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David McK (3194 KP) rated A Knight's Tale (2001) in Movies
Mar 16, 2021
While the late Heath Ledger may always be remembered for his portrayal as The Joker in The Dark Knight, and speaking personally, that's actually NOT the first film I remember seeing him in.
This is.
Starring as William, the peasant squire of a Knight who partakes in the medieval sport of jousting - which is restricted to the nobility - and who, just as the film starts, impersonates said Knight (who has passed away), this is very (very) loosely based on Chaucer's 'The Knights Tale' in the Canterbury Tales.
Indeed, Chaucer himself is one of the key characters in this film, portrayed by a pre-Vision (from the MCU) Paul Bettany.
Yes, the soundtrack is completely anachronistic (Queen? David Bowie?) but also actually works in the context of the film!
This is.
Starring as William, the peasant squire of a Knight who partakes in the medieval sport of jousting - which is restricted to the nobility - and who, just as the film starts, impersonates said Knight (who has passed away), this is very (very) loosely based on Chaucer's 'The Knights Tale' in the Canterbury Tales.
Indeed, Chaucer himself is one of the key characters in this film, portrayed by a pre-Vision (from the MCU) Paul Bettany.
Yes, the soundtrack is completely anachronistic (Queen? David Bowie?) but also actually works in the context of the film!
David McK (3194 KP) rated Batman: The Long Halloween in Books
Jan 30, 2019
Of all the Superhero's around, I personally think that Batman has the best Rogue's gallery of villains: Superman, for instance, has Lex Luthor And (to a lesser extent) General Zod, while Spiderman has, what, Green Goblin? Dr Octopus? Venom?
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
LeftSideCut (3778 KP) rated The Green Knight (2020) in Movies
Sep 29, 2021
It's now been three days since I watched The Green Knight and I haven't able to get it out of my head, it's strong combination of layered narrative and stunning visuals really leave an impression.
The themes running through the film are many. It presents itself as a coming of age tale, but is primarily about the conflict of pride and honour, and what one is willing to do to leave a legend in their stead. All of these threads are executed wonderfully under the skin of a fantasy voyage. The fantasy setting has a near constant feeling of dread running through it. There are moments here and there that flirt with horror, and are genuinely unsettling, thanks in no small part to a unnerving music score by Daniel Hart, a frequent collaborater of director David Lowery. His score draws you in to the point of not being able to look away, even when you want to.
As mentioned, The Green Knight is visually stunning, an unarguable feast for the eyes. The whole runtime is bursting with beautiful vistas, colourful fever dreams, inspired perspective shots, and some moments that are designed to stick in the mind, rent free. The whole aesthetic and world design feels unique, the titular Green Knight being a fine example.
It has a top tier cast just to really sweeten the deal as well.
All of these aspects combined make for an engaging Arthurian tale that is hard to forget. It surely won't be to everyone's liking, but as far as I'm concerned, it's an excellent piece of film making that absolutely deserves to be seen regardless.
The themes running through the film are many. It presents itself as a coming of age tale, but is primarily about the conflict of pride and honour, and what one is willing to do to leave a legend in their stead. All of these threads are executed wonderfully under the skin of a fantasy voyage. The fantasy setting has a near constant feeling of dread running through it. There are moments here and there that flirt with horror, and are genuinely unsettling, thanks in no small part to a unnerving music score by Daniel Hart, a frequent collaborater of director David Lowery. His score draws you in to the point of not being able to look away, even when you want to.
As mentioned, The Green Knight is visually stunning, an unarguable feast for the eyes. The whole runtime is bursting with beautiful vistas, colourful fever dreams, inspired perspective shots, and some moments that are designed to stick in the mind, rent free. The whole aesthetic and world design feels unique, the titular Green Knight being a fine example.
It has a top tier cast just to really sweeten the deal as well.
All of these aspects combined make for an engaging Arthurian tale that is hard to forget. It surely won't be to everyone's liking, but as far as I'm concerned, it's an excellent piece of film making that absolutely deserves to be seen regardless.
BankofMarquis (1832 KP) rated The Green Knight (2020) in Movies
Aug 6, 2021
Interesting...Intriguing...and Weird
You have 2 choices when choosing to view the Arthurian tale THE GREEN KNIGHT.
1). Brush up on the 14th Century tale (writer unknown) about Sir Gawain (of Knights of the Round Table fame) and The Green Knight
2). Go in “blind” and let the film wash over you.
I did #2 and while I got the “gist” of what was going on, I missed some of the subtleties (or the attempted subtleties) that I now know since I went on-line and brushed up on the story/poem (no, I did not read the 14th century poem - a google search synopsis of plot of the poem was sufficient).
Starring Dev Patel (more on him later) THE GREEN KNIGHT tells the story of a would-be Knight of the Round Table, Gawain, who accepts a challenge of THE GREEN KNIGHT and now must stand up to the consequence of his deeds while heading off on a quest.
Dev Patel (SLUMDOG MILLIONAIRE) has really grown into a fine actor and he is perfectly cast as the courage-challenged Gawain. He walks through this film with a slight look of fear in his eyes and I was finding myself yelling at him (in my head) to “stand up and do what’s right” (which is the point of the film/story) when he would make the wrong decision.
Alicia Vikander (who I have not seen on screen since 2018’s TOMB RAIDER) and Joel Edgerton (LOVING) are 2 of the people that Gawain meets along the way and they bring strength and star power to the middle part of this film - they came along at an opportune time, for this film was beginning to sag under it’s own weight at that point, but these 2 help propel Gawain (and the film) to the climax.
Director David Lowery (A GHOST STORY) has crafted a fantastical film that reminded me very much of the work of Terry Gilliam - and I mean that as a compliment. He heightens every scene with imagery that’s just “off” (again, I mean that as a compliment) that symbolizes the “quest” that Gawain is on.
He also does something that will either encourage or discourage a viewer (and that is the strength and weakness of this film) - he explains nothing.
For example…at the beginning, Gawain is sitting at a round table with a King and Queen and a bunch of other Knights (or would be Knights). One would assume that this is King Arthur, Guinevere and the Knights of the Round Table, but Lowery never calls them by name. “The King” pulls out his sword and hands it to Gawain for his contest with the Green Knight. The crowd reacts with gasps - one would assume that this is the fable sword Excaliber, but it is never stated.
So…knowing these things (and some of the other aspects of the Gawain) story, might further enrich this experience, but Lowery chooses to not spoon feed the audience and since I did not really know the Gawain story, I just sat back and enjoyed the quest, the imagery, the weirdness (and there is some VERY weird moments - I still don’t know what to make of the scene with the Giants) and was rewarded with a film experience that is rare nowadays, one that just unfurls without telescoping what is happening or what is to come.
This film is not for everyone - it does have a rather languid pace to it - but for those of you that can sit in the stillness, marvel at the imagery and revel in the weirdness/unknown, then THE GREEN KNIGHT is, ultimately, a rewarding film experience - one that (now that I know the story) am eager to revisit.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
1). Brush up on the 14th Century tale (writer unknown) about Sir Gawain (of Knights of the Round Table fame) and The Green Knight
2). Go in “blind” and let the film wash over you.
I did #2 and while I got the “gist” of what was going on, I missed some of the subtleties (or the attempted subtleties) that I now know since I went on-line and brushed up on the story/poem (no, I did not read the 14th century poem - a google search synopsis of plot of the poem was sufficient).
Starring Dev Patel (more on him later) THE GREEN KNIGHT tells the story of a would-be Knight of the Round Table, Gawain, who accepts a challenge of THE GREEN KNIGHT and now must stand up to the consequence of his deeds while heading off on a quest.
Dev Patel (SLUMDOG MILLIONAIRE) has really grown into a fine actor and he is perfectly cast as the courage-challenged Gawain. He walks through this film with a slight look of fear in his eyes and I was finding myself yelling at him (in my head) to “stand up and do what’s right” (which is the point of the film/story) when he would make the wrong decision.
Alicia Vikander (who I have not seen on screen since 2018’s TOMB RAIDER) and Joel Edgerton (LOVING) are 2 of the people that Gawain meets along the way and they bring strength and star power to the middle part of this film - they came along at an opportune time, for this film was beginning to sag under it’s own weight at that point, but these 2 help propel Gawain (and the film) to the climax.
Director David Lowery (A GHOST STORY) has crafted a fantastical film that reminded me very much of the work of Terry Gilliam - and I mean that as a compliment. He heightens every scene with imagery that’s just “off” (again, I mean that as a compliment) that symbolizes the “quest” that Gawain is on.
He also does something that will either encourage or discourage a viewer (and that is the strength and weakness of this film) - he explains nothing.
For example…at the beginning, Gawain is sitting at a round table with a King and Queen and a bunch of other Knights (or would be Knights). One would assume that this is King Arthur, Guinevere and the Knights of the Round Table, but Lowery never calls them by name. “The King” pulls out his sword and hands it to Gawain for his contest with the Green Knight. The crowd reacts with gasps - one would assume that this is the fable sword Excaliber, but it is never stated.
So…knowing these things (and some of the other aspects of the Gawain) story, might further enrich this experience, but Lowery chooses to not spoon feed the audience and since I did not really know the Gawain story, I just sat back and enjoyed the quest, the imagery, the weirdness (and there is some VERY weird moments - I still don’t know what to make of the scene with the Giants) and was rewarded with a film experience that is rare nowadays, one that just unfurls without telescoping what is happening or what is to come.
This film is not for everyone - it does have a rather languid pace to it - but for those of you that can sit in the stillness, marvel at the imagery and revel in the weirdness/unknown, then THE GREEN KNIGHT is, ultimately, a rewarding film experience - one that (now that I know the story) am eager to revisit.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
David McK (3194 KP) rated Dragonheart (1996) in Movies
Feb 28, 2021
I've just spotted the release year of this film (1996).
I feel old.
I actually remember going to see this in the cinema when it first came out, and remember the buzz over the Special Effects created for the dragon (voiced by Sean Connery) in the wake of Jurassic Park: if I remember right, I think it may even have got an Academy nomination for the same.
Anyway, this is light family fantasy fare, with Connery (as previously mentioned) voicing the last Dragon alive, and with Dennis Quaid portraying a disillusioned knight who has vowed to wipe out all dragons, blaming the same for corrupting (or so he initially thinks) the son of a tyrant who grew up to be a tyrant himself (as portrayed by David Thewlis).
Also starring a - very young, pre Starship Troopers - Dina Meyers and Pete Postlethwaite, this is an enjoyable enough romp if nothing special!
I feel old.
I actually remember going to see this in the cinema when it first came out, and remember the buzz over the Special Effects created for the dragon (voiced by Sean Connery) in the wake of Jurassic Park: if I remember right, I think it may even have got an Academy nomination for the same.
Anyway, this is light family fantasy fare, with Connery (as previously mentioned) voicing the last Dragon alive, and with Dennis Quaid portraying a disillusioned knight who has vowed to wipe out all dragons, blaming the same for corrupting (or so he initially thinks) the son of a tyrant who grew up to be a tyrant himself (as portrayed by David Thewlis).
Also starring a - very young, pre Starship Troopers - Dina Meyers and Pete Postlethwaite, this is an enjoyable enough romp if nothing special!
Chris Sawin (602 KP) rated Batman Gotham Knight (2008) in Movies
Jun 18, 2019
Batman: Gotham Knight was originally advertised as an animated feature that bridged the gap between Batman Begins and The Dark Knight, but it’s more of a Batman in his early stages becoming the legendary crime fighting vigilante he’s known as today. There are six segments in total with each segment having a different production studio.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
The first segment is entitled, “Have I Got a Story For You,” and it’s written by Josh Olson (A History of Violence) and animated by Studio 4°C (Berserk: Golden Age Arc, Mind Game). The segment follows a boy who is waiting for his friends to arrive. Once they do, each of them tells a different story relating to what incredible Batman incident they witnessed that day. Each retelling is farfetched in its own way as this story capitalizes on teenagers stretching the truth and having overactive imaginations. Their day doesn’t seem to be finished though as the fight they all witnessed makes its way to their local hangout; the skate park.
“Crossfire” is written by Greg Rucka (Gotham, Jessica Jones) and animated by Production I.G. (FLCL, Ghost in the Shell: Stand Alone Complex). This segment focuses on Chris and Anna being a part of Lieutenant Gordon’s MCU (Major Crime Unit). Chris thinks Batman is a vigilante that takes the law into his hands while Anna is still unsure about him and is just thankful that good cops that know how to do their job are actually being respected now that Batman has become part of the picture. After taking a recent Arkham escapee back to the asylum, Chris and Anna soon realize that they’re stuck in the middle of a gang war between Sal Maroni and The Russian.
“Field Test” is written by Jordan Goldberg (Westworld) and animated by Bee Train (.hack//Sign, Blade of the Immortal). Lucius Fox is showing Bruce Wayne some new gadgets. Amongst them is a harness equipped with an electromagnetic pulse strong enough to deflect bullets. Batman decides to test it out with Maroni, The Russian, and his goons. Everything seems to be going well until Batman encounters a glitch.
“In Darkness Dwells” is written by David S. Goyer (the Blade franchise, Man of Steel) and animated by Madhouse (One Punch Man, Death Note). Everyone is hunting Killer Croc. For this story, Croc is a former patient of Jonathan Crane/The Scarecrow and one of the reasons he was admitted to Dr. Crane was for his fear of bats.
“Working Through Pain” is written by Brian Azzarello (Batman: The Killing Joke) and animated by Studio 4°C. Batman is injured on what seems like any other night he puts his mask on. His tenacity takes center stage as you witness how often he struggles with nightly injuries. There are also flashbacks to his past that illustrate the difference between exterior and interior pain. There’s a way to put pain in its place and this is how Bruce Wayne found out how.
“Deadshot” is written by Alan Burnett (Batman: Mask of the Phantasm) and animated by Madhouse. Deadshot has returned to Gotham and has set his sights on Jim Gordon, but he looks to have ulterior motives. You also learn about how Bruce Wayne feels about guns.
Gotham Knight is superbly animated and has an accessible flow to it despite its various stories and alternating casts. The animation is fantastic as everything moves crisply and smoothly. The artistic style may change from story to story, but the voice cast is the same throughout. While each individual story has its own narrative to tell, everything is connected in some way that flows together nicely. This was one of the first times Kevin Conroy returned to voice Batman and his voice has become the iconic Batman voice for anyone who grew up watching Batman: The Animated Series. Hearing Conroy as Batman is like a homecoming in so many ways.
Whether you’re an anime fan, a Batman fan, or you’re looking for something new to catch your eye, Gotham Knight is worthwhile for animation and comic book fans alike. The animation is beautiful and the stories are enticing enough to keep you interested throughout. Kevin Conroy is the real drawing point here, but the rest of the voice cast is solid, as well. The Batman Begins/The Dark Knight connections are mostly hogwash as the animated feature adds nothing to Christopher Nolan’s Batman universe, but is an entertaining way to spend 76-minutes nevertheless.
Batman: Gotham Knight is available to stream on Amazon Prime, YouTube, Vudu, and Google Play for $2.99 and iTunes for $3.99. The Multi-Format Blu-ray is available on Amazon for $7.32 and as a double feature Blu-ray with Batman: Year One for $17.97. The Gotham Knight/Year One Blu-ray is $9.08 on eBay and the Multi-Format Blu-ray is $6.99; both are in brand new condition and both have free shipping.
Chris Sawin (602 KP) rated Batman Begins (2005) in Movies
Jun 18, 2019
Before Ben Affleck, but after Adam West, Michael Keaton, Kevin Conroy, Val Kilmer, and George Clooney, Christian Bale was Batman for at least two of the best Batman films out there. With a screenplay by director Christopher Nolan and his brother Jonathan and a story by David S. Goyer, Batman Begins is an origin story. Gotham City is dying since criminals like Carmine Falcone (Tom Wilkinson) are able to get away with murder since, “he keeps the bad people rich and the good people scared,” as Rachel Dawes (Katie Holmes) puts it. Bruce Wayne (Christian Bale) trains with Henri Ducard (Liam Neeson), the right hand of Ra’s Al Ghul (Ken Watanabe), and The League of Shadows.
But The League of Shadows has a skewed view of justice since they believe that more serious crimes should be punishable by death (usually by their hand) while Bruce believes in compassion and the right to a fair trial before passing judgment. Leaving The League of Shadows in shambles, Bruce makes his way back to Gotham after a seven year absence. In Bruce’s own words, “As a man, I’m flesh and blood. I can be ignored. I can be destroyed. But as a symbol I can be incorruptible. I can be everlasting.” This is the story of Batman’s uprising; how a young Bruce Wayne conquered his fear of bats and the death of his parents to become the ominous and fearsome dark knight.
Even when you look back at what Christopher Nolan accomplished in his Dark Knight Trilogy, Batman Begins still holds its own and should be considered one of the best Batman films to date. Before Batman v Superman took the dark and gritty aspects of serious superhero films too far, Batman Begins was the first Batman film since Tim Burton’s Batman to favor a more serious tone in comparison to the campiness that overloads the likes of Batman Forever and Batman & Robin. Christopher Nolan always had the intention of keeping Batman grounded in realism and that concept reflected in its incredibly well-written storyline. Batman Begins is a lot like the Year One comic book storyline with Bruce Wayne returning to Gotham City after training in martial arts and being gone for several years, the inclusion of Carmine Falcone, a blossoming relationship between Batman and Jim Gordon, and The Joker tease on the rooftop even ends the story in similar fashion.
The realistic quality Christopher Nolan was aiming for also translates into the dialogue as nothing seems forced or out of place and everything seems to take place in consistent and reasonable fashion. Aside from Christian Bale, the rest of the cast is far more impressive than it had any right to be with the likes of Michael Caine, Morgan Freeman, Gary Oldman, Cillian Murphy, and Rutger Hauer. Caine adds a level of tenderness to the Alfred character we haven’t really seen before while Cillian Murphy is brilliantly sinister as Jonathan Crane/Scarecrow. Thanks to frequent Christopher Nolan collaborator, director of photography Wally Pfister, Batman Begins is beautifully shot. Colors are always bright and vibrant outside of the Batcave as the dark visuals of the film seem to slowly swallow their colorful surroundings piece by piece.
The inclusion of Liam Neeson in the film is an interesting one for statistical purposes. Prior to Taken, Neeson was known for taking on roles where his character died; Star Wars: Episode I – The Phantom Menace, Gangs of New York, Kingdom of Heaven, and The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe are all prime examples. Neeson’s character Ducard is also the main ingredient in the surprise Nolan often includes in the finale of his films. Neeson has this calm demeanor about him as Ducard that portrays just how in control he is of the training he’s passing onto Bruce. The cast to Batman films are usually packed with stars that are relevant to the time it’s released, but Batman Begins can boast that its supporting cast is just as strong as the leads in the film.
The reasoning behind Christian Bale’s Batman voice is legitimate and you certainly understand why it’s utilized, but the awkward transition between normal voice and rough and raspy vigilante takes some getting used to since you immediately think of the ridiculousness in The Lego Batman Movie or the handful of Deadpool 2 jokes whenever he’s Batman now. Katie Holmes is dull dishwater as an actress. She is the least memorable of the entire cast and is basically that person at a party that everyone knows that’s there but they don’t say anything to anybody before leaving when no one is looking. Maggie Gyllenhaal is able to add some depth with the Rachel Dawes character in The Dark Knight, but it’s as if you can still hear the sound of the Dawson’s Creek theme song echoing in your head whenever Gyllenhaal is on-screen; Katie Holmes is like a huge fart that is still smelt after she’s gone in the sequel she’s not even a part of. There was an overwhelming amount of complaints in the online community regarding how ugly Batman’s new Batmobile, The Tumblr, is in the film. While the vehicle is ugly, at least that ugliness is maintained throughout Nolan’s entire trilogy. Batman likes ugly things in this universe, but at least they’re functional and serve their purpose.
Even with how most individuals feel about The Dark Knight, Batman Begins is still an incredible superhero film that is more than capable as a standalone feature as well as the jumpstart to a new set of Batman films. Christopher Nolan practically reinvented the Batman franchise to a certain extent starting with this film. Depending on how you feel about Ben Affleck’s Batman, Christian Bale was the last satisfying Batman.
Batman Begins feels more like a crime film first and a superhero film second where Batman is an unstoppable force of nature. Stripping the film of its origin retelling, one would think this is what Todd McFarlane is going for with his new Spawn film only to an R-rated extent; a superhero that flourishes in the darkness and has a reputation as this spiritual incarnation of vengeance. Christopher Nolan made something special with his Batman films and it feels like Batman Begins is often overlooked due to the reputation of The Dark Knight. While that perspective isn’t necessarily wrong, fans should at least appreciate Batman Begins in a similar light if not a slightly brighter one.
Batman Begins is currently available to stream for $2.99 on Amazon Prime, YouTube, Vudu, and Google Play and for $3.99 on iTunes. The film is available for a variety of formats on Amazon including 4K/Blu-ray ($24.49), DVD ($9.43), and Multi-Format Blu-ray ($11.49). The Blu-ray is currently $5.22 (5% off its normal $5.50 price) in brand new condition and $3.42 pre-owned on eBay with free shipping on both. You can also get the film as part of a three-disc DVD trilogy pack with The Dark Knight and The Dark Knight Rises or as The Dark Knight Trilogy box set on DVD or Blu-ray. Both options are available on both Amazon and eBay (DVD set is running $11.97 on eBay and $19.72 on Amazon while The Dark Knight Trilogy is available in a variety of formats (regular, ultimate, and special editions) on both sites between $12 and $18.99 unless you want the $69.99 ultimate set.
But The League of Shadows has a skewed view of justice since they believe that more serious crimes should be punishable by death (usually by their hand) while Bruce believes in compassion and the right to a fair trial before passing judgment. Leaving The League of Shadows in shambles, Bruce makes his way back to Gotham after a seven year absence. In Bruce’s own words, “As a man, I’m flesh and blood. I can be ignored. I can be destroyed. But as a symbol I can be incorruptible. I can be everlasting.” This is the story of Batman’s uprising; how a young Bruce Wayne conquered his fear of bats and the death of his parents to become the ominous and fearsome dark knight.
Even when you look back at what Christopher Nolan accomplished in his Dark Knight Trilogy, Batman Begins still holds its own and should be considered one of the best Batman films to date. Before Batman v Superman took the dark and gritty aspects of serious superhero films too far, Batman Begins was the first Batman film since Tim Burton’s Batman to favor a more serious tone in comparison to the campiness that overloads the likes of Batman Forever and Batman & Robin. Christopher Nolan always had the intention of keeping Batman grounded in realism and that concept reflected in its incredibly well-written storyline. Batman Begins is a lot like the Year One comic book storyline with Bruce Wayne returning to Gotham City after training in martial arts and being gone for several years, the inclusion of Carmine Falcone, a blossoming relationship between Batman and Jim Gordon, and The Joker tease on the rooftop even ends the story in similar fashion.
The realistic quality Christopher Nolan was aiming for also translates into the dialogue as nothing seems forced or out of place and everything seems to take place in consistent and reasonable fashion. Aside from Christian Bale, the rest of the cast is far more impressive than it had any right to be with the likes of Michael Caine, Morgan Freeman, Gary Oldman, Cillian Murphy, and Rutger Hauer. Caine adds a level of tenderness to the Alfred character we haven’t really seen before while Cillian Murphy is brilliantly sinister as Jonathan Crane/Scarecrow. Thanks to frequent Christopher Nolan collaborator, director of photography Wally Pfister, Batman Begins is beautifully shot. Colors are always bright and vibrant outside of the Batcave as the dark visuals of the film seem to slowly swallow their colorful surroundings piece by piece.
The inclusion of Liam Neeson in the film is an interesting one for statistical purposes. Prior to Taken, Neeson was known for taking on roles where his character died; Star Wars: Episode I – The Phantom Menace, Gangs of New York, Kingdom of Heaven, and The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe are all prime examples. Neeson’s character Ducard is also the main ingredient in the surprise Nolan often includes in the finale of his films. Neeson has this calm demeanor about him as Ducard that portrays just how in control he is of the training he’s passing onto Bruce. The cast to Batman films are usually packed with stars that are relevant to the time it’s released, but Batman Begins can boast that its supporting cast is just as strong as the leads in the film.
The reasoning behind Christian Bale’s Batman voice is legitimate and you certainly understand why it’s utilized, but the awkward transition between normal voice and rough and raspy vigilante takes some getting used to since you immediately think of the ridiculousness in The Lego Batman Movie or the handful of Deadpool 2 jokes whenever he’s Batman now. Katie Holmes is dull dishwater as an actress. She is the least memorable of the entire cast and is basically that person at a party that everyone knows that’s there but they don’t say anything to anybody before leaving when no one is looking. Maggie Gyllenhaal is able to add some depth with the Rachel Dawes character in The Dark Knight, but it’s as if you can still hear the sound of the Dawson’s Creek theme song echoing in your head whenever Gyllenhaal is on-screen; Katie Holmes is like a huge fart that is still smelt after she’s gone in the sequel she’s not even a part of. There was an overwhelming amount of complaints in the online community regarding how ugly Batman’s new Batmobile, The Tumblr, is in the film. While the vehicle is ugly, at least that ugliness is maintained throughout Nolan’s entire trilogy. Batman likes ugly things in this universe, but at least they’re functional and serve their purpose.
Even with how most individuals feel about The Dark Knight, Batman Begins is still an incredible superhero film that is more than capable as a standalone feature as well as the jumpstart to a new set of Batman films. Christopher Nolan practically reinvented the Batman franchise to a certain extent starting with this film. Depending on how you feel about Ben Affleck’s Batman, Christian Bale was the last satisfying Batman.
Batman Begins feels more like a crime film first and a superhero film second where Batman is an unstoppable force of nature. Stripping the film of its origin retelling, one would think this is what Todd McFarlane is going for with his new Spawn film only to an R-rated extent; a superhero that flourishes in the darkness and has a reputation as this spiritual incarnation of vengeance. Christopher Nolan made something special with his Batman films and it feels like Batman Begins is often overlooked due to the reputation of The Dark Knight. While that perspective isn’t necessarily wrong, fans should at least appreciate Batman Begins in a similar light if not a slightly brighter one.
Batman Begins is currently available to stream for $2.99 on Amazon Prime, YouTube, Vudu, and Google Play and for $3.99 on iTunes. The film is available for a variety of formats on Amazon including 4K/Blu-ray ($24.49), DVD ($9.43), and Multi-Format Blu-ray ($11.49). The Blu-ray is currently $5.22 (5% off its normal $5.50 price) in brand new condition and $3.42 pre-owned on eBay with free shipping on both. You can also get the film as part of a three-disc DVD trilogy pack with The Dark Knight and The Dark Knight Rises or as The Dark Knight Trilogy box set on DVD or Blu-ray. Both options are available on both Amazon and eBay (DVD set is running $11.97 on eBay and $19.72 on Amazon while The Dark Knight Trilogy is available in a variety of formats (regular, ultimate, and special editions) on both sites between $12 and $18.99 unless you want the $69.99 ultimate set.
David McK (3194 KP) rated Knights of Dark Renown in Books
Aug 8, 2021
One of the rare(ish) David Gemmell stand-alone novels; [u]not[/u] part of any series such as the Stones of Power/Sipstrassi sereis, or even of the Drenai.
Indeed, there's only a single other reference made to the events of this in any of his other works: a throw-away line, briefly, during Morningstar.
The central character of this is Manannan, the Coward-Knight who once abandoned his other eight companions (the legendary 'Knights of the Gabala') to ride alone through a mysterious portal to another realm, and who is now (as the novel starts) trapped within his own armour and slowly being strangled to death by his own beard, as the armour was fashioned so that it could only be opened by passing through the portal.
As the land seems to be falling further and further into chaos, the rest of the novel deals with a terrible discovery made by Mannanan, and with the creation of a new Knights of the Gabala (the 'Knights of Dark Renown' of the title), most of whom - in true inimitable Gemmell style - start out as far from the ideal as it is possible to be!
I have to say, though, that I've always felt the ending of this story to be a little bit rushed: lots of work laying the groundwork; lots of 'meat' in the body and then it just seemingly ... ends. Almost as if Gemmell had gotten tired of the story!
Indeed, there's only a single other reference made to the events of this in any of his other works: a throw-away line, briefly, during Morningstar.
The central character of this is Manannan, the Coward-Knight who once abandoned his other eight companions (the legendary 'Knights of the Gabala') to ride alone through a mysterious portal to another realm, and who is now (as the novel starts) trapped within his own armour and slowly being strangled to death by his own beard, as the armour was fashioned so that it could only be opened by passing through the portal.
As the land seems to be falling further and further into chaos, the rest of the novel deals with a terrible discovery made by Mannanan, and with the creation of a new Knights of the Gabala (the 'Knights of Dark Renown' of the title), most of whom - in true inimitable Gemmell style - start out as far from the ideal as it is possible to be!
I have to say, though, that I've always felt the ending of this story to be a little bit rushed: lots of work laying the groundwork; lots of 'meat' in the body and then it just seemingly ... ends. Almost as if Gemmell had gotten tired of the story!
Lyndsey Gollogly (2893 KP) rated Gods & Monsters ( Book 1) in Books
Feb 12, 2023
16 of 235
Kindle
Gods & Monsters ( Book 1)
By Janie Marie
⭐️⭐️⭐️
Monsters are real, legends are truth—and the man who saves Jane's life is an immortal knight. But it will be her secret past with the Angel of Death that changes everything.
Gods & Monsters - Book One
When the plague of all plagues begins its destruction, it isn't a miracle cure by scientists or even our military that saves us.
No, our saviors are monsters.
Jane appears to be nothing special. In fact, she's a sad sight to behold. Afflicted by the sorrow of her tragic past and failing marriage, the young mother of two is as terrified as every other soul when humanity faces doom. Yet, when hope seems lost, Jane does something even her estranged husband fails to--she fights. And she's not alone.
David and his companions are what our world has dismissed as mere legend. Their duty to the human race brings them across the country, and they all know it is no coincidence when they cross paths with Jane.
As it happens, Jane is special. She's destined to rid the world of darkness.
With monsters from every nightmare seeking her out, a noble immortal knight showing her what love truly feels like, a secret past that even Jane can't remember, and even more powerful beings wagering the fate of her soul, Jane will embark on an epic journey to save her family and the world.
So what will happen when they realize she's the greatest monster of them all?
Gods✔️ monsters ✔️ Arthur and his nights as immortals ✔️ what’s not to love right? Well I’m stuck as I wanted to give it 4 stars but there were a few draw backs for me the main one being it felt rushed in some places and sometimes abit over explained and slightly cheesy! But I absolutely love all the gods and mythology and all at war. All on sides you don’t expect I was enjoying the book then bam Hades and yea I’m a sucker for the God of the underworld!
Warnings: Triggers for abuse, sa, mental health disorders. Heavy violence, horror, strong language, emotional and controversial themes, sex, rape(not praised), will have multiple loves for the heroine.
Kindle
Gods & Monsters ( Book 1)
By Janie Marie
⭐️⭐️⭐️
Monsters are real, legends are truth—and the man who saves Jane's life is an immortal knight. But it will be her secret past with the Angel of Death that changes everything.
Gods & Monsters - Book One
When the plague of all plagues begins its destruction, it isn't a miracle cure by scientists or even our military that saves us.
No, our saviors are monsters.
Jane appears to be nothing special. In fact, she's a sad sight to behold. Afflicted by the sorrow of her tragic past and failing marriage, the young mother of two is as terrified as every other soul when humanity faces doom. Yet, when hope seems lost, Jane does something even her estranged husband fails to--she fights. And she's not alone.
David and his companions are what our world has dismissed as mere legend. Their duty to the human race brings them across the country, and they all know it is no coincidence when they cross paths with Jane.
As it happens, Jane is special. She's destined to rid the world of darkness.
With monsters from every nightmare seeking her out, a noble immortal knight showing her what love truly feels like, a secret past that even Jane can't remember, and even more powerful beings wagering the fate of her soul, Jane will embark on an epic journey to save her family and the world.
So what will happen when they realize she's the greatest monster of them all?
Gods✔️ monsters ✔️ Arthur and his nights as immortals ✔️ what’s not to love right? Well I’m stuck as I wanted to give it 4 stars but there were a few draw backs for me the main one being it felt rushed in some places and sometimes abit over explained and slightly cheesy! But I absolutely love all the gods and mythology and all at war. All on sides you don’t expect I was enjoying the book then bam Hades and yea I’m a sucker for the God of the underworld!
Warnings: Triggers for abuse, sa, mental health disorders. Heavy violence, horror, strong language, emotional and controversial themes, sex, rape(not praised), will have multiple loves for the heroine.
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
