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LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
Joe Elliott recommended Ziggy Stardust and the Spiders from Mars: The Motion Picture Soundtrack by David Bowie in Music (curated)
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Lindsay (1693 KP) rated Open Season for Murder (Mac Faraday Mystery #10) in Books
Sep 8, 2017
Open season for Murder, Get you involved with a cold case from the beginning. You get brought in with a mysterious phone call to Mac. Who is the caller? We get all kinds of killers. We also get deaths at every turn. Why the Diablo ball?
Who wants Carlyle dead or anyone else for that matter. Brian Galestar, comes about and his he as suspects to Lindsey York death? Who wanted Lindsey York dead and Jasmine Simpson? Reva Saint Clair is around as well. Who killed Aston Piedmont?
You go for a ride with Mac and David on an adventure. We sure find out who good at solving mysteries around Spencer Maryland. Lauren Carr plots are good and you are invested throughout the book. There's a story inside the main story. You get captive into the story and you will not want to leave these charters from this series or any of Lauren Carr mysteries.
Lauren Carr is one talented writer. She brings you along to find out who the killer is. One thing I love about her mysteries is that you never know who the murderer is? I have read a few of her books already and reviewed a few of them. You are welcome to read my reviews that are part of this audiobook palooza. My reviews are Cancelled Vows, A Fine Year for Murder, Killer in the Band, The Murders at Astaire Castle, Candidate for Murder, 3 Days to Forever, Kill and Run, Old Love Die Hard, 12 To Murder.
Who wants Carlyle dead or anyone else for that matter. Brian Galestar, comes about and his he as suspects to Lindsey York death? Who wanted Lindsey York dead and Jasmine Simpson? Reva Saint Clair is around as well. Who killed Aston Piedmont?
You go for a ride with Mac and David on an adventure. We sure find out who good at solving mysteries around Spencer Maryland. Lauren Carr plots are good and you are invested throughout the book. There's a story inside the main story. You get captive into the story and you will not want to leave these charters from this series or any of Lauren Carr mysteries.
Lauren Carr is one talented writer. She brings you along to find out who the killer is. One thing I love about her mysteries is that you never know who the murderer is? I have read a few of her books already and reviewed a few of them. You are welcome to read my reviews that are part of this audiobook palooza. My reviews are Cancelled Vows, A Fine Year for Murder, Killer in the Band, The Murders at Astaire Castle, Candidate for Murder, 3 Days to Forever, Kill and Run, Old Love Die Hard, 12 To Murder.
Nick Rhodes recommended Remain in Light by Talking Heads in Music (curated)
Johnny Marr recommended Taking Tiger Mountain (By Strategy) by Brian Eno in Music (curated)
Gene Simmons recommended Mellow Gold by Beck in Music (curated)
Gareth von Kallenbach (965 KP) rated The Wolves of Savin Hill (2014) in Movies
Aug 16, 2019
The indie movie, The Wolves of Savin Hill is a very fine directorial debut for John Beaton Hill. He also wrote this story where sentimentalities and brutality clash between two best friends who have lost touch over the years. In their youth, they made a promise youth that now haunts them as they are adults. In what results is a trial of what’s left of their friendship. In how this film treats the subject matter is like that of silent lucidity.
In what they have become, Tom (David Cooley) stayed in Boston only to grow up to be an alcoholic troublemaker and Sean (Brian Scannell) relocated to Los Angeles with Tom’s sister Emily to eventually work the beat as a cop with an axe to grind. Anyone who tries to mess with him often got the end of the stick. But when Emily is found dead and news reaches home, Tom goes to LA to confront Sean. The web of deceit he finds himself in is more than he can handle.
Cooley and Scannel deliver strong performances. The plot only gets stranger at every succeeding moment, and the draw this film creates gets viewers invested into wanting to understand the psyche of each of these leading men. Hill crafted a nicely enticing film that wraps two time periods together to reveal the darkest nature of what friends are willing to do for each other. The flashbacks are far more interesting than the now.
To reveal anymore information will only spoil the causality of how these two have to contend with each other. When this film hits more festivals, viewers can discover for themselves in what human nature means according to this filmmaker. The hills have eyes and what he sees may not be necessarily good.
In what they have become, Tom (David Cooley) stayed in Boston only to grow up to be an alcoholic troublemaker and Sean (Brian Scannell) relocated to Los Angeles with Tom’s sister Emily to eventually work the beat as a cop with an axe to grind. Anyone who tries to mess with him often got the end of the stick. But when Emily is found dead and news reaches home, Tom goes to LA to confront Sean. The web of deceit he finds himself in is more than he can handle.
Cooley and Scannel deliver strong performances. The plot only gets stranger at every succeeding moment, and the draw this film creates gets viewers invested into wanting to understand the psyche of each of these leading men. Hill crafted a nicely enticing film that wraps two time periods together to reveal the darkest nature of what friends are willing to do for each other. The flashbacks are far more interesting than the now.
To reveal anymore information will only spoil the causality of how these two have to contend with each other. When this film hits more festivals, viewers can discover for themselves in what human nature means according to this filmmaker. The hills have eyes and what he sees may not be necessarily good.
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Gareth von Kallenbach (965 KP) rated Anchorman 2: The Legend Continues (2013) in Movies
Aug 6, 2019
I really wanted this movie to be epic. I wanted it to be the follow up that so many waited so long to see.
However, it fell just short of that goal in my book.
Anchorman 2 picks up in 1980 where Ron Burgandy (Will Ferrell) and Veronica Corningstone (Christina
Applegate) are married, have a 6-year old son, and are co-anchors for a local news station in New York.
Not long into the movie, something comes between the two, and we see Burgandy hit a new low as an
announcer at Sea World. But he is approached with an opportunity to work at the first 24-hour news
channel, and a chance to get his old team back together. Along with Brian Fantana (Paul Rudd), Champ
Kind (David Koechner) and Brick Tamland (Steve Carrell), Ron Burgandy takes the world by storm with
a new format, and vastly different “news” stories than what some traditionalists would call news.
As I said, there was so much potential for this movie that it just seemed to miss. It felt like they tried
to force too much of Brick’s “natural charm” that made him so popular in the first, even with the love
interest they brought in for him this go around. You top that off with recycled jokes, not just from
the first movie (which I would have been okay with), but from other movies as well. I immediately
recognized 2 from the Austin Powers franchise alone.
It’s not to say that the movie didn’t have its moments. There were quite a few times where I was caught
off guard by something I was not expecting, or where the joke fell naturally into place. But the rest of
the movie seemed forced. And one cameo in reference to MTV had me downright upset. But hey, not
everyone shares my view.
So my test? Would I pay to see this movie in theaters? No. Wait for it to come to disc/digital
download. I have a feeling it won’t be long before it gets there.
However, it fell just short of that goal in my book.
Anchorman 2 picks up in 1980 where Ron Burgandy (Will Ferrell) and Veronica Corningstone (Christina
Applegate) are married, have a 6-year old son, and are co-anchors for a local news station in New York.
Not long into the movie, something comes between the two, and we see Burgandy hit a new low as an
announcer at Sea World. But he is approached with an opportunity to work at the first 24-hour news
channel, and a chance to get his old team back together. Along with Brian Fantana (Paul Rudd), Champ
Kind (David Koechner) and Brick Tamland (Steve Carrell), Ron Burgandy takes the world by storm with
a new format, and vastly different “news” stories than what some traditionalists would call news.
As I said, there was so much potential for this movie that it just seemed to miss. It felt like they tried
to force too much of Brick’s “natural charm” that made him so popular in the first, even with the love
interest they brought in for him this go around. You top that off with recycled jokes, not just from
the first movie (which I would have been okay with), but from other movies as well. I immediately
recognized 2 from the Austin Powers franchise alone.
It’s not to say that the movie didn’t have its moments. There were quite a few times where I was caught
off guard by something I was not expecting, or where the joke fell naturally into place. But the rest of
the movie seemed forced. And one cameo in reference to MTV had me downright upset. But hey, not
everyone shares my view.
So my test? Would I pay to see this movie in theaters? No. Wait for it to come to disc/digital
download. I have a feeling it won’t be long before it gets there.
Matthew Krueger (10051 KP) Aug 12, 2020