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The King of Venereal Horror or the Baron of Blood has made a lot of interesting films. Watch some of the list and you will see.
Crash (1996)
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Avg: 7.5
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"Crash" is about the strange lure of the auto collision, provoking as it does the human fascination...
Maps to the Stars (2015)
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Avg: 5.7
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Driven by an intense need for fame and validation, members of a dysfunctional Hollywood dynasty have...
Cosmopolis (2012)
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A 28-year-old billionaire (Robert Pattinson) senses his empire collapsing around him as he takes a...
Eastern Promises (2007)
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Avg: 7.5
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The mysterious and charismatic Russian-born Nikolai Luzhin (Mr. Mortensen) is a driver for one of...
A History of Violence (2005)
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Avg: 7.2
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Tom Stall (Viggo Mortensen) is living a happy and quiet life with his lawyer wife (Maria Bello) and...
and 9 other items
Matthew Krueger (10051 KP) created a poll
Jul 28, 2020 (Updated Jul 31, 2020)
Olivier Assayas recommended Videodrome (1983) in Movies (curated)
Matthew Krueger (10051 KP) rated Rabid (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
Thirst For Human Blood
David Cronenberg is becoming on of my all time favorite horror directors. First Shivers and now Rabid. Whats next oh yea The Brood, Scanners, Videodrome, The Dead Zone, The Fly and Dead Ringers. Its a horrorfying disturing film.
The plot: Surgery leaves a Montreal motorcyclist with a bloodsucking appendage in her armpit. Soon she has an insatiable thirst for human blood.
Marilyn Chambers does a excellent job in this film.
Cronenberg stated that he wanted to cast Sissy Spacek in the film lead, but the studio vetoed his choice because of her accent. Spacek's film Carrie was released during this film's production and proved to be a massive hit (and a movie poster for Carrie appears in Rabid when the main character walks by a movie theater).
Cronenberg stated that Chambers put in a lot of hard work on the film and that he was impressed with her. Cronenberg further states he had not seen Chambers' most well-known film, Behind the Green Door, prior to casting her.
Its a disurbing film, but a excellent film.
The plot: Surgery leaves a Montreal motorcyclist with a bloodsucking appendage in her armpit. Soon she has an insatiable thirst for human blood.
Marilyn Chambers does a excellent job in this film.
Cronenberg stated that he wanted to cast Sissy Spacek in the film lead, but the studio vetoed his choice because of her accent. Spacek's film Carrie was released during this film's production and proved to be a massive hit (and a movie poster for Carrie appears in Rabid when the main character walks by a movie theater).
Cronenberg stated that Chambers put in a lot of hard work on the film and that he was impressed with her. Cronenberg further states he had not seen Chambers' most well-known film, Behind the Green Door, prior to casting her.
Its a disurbing film, but a excellent film.
Andy K (10821 KP) rated The Dead Zone (1983) in Movies
Oct 6, 2018
David Cronenberg tackles Stephen King
After a nearly fatal car crash which send him into a coma for 5 years, former teacher Christopher Walken must try and rebuild his life while dealing with the discovery of his new "power" to see into the someone's future just by touching their hand.
His assists several townspeople before running into power-hungry politician Martin Sheen.
Early film from director David Cronenberg still holds up as a decent thriller. The "visions" are interesting as always people are not what they seem on the surface. Intriguing developments keep you entertained the entire time as you watch to see how things play out.
You are definitely hoping certain characters get what's coming to them.
His assists several townspeople before running into power-hungry politician Martin Sheen.
Early film from director David Cronenberg still holds up as a decent thriller. The "visions" are interesting as always people are not what they seem on the surface. Intriguing developments keep you entertained the entire time as you watch to see how things play out.
You are definitely hoping certain characters get what's coming to them.
Barry Newman (204 KP) rated Maps to the Stars (2015) in Movies
Feb 9, 2020
Another recent effort from David Cronenberg that isn’t a patch on his earlier work but is thankfully a slight improvement over the atrocious ‘Cosmopolis’. This one at least actually has some semblance of a plot but is still one hell of a struggle to get through. It attempts to be a satire of Hollywood and the horrible , shallow and disgusting people in the industry told through the means of a thoroughly twisted family dynamic . The characters are all completely unlikeable and I know that’s kind of the point but the film just irritated me and frequently bordered on pretentious . I didn’t care about anyone and frankly couldn’t wait for the film to end. I really hope Cronenberg goes back to horror and sci-fi and doesn’t make anymore films like this.
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
Matthew Krueger (10051 KP) rated The Brood (1979) in Movies
Sep 4, 2020 (Updated Sep 4, 2020)
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.
Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".
Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.
The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.
In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.
The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.
However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.
Its a distubing film but a excellent film.
Barry Newman (204 KP) rated Cosmopolis (2012) in Movies
Feb 9, 2020
I am normally an admirer of David Cronenberg’s work. His films have always at least been interesting even when they were downright strange..up until now . He really dropped the ball here , there’s no other way to say it but this is one pretentious pile of shit. The plot makes no sense whatsoever and solely consists of a billionaire on his way to get a haircut having random encounters with strangers and spouting a load of philosophical existential musings at the expense of a coherent narrative and dialogue. Robert Pattinson is terrible here as well , blank ,emotionless and unlikeable. Perhaps he didn’t know what was going on either. For me the films worst crime is it’s a David Cronenberg film . It’s beyond disappointing seeing the master of weird and wonderful put his name to something as soul destroyingly boring as this cinematic abortion.