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Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Sarah (7800 KP) rated BlacKkKlansman (2018) in Movies
May 25, 2019
Powerful
I have to be honest, I haven't seen a lot of Spike Lee's work although I loved Inside Man when that came out. So I wasnt entirely sure what to expect with this film, but I was pleasantly surprised.
This is definitely a strange film. It packs a powerful message but then is full of moments of sheer hilarity, which is definitely welcome in otherwise heavy scenes. But for the most part this doesn't detract from the true story this is telling. To be frank, some of this film is very disturbing to watch and the last 5/10 minutes that link to more recent events is harrowing and almost verging on overkill. The acting is second to none, especially Adam Driver and John David Washington, and the script and dialogue are very clever and witty. I do think this may be a little heavy handed at times and a little too long, but it's still a powerful and moving film.
This is definitely a strange film. It packs a powerful message but then is full of moments of sheer hilarity, which is definitely welcome in otherwise heavy scenes. But for the most part this doesn't detract from the true story this is telling. To be frank, some of this film is very disturbing to watch and the last 5/10 minutes that link to more recent events is harrowing and almost verging on overkill. The acting is second to none, especially Adam Driver and John David Washington, and the script and dialogue are very clever and witty. I do think this may be a little heavy handed at times and a little too long, but it's still a powerful and moving film.
Emma (519 KP) rated Wonder Woman (2017) in Movies
Feb 10, 2020
Contains spoilers, click to show
I am in no way a comic book reader, and maybe that doesn't give me any entitlement to judge. But my god was this film boring.
We decided to watch it tonight. I happened to enjoy the first quarter of the movie, I love Greek mythology so it appealed to me. However why they felt to make the movie so long and drawn out I don't know. In the first half I liked wonder woman, women's solidarity and all that haha, but by the second half I wanted her gone. She annoyed the crap out of me. Everyone raved about the scene in no mans land, I found it ridiculous.
And who on earth thought of casting David Thewlis as Ares god of war. I mean really? REALLY?! I love the guy but come on, marvel have Chris Hemsworth as Thor, he's literally a god in day to day life. DC decide on the nerdy dark arts teacher.
Think I'll stick with marvel in the future.
We decided to watch it tonight. I happened to enjoy the first quarter of the movie, I love Greek mythology so it appealed to me. However why they felt to make the movie so long and drawn out I don't know. In the first half I liked wonder woman, women's solidarity and all that haha, but by the second half I wanted her gone. She annoyed the crap out of me. Everyone raved about the scene in no mans land, I found it ridiculous.
And who on earth thought of casting David Thewlis as Ares god of war. I mean really? REALLY?! I love the guy but come on, marvel have Chris Hemsworth as Thor, he's literally a god in day to day life. DC decide on the nerdy dark arts teacher.
Think I'll stick with marvel in the future.
David McK (3562 KP) rated Aquaman and the lost kingdom (2023) in Movies
Sep 1, 2024
"Colourful"
If I had to choose one word to describe this movie, that would be it.
And I mean colourful literally: lots of gold, green and blue splashed across the screen.
Anyway, this is a direct sequel to 2018s 'Aquaman', picking up roughly 4 years after the events of that film and with Arthur Curry now married, ruling Atlantis and with a kid of his own.
However, David Cain's Black Mantis has not forgiven nor forgotten about Aquaman, and has recently come into possession of long-forgotten Atlantean magick/tech (hence 'the lost kingdom' of the title) and is still out for revenge on Arthur Curry and his family, leading Arthur to have to break his own brother Orm (the Oceanmaster of the previous film) out of custody and seek a way to counter the threat ...
If this is the last of the current DCEU, I have to say, it's a bit 'wet' (pun intended) of a closure.
If I had to choose one word to describe this movie, that would be it.
And I mean colourful literally: lots of gold, green and blue splashed across the screen.
Anyway, this is a direct sequel to 2018s 'Aquaman', picking up roughly 4 years after the events of that film and with Arthur Curry now married, ruling Atlantis and with a kid of his own.
However, David Cain's Black Mantis has not forgiven nor forgotten about Aquaman, and has recently come into possession of long-forgotten Atlantean magick/tech (hence 'the lost kingdom' of the title) and is still out for revenge on Arthur Curry and his family, leading Arthur to have to break his own brother Orm (the Oceanmaster of the previous film) out of custody and seek a way to counter the threat ...
If this is the last of the current DCEU, I have to say, it's a bit 'wet' (pun intended) of a closure.
David McK (3562 KP) rated Total Eclipse (Weather Warden, #9) in Books
Jan 30, 2019
Back in the late-to-mid 80s, the band R.E.M. sang
'That's great, it starts with an earthquake, birds and snakes ... It's the end of the world as we know it'
They might as well have been talking about this, the final book in Rachel Caine's <I>Weather Warden</I> series.
Again, picking up directly from the end of the last book, this has Joanne and David still on board the liner sailing home from their showdown with 'bad Bob', and with the 2 lead characters stripped of their powers. Not long before making landfall, however, the Earth starts to wake up and is not best pleased, instigating what basically amounts to Armageddon. The majority of the book deals with the Wardens attempts to placate the Earth and cancel this from happening, with Joanne and David regaining their powers in the process.
I was, I must admit, quite surprised at one point when one of the key characters of the series was called off (just over the 1/2 way mark): I hadn't really seen that coming. However, when they do (finally) make contact with Mother Earth, I found that portion of the plot to be resolved almost too easily, after what had went before.
The series, as a whole, had both it's peaks and troughs: while this entry may not (IMO) live up to some of the previous entries, nor was it the worst of them all.
'That's great, it starts with an earthquake, birds and snakes ... It's the end of the world as we know it'
They might as well have been talking about this, the final book in Rachel Caine's <I>Weather Warden</I> series.
Again, picking up directly from the end of the last book, this has Joanne and David still on board the liner sailing home from their showdown with 'bad Bob', and with the 2 lead characters stripped of their powers. Not long before making landfall, however, the Earth starts to wake up and is not best pleased, instigating what basically amounts to Armageddon. The majority of the book deals with the Wardens attempts to placate the Earth and cancel this from happening, with Joanne and David regaining their powers in the process.
I was, I must admit, quite surprised at one point when one of the key characters of the series was called off (just over the 1/2 way mark): I hadn't really seen that coming. However, when they do (finally) make contact with Mother Earth, I found that portion of the plot to be resolved almost too easily, after what had went before.
The series, as a whole, had both it's peaks and troughs: while this entry may not (IMO) live up to some of the previous entries, nor was it the worst of them all.
Bex Heber (5 KP) rated Good Omens in TV
Jul 12, 2019 (Updated Jul 13, 2019)
I'm a long time Terry Pratchett fan and whilst I haven't read the book, David Tennant and Micheal Sheen were enough of a selling point. They did not dissapoint; the dynamic they have throughout is both entertaining and endearing. However I think this is in large part a credit to the actors rather than the show.
The writing often missed the mark for me, sometimes only by hair but many of the characters never really managed to find their stride. What surprised me most, is that where this was most felt was in dialogue taken directly from the book. Even watching as someone who hadnt read the book I found it noticable and then later confirmed it by reading The Guardian's review. It appears Neil Gaiman was reluctant to take too many artistic liberties, perhaps in tribute to Prattchett but it seemed to hurt the show as a result.
It worked in places, the opening narration felt distinctly and enjoyably Pratchett-esque but even in this case the narration began to become over bearing as it continued to feature heavily in later episodes.
Saying this, I can't pretend I didn't enjoy the show, watching David and Micheal caper around with ridiculous CGI and yellow contacts to boot was always going to be entertaining and there are moments of brilliance, but given the potential of such a ridiculous plot and ensemble, I found the whole thing mostly forgettable.
The writing often missed the mark for me, sometimes only by hair but many of the characters never really managed to find their stride. What surprised me most, is that where this was most felt was in dialogue taken directly from the book. Even watching as someone who hadnt read the book I found it noticable and then later confirmed it by reading The Guardian's review. It appears Neil Gaiman was reluctant to take too many artistic liberties, perhaps in tribute to Prattchett but it seemed to hurt the show as a result.
It worked in places, the opening narration felt distinctly and enjoyably Pratchett-esque but even in this case the narration began to become over bearing as it continued to feature heavily in later episodes.
Saying this, I can't pretend I didn't enjoy the show, watching David and Micheal caper around with ridiculous CGI and yellow contacts to boot was always going to be entertaining and there are moments of brilliance, but given the potential of such a ridiculous plot and ensemble, I found the whole thing mostly forgettable.
ClareR (5879 KP) rated Time After Time in Books
Dec 9, 2022
Time After Time is a heartwarming and entertaining read about acceptance and not settling for second best.
Tabby works in a second hand shop and one day tries on a ring that she has taken a shine to - and is instantly transported back to the 1980’s. Her life becomes more interesting as she makes a new friend and sees her beloved 1980’s in the flesh.
In 2022, Tabby feels stifled. Her long term boyfriend, David, has a very fixed, old fashioned idea of what “his woman” should be doing with her time (cooking for him and having children seem to feature highly). And back at her family home, Tabby’s father drops a bombshell that leaves her mother reeling.
The characters are lovely (except the chauvinist David, of course!), Tabby could be a bit ‘ditsy’ at times, but that tended to add to her charm.
I do feel that more could have been done with the time travel aspect, but I think that’s more the science fiction fan in me (and the book would probably have needed to be a lot longer) - no one else reading on the Pigeonhole seemed to have the same opinion! In fact I do realise that the limited sci-Fi element may well make it more appealing to a lot of readers.
I really did enjoy this - a perfect summer read - or a winter read to remind you of the better weather!
Tabby works in a second hand shop and one day tries on a ring that she has taken a shine to - and is instantly transported back to the 1980’s. Her life becomes more interesting as she makes a new friend and sees her beloved 1980’s in the flesh.
In 2022, Tabby feels stifled. Her long term boyfriend, David, has a very fixed, old fashioned idea of what “his woman” should be doing with her time (cooking for him and having children seem to feature highly). And back at her family home, Tabby’s father drops a bombshell that leaves her mother reeling.
The characters are lovely (except the chauvinist David, of course!), Tabby could be a bit ‘ditsy’ at times, but that tended to add to her charm.
I do feel that more could have been done with the time travel aspect, but I think that’s more the science fiction fan in me (and the book would probably have needed to be a lot longer) - no one else reading on the Pigeonhole seemed to have the same opinion! In fact I do realise that the limited sci-Fi element may well make it more appealing to a lot of readers.
I really did enjoy this - a perfect summer read - or a winter read to remind you of the better weather!
Bong Mines Entertainment (15 KP) rated Fantasy by Chloe MK in Music
Sep 2, 2019
chloe mk is a talented singer-songwriter based in New York. Not too long ago, she released a music video for her “David Bowie” single.
“This song, it’s not about being in love but it could be. Or, it could just be about having someone in your life that means so much to you and then losing them and the effect of that. We were like, how does this translate and relate to the digital elements of the EP and to the visual element of this futuristic, but early-2000s aesthetic. With the TV, when I put my hands up to the screen, I’m being like, taken into the digital realm. Then, in the car with all the numbers flying by, I’m just in this car with like, my matrix friends (laughs). It was this teleportation and signifying being stuck inside and being lost in the sauce with technology.” – chloe mk via refinery29
‘David Bowie’ tells an emotional tale of a young woman who struggles to cope with her mental wellbeing after an affectionate breakup with her significant other.
Apparently, she’s losing her mind thinking about all the time she wasted on an individual who isn’t around anymore.
Even though she can’t wait forever for her ex’s return, she still wishes she could feel this person’s warm embrace one last time for old times’ sake.
Nashville native chloe mk initially cut her teeth by playing classic rock in small clubs and bars before making her way on to NBC’s The Voice.
She emerged victorious on the show in 2017, inked a deal with Republic Records, and established herself as an artist to watch.
Her brand navigates what it means to be young in the digital age and the vast range of emotions that come along with it. Also, her music captures the journey towards self-discovery.
‘David Bowie’ is featured on chloe mk’s debut EP, entitled, “Fantasy”.
“This song, it’s not about being in love but it could be. Or, it could just be about having someone in your life that means so much to you and then losing them and the effect of that. We were like, how does this translate and relate to the digital elements of the EP and to the visual element of this futuristic, but early-2000s aesthetic. With the TV, when I put my hands up to the screen, I’m being like, taken into the digital realm. Then, in the car with all the numbers flying by, I’m just in this car with like, my matrix friends (laughs). It was this teleportation and signifying being stuck inside and being lost in the sauce with technology.” – chloe mk via refinery29
‘David Bowie’ tells an emotional tale of a young woman who struggles to cope with her mental wellbeing after an affectionate breakup with her significant other.
Apparently, she’s losing her mind thinking about all the time she wasted on an individual who isn’t around anymore.
Even though she can’t wait forever for her ex’s return, she still wishes she could feel this person’s warm embrace one last time for old times’ sake.
Nashville native chloe mk initially cut her teeth by playing classic rock in small clubs and bars before making her way on to NBC’s The Voice.
She emerged victorious on the show in 2017, inked a deal with Republic Records, and established herself as an artist to watch.
Her brand navigates what it means to be young in the digital age and the vast range of emotions that come along with it. Also, her music captures the journey towards self-discovery.
‘David Bowie’ is featured on chloe mk’s debut EP, entitled, “Fantasy”.
“There is evil in all of us, and it is the mark of a man how he defies the evil within.”
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
The third of David Gemmell's Drenai books, this is also chronologically the first, set (as it is) centuries before the events of Legend.
I think I first read this in the mid-to-late 90s, not that long after discovering Gemmell as an author.
As an early work by Gemmell, this also has several of what-would-become-known-as his trademark: the main character of Waylander himself, for instance (who he would return to twice more in Waylander II and Hero in the Shadows) is not a clean-cut hero (perhaps more of an anti-hero), only rescuing the priest Dardalian (who would go on to have a VERY important impact on the history of the Drenai) at the very start of the novel as the renegades who are torturing that priest have also stolen Waylander's horse.
Full of powerful imagery (Waylander standing alone against the robbers in the dusk with the sun setting behind him for one, not that long after this rescue) and Gemmell's contemplation on the Source, Waylander would become - I feel - second only to Druss amongst his most popular creations.
That's not to say this is perfect: like Legend, the romance between Waylander and Danyal does seemingly come out of nowhere, although Gemmell is (was) getting better at organically growing those relationships compared to his first work.
Ross (3284 KP) rated Good Omens in TV
Jul 4, 2019
Broadly fine
I am a long-time fan of Terry Pratchett, and a more recent fan of Neil Gaiman, and yet it was only the release of the TV series that prompted me to finally read their joint effort. I thought the book was pretty good, lots of nice silly little jokes spread about, and a good plot keeping up momentum throughout.
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
