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The Thin Blue Line (1988)
The Thin Blue Line (1988)
1988 | Classics, Documentary, Documentary
(0 Ratings)
Movie Favorite

"As if Dallas needed another reason to be avoided. One of the scariest movies ever made, this is the story that drained the quirky from the bodies of Errol Morris’s two previous films. With the Rashomon-like changing re-creations, the doomy circularity of Philip Glass’s score, the dead-wrong psychologizing of the Dallas detectives, and some of the greatest dialogue ever not written for film, The Thin Blue Line builds a sense of impending dread better than the clicking incline of a dilapidated roller coaster. It illustrates how comprehensively police can be blinded by the avenging desire of an enraged community. The contrast between personalities is pronounced. Even from prison (for a different crime), David Harris can’t stop smiling. And Randall Dale Adams is incapable of a smile—his eyes wide, still unable to believe this isn’t a dream. But just like Adams’s attorney Edith James says, quoting the judge: “What do you care? He’s only a drifter."

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The Dark Side of the Moon by Pink Floyd
The Dark Side of the Moon by Pink Floyd
1973 | Rock
9.6 (22 Ratings)
Album Favorite

"Come on, it's one of the biggest records of all times! I remember the first time I heard that record, it was probably about a year after discovering Back To Black actually, when I was in eighth grade, so in 1979/1980, something like that. Me and my brother were living with my father for a year, he was stationed in Pennsylvania, and I went to school out there. There was a kid next door, a year or two older than me. I think his name was Dale Nadoo or something like that. Anyway, he would constantly be in his room, next to us, so I could hear him. We became friends. He had this kick ass stereo system in his room , and he'd smoke pot and listen to fucking music all day. He turned me on to two records which are on this list: Paranoid and Dark Side Of The Moon. There's so many things I admire in Pink Floyd: David Gilmour is one of the most expressive guitar players I’ve ever heard and one of my favourites. Also the fact that they had dual vocals, with Roger Waters singing as well. It's a landmark record, the biggest selling record of all times, in rock, for many years, if not still. Pink Floyd for me have always been a very visual band. When you listen to the music it takes you places, you see landscapes and characters, it's very cinematic. I always dug that about them. The care they took in the songwriting, the performances and at the production level, especially for the time: it was so multi-layered, so rich and deep."

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Twin Peaks  - Season 3
Twin Peaks - Season 3
2017 | Drama
The Cast (1 more)
The new mysterys
Lack of the familar Twin Peaks stuff (2 more)
The way the story unfolds
Very Slow
The first four episodes
Twin Peaks: The Return

*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***

I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.

I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.

Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.

What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.

Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.

We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.

Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.