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Dean (6921 KP) rated Joker (2019) in Movies

Oct 10, 2019 (Updated Oct 10, 2019)  
Joker (2019)
Joker (2019)
2019 | Crime, Drama
Joaquin Phoenix (2 more)
Great cinematography
A realistic origin story
Send in the Clowns
I've been looking forward to this since seeing the Trailers a while ago. Also the fact that it appears to be a dark, gritty more realistic origin story. Looking and feeling more like a film set in our society, rather than Gotham city. There are enough hints and elements to the film to give it the DC universe setting. It was nice to see these touches in the film.
This film won't be for everyone. It is a slow burner, character driven piece with little action to speak of. It does showcase Joaquin Phoenix talents though in a performance that must make him the favourite for the Best Actor Oscar. It's a dark film, showing his descent into madness, not coping with his mental illness with a bleak look at his past as well. Set against a backdrop of civil unrest in the city. There are obvious comparisons with @Taxi Driver (1976) which had similar themes. It's also quite violent in places but I think compared to many other films it's no worse than you would expect.
Overall I think this could be a modern classic and definitely deserves high praise for the cinematography, which is very artistically shot and the acting. It's Phoenix's portrayal of Joker that this film will be remembered for.
  
Cold Pursuit (2019)
Cold Pursuit (2019)
2019 | Action, Drama, Thriller
Nels Coxman (Liam Neeson) is a simple man who spends his days clearing the roads in a remote Colorado Ski Town and spends his days with his wife and his son. Nels is so unassuming that when he is awarded Citizen of the Year he states that there are others far more worthy and fusses over getting dressed up to accept the award and make a speech.

When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.

With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.

One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).

As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.

As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.

http://sknr.net/2019/01/30/cold-pursuit/
  
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Awix (3310 KP) rated Batman (1989) in Movies

Feb 25, 2018  
Batman (1989)
Batman (1989)
1989 | Action
Tim Burton's landmark superhero adaptation was an unavoidable media juggernaut on original release; has stood the test of time pretty well. Bruce Wayne begins his battle against crime as Batman, inadvertently creates psycho crime-lord the Joker; the two of them both take a shine to reporter Vicki Vale.


Enormously influenced by Frank Miller's The Dark Knight Returns, clearly, but then you could say the same about every single other Batman movie since. The real innovation at the time was to create a distinctive fantasy world around Batman so he appears less absurd: hence the gothic nightmare of Gotham City's architecture, and the combination of elements of 40s and 80s fashion in the costume design. Whole film is arguably unbalanced by Jack Nicholson's not-exactly-understated performance as the Joker, though Michael Keaton does his best. Is there really anything behind all the art direction and overacting? Possibly not, but that may be missing the point.
  
Aspiring novelist Lena London has been given the change of a lifetime, helping her idol, best-selling author Camilla Graham, polish up her newest novel. But Lena has hardly arrived in town when she finds the dead body of a young man near Camilla’s house. What is going on?

There is a strong element of wish fulfillment in this novel, and I must admit I enjoyed that real life fantasy. Camilla writes gothic novels, and there are elements of those here as an homage to the genre. Even though I’m not familiar with that genre, I still spotted a few; I probably missed others, but it wasn’t that big a deal to me. The characters are fun and the plot was strong. I did have some issues with the pacing at the end, but overall, I enjoyed this. It certainly left me anxious for the next one.

NOTE: I received a copy of this book in hopes I would review it.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/02/book-review-dark-and-stormy-murder-by.html">Carstairs Considers</a>.
  
Salò, or the 120 Days of Sodom (1975)
Salò, or the 120 Days of Sodom (1975)
1975 | Drama, Horror, War

"I didn’t know there were films that represented the things represented in this film. I didn’t know you could do that. People didn’t think you could do that when this film came out. I always ask myself: how macabre can we go, how graphic can we go, how dark can we go. And the commitment of these actors to the horror that they’re subjected to in this film—you can’t fake that stuff; it’s happening. This nudity is happening, this scatological stuff . . . I don’t know how much of that stuff was happening, but it’s just pure terror and pure excess. There’s also something unwittingly seductive about the beautiful, heightened elements of the film. There aren’t many films that communicate the dangers and trespasses of fascism better than this one. The terror is not in some externalized war story, it’s something that is very domestic and very tangible. You can’t forget a film like Salò, and the shock and the horror of it make such an effective medium for its serious political themes. I think it kind of shares that with Assassination Nation."

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