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LeftSideCut (3778 KP) rated Justice League Dark: Apokolips War (2020) in Movies
Sep 23, 2020
The DC Animated movies are a mixed bags. There are some great ones, and a whole bunch of not so great ones. The top of the pile for me has always been the 2-part adaption of The Dark Knight Returns, until now that is.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
ClareR (5589 KP) rated Boy Swallows Universe in Books
Jun 1, 2021
Boy Swallows Universe is the second book in a month that:
I nearly gave up on,
I’m glad I didn’t.
It’s the story of Eli Bell, a 12 year old boy who lives in the Brisbane suburbs with his mum, stepdad and older brother. All sounds normal, until we find out that his mum and stepdad are ex-junkies, his stepdad sells heroin, and his brother is an elective mute following a traumatic, unnamed event.
Drug dealing aside, Eli and Gus’ mum, Frances and Stepdad Lyle, seem really nice! And their babysitter is equally lovely, despite the fact that he’s a murderer who has served his time. Despite all the crime and criminals around him, Eli just wants to grow up to be a good person, a crime journalist - after all, he has in depth knowledge!
This is a dark and sad book in parts, yet there were still events that made me laugh - there’s humour in even the darkest moments. Eli’s life is a one of trials and hardships, and reflects his indomitable spirit. He tries to see the good in everything, and I loved that about him.
I nearly gave up on,
I’m glad I didn’t.
It’s the story of Eli Bell, a 12 year old boy who lives in the Brisbane suburbs with his mum, stepdad and older brother. All sounds normal, until we find out that his mum and stepdad are ex-junkies, his stepdad sells heroin, and his brother is an elective mute following a traumatic, unnamed event.
Drug dealing aside, Eli and Gus’ mum, Frances and Stepdad Lyle, seem really nice! And their babysitter is equally lovely, despite the fact that he’s a murderer who has served his time. Despite all the crime and criminals around him, Eli just wants to grow up to be a good person, a crime journalist - after all, he has in depth knowledge!
This is a dark and sad book in parts, yet there were still events that made me laugh - there’s humour in even the darkest moments. Eli’s life is a one of trials and hardships, and reflects his indomitable spirit. He tries to see the good in everything, and I loved that about him.
David McK (3227 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Nov 28, 2021
Martha!
The secind entry in what-was-then the burgeoning Extended Universe, following on from 2013's Man of Steel - the finale of which (re. seemingly half of Metropolis getting destroyed) has repercussions in this.
I remember the film was also hotly anticipated, with lots of speculation on who it would adopt the graphic novel 'The Dark Knight Returns', a portion of which features a showdown between the Man of Steel and Batman.
So, this introduces Ben Affleck's (aka 'Batfleck') during the prologue.
It's also - unfortunately - the movie with the infamous 'save Martha!' scene, and with the very ineptly handed expansion of the DCEU via video clips played on a laptop.
This version of Batman also seems to have completely abandoned his famous 'no killing' rule, dispatching goons left, right and centre during several key moments of the film, while Henry Cavill's Superman still needs to, well, 'lighten up' quite a bit to be closer to how the Man of Steel is more commonly viewed.
And don't start me on Jesse Eisenberg's Lex Luthor, or on the completely extraneous final 'Doomsday' act ...
(still, at least the Directors Cut manages to salvage it somewhat)
I remember the film was also hotly anticipated, with lots of speculation on who it would adopt the graphic novel 'The Dark Knight Returns', a portion of which features a showdown between the Man of Steel and Batman.
So, this introduces Ben Affleck's (aka 'Batfleck') during the prologue.
It's also - unfortunately - the movie with the infamous 'save Martha!' scene, and with the very ineptly handed expansion of the DCEU via video clips played on a laptop.
This version of Batman also seems to have completely abandoned his famous 'no killing' rule, dispatching goons left, right and centre during several key moments of the film, while Henry Cavill's Superman still needs to, well, 'lighten up' quite a bit to be closer to how the Man of Steel is more commonly viewed.
And don't start me on Jesse Eisenberg's Lex Luthor, or on the completely extraneous final 'Doomsday' act ...
(still, at least the Directors Cut manages to salvage it somewhat)
Blazing Minds (92 KP) rated Wonder Woman (2017) in Movies
Nov 2, 2021 (Updated Nov 3, 2021)
With Marvel already dominating the superhero movie market, Wonder Woman steps up to the plate and knocks it out the park in DC’s new movie that takes us further towards The Justice League.
So a few years ago we had Man of Steel, which had mixed reviews and was a movie that had an extremely long and all out good vs evil battle with Superman vs General Zod over Metropolis!
Then came Batman V Superman, a movie that I personally was hoping would be a version of my favourite Batman comic book, The Dark Knight Returns, sadly this was not to be and although the extended cut is a better version the film was another in the DCEU (DC Extended Universe) that had mixed reviews and a rather long good vs evil battle, it did introduce us to Wonder Woman.
Following on was the next in the franchise, Suicide Squad, again this was another movie that didn’t really go down well with movie fans, which also had a good vs evil fight at the end (I see a pattern) it certainly looked like DC had hit three strikes! So all hope rested on Wonder Woman.
So a few years ago we had Man of Steel, which had mixed reviews and was a movie that had an extremely long and all out good vs evil battle with Superman vs General Zod over Metropolis!
Then came Batman V Superman, a movie that I personally was hoping would be a version of my favourite Batman comic book, The Dark Knight Returns, sadly this was not to be and although the extended cut is a better version the film was another in the DCEU (DC Extended Universe) that had mixed reviews and a rather long good vs evil battle, it did introduce us to Wonder Woman.
Following on was the next in the franchise, Suicide Squad, again this was another movie that didn’t really go down well with movie fans, which also had a good vs evil fight at the end (I see a pattern) it certainly looked like DC had hit three strikes! So all hope rested on Wonder Woman.
Lee (2222 KP) rated The Nun (2018) in Movies
Sep 6, 2018 (Updated Sep 7, 2018)
Disappointing
I'm a big fan of The Conjuring movies. The original is one of my favourite scary movies, and while I enjoyed the sequel, for me it just didn't live up to the very high bar set by the first. Creepy doll Annabelle from the first movie landed her own disappointing outing, followed by a surprisingly enjoyable sequel/prequel in Annabelle: Creation. Now, next up in The Conjuring Universe is the turn of The Nun. After a brief, but very effective appearance in The Conjuring 2, The Nun movie looks to expand the universe even further, providing us with an insight into how the demon nun came to be.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
Cyn Armistead (14 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Cyn Armistead (14 KP) rated Night's Edge in Books
Mar 1, 2018
"Dancers in the Dark" by Charlaine Harris is set in the same universe as the Southern Vampire/Sookie Stackhouse stories, but with none of the incredibly annoying characters. How refreshing! It does go back to the same stuff Harris explored in her Shakespeare series and one of her standalone books (<i>Sweet and Deadly</i>? I can't remember if it was that one of the other, as they don't stand out in my memory too much anyway). The story wasn't terribly, though, and I was engaged. I kept thinking while reading, "Didn't I read another short story or novella in this universe about dancers?" Anybody else remember? I hate it when my memory goes wonky like that.
"Her Best Enemy" was too hackneyed, bringing in too many old standbyes. There's a tough girl reporter who is really a sweet woman who just needs a good man after a bad one took everything she had, a sexy man who is tougher than he looks and better able to protect her than even he knew, etc. I don't remember reading anything really strong by Maggie Shayne yet, but she's definitely on the romance side of the paranormal romance street, so that may explain my lack of enthusiasm.
Barbara Hambly's contribution, "Someone Else's Shadow," has us back in the world of dance. I wouldn't be surprised to see this one and the first story in a dance-themed anthology (they probably are, already, and I just don't realize it yet). It was the strongest story of the three (with reason, as Hambly is certainly the most experienced and IMNSHO best writer of the three). Sound plotting, good reasoning, likable characters who are well-rounded and believable, neither perfect saints nor disgusting sinners.
I kept thinking of Hope while reading the last story because the main character dances and teaches belly dance, and there's a lovely quote from the first time she dances in front of her love interest, <i>"It's all dancing. Skill infused with joy. Weaving jewelry out of dreams."</i>
"Her Best Enemy" was too hackneyed, bringing in too many old standbyes. There's a tough girl reporter who is really a sweet woman who just needs a good man after a bad one took everything she had, a sexy man who is tougher than he looks and better able to protect her than even he knew, etc. I don't remember reading anything really strong by Maggie Shayne yet, but she's definitely on the romance side of the paranormal romance street, so that may explain my lack of enthusiasm.
Barbara Hambly's contribution, "Someone Else's Shadow," has us back in the world of dance. I wouldn't be surprised to see this one and the first story in a dance-themed anthology (they probably are, already, and I just don't realize it yet). It was the strongest story of the three (with reason, as Hambly is certainly the most experienced and IMNSHO best writer of the three). Sound plotting, good reasoning, likable characters who are well-rounded and believable, neither perfect saints nor disgusting sinners.
I kept thinking of Hope while reading the last story because the main character dances and teaches belly dance, and there's a lovely quote from the first time she dances in front of her love interest, <i>"It's all dancing. Skill infused with joy. Weaving jewelry out of dreams."</i>
ClareR (5589 KP) rated The Stars Now Unclaimed (The Universe After #1) in Books
May 26, 2018
Full on outer space entertainment!
I really enjoyed this: it took me longer than a book this size usually takes me to read, but there was a lot of detail in it that you need to 'get' to understand what's going on.
This has been compared to Firefly, Star Wars and some other science fiction stories and worlds, but I think it's a good story in its own right.
I really liked the main character - a female lead (who we don't learn the name of until near the end) who travels the universe after 'The Pulse" puts most planets back to the dark ages, to find children who have developed gifts because of this phenomenon. The Pax seem to be following her every move (I'm hoping the reason for this will be explained in the next instalment), and they're not good news (think mindless fascist zealots. If you're not with them, you're dead). The unnamed pilot/ soldier/ pilot has some great friends, who along with the telekinetic teen she saves at the beginning, must all work together to save their homeward. It's exciting stuff, believe me!
Many thanks to NetGalley and the publisher for a copy of this fantastic book to read!
This has been compared to Firefly, Star Wars and some other science fiction stories and worlds, but I think it's a good story in its own right.
I really liked the main character - a female lead (who we don't learn the name of until near the end) who travels the universe after 'The Pulse" puts most planets back to the dark ages, to find children who have developed gifts because of this phenomenon. The Pax seem to be following her every move (I'm hoping the reason for this will be explained in the next instalment), and they're not good news (think mindless fascist zealots. If you're not with them, you're dead). The unnamed pilot/ soldier/ pilot has some great friends, who along with the telekinetic teen she saves at the beginning, must all work together to save their homeward. It's exciting stuff, believe me!
Many thanks to NetGalley and the publisher for a copy of this fantastic book to read!
Blazing Minds (92 KP) rated The Mummy (2017) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Ah The Mummy, one of my all-time favourite movies, I remember the first time I saw the 1932 film with Boris Karloff when I was very young, scared the living daylights out of me, thank heavens for big backed sofas!
Then many, many, years later in 1999 Brendan Fraser and Rachel Weisz brought The Mummy back to life (excuse the pun) on the big screen with it wit, wonderful chemistry between Fraser and Weisz, some pretty nifty CGI during the transformation scenes of Arnold Vosloo’s Mummy and not forgetting that one line that so many off would throw into conversations as much as we could, “Apparently he was having a very good time!”.
Now 18 years later (oh damn now I do feel really old!) The Mummy is back with not only a reboot of the film, but also the start of the “Dark Universe“, a new world of gods and monsters that will be unleashed on to cinemas screens, starting with The Mummy, all the films will be connected by a mysterious organisation known as the “Prodigium” which is led by Dr. Henry Jekyll (Russell Crowe, (Nice Guys, Les Miserables) who we have been introduced to in this movie.
Then many, many, years later in 1999 Brendan Fraser and Rachel Weisz brought The Mummy back to life (excuse the pun) on the big screen with it wit, wonderful chemistry between Fraser and Weisz, some pretty nifty CGI during the transformation scenes of Arnold Vosloo’s Mummy and not forgetting that one line that so many off would throw into conversations as much as we could, “Apparently he was having a very good time!”.
Now 18 years later (oh damn now I do feel really old!) The Mummy is back with not only a reboot of the film, but also the start of the “Dark Universe“, a new world of gods and monsters that will be unleashed on to cinemas screens, starting with The Mummy, all the films will be connected by a mysterious organisation known as the “Prodigium” which is led by Dr. Henry Jekyll (Russell Crowe, (Nice Guys, Les Miserables) who we have been introduced to in this movie.
Gareth von Kallenbach (971 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jul 2, 2019
Ever since X-men First Class was released, Jean Gray one of the more pivotal characters in the X-Men universe has been surprisingly absent. Often portrayed at not only having psychic abilities that rivals Charles Xavier, but also attracted the admiration of both Cyclops and Wolverine. While she was a staple in the original film and subsequent sequels her first appearance in the newest series did not occur until X-Men Apocalypse. With the release of Dark Phoenix, we had hoped to finally get an opportunity to explore a bit of her background story and her transformation into Dark Phoenix.
Dark Phoenix begins on a small country road where a very young Jean Grey is arguing with her parents over what music to listen to. In traditional parent fashion, her mother reminds her that the driver is the one who chooses the music and when she is old enough to drive she can choose her own music. This small disagreement turns into a deadly confrontation, when the young Jean, unable to control her vast powers causes her mom to fall asleep at the wheel, resulting in a head on collision killing both her parents. The doctors are amazed that this young girl has survived without a single scratch and a young Charles Xavier arrives to take her to a place where she can be safe.
Fast Forward to the year 1992 where the space shuttle Endeavor, on a routine mission, encounters a cosmic entity that cripples it in space. The X-men, who are now looked at as heroes by most of the world are tasked to bring the astronauts safely home, it’s a dangerous mission, but one that Charles feels will further cement the hero status of his team and continue to grow trust between mutants and humans alike. The mission goes surprisingly without incident until Jean and Night Crawler attempt to rescue the final remaining astronaut from the doomed shuttle. Night Crawler quickly teleports the astronaut to safety, but Jean is caught by the full force of the cosmic entity, absorbing it completely and destroying the shuttle. The team scrambles to locate her, and with the help of Night Crawler are once again able to bring her back to the safety of the X-Jet. Relieved that she has somehow miraculously survived the encounter the team is unaware that Jean and themselves will never be the same again.
As we’ve come to expect from the previous X-men movies, a star-studded cast leads the way. Familiar cast members such as Jennifer Lawrence (Raven), Tye Sheridan (Cyclops) and James McAvoy (Charles Xavier) are joined once again by Sophie Turner as the iconic Jean Grey. Sophie does an incredible job at bringing out both the uncertainty in her character and the extreme anger and rage that flows through her. Unfortunately for such a major character the movie only briefly touches the surface of who Jean Grey really is. The movie, even from the start tends to focus on Jean as a dangerous and angry young lady, unable to control her emotions which will ultimately open the doorway to her alter ego Dark Phoenix. The movie unfortunately treats her as a one-off character and skips most of her back story choosing to focus only on her Dark Phoenix personality. This leaves the audience with no understanding of the person she was prior to the transformation, only seeing Jean as an uncontrollable child who has now become an uncontrollable adult with “off the chart” powers. While Charles and other members of the team try to assure those around them (and the audience seated in the theaters) that Jean is a good person, a person worth saving, there is very little in the movie that allows us to sympathize with her plight. It ultimately villainizes her and leaves much of the cast (and the audience) wondering whether destroying her is the right choice for all humankind.
Visually Dark Phoenix is a masterpiece, whether it’s the awe-inspiring deepness of space, or the incredible visual effects as the mutants square off against each other with their powers. Buildings topple, subway cars are pulled from underground and general mayhem takes the stage. This is certainly one of the more action-packed movies in the series and getting the opportunity to watch some of our favorite mutants square off against one another is enough to excite even the ones least interested in the franchise.
Dark Phoenix as one might expect is also one of the darkest of the x-men movies. Unlike its other Marvel film counterparts, there is no levity in the movie at all. There are scenes that are heartwarming, but the movie takes itself very seriously. Even in a similarly dark Marvel movie Endgame there were moments that would make you laugh regardless of how dire the situation was, Dark Phoenix is not like this at all. It carries a weight to it that ensures that not only the people on screen, but those in the audience understand how truly dire the situation is. It detracts a bit from the spirit of the source material it derives from and could potentially alienate its core audience. This is a very adult movie, that deals with some very adult themes and parents might want to think twice before taking their youngest to see this film. With the X-Men franchise finally joining the MCU, it’ll be interesting to see how movies down the road treat these characters.
Dark Phoenix represents the end of an X-Men era that has existed in both its original and First-Class installments for over twenty years. The acquisition of Fox by Disney now brings this venerable franchise to the MCU family along with its cast of seemingly endless characters. While the movie is certainly better than Apocalypse, it can’t quite reach the heights of either First-Class or Days of Futures Past. The Dark Phoenix storyline does a good job staying closer to its comic book roots than its previous outing but rushes the origin and character development of Jean far more than she deserves. It’s a fine ending to the series as a whole but can’t quite deliver in all the ways I hoped it would.
Dark Phoenix begins on a small country road where a very young Jean Grey is arguing with her parents over what music to listen to. In traditional parent fashion, her mother reminds her that the driver is the one who chooses the music and when she is old enough to drive she can choose her own music. This small disagreement turns into a deadly confrontation, when the young Jean, unable to control her vast powers causes her mom to fall asleep at the wheel, resulting in a head on collision killing both her parents. The doctors are amazed that this young girl has survived without a single scratch and a young Charles Xavier arrives to take her to a place where she can be safe.
Fast Forward to the year 1992 where the space shuttle Endeavor, on a routine mission, encounters a cosmic entity that cripples it in space. The X-men, who are now looked at as heroes by most of the world are tasked to bring the astronauts safely home, it’s a dangerous mission, but one that Charles feels will further cement the hero status of his team and continue to grow trust between mutants and humans alike. The mission goes surprisingly without incident until Jean and Night Crawler attempt to rescue the final remaining astronaut from the doomed shuttle. Night Crawler quickly teleports the astronaut to safety, but Jean is caught by the full force of the cosmic entity, absorbing it completely and destroying the shuttle. The team scrambles to locate her, and with the help of Night Crawler are once again able to bring her back to the safety of the X-Jet. Relieved that she has somehow miraculously survived the encounter the team is unaware that Jean and themselves will never be the same again.
As we’ve come to expect from the previous X-men movies, a star-studded cast leads the way. Familiar cast members such as Jennifer Lawrence (Raven), Tye Sheridan (Cyclops) and James McAvoy (Charles Xavier) are joined once again by Sophie Turner as the iconic Jean Grey. Sophie does an incredible job at bringing out both the uncertainty in her character and the extreme anger and rage that flows through her. Unfortunately for such a major character the movie only briefly touches the surface of who Jean Grey really is. The movie, even from the start tends to focus on Jean as a dangerous and angry young lady, unable to control her emotions which will ultimately open the doorway to her alter ego Dark Phoenix. The movie unfortunately treats her as a one-off character and skips most of her back story choosing to focus only on her Dark Phoenix personality. This leaves the audience with no understanding of the person she was prior to the transformation, only seeing Jean as an uncontrollable child who has now become an uncontrollable adult with “off the chart” powers. While Charles and other members of the team try to assure those around them (and the audience seated in the theaters) that Jean is a good person, a person worth saving, there is very little in the movie that allows us to sympathize with her plight. It ultimately villainizes her and leaves much of the cast (and the audience) wondering whether destroying her is the right choice for all humankind.
Visually Dark Phoenix is a masterpiece, whether it’s the awe-inspiring deepness of space, or the incredible visual effects as the mutants square off against each other with their powers. Buildings topple, subway cars are pulled from underground and general mayhem takes the stage. This is certainly one of the more action-packed movies in the series and getting the opportunity to watch some of our favorite mutants square off against one another is enough to excite even the ones least interested in the franchise.
Dark Phoenix as one might expect is also one of the darkest of the x-men movies. Unlike its other Marvel film counterparts, there is no levity in the movie at all. There are scenes that are heartwarming, but the movie takes itself very seriously. Even in a similarly dark Marvel movie Endgame there were moments that would make you laugh regardless of how dire the situation was, Dark Phoenix is not like this at all. It carries a weight to it that ensures that not only the people on screen, but those in the audience understand how truly dire the situation is. It detracts a bit from the spirit of the source material it derives from and could potentially alienate its core audience. This is a very adult movie, that deals with some very adult themes and parents might want to think twice before taking their youngest to see this film. With the X-Men franchise finally joining the MCU, it’ll be interesting to see how movies down the road treat these characters.
Dark Phoenix represents the end of an X-Men era that has existed in both its original and First-Class installments for over twenty years. The acquisition of Fox by Disney now brings this venerable franchise to the MCU family along with its cast of seemingly endless characters. While the movie is certainly better than Apocalypse, it can’t quite reach the heights of either First-Class or Days of Futures Past. The Dark Phoenix storyline does a good job staying closer to its comic book roots than its previous outing but rushes the origin and character development of Jean far more than she deserves. It’s a fine ending to the series as a whole but can’t quite deliver in all the ways I hoped it would.