
All in all, XX is definitely worth a watch, it’s certainly had a lot of thought and effort go into the making of it, and I’d like to see more work by the very talented directors involved here.
Overall, the film is superbly directed and the acting is top notch too (the ever wonderful Melanie Lynskey delivers an outstanding performance in particular), but a couple of little niggles slightly lower my overall score.
First film, ‘The Box,’ is the best of them all - creepy and mysterious throughout, with all the elements needed for a thorough horror experience.
Next up is ‘The Birthday Party’ in which, as previously stated, Melanie Lynskey gives an amazing performance. I wouldn’t class this as a horror, more of a very dark comedy, but it’s still a superb piece of work.
‘Don’t Fall’ is where things begin to wane a little - it’s still a really good piece of work, just a little too short to make much of an impact.
Finally, ‘Her Only Living Son’ just doesn’t quite match the quality of the first three films. The storyline is good, but does get a bit confusing, and the acting is great too, but something just doesn’t sit right and I felt disappointed with this one.
Between each short film are sections which make up another little tale, but I found these a bit pointless and just seemed to pad out the overall running time.
All in all, XX is definitely worth a watch, it’s certainly had a lot of thought and effort go into the making of it, and I’d like to see more work by the very talented directors involved here.
Ridley Plays 1: The Pitchfork Disney; the Fastest Clock in the Universe; Ghost from a Perfect Place
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Todd and The Book of Pure Evil
6.6
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Lyndsey Gollogly (2893 KP) rated The More you Ignore me in Books
Feb 20, 2022
31 of 230
Book
The more you ignore me
By Jo Brand
⭐️⭐️⭐️⭐️
Celebrity obsession, coming of age and cow shit - an hilarious, poignant and darkly comic novel by the Queen of Comedy.
Alice is a young girl growing up in a dysfunctional family in Herefordshire in the 1980s. Her mother is suffering a mental illness - she is on medication, is put away in an institution, but constantly escapes - while her father, Keith, very sweetly, tries to keep everything together. His in-laws, the Wildgooses, are a bunch of reckless, lawless country bumpkins and can offer very little help or sensible advice, preferring instead to remain in the pub or to use a shotgun to solve life's little problems. The only thing that gives meaning and hope to Alice as she makes her way through childhood, school and teenage trauma is her obsession with the singer Morrissey of The Smiths. She is desperate to see The Smiths at a live gig, but somehow her family always manages to derail her plans. Gradually her mother begins to share her fascination with the rock god and his presence in their lives goes someway to healing her and repairing her relationship with her long-suffering daughter.
This was really good! It was funny and darkly so. It follows the life of a young girl dealing with the effects her mothers mental illness has on her and her father. It’s has a dark underlay that as someone who struggles mentally I can relate too. So much better than I was expecting.
Book
The more you ignore me
By Jo Brand
⭐️⭐️⭐️⭐️
Celebrity obsession, coming of age and cow shit - an hilarious, poignant and darkly comic novel by the Queen of Comedy.
Alice is a young girl growing up in a dysfunctional family in Herefordshire in the 1980s. Her mother is suffering a mental illness - she is on medication, is put away in an institution, but constantly escapes - while her father, Keith, very sweetly, tries to keep everything together. His in-laws, the Wildgooses, are a bunch of reckless, lawless country bumpkins and can offer very little help or sensible advice, preferring instead to remain in the pub or to use a shotgun to solve life's little problems. The only thing that gives meaning and hope to Alice as she makes her way through childhood, school and teenage trauma is her obsession with the singer Morrissey of The Smiths. She is desperate to see The Smiths at a live gig, but somehow her family always manages to derail her plans. Gradually her mother begins to share her fascination with the rock god and his presence in their lives goes someway to healing her and repairing her relationship with her long-suffering daughter.
This was really good! It was funny and darkly so. It follows the life of a young girl dealing with the effects her mothers mental illness has on her and her father. It’s has a dark underlay that as someone who struggles mentally I can relate too. So much better than I was expecting.
BankofMarquis (1832 KP) rated Cold Pursuit (2019) in Movies
Mar 1, 2019
Doesn't Quite Succeed In What It Was Attempting To Do
Liam Neeson has stated that COLD PURSUIT is going to be his last action film. And, if that is the case, he certainly picked an interesting one to go out on.
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)