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Entertainment Editor (1988 KP) created a video about track The Sapling by David Gray in Gold in a Brass Age by David Gray in Music
Feb 1, 2019
Dianne Robbins (1738 KP) rated Finding your feet (2018) in Movies
Jan 30, 2019
Delightful
Contains spoilers, click to show
Finding Your Feet is a sweet movie with endearing characters. The stellar cast consists of Celie Imrie, Imelda Staunton, Joanna Lumley, Timothy Spall, and David Haymen. Staunton plays an up middle-class snob, who after finding her husband in the arms of another woman, moves in with her bohemian sister, Imrie, who lives in a council house and who occupies herself with dancing with other seniors. Her sister convinces her to join the class; she had previously been a dancer but gave it up for marriage and motherhood, and slowly, the snobbery gives way to living her best life and having fun, making new friends, and finding romance and adventure. It's a feel-good, hopeful movie, full of laughter and dance.
What I love about the Brits is that unlike Hollywood, actors are allowed to look like the average person on the street in both face and figure, with gray hair, wrinkles, moles, and a paunch. It's about talent and acting, not whether or not they look like gods and goddesses. It's so refreshing.
What I love about the Brits is that unlike Hollywood, actors are allowed to look like the average person on the street in both face and figure, with gray hair, wrinkles, moles, and a paunch. It's about talent and acting, not whether or not they look like gods and goddesses. It's so refreshing.
Emma @ The Movies (1786 KP) rated Atomic Blonde (2017) in Movies
Jun 26, 2019 (Updated Sep 25, 2019)
In 1989, before the collapse of the Berlin Wall, MI6 agent James Gasciogne is shot and killed by KGB agent Yuri Bakhtin, who steals the List, a piece of microfilm concealed in a wristwatch that contains the names of every active field agent in the Soviet Union. Ten days later, Lorraine Broughton, a top-level spy for MI6, is brought in to be interrogated by MI6 executive Eric Gray and CIA agent Emmett Kurzfeld about her mission to Berlin.
The day after Gasciogne's death, Lorraine is dispatched to Berlin to recover the List and assassinate Satchel, a double agent who has sold intelligence to the Soviets for years and who betrayed Gasciogne. When she arrives in Berlin, she is immediately ambushed by KGB agents working for arms dealer and KGB associate Aleksander Bremovych. Lorraine then meets with her main contact, agent David Percival. After failing to find any immediate leads, Lorraine searches Gasciogne's apartment and discovers a picture of him and Percival, and is then ambushed by the Volkspolizei. She realizes only Percival knew she was going to the apartment, and begins to suspect him of being Satchel...
If I'm honest, I read the full plot description and went "oooooh, was that what was going on!?" Not in a "that was confusing sort of way, but I had just gone for some good old fashioned violence.
The day after Gasciogne's death, Lorraine is dispatched to Berlin to recover the List and assassinate Satchel, a double agent who has sold intelligence to the Soviets for years and who betrayed Gasciogne. When she arrives in Berlin, she is immediately ambushed by KGB agents working for arms dealer and KGB associate Aleksander Bremovych. Lorraine then meets with her main contact, agent David Percival. After failing to find any immediate leads, Lorraine searches Gasciogne's apartment and discovers a picture of him and Percival, and is then ambushed by the Volkspolizei. She realizes only Percival knew she was going to the apartment, and begins to suspect him of being Satchel...
If I'm honest, I read the full plot description and went "oooooh, was that what was going on!?" Not in a "that was confusing sort of way, but I had just gone for some good old fashioned violence.
Kenneth Lonergan recommended Dark Waters (2019) in Movies (curated)
Gareth von Kallenbach (962 KP) rated Atomic Blonde (2017) in Movies
Jul 11, 2019
The beginning of the end of the Cold War,1989. East and West Germany still separated by more than just a wall. An MI6 agent sent to retrieve a knock list two weeks prior has been killed and the list is missing. It contains information on every agent for each agency who have representation in Berlin. MI6 sends in Lorraine Broughton (Charlize Theron), specialist in intelligence collection and hand to hand combat. She would have to work with the section chief David Percival (James McAvoy) to retrieve the list before it falls into the hands of the competition.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Gareth von Kallenbach (962 KP) rated Alvin and the Chipmunks: Chipwrecked (2011) in Movies
Aug 7, 2019
Alvin and the Chipmunks are back in an all new adventure along with Dave and the Chipettes. Directed by Mike Mitchell, this is the third installment in the new Chipmunk franchise. The voices of the Chipmunks and Chipettes include none other than Justin Long (Alvin), Matthew Gray Gubler (Simon), Jesse McCartney (Theodore), Amy Poehler (Eleanor), Anna Faris (Jeanette), Christina Applegate (Brittany), Alan Tudyk (Simone), David Cross (Ian ) and of course we can’t forget Jason Lee (Dave) . This installment, like the other two, are jam-packed with great actors and comedians who together have made an entertaining film not only for children but for adults as well.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
Matthew Krueger (10051 KP) rated The Tingler (1959) in Movies
Dec 5, 2020
Vincent Price (1 more)
William Castle
When You Scream
The Tingler- is a excellent movie and if you havent watched it than go watch it.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.
The plot: Dr. Warren Chapin (Vincent Price) has made a surprising discovery -- the spine-chilling sensation that people get when scared is due to a parasite that he dubs the "tingler." Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person's spine and even cause death if the victim can't scream, a theory that Oliver Higgins (Philip Coolidge) uses to deadly effect on his wife (Judith Evelyn). Soon the tingler that killed the woman is on the loose.
Castle used gimmicks to sell the film. The Tingler remains most well known for a gimmick called "Percepto!", a vibrating device in some theater chairs which activated with the onscreen action.
In a similar manner as Universal's Frankenstein (1931), Castle opened the film with an on-screen warning to the audience:
"I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations—some of the physical reactions which the actors on the screen will feel—will also be experienced, for the first time in motion picture history, by certain members of this audience. I say 'certain members' because some people are more sensitive to these mysterious electronic impulses than others. These unfortunate, sensitive people will at times feel a strange, tingling sensation; other people will feel it less strongly. But don't be alarmed—you can protect yourself. At any time you are conscious of a tingling sensation, you may obtain immediate relief by screaming. Don't be embarrassed about opening your mouth and letting rip with all you've got, because the person in the seat right next to you will probably be screaming too. And remember—a scream at the right time may save your life."
William Castle was famous for his movie gimmicks, and The Tingler featured one of his best: "Percepto!". Previously, he had offered a $1,000 life insurance policy against "Death by Fright" for Macabre (1958) and sent a skeleton flying above the audiences' heads in the auditorium in House on Haunted Hill (1959).
"Percepto!" was a gimmick where Castle attached electrical "buzzers" to the underside of some seats in theaters where The Tingler was screened. The buzzers were small surplus airplane wing deicing motors left from World War II. The cost of this equipment added $250,000 to the film's budget. It was used predominantly in larger theaters.
During the climax of the film, The Tingler was unleashed in the movie theater, while the audience watched Tol'able David (1921), in which a young woman escapes the unwanted advances of her boyfriend and is targeted. In the real-life theater, a woman screamed and then pretended to faint; she was then taken away in a stretcher, all part of the show arranged by Castle. From the screen, the voice of Price mentioned the fainted lady and asked the rest of the audience to remain seated. The film-within-a-film resumed and was interrupted again. The projected film appeared to break as the silhouette of the tingler moved across the projection beam. The image of the film went dark, all lights in the auditorium (except fire exit signs) went off, and Price's voice warned the audience, "Ladies and gentlemen, please do not panic. But scream! Scream for your lives! The tingler is loose in this theater!" This cued the theater projectionist to activate the Percepto! buzzers, giving some audience members an unexpected jolt, followed by a highly visible physical reaction. The voices of scared patrons were heard from the screen, replaced by the voice of Price, who explained that the tingler was paralyzed and the danger was over. At this point, the film resumed its normal format, which was used for its epilogue
An alternate warning was recorded for drive-in theaters; this warning advised the audience the tingler was loose in the drive-in. Castle's voice was substituted for Price's in this version.
Castle's autobiography, Step Right Up!: I'm Gonna Scare the Pants off America, erroneously stated that "Percepto!" delivered electric shocks to the theater seats.
To enhance the climax even more, Castle hired fake "screamers and fainters" planted in the audience There were fake nurses stationed in the foyer and an ambulance outside of the theater. The "fainters" would be carried out on a gurney and whisked away in the ambulance, to return for the next showing.
Although The Tingler was filmed in black-and-white, a short color sequence was spliced into the film. It showed a sink (in black-and-white) with bright-red "blood" flowing from the taps and a black-and-white Evelyn watching a bloody red hand rising from a bathtub, likewise filled with the bright red "blood". Castle used color film for the effect. The scene was accomplished by painting the set white, black and gray and applying gray makeup to the actress to simulate monochrome.
Excellent Film.