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Sophia (Bookwyrming Thoughts) (530 KP) rated Such Sweet Sorrow in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b><i>Such Sweet Sorrow</i> is quite literally an unwritten sequel to <i>Romeo and Juliet</i> coinciding with <i>Hamlet</i> with a dark twist, or in other words, a bridge between the end of one Shakespeare play and the beginning of another.
I personally liked Trouts version of Romeo as he journeys to Denmark in the quest to save Juliet from death - he's much more spunky, but he has his romantic elements as well that Shakespeare originally placed in him. Hamlet is just as cheeky as his original counterpart, if not more cheeky (<i>Hamlet</i> is my favorite Shakespeare play, and it's not actually because of the ending). Juliet, like Romeo, also has another side to her Trout creates - she's more badass. (<i>Romeo and Juliet</i> is my least favorite - interesting combo going on here honestly.)
But <i>Such Sweet Sorrow</i> can be overwhelming. Trout doesn't just have <i>Hamlet</i> mashed with <i>Romeo and Juliet</i> - she's got Norse mythology and Greek mythology and who knows what else (some reviewers on Goodreads say anything you can think of... Essentially). Regardless, there is definitely a mess of things going on throughout and I just decided to go with it rather than question the book in its entirety (like what other mythological aspects are involved).
For the first half of the book, Romeo and Hamlet are, for the most part, wandering around cluelessly through this place called the Afterjord - it can get boring pretty quickly, but there is so much going on with the creatures they come across, it's not actually boring (I'm too busy trying to keep track of what's going on so I'm not lost). <i>Such Sweet Sorrow </i>doesn't actually pick up until after Romeo and Hamlet finally rescue Juliet and try to make their way back to the mortal world.
But while there is so much going on throughout, I actually liked this strange little book in all its weird complexities. However...
I'm disappointed that a cliffhanger is involved and nowhere on Goodreads does it say <i>Such Sweet Sorrow</i> has a sequel in the works.
<a href="https://bookwyrmingthoughts.com/arc-review-such-sweet-sorrow-by-jenny-trou/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I personally liked Trouts version of Romeo as he journeys to Denmark in the quest to save Juliet from death - he's much more spunky, but he has his romantic elements as well that Shakespeare originally placed in him. Hamlet is just as cheeky as his original counterpart, if not more cheeky (<i>Hamlet</i> is my favorite Shakespeare play, and it's not actually because of the ending). Juliet, like Romeo, also has another side to her Trout creates - she's more badass. (<i>Romeo and Juliet</i> is my least favorite - interesting combo going on here honestly.)
But <i>Such Sweet Sorrow</i> can be overwhelming. Trout doesn't just have <i>Hamlet</i> mashed with <i>Romeo and Juliet</i> - she's got Norse mythology and Greek mythology and who knows what else (some reviewers on Goodreads say anything you can think of... Essentially). Regardless, there is definitely a mess of things going on throughout and I just decided to go with it rather than question the book in its entirety (like what other mythological aspects are involved).
For the first half of the book, Romeo and Hamlet are, for the most part, wandering around cluelessly through this place called the Afterjord - it can get boring pretty quickly, but there is so much going on with the creatures they come across, it's not actually boring (I'm too busy trying to keep track of what's going on so I'm not lost). <i>Such Sweet Sorrow </i>doesn't actually pick up until after Romeo and Hamlet finally rescue Juliet and try to make their way back to the mortal world.
But while there is so much going on throughout, I actually liked this strange little book in all its weird complexities. However...
I'm disappointed that a cliffhanger is involved and nowhere on Goodreads does it say <i>Such Sweet Sorrow</i> has a sequel in the works.
<a href="https://bookwyrmingthoughts.com/arc-review-such-sweet-sorrow-by-jenny-trou/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kristy H (1252 KP) rated Little Wonders in Books
Mar 19, 2020
Quinn Barrett's mantra is about being perfect. But that all crumbles when she's caught on camera at the Little Wonders Preschool Halloween parade screaming at her young son, Hamilton, and destroying his (you guessed it) perfectly-created spaceship costume. As president of the Little Wonders board, a perfect mom, and a designer, Quinn supposedly has it all together. But when fellow Little Wonders mom Daisy McGulch captures her meltdown on her phone and it goes viral, Quinn's perfect life is over. As for Daisy, she's terrified that Quinn (and the other Little Wonders parents) will find out she's responsible for the video. She's having a hard enough time fitting in the posh New England town and Little Wonders world. Daisy, with her tattoos, blue hair, and love of cosplay, isn't exactly like the other moms. But then Daisy and Quinn find themselves thrust together--and soon--maybe even friends. What will happen if Quinn finds out what Daisy did?
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
Gareth von Kallenbach (980 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
Minimon: Adventure of Minions
Games, Entertainment and Stickers
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Text in English & German. Like literary texts, films often tell stories on multiple levels. Ridley...
A Dark Spring (Stories That Twist & Tangle)
Laura N. Andrews, R.M. Gilmore, M. Billiter, Kenneth Jobe, Barb Shuler, M.C. St. John, Ricky Wells and Kim Deister
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Eight original tales of suspense that will tangle your senses and keep you gripped. From murder to...
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Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
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Gareth von Kallenbach (980 KP) rated Alien: Romulus (2024) in Movies
Sep 2, 2024
The latest film in the “Alien” franchise has arrived and “Alien: Romulus” is the most engaging and enjoyable entry in the series since “Aliens”.
The film is the first in the series since Disney purchased Twentieth Century Fox and they turned to Director and Co-writer Fede Alvarez to develop a story he had shared with Producer Ridley Scott years prior.
The movie was originally intended to debut on Hulu similar to how “Prey” was released but it was decided to go with a theatrical release early in production.
Cailee Spaeny stars as Rain; an orphan living on a dark planet with her Android “Brother” Andy (David Jonsson). The mining colony is filled with despair and disease from the mine and Rain is eager to immigrate to a colony that offers the sun and a better life having completed the terms of her service agreement with the Company.
Her request is denied and she is told that due to a labor shortage, she has to work five years in the mines before she is eligible to be considered again. Knowing the Mines are for many deaths waiting to happen, Rain is asked by a group of friends to join them for a mission.
Her friends pilot a hauler used to ferry cargo and say that they have found an object drifting through the system which will crash into their planetary rings in about 47 hours. They plot to go up and salvage some Cryopods which will enable them to head to the desired colony which is a nine-year journey.
Without options and knowing that Andy is the key to gaining access, the group enters the station and sets about their tasks.
Unfortunately, their actions rouse the dark and deadly secret of the station and they soon find themselves facing deadly Aliens in a tense and pitched fight for survival and escape.
The movie does a very good job at filling in areas of the overall mythos and delivering fan service which does not feel like pandering and also helps create a pathway for new stories that do not directly impact the film “Aliens” which is set 37 years after the events of this film.
The movie also connects to the Prequel films as well as the original “Alien” in some clever ways which helps the continuity but still leaves plenty of mystery and questions even when this one fills in a few of the gray areas slightly.
The movie takes its time to set up the premise and get to the action but it never drags and is engaging from start to finish. Alvarez has done a masterful job capturing not only the look of the earlier films but also creating an intense thriller that gives audiences what they want and more as use of physical effects was very effective.
The cast was strong and Spaeny and Jonsson have a great chemistry with one another which helps in the face of the growing danger and tensions in the film.
I found myself not only loving the nostalgic touches but also the way that elements of the Company are explained and how much they truly knew which adds new dimensions to the first two films in the series but raises all sorts of possibilities for future films in the series.
“Alien: Romulus” was a true joy from start to finish for me and as a fan who has enjoyed the franchise since I was a small child; it delivered what I wanted and for me was the most enjoyable and satisfying entry in the series since “Aliens” and Alvarez and the cast are to be commended for creating a film that invigorates the franchise and delivers.
The film is the first in the series since Disney purchased Twentieth Century Fox and they turned to Director and Co-writer Fede Alvarez to develop a story he had shared with Producer Ridley Scott years prior.
The movie was originally intended to debut on Hulu similar to how “Prey” was released but it was decided to go with a theatrical release early in production.
Cailee Spaeny stars as Rain; an orphan living on a dark planet with her Android “Brother” Andy (David Jonsson). The mining colony is filled with despair and disease from the mine and Rain is eager to immigrate to a colony that offers the sun and a better life having completed the terms of her service agreement with the Company.
Her request is denied and she is told that due to a labor shortage, she has to work five years in the mines before she is eligible to be considered again. Knowing the Mines are for many deaths waiting to happen, Rain is asked by a group of friends to join them for a mission.
Her friends pilot a hauler used to ferry cargo and say that they have found an object drifting through the system which will crash into their planetary rings in about 47 hours. They plot to go up and salvage some Cryopods which will enable them to head to the desired colony which is a nine-year journey.
Without options and knowing that Andy is the key to gaining access, the group enters the station and sets about their tasks.
Unfortunately, their actions rouse the dark and deadly secret of the station and they soon find themselves facing deadly Aliens in a tense and pitched fight for survival and escape.
The movie does a very good job at filling in areas of the overall mythos and delivering fan service which does not feel like pandering and also helps create a pathway for new stories that do not directly impact the film “Aliens” which is set 37 years after the events of this film.
The movie also connects to the Prequel films as well as the original “Alien” in some clever ways which helps the continuity but still leaves plenty of mystery and questions even when this one fills in a few of the gray areas slightly.
The movie takes its time to set up the premise and get to the action but it never drags and is engaging from start to finish. Alvarez has done a masterful job capturing not only the look of the earlier films but also creating an intense thriller that gives audiences what they want and more as use of physical effects was very effective.
The cast was strong and Spaeny and Jonsson have a great chemistry with one another which helps in the face of the growing danger and tensions in the film.
I found myself not only loving the nostalgic touches but also the way that elements of the Company are explained and how much they truly knew which adds new dimensions to the first two films in the series but raises all sorts of possibilities for future films in the series.
“Alien: Romulus” was a true joy from start to finish for me and as a fan who has enjoyed the franchise since I was a small child; it delivered what I wanted and for me was the most enjoyable and satisfying entry in the series since “Aliens” and Alvarez and the cast are to be commended for creating a film that invigorates the franchise and delivers.