Search
Search results
Mark @ Carstairs Considers (2086 KP) rated Crimes and Covers in Books
Jan 28, 2022
Christmas Wedding Complicated by Crime
Bookshop owner Violet Waverly is thrilled to be marrying police chief David Rainwater in just a few days. She’s distracted, however, when a woman comes into Charming Books wanting to sell an autographed mint condition first edition of Walden by Henry David Thoreau. Violet doesn’t feel comfortable with the transaction, so the woman leaves in a huff. A few days later, the woman’s body is found floating in the river. Violet can’t help but wonder what happened to the book. Is that the reason the mystery woman is dead?
I don’t tend to read supernatural tinged cozies, but I’ve made an exception for this. Honestly, what reader can resist a magical bookstore? Between that and Violet’s pets, there is plenty to charm fans once again here. Likewise, the characters are strong, and it is great to spend time with them again. Christmas gets a light touch in this book, but I enjoyed getting to indulge my love of Christmas just a bit longer. It’s the plot where this book really struggles. I was willing to forgive the slow start given everything else happening early in the book. Once it got going, I definitely got caught up in it even though I figured out the big brushstrokes early on. However, the climax left me with a couple of rather big questions that really should have been resolved. Fans of the series will enjoy it, but I do wish this visit had been stronger.
I don’t tend to read supernatural tinged cozies, but I’ve made an exception for this. Honestly, what reader can resist a magical bookstore? Between that and Violet’s pets, there is plenty to charm fans once again here. Likewise, the characters are strong, and it is great to spend time with them again. Christmas gets a light touch in this book, but I enjoyed getting to indulge my love of Christmas just a bit longer. It’s the plot where this book really struggles. I was willing to forgive the slow start given everything else happening early in the book. Once it got going, I definitely got caught up in it even though I figured out the big brushstrokes early on. However, the climax left me with a couple of rather big questions that really should have been resolved. Fans of the series will enjoy it, but I do wish this visit had been stronger.
Joe Goodhart (27 KP) rated X-23 (2018-) #2 in Books
Nov 30, 2020
Gabby: "Why are you party pooper?"
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
Laura: "It's arguably in my DNA."
That quote comes only a couple pages or so into Issue 3. It is probably the most fun dialogue in a story arc that is anything light in nature. And honestly, that is one of the aspects that really wowed by Ms. Tamaki's opening arc: she can balance the dark and the light, the humor and the not so humorous. I liked Tom Taylor's initial beginnings on ANW, but that so became imbalanced, as he chose to focus more on humor, rather gritty plot elements.
Through this issue, as well as the first one, it is clear that we will truly be "inside" Laura Kinney's head. Tamaki provides us with Laura's thoughts and reflections, further adding to the character's complex inner workings. It aids in defining a character who is often underutilized and written poorly (*cough* Bendis *cough* Hopeless *cough cough*).
As fantastic as the writing is on Laura's new book, I really want to stress how AWESOME Juann Cabal's art is to the series! Prior to witnessing his art, I found David Lopez's art (re: ANW) to be all aces! And while it is still quite good, Cabal just builds off of that and gives us so much more! I truly, truly hope that Marvel is smart enough to pay him well and keep him on board for the run of the series.
Overall, this was another great issue, and if you are a fan of Ms. Kinney, you will not be disappointed!
LeftSideCut (3778 KP) rated Hellraiser: Inferno (2000) in Movies
Mar 29, 2022
The 5th entry in the Hellraiser series is certainly a mixed bag. It's has a script and narrative that clearly threw in Hellraiser elements as an afterthought, really scales back on the cenobite stuff, and has some truly dodgy effects work.
With all that being said, everything about Inferno that's surrounds those points is pretty positive. The corrupt cop who cheats on his wife/snorts coke/is a general asshole whilst trying to solve a huge case trope has been done a million times, but it lends itself well to the conditions of the lament configuration. The films whole vibe screams David Lynch, and there's some genuinely creepy imagery delivered with ambition by a feature-debuting Scott Derrickson, clearly showing off some stylistic choices that he would go on to hone in his future successful career.
Throw in some decent gore and a pretty solid cast, and we're left with a Hellraiser film that would 100% be seen in a more favourable light if it had been afforded a bigger budget.
With all that being said, everything about Inferno that's surrounds those points is pretty positive. The corrupt cop who cheats on his wife/snorts coke/is a general asshole whilst trying to solve a huge case trope has been done a million times, but it lends itself well to the conditions of the lament configuration. The films whole vibe screams David Lynch, and there's some genuinely creepy imagery delivered with ambition by a feature-debuting Scott Derrickson, clearly showing off some stylistic choices that he would go on to hone in his future successful career.
Throw in some decent gore and a pretty solid cast, and we're left with a Hellraiser film that would 100% be seen in a more favourable light if it had been afforded a bigger budget.
Gareth von Kallenbach (971 KP) rated Lights Out (2016) in Movies
Aug 6, 2019
Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.
The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.
For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.
David McK (3219 KP) rated Doctor Who: Engines of War in Books
Aug 19, 2023
The War Doctor.
A previously unknown incarnation of the Time Lord known only as The Doctor, as portrayed by John Hurt in the Dr Who 50th anniversary special 'the Day of the Doctor' in 2013 during Matt Smith's tenure as The Doctor (and with David Tennant also reprising his role as the same character).
The War Doctor refers to the fact that *this* incarnation participated in the Time War, a fundamental part of the backstory of Nu-Who, between the Daleks and the Time Lords.
Its also open to interpretation whether the Engines of War of the title here are those Daleks, or the various TARDIS's used by the Time Lords during this story, which itself is largely split into 3 segments: part 1 on the planet Moldox (which the Daleks have conquered, and where the Doctor meets his new companion for this story), part 2 on Gallifrey (the home of the Time Lords), and part 3 in the space above Moldox, in the Tantalus Eye.
The result is something that is generally light-weight enough: solid if not spectacular. But, then again, that could probably apply to just about every extended universe tie in there is!
A previously unknown incarnation of the Time Lord known only as The Doctor, as portrayed by John Hurt in the Dr Who 50th anniversary special 'the Day of the Doctor' in 2013 during Matt Smith's tenure as The Doctor (and with David Tennant also reprising his role as the same character).
The War Doctor refers to the fact that *this* incarnation participated in the Time War, a fundamental part of the backstory of Nu-Who, between the Daleks and the Time Lords.
Its also open to interpretation whether the Engines of War of the title here are those Daleks, or the various TARDIS's used by the Time Lords during this story, which itself is largely split into 3 segments: part 1 on the planet Moldox (which the Daleks have conquered, and where the Doctor meets his new companion for this story), part 2 on Gallifrey (the home of the Time Lords), and part 3 in the space above Moldox, in the Tantalus Eye.
The result is something that is generally light-weight enough: solid if not spectacular. But, then again, that could probably apply to just about every extended universe tie in there is!
Holly Johnson recommended HQ by Roy Harper in Music (curated)
Jonathan Higgs recommended Born To Do It by Craig David in Music (curated)
b.Young (97 KP) rated The Moon Dwellers (The Dwellers #1) in Books
May 6, 2018
Unique dystopian world (2 more)
Great character development
Quick read
Amazing first installment of the Dwellers Series!
As an older reader, I somehow find myself being drawn more often than not to the YA Dystopian, Sci-fi, and Fantasy genres thanks to books like The Moon Dwellers.
David Estes has created a unique post-apocalyptic world under the surface of the Earth in which the remaining people live. There are 3 underground realms: Sun, Moon, and Star that fittingly describe the amount of light that each level recieves and thus dictates the class of people that reside on each level.
The story is of 17-year-old Adele who is sentenced to life in the Pen for her parent's treasonous acts, since the abduction of her parents and sister by the Enforcers.
After learning that her family is, in fact, alive, she plots to escape her prison and rescue her family, but not before making a couple of friends in the Pen and developing some very weird feelings for the President of the Sun Realm's son (who apparently has developed the same feelings for her) whom she has never met!
An rollercoaster ride of emotions are what awaits you whilst reading this exciting tale! And I can't wait to read the second installment of The Dwellers Series!
David Estes has created a unique post-apocalyptic world under the surface of the Earth in which the remaining people live. There are 3 underground realms: Sun, Moon, and Star that fittingly describe the amount of light that each level recieves and thus dictates the class of people that reside on each level.
The story is of 17-year-old Adele who is sentenced to life in the Pen for her parent's treasonous acts, since the abduction of her parents and sister by the Enforcers.
After learning that her family is, in fact, alive, she plots to escape her prison and rescue her family, but not before making a couple of friends in the Pen and developing some very weird feelings for the President of the Sun Realm's son (who apparently has developed the same feelings for her) whom she has never met!
An rollercoaster ride of emotions are what awaits you whilst reading this exciting tale! And I can't wait to read the second installment of The Dwellers Series!
Darren Fisher (2447 KP) rated Taking Tiger Mountain (By Strategy) by Brian Eno in Music
Dec 18, 2020 (Updated Jan 15, 2021)
Eno On Peak
In the 80's I got into Brian Eno via Talking Heads (with the excellent Remain in Light alvum) and David Bowie (Low, Heroes and Lodger), rather than through early Roxy Music.
My first introduction to Eno's solo work was the compilation More Blank Than Frank in 1986, which after listening to, was enough to convince me that I really needed to check out more of his work. I found Taking Tiger Mountain on cassette in the bargain bins at Our Price (I think). No inlay card but it was going cheap. Taking a punt I got it home and was instantly blown away. Musically upbeat for most of its duration, the lyrics told dark, humorous and downright weird tales about espionage, Limbourg Asylum and the rape of a woman by a crazed machine. There's also a lot of references to China (as the album title suggests).
So obssessed by this album I once recycled my smashed up electric guitar body in to a 'skinning up' table (with coaster bed legs so you could push it from person to person). The main centrepiece of this 'table' was a big mound of wax which I attempted to mould into my own Tiger Mountain... Damn the drugs were good back then hahaha 😎✌
Album Highlights:
Burning Airlines Give You So Much More
Third Uncle
The True Wheel
My first introduction to Eno's solo work was the compilation More Blank Than Frank in 1986, which after listening to, was enough to convince me that I really needed to check out more of his work. I found Taking Tiger Mountain on cassette in the bargain bins at Our Price (I think). No inlay card but it was going cheap. Taking a punt I got it home and was instantly blown away. Musically upbeat for most of its duration, the lyrics told dark, humorous and downright weird tales about espionage, Limbourg Asylum and the rape of a woman by a crazed machine. There's also a lot of references to China (as the album title suggests).
So obssessed by this album I once recycled my smashed up electric guitar body in to a 'skinning up' table (with coaster bed legs so you could push it from person to person). The main centrepiece of this 'table' was a big mound of wax which I attempted to mould into my own Tiger Mountain... Damn the drugs were good back then hahaha 😎✌
Album Highlights:
Burning Airlines Give You So Much More
Third Uncle
The True Wheel
Sarah (7798 KP) rated Hellboy (2019) in Movies
Dec 31, 2019
Why?!
I know the original Hellboy films didn’t do well critically, but they got a fairly decent fan following and I personally loved them, so I really didn’t see why they wanted to remake it. And after watching this disaster, I definitely cannot understand why they bothered to remake it!
I’ll start with the good bits, which won’t take long as David Harbour and Ian McShane are pretty much the only decent things about this film. Ian McShane seems to be playing his usual charismatic, crazy old man character (very reminiscent of Mr Wednesday) and I’m not complaining, as this is exactly what I love about him and he’s a rather good less nice version of Professor Broom. And David Harbour is a good Hellboy and gets the very few laughs there is in this, although I think he’s very let down and not able to shine properly because of the dodgy script and just general terribleness of this film. There’s also a decent rock soundtrack accompanying the fight scenes and a fairly fun amount of gore.
And now the bad. There’s far too much cgi in this and it isn’t always good, and they should’ve toned this down a lot. The plot and progression of the entire story is just bizarre, it was just downright ridiculous. They seem to have decided to try and fit in a strange assortment of folk tales and historic legends, like the Pendle Hill witches and King Arthur, and this is alongside the already crazy (but just about believable) origin of Hellboy himself and the Nazis. Even the bad guys in this are cheesy and not particularly threatening - Milla Jovovich with a horrendous English accent and a pig creature with a Scouse accent?! I know Stephen Graham is from Liverpool but that accent on that particular character was possible the most bizarre and frustrating thing I’ve ever seen. And also despite the main lead up being slightly different, the end result to Hellboy personally is exactly the same as the original. Why not try and come up with something completely different to avoid yet more negative comparisons to the original?
This is one film that should never have seen the light of day.
I’ll start with the good bits, which won’t take long as David Harbour and Ian McShane are pretty much the only decent things about this film. Ian McShane seems to be playing his usual charismatic, crazy old man character (very reminiscent of Mr Wednesday) and I’m not complaining, as this is exactly what I love about him and he’s a rather good less nice version of Professor Broom. And David Harbour is a good Hellboy and gets the very few laughs there is in this, although I think he’s very let down and not able to shine properly because of the dodgy script and just general terribleness of this film. There’s also a decent rock soundtrack accompanying the fight scenes and a fairly fun amount of gore.
And now the bad. There’s far too much cgi in this and it isn’t always good, and they should’ve toned this down a lot. The plot and progression of the entire story is just bizarre, it was just downright ridiculous. They seem to have decided to try and fit in a strange assortment of folk tales and historic legends, like the Pendle Hill witches and King Arthur, and this is alongside the already crazy (but just about believable) origin of Hellboy himself and the Nazis. Even the bad guys in this are cheesy and not particularly threatening - Milla Jovovich with a horrendous English accent and a pig creature with a Scouse accent?! I know Stephen Graham is from Liverpool but that accent on that particular character was possible the most bizarre and frustrating thing I’ve ever seen. And also despite the main lead up being slightly different, the end result to Hellboy personally is exactly the same as the original. Why not try and come up with something completely different to avoid yet more negative comparisons to the original?
This is one film that should never have seen the light of day.