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Death Waits in the Dark
Death Waits in the Dark
Julia Buckley | 2019 | Mystery
10
10.0 (1 Ratings)
Book Rating
Don’t Wait in the Dark, Start Reading This Book
Summer has come to Blue Lake, Indiana, and with it the heat. Lena London and her mentor, bestselling author Camilla Graham, are trying to finish their latest manuscript, but the heat is making it hard to concentrate. However, a visit from Jane Wyland doesn’t prove to be a welcome distraction. Jane and Camilla were acquainted when Camilla first moved to the United States from England, but the two haven’t spoken in decades. Jane arrives to tell Camilla that she knows the secret the Graham family has been hiding, and Jane is going to share it with the world if Camilla doesn’t step up and acknowledge it first.

The trouble is, Camilla doesn’t know what secret Jane is talking about even when Jane implies that it is something from Camilla’s husband’s past. The next day, Camilla and Lena go to try to get more information from Jane so they can figure out what has the woman so upset. However, when they arrive, they discover that Jane has been murdered. What was this secret from the past, and did it get Jane killed?

As much as I enjoyed the first three books in this series, it was nice to see the plot move away from Lena’s boyfriend and focus on another character. This change also allowed the book to have even more of a gothic feel to it than the first three. While I’m not super familiar with that genre, I was definitely able to recognize elements of it as the book unfolded, and I enjoyed seeing how it was combined seamlessly with elements of a cozy mystery. The result works and we get a story that drew me in each time I picked up the book and made it hard to put down. The usual cast of characters are still here, and it was great to see them. The suspects didn’t get much page time, but they work perfectly for the story as it is told here since the main drive was to figure out what secret from the past upset Jane so much. This is a fun twist on the cozy mystery, and if you are looking for something slightly different, be sure to pick it up.
  
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LeftSideCut (3776 KP) rated the PlayStation 4 version of Star Wars Jedi: Fallen Order in Video Games

Apr 7, 2020  
Star Wars Jedi: Fallen Order
Star Wars Jedi: Fallen Order
2019 | Action/Adventure, Fighting
I don't have much negativity to direct at Star Wars Jedi: Fallen Order, it's a pretty solid single player adventure that expands on Star Wars lore to a competent degree, and had me absorbed for the most part.

For a start, the game looks amazing. The settings are full of colour one second, and then harsh and cold the next, as you traverse forest planets like Kashyyyk, before navigating through Empire facilities.
The game is set between Episodes 3 and 4 of the movie canon, and borrows asthethic elements from both the original and prequel trilogies. It's interesting to be in the middle of a universe that has recently seen the destruction of the Jedi Order.

The gameplay is also great. The exploration and parkour elements are reminiscent of the Uncharted series, but adds enough Force stuff to make it not feel stale, and the combat is thrilling. JFO is genuinely challenging at times, especially during boss battles. You have to approach each encounter with patience and some sort of plan, or you'll find yourself struggling. It's not to dissimilar from Dark Souls in that respect.
By the time I had finished the campaign, and went through areas again in my pursuit of Platinum, I had unlocked all skills, and combat became easier, at times, really giving you the feel of a Jedi Knight.
You can also build and edit your own lightsaber, which is a nice touch.

The story is ok, largely about finding a McGuffin to help restore the Jedi, but this is one of those games that is all about the journey. The characters you meet along the way are all fleshed out to an acceptable degree, and BD-1, your droid companion for the campaign, is endearing and feels essential to the way the story pans out.

My main criticism is that it didn't have a huge amount of replay value once I was done. After finishing the campaign, it didn't take a massive amount of time to mop up everything else, and that was that, but it's forgivable considering how tight and polished the rest of the game feels.

Star Wars Jedi: Fallen Order is another shining example of how important single player games are in an age where multiplayer games reign supreme. Go and play it.
  
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Stephen (210 KP) rated XX (2017) in Movies

Mar 17, 2019 (Updated Mar 17, 2019)  
XX (2017)
XX (2017)
2017 | Horror
XX is actually an anthology of 4 short films, all of which were directed by women.

Overall, the film is superbly directed and the acting is top notch too (the ever wonderful Melanie Lynskey delivers an outstanding performance in particular), but a couple of little niggles slightly lower my overall score.

First film, ‘The Box,’ is the best of them all - creepy and mysterious throughout, with all the elements needed for a thorough horror experience.

Next up is ‘The Birthday Party’ in which, as previously stated, Melanie Lynskey gives an amazing performance. I wouldn’t class this as a horror, more of a very dark comedy, but it’s still a superb piece of work.

‘Don’t Fall’ is where things begin to wane a little - it’s still a really good piece of work, just a little too short to make much of an impact.

Finally, ‘Her Only Living Son’ just doesn’t quite match the quality of the first three films. The storyline is good, but does get a bit confusing, and the acting is great too, but something just doesn’t sit right and I felt disappointed with this one.

Between each short film are sections which make up another little tale, but I found these a bit pointless and just seemed to pad out the overall running time.

All in all, XX is definitely worth a watch, it’s certainly had a lot of thought and effort go into the making of it, and I’d like to see more work by the very talented directors involved here.
  
Lennon's Jinx (Lennon's Girls, #1)
Lennon's Jinx (Lennon's Girls, #1)
6
6.0 (1 Ratings)
Book Rating
Contains spoilers, click to show
Once again I was undecided on what book to read next so I Random Number Generator'd it and got #69--which may turn out ironic with this book.

I think this will have to be a 2.5 rating.

The beginning took me a while to get into, the style seemed to be all over the place during the party and I had no idea what the hell was going on. It seemed to me like we were just dropped right in the middle of it all.

Then by about the 10-15% mark, I'd been dragged into it, the story had settled in a bit by then and I was getting used to the style but I still didn't quite understand Lennon (poor bugger name wise, both him and his little sister Currie). Why was he the way he was?

The really low simmer thing he had going with Jinx sorta kept me reading but I didn't really feel it until about the 80% mark.

There were some really dark/sad elements to this story, and in a way it depressed me. The last 10% had me in floods of tears. I don't mind crying but it's generally due to my emotional attachment to a couple and them splitting up for whatever reason before working it out and getting back together.
Not because of a 9 years old death

I've looked at the rest of the trilogy and after getting invested in Lennon and Jinx's story, I'm not sure I want to read them.
  
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Wayne Coyne recommended Wizard of Oz by Judy Garland in Music (curated)

 
Wizard of Oz by Judy Garland
Wizard of Oz by Judy Garland
1939 | Pop, Soundtrack
6.0 (1 Ratings)
Album Favorite

"Last summer we were playing some versions of Dark Side of the Moon that were more like our versions, that we did with my nephew [Star Death and White Dwarves] and Henry Rollins and Peaches. This summer we're playing another version that has some of the Wizard of Oz themes and ideas running through it, so that'll be a lot of fun. It's just great emotional music. Judy Garland, when they picked her to be the singer, and the embodiment of that longing... she's so perfect for that Dorothy character. There are bits on the Wizard of Oz soundtrack CD that I have - and it's an old CD, maybe 15, 20 years old - when you take the movie away and just hear her singing, and there's a song where she cries. I've put it on to a room full of people and they tear up, it's so real. There's not many pieces of music that can do that. She's so perfect, but it's not just the singing - she's an actor. She's on camera at the same time, she's wearing this ridiculous costume, there's fake backdrops behind her, there's a lot of elements that have gone into this thing, and so for her to be so pure, so potent: it's uncanny. That's why that movie is so good. There's a lot of fantastical, ridiculous, musical movies out there that, to me, are nauseating. Wizard of Oz should be one of those - out-dated, overdone, with horrible music – but it rises above what it's made of. It's unbelievable."

Source
  
X-23 (2018-) #2
X-23 (2018-) #2
6
6.0 (1 Ratings)
Book Rating
Gabby: "Why are you party pooper?"
Laura: "It's arguably in my DNA."

That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.

Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).

As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.

Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
  
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Colossal (2016)
Colossal (2016)
2016 | Comedy, Drama
A Marvel-ous Indie Movie
Well!! I’ve been really surprised (in a good way) by two films this year, and both have involved monsters (the first being “A Monster Calls” back in January).
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.

Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?

I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.

 The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.

The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!

I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.