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Gareth von Kallenbach (971 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Gareth von Kallenbach (971 KP) rated Hotel Transylvania 2 (2015) in Movies
Aug 6, 2019
Hotel Transylvania 2 is a new animated family film from Columbia Films, produced by Sony.
It has a huge voice cast, including stars Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Steve Buscemi, David Spade, Fran Dresher, Molly Shannon, Megan Mullally, Dana Carvey, Mel Brooks & Jon Lovitz.
This movie was super cute. The adult audience, myself included, laughed out loud, a lot. The kids thought it was hilarious, too.
One thing I liked a lot is that NOT all the good parts are in the commercials and previews, which means there is still “movie left to see” when you get to actually see the film, which is frequently not the case with highly advertised films.
The movie picks up where the first one left off, showing the wedding of Drac’s daughter Mavis to human Jonathan, and quickly jumping from there to the birth of a child (a son! (Named Dennis)) and then to the boys fourth birthday.
When Dennis doesn’t show any signs of his vamp heritage, Drac feels he must step in and try to help the boy “find his fangs”. Jonathan’s parents are none too thrilled with this turn of events and protest in words and actions.
The overall tone of the movie is happy, and teaches a lesson of acceptance.
The chemistry that showed up in the first film, is back in force between Dracula and his hotel buddies, and causes the movie to flow along without any major hiccups.
The jokes are cute, and play to both the kids and to adult humor.
There wasn’t anything that I found to be so inappropriate that it made my grind my teeth, which was a nice change in a children’s film.
If I had to make a complaint, it would honestly be that the movie seemed to almost move TOO quickly and I could have sat through another 20 minutes at least. Even though it’s run time is 90 minutes, it doesn’t “feel like” it lasts that long, and even my 7 year old son said it was ‘a quick movie’.
It has a huge voice cast, including stars Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Steve Buscemi, David Spade, Fran Dresher, Molly Shannon, Megan Mullally, Dana Carvey, Mel Brooks & Jon Lovitz.
This movie was super cute. The adult audience, myself included, laughed out loud, a lot. The kids thought it was hilarious, too.
One thing I liked a lot is that NOT all the good parts are in the commercials and previews, which means there is still “movie left to see” when you get to actually see the film, which is frequently not the case with highly advertised films.
The movie picks up where the first one left off, showing the wedding of Drac’s daughter Mavis to human Jonathan, and quickly jumping from there to the birth of a child (a son! (Named Dennis)) and then to the boys fourth birthday.
When Dennis doesn’t show any signs of his vamp heritage, Drac feels he must step in and try to help the boy “find his fangs”. Jonathan’s parents are none too thrilled with this turn of events and protest in words and actions.
The overall tone of the movie is happy, and teaches a lesson of acceptance.
The chemistry that showed up in the first film, is back in force between Dracula and his hotel buddies, and causes the movie to flow along without any major hiccups.
The jokes are cute, and play to both the kids and to adult humor.
There wasn’t anything that I found to be so inappropriate that it made my grind my teeth, which was a nice change in a children’s film.
If I had to make a complaint, it would honestly be that the movie seemed to almost move TOO quickly and I could have sat through another 20 minutes at least. Even though it’s run time is 90 minutes, it doesn’t “feel like” it lasts that long, and even my 7 year old son said it was ‘a quick movie’.
How They Started Digital
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How did Twitter get so big? Which company's idea originated because the founder was forgetful? And...
Vulnerability and Adaptation to Drought on the Canadian Prairies
Harry Diaz, Jim Warren, Margot A. Hurlbert and Samantha Kerr
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Although there is considerable historical literature describing the social and economic impact of...
The Nowhere Man
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That rare thing, a sequel which is better than the original, The Nowhere Man is a thrilling,...
Adam McKay recommended Hustlers (2019) in Movies (curated)
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
Robert Burns in Edinburgh: An Illustrated Guide to Burns' Time in Edinburgh
Jerry Brannigan, John McShane and Alexander David
Book
A reader-friendly, fully illustrated colour guide to Robert Burns' time in Edinburgh, with fresh...
Lucy Buglass (45 KP) rated Brightburn (2019) in Movies
Jul 2, 2019
It was difficult to avoid trailers for James Gunn’s Brightburn, and as a result it was difficult to avoid my excitement too. I had very much been looking forward to this one, as I’m always interested in characters that use their powers for evil instead of good.
In a similar vein to Josh Trank’s Chronicle, the film follows a teenager who starts to realise he’s got special abilities, but ends up having very dark intentions. For Brightburn, though, it’s because Brandon Bryer (Jackson A Dunn) is not of this world, and he was adopted by Tori (Elizabeth Banks) and Kyle (David Denman) who desperately tried to hide the truth from him.
Jackson A. Dunn is undoubtedly the star of the show here, and a young actor that I’m incredibly impressed with. His emotional range is really fantastic, and the way he portrays genuine psychopathic behaviour feels almost too real. I did find myself lost in his performance, and scared of him too. I really hope to see him on another project in the near future.
Elizabeth Banks and David Denman shared great chemistry too, with conflicting opinions as Brandon starts to uncover who he really is. In a way its cliched, a couple fail to conceive and a child (or ‘blessing’ as Tori often calls it) falls to earth, but it takes that trope and turns it into something monstrous that tears the family apart. There’s nothing angelic about this kid.
The biggest downside to Brightburn for me, is that the trailer gave away all the film’s best moments. I could predict what was going to happen, and there were no real surprises for me. The scenes the trailer missed out were disappointingly average, and nothing special. It could’ve benefited from teasing the audience more.
There is also one scene in particular that has very bad special effects, and ruined the emotion I was supposed to be feeling during it. I wish they had decided to do something more subtly brutal here, as that would’ve upped the emotional factor during this crucial moment.
It’s even more disappointing because I did enjoy certain effects, and the use of the POV camera on victims to make it more disturbingly intimate. I was also impressed with the level of gore and the creativeness of the murders, and how it helped to shape Brandon’s character development throughout.
The film had the potential to be more well polished, but sadly repeatedly opted for big and bold effects that were too jarring for me as a viewer. Having said that, the strength of Brandon’s character, the dynamics between the family, and the strength of one or two scenes helped to redeem the film a bit.
It’s entertaining to watch on the big screen with some effective scares and some gory moments that aren’t for those with a weak stomach. I’m happy I spent an evening watching it, but I can’t say I’ll be rushing to see it again.
In a similar vein to Josh Trank’s Chronicle, the film follows a teenager who starts to realise he’s got special abilities, but ends up having very dark intentions. For Brightburn, though, it’s because Brandon Bryer (Jackson A Dunn) is not of this world, and he was adopted by Tori (Elizabeth Banks) and Kyle (David Denman) who desperately tried to hide the truth from him.
Jackson A. Dunn is undoubtedly the star of the show here, and a young actor that I’m incredibly impressed with. His emotional range is really fantastic, and the way he portrays genuine psychopathic behaviour feels almost too real. I did find myself lost in his performance, and scared of him too. I really hope to see him on another project in the near future.
Elizabeth Banks and David Denman shared great chemistry too, with conflicting opinions as Brandon starts to uncover who he really is. In a way its cliched, a couple fail to conceive and a child (or ‘blessing’ as Tori often calls it) falls to earth, but it takes that trope and turns it into something monstrous that tears the family apart. There’s nothing angelic about this kid.
The biggest downside to Brightburn for me, is that the trailer gave away all the film’s best moments. I could predict what was going to happen, and there were no real surprises for me. The scenes the trailer missed out were disappointingly average, and nothing special. It could’ve benefited from teasing the audience more.
There is also one scene in particular that has very bad special effects, and ruined the emotion I was supposed to be feeling during it. I wish they had decided to do something more subtly brutal here, as that would’ve upped the emotional factor during this crucial moment.
It’s even more disappointing because I did enjoy certain effects, and the use of the POV camera on victims to make it more disturbingly intimate. I was also impressed with the level of gore and the creativeness of the murders, and how it helped to shape Brandon’s character development throughout.
The film had the potential to be more well polished, but sadly repeatedly opted for big and bold effects that were too jarring for me as a viewer. Having said that, the strength of Brandon’s character, the dynamics between the family, and the strength of one or two scenes helped to redeem the film a bit.
It’s entertaining to watch on the big screen with some effective scares and some gory moments that aren’t for those with a weak stomach. I’m happy I spent an evening watching it, but I can’t say I’ll be rushing to see it again.
Gareth von Kallenbach (971 KP) rated Atomic Blonde (2017) in Movies
Jul 11, 2019
The beginning of the end of the Cold War,1989. East and West Germany still separated by more than just a wall. An MI6 agent sent to retrieve a knock list two weeks prior has been killed and the list is missing. It contains information on every agent for each agency who have representation in Berlin. MI6 sends in Lorraine Broughton (Charlize Theron), specialist in intelligence collection and hand to hand combat. She would have to work with the section chief David Percival (James McAvoy) to retrieve the list before it falls into the hands of the competition.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.
Lorraine’s fight scenes, carefully choreographed to deliver efficiency in movement where not one strike is wasted. The action sequences truly drives the pace of the storyline. one would think that this is just the average action film but it’s not. This film’s storyline has very good pacing although there are points of slight foreshadowing, but it keeps one guessing about peoples loyalties even after it is established…or is it?
Charlize plays Lorraine with the coolness on par with 007, but with a realistic enemy. McAvoy’s Percival is the agent that has spent so much time in Berlin where he has become entrenched in the role of a black-market trader so familiar with the east/west that he believes he knows how to run the game. He toggles back and forth from East to West like an eel slithering through the hands of fishermen.
We also see a few familiar faces playing key appointments in the spy game. Toby Jones as Eric Gray, Lorraine’s boss and John Goodman as Emmet Kurzfeld, the CIA attaché to this mission with MI6. Sofia Boutella, who we have seen in Kingsman and The Mummy plays Delphine Lasalle, the fledgling agent from France documenting Lorraine’s every move.
The film is set to the steady rhythm of 80’s electronic New Wave. The soundtrack in this movie does not function solely as accompaniment. Each scene is accentuated by songs carefully curated to enhance each moment as a supporting character.
Based on Antony Johnston’s 2012 Graphic Novel “The Coldest City” Director David Leitch (John Wick & Deadpool 2 ) gives us an ass kicking female protagonist that is clever, darkly witty and can take on pretty much anything that comes her way. The stunts are filmed with an experienced fluidity and the movements are crisp, definitely a benefit from Leitch’s stunt expertise.
So far, the summer blockbuster season can be named the point where female action heroes can hold the attention of the viewer, no longer seen as the frail victim or second fiddle to the man. She can take care of business and put the hurt on anyone that comes at her as well as share with the audience that she has emotional depth.
My attention was captured from the first shot to the ending credits.