"Beastie Boys and David Bowie are two of my favorite artists. The David Bowie album I am going to choose is Scary Monsters, which is kind of different. He always reinvented himself and he was doing something in the 1980s with Scary Monsters that nobody was doing. You can kind of hear stuff on that album that a lot of groups are doing now like, 'Aw, yeah I know where you got that from. That’s off that album.' It’s not one of his most popular albums to everybody, but I think it’s my favorite. There was a song on that, ‘Teenage Wildlife,’ and if you don’t like that, we don’t have to associate with each other. If you don’t get that song—it's cool man, I’ll see you around. “‘Teenage Wildlife’ is just epic. It’s like five or six minutes long and it kind of crescendos and builds into this insane vocal of Bowie wailing. I think I would pay $5,000 dollars to see footage of that recording session. I don’t know how he hits the notes that he’s doing and how long he does it but he’s just belting it out. You know he was feeling something when he was doing it. It’s just a cool song."

"This is his Los Angeles album, and what's funny about that is it's one of his most European records. On the 'Station To Station' song he even sings "the European cannon is here", and it's ironic that he recorded it in the Hollywood hills while doing tons and tons of cocaine. It's odd when you talk about these really iconic artists, whether it's Led Zeppelin or The Rolling Stones, there's always that debate about which is their best album, and usually there's some degree of consensus. With David Bowie most of my music cognoscenti friends will go with Low, but for me Station To Station is the weirdest, most subtly strong David Bowie album. It doesn't have the ambient beauty of Heroes or Low, but it's almost as if he was trying to make a conventional record, but it ends up sounding even stranger because it's trying to be conventional. And that's why I picked it. In a way it reminded me of some of the Roxy Music albums being made around this time, like Manifesto in that was these very strange artists trying to be a little more normal and ending up making something even more disconcertingly odd. How he could make this amazing record when he was constantly out of his mind on cocaine, and also the courage of having the first song on the record nine and a half minutes long, but the music on 'Station To Station' doesn't even get going for the first few minutes. When I was growing up Bowie really had this otherworldly mystique. There was so many different David Bowies, there was glam Bowie, European Bowie, then later on there was dance album Bowie. There was an assumption that whatever he was doing was phenomenal because he was David Bowie. To be a celebrity name-dropper one thing that amazed me was that I lived across the street from David Bowie for a while in New York and we had BBQs together, we went on tour together, and one of my most treasured memories, if I'm on my death bed this might be the thing that I think of. One morning David Bowie came over to my apartment and we were sitting on my couch at 10 in the morning drinking tea, and I played 'Heroes' on acoustic guitar and he sung along. Even if I end up getting married, having children and a family life, my favourite memory will be playing 'Heroes' on acoustic guitar with David Bowie."