Search
Awix (3310 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 24, 2020
Armando Ianucci's adaptation of Charles Dickens' semi-autobiographical novel strikes an interesting balance between being the movie you expect and something new and unusual. Somewhat rambling plot: David Copperfield is born, grows up, goes from rags to riches and back again, meets various colourful characters, and so on. Obviously an opportunity for some actors to turn in rather big comedy performances, and the cast duly oblige.
However, the film is also quite studied in its non-naturalism - it doesn't even pretend to be realistic (this obviously extends to many of the casting choices), and in this context the experiment just about succeeds. However, it doesn't feel affected, and the film retains a warmth and sincerity that make it a real pleasure to watch.
However, the film is also quite studied in its non-naturalism - it doesn't even pretend to be realistic (this obviously extends to many of the casting choices), and in this context the experiment just about succeeds. However, it doesn't feel affected, and the film retains a warmth and sincerity that make it a real pleasure to watch.
Wasting More Police Time: Further Adventures in LA-LA Land
Book
PC David Copperfield blew the lid off British policing in his hilarious, shocking and best-selling...
ClareR (5556 KP) rated Demon Copperhead in Books
Jan 21, 2023
This will be one of my very favourite books of 2022, without a shadow of a doubt.
Demon Copperhead is a modern retelling of David Copperfield, which I first read years ago. It’s always stayed with me though (as Dickens books have a habit of doing). Demon Copperhead feels more personal though. It’s not because of the setting, I’ve never been to Appalachia, I’ve never seen a trailer park in the flesh, and I’m certainly lucky enough to have never experienced the opioid crisis that’s very much still ongoing in the US.
Demon is our David, born in a trailer to a mother with an addiction that she desperately tries to control. His father is dead before he’s born. His mother makes some questionable decisions: one is that she marries Stone, a controlling bully, and the reason that Demon is taken into care.
There are so many links to David Copperfield, and I’m glad that I’d read Dickens novel first. But it really isn’t necessary at all. This is a truly magnificent novel in its own right.
Demon’s desperation and depression leaps off the page: his desperate need for love and approval, and his eventual descent into addiction were so terribly sad to read. I felt I built a connection with Demon and wanted more for him than society was willing to give. He was given to foster parents who weren’t vetted and were unsuitable. No-one cared enough to help him, and by the time they did, he was past being able to accept their help - he just didn’t think he deserved it.
But there is ultimately hope. There is the chance for Demon to live a good life.
I adored this book. I’m a big Barbara Kingsolver fan anyway, but this just confirmed that for me.
I’m hoping that this book will point more people towards her books. They’re in for a treat!
Demon Copperhead is a modern retelling of David Copperfield, which I first read years ago. It’s always stayed with me though (as Dickens books have a habit of doing). Demon Copperhead feels more personal though. It’s not because of the setting, I’ve never been to Appalachia, I’ve never seen a trailer park in the flesh, and I’m certainly lucky enough to have never experienced the opioid crisis that’s very much still ongoing in the US.
Demon is our David, born in a trailer to a mother with an addiction that she desperately tries to control. His father is dead before he’s born. His mother makes some questionable decisions: one is that she marries Stone, a controlling bully, and the reason that Demon is taken into care.
There are so many links to David Copperfield, and I’m glad that I’d read Dickens novel first. But it really isn’t necessary at all. This is a truly magnificent novel in its own right.
Demon’s desperation and depression leaps off the page: his desperate need for love and approval, and his eventual descent into addiction were so terribly sad to read. I felt I built a connection with Demon and wanted more for him than society was willing to give. He was given to foster parents who weren’t vetted and were unsuitable. No-one cared enough to help him, and by the time they did, he was past being able to accept their help - he just didn’t think he deserved it.
But there is ultimately hope. There is the chance for Demon to live a good life.
I adored this book. I’m a big Barbara Kingsolver fan anyway, but this just confirmed that for me.
I’m hoping that this book will point more people towards her books. They’re in for a treat!
Dean (6921 KP) rated Terror Train (1980) in Movies
May 3, 2021
Ok early Slasher film
One of the early 80's Slasher films featuring Scream Queen Jamie Lee Curtis just after she did @Prom Night (2008)
It's actually not that bad for a Slasher film of the time. A few years after pulling a prank on a medical student a bunch of students celebrate New Year's Eve with a costume party aboard a steam train. A lot of the time it doesn't feel like much of a Slasher film, the body count is quite low and the with not a lot of gore. The setting of the film is different and the train adds to the film quite well with the confined spaces. Also featuring David Copperfield. The plot is OK as the killer dons different costumes and there is a surprise as well. Overall a decent 80's slasher film worth checking out. Currently on Amazon prime.
It's actually not that bad for a Slasher film of the time. A few years after pulling a prank on a medical student a bunch of students celebrate New Year's Eve with a costume party aboard a steam train. A lot of the time it doesn't feel like much of a Slasher film, the body count is quite low and the with not a lot of gore. The setting of the film is different and the train adds to the film quite well with the confined spaces. Also featuring David Copperfield. The plot is OK as the killer dons different costumes and there is a surprise as well. Overall a decent 80's slasher film worth checking out. Currently on Amazon prime.
Mark @ Carstairs Considers (2061 KP) rated Oliver Twisted (Ivy Meadows #3) in Books
Mar 9, 2018
Ivy and her PI uncle Bob are working on a case together as they go undercover on the Get Lit! ship the S.S. David Copperfield. They are trying to track down the people behind a rash of petty theft that have been plaguing the literature themed cruise company. As part of her cover, Ivy is working in Oliver! At Sea!, the ships current play. However, the ship has barely left when Ivy finds her roommate stuffed into their closet. Have the thieves escalated to murder?
This is another delightful romp with Ivy. There are some fun distractions and twists before she begins to put the pieces of the case together, and the way everything comes together at the end is masterful. Ivy’s cast mates are also the suspects, and we get to know them very well, yet the regular characters we’ve met in Phoenix still get to pop in, mostly via a sub-plot Ivy is trying to help with over phone calls. Throw in some delightful humor and you have another winner.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/02/book-review-oliver-twisted-by-cindy.html">Carstairs Considers</a>.
This is another delightful romp with Ivy. There are some fun distractions and twists before she begins to put the pieces of the case together, and the way everything comes together at the end is masterful. Ivy’s cast mates are also the suspects, and we get to know them very well, yet the regular characters we’ve met in Phoenix still get to pop in, mostly via a sub-plot Ivy is trying to help with over phone calls. Throw in some delightful humor and you have another winner.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/02/book-review-oliver-twisted-by-cindy.html">Carstairs Considers</a>.
Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
The fantastic ensemble cast (1 more)
Great directing and editing
Effortlessly stylish and entertaining
The Personal History of David Copperfield starts with the young man (Dev Patel) regaling a theatre audience with a reading of his autobiography. This immediately pitches him into witnessing his own birth to widowed single mother Clara (the wonderful Morfydd Clark, or "Saint Maud" fame). From there, Copperfield goes helter-skelter into a rollercoaster life encompassing workhouse-bottling poverty, fish-gutting and rich gentlemanly pursuits.
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
Dickens: London into Kent
Book
Few novelists have written so intimately about a city as Charles Dickens wrote about London. A...
Top 80 Classic Books - The free collection of the 80 best classics of all the time
Book and Travel
App
This amazing app contains the top 80 classic books, as proposed by one hundred writers from...
Reaping Something New: African American Transformations of Victorian Literature
Book
Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking...
Little Dorrit
10.0
Rate It
Book
A novel of serendipity, of fortunes won and lost, and of the spectre of imprisonment that hangs over...