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Stargazer by Marti Pellow
Album
'Stargazer' is the latest instalment in a remarkable solo career that's seen Pellow embark on a new...
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
TJ
The Journals of Captain James Cook on His Voyages of Discovery: Volume I: The Voyage of the Endeavour 1768 - 1771
Book
Captain James Cook's first two voyages of exploration, in 1768-71 and 1772-75, had drawn the modern...
TJ
The Journals of Captain James Cook on His Voyages of Discovery: Volume III Part : The Voyage of the Resolution and Discovery, 1776-1780
Book
Captain James Cook's first two voyages of exploration, in 1768-71 and 1772-75, had drawn the modern...
YR
Yucatan: Recipes from a Culinary Expedition
Book
Winner, James Beard Foundation Best Cookbook of the Year Award, 2015 James Beard Foundation Best...
Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
JT (287 KP) rated Street Kings (2008) in Movies
Mar 10, 2020
Street Kings follows the likes of Training Day and Harsh Crimes in dramatising the murky underworld of police corruption. In the hands of director David Ayer he’s scattered the narrative with gritty confetti. Pre John Wick, Keanu Reeves was still kicking ass and taking names – he is a shoot first ask questions later kind of guy – nothing new there then.
Reeves plays vodka-swilling undercover cop Tom Ludlow, who is still reeling from the death of his wife and has been implicated in the murder of an officer. Now he has to fight to clear his name with the help of Forest Whitaker.
Ayer is well suited to this genre having written the scripts for Training Day, End of Watch and Harsh Times, so he understands the complexities of the genre in order to deliver a fast paced story. Intercutting the action at the right times.
Of course corruption is not uncommon in fiction and there is always a group of officers hell bent on covering up as much as they can and disposing of as many people as they need to.
The introduction of Hugh Laurie as Captain James Biggs, a man who seems clean cut but is not to be trusted, is a solid addition, although I still seem him as the idiotic Prince Regent in the Blackadder series.
Reeves and Whitaker each turn in a decent performance and there is enough meat on the bone make this a intelligently paced thriller.
Reeves plays vodka-swilling undercover cop Tom Ludlow, who is still reeling from the death of his wife and has been implicated in the murder of an officer. Now he has to fight to clear his name with the help of Forest Whitaker.
Ayer is well suited to this genre having written the scripts for Training Day, End of Watch and Harsh Times, so he understands the complexities of the genre in order to deliver a fast paced story. Intercutting the action at the right times.
Of course corruption is not uncommon in fiction and there is always a group of officers hell bent on covering up as much as they can and disposing of as many people as they need to.
The introduction of Hugh Laurie as Captain James Biggs, a man who seems clean cut but is not to be trusted, is a solid addition, although I still seem him as the idiotic Prince Regent in the Blackadder series.
Reeves and Whitaker each turn in a decent performance and there is enough meat on the bone make this a intelligently paced thriller.
Young Mandela
Book
Ruthless revolutionary; passionate womaniser; activist; hothead. Meet the young Mandela. Nelson...
Bleak Expectations: The Story So Far
Mark Evans, Full Cast and Anthony Head
Book
The epic Victorian comedy includes all of Pip Bin's remarkable adventures as he battles his evil...
Shameless - Season 1
9.5
Rate It
TV Season
Meet Frank Gallagher (William H. Macy): proud, working-class patriarch to a motley brood of six...
comedy drama