Search

Search only in certain items:

40x40

Sarah (7798 KP) rated Cube (1997) in Movies

Oct 14, 2019  
Cube (1997)
Cube (1997)
1997 | Horror, Sci-Fi
7
7.6 (31 Ratings)
Movie Rating
A cult classic
I first watched Cube when I was at college, it was a bit of a cult classic at the time and I absolutely loved it. Sadly watching it back now is maybe a tad disappointing.

Plot wise this is a brilliant idea, and a great early example of the type of torture style horror that we're used to from the likes of Saw and Hostel. Some of the CGI is a bit dodgy (not a surprise considering it was made in 1997) but the deaths and traps are still really inventive and well thought out. The story may get a little too deep into Maths later on but it's still a very good idea. The problem with this film is mainly the acting. Aside from David Hewlett (who I can't fault after his turn as McKay in Stargate), there is a lot of very hammy over acting going on in this, notably from the character of Quentin but the others are at fault too. And when paired with a very patchy script- I mean who the hell says "holy cats" - it brings this film down a couple of notches that the plot really doesn't deserve. I loved the ending though, and I do think this is a film worthy of a cult classic.
  
The Laundromat (2019)
The Laundromat (2019)
2019 | Drama
Meryl Streep heads a stellar cast (0 more)
Muddled and disjointed: trying to be as quirky as "The Big Short" and failing (0 more)
Is this the dullest movie title in film history?
In "The Laundromat", Ellen Martin (Meryl Streep) loses her husband Joe (James Cromwell) in a boating accident. She expects a multi-million dollar insurance payout, but is frustrated that the insurance companies evaporate in a miasma of shell-companies and double-dealing. Her compulsive investigations lead her to two Panamanian-based double dealers: Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas).

Based on a true story, a hack of the company's 2.6 TB of email data led to the 2016 scandal known as "The Panama Papers": something that dragged into the headlines the alleged dodgy-dealings of many celebrities including David Cameron.

Positives:
- Meryl Steep delivers another superb performance as the grieving avenging widow.
- There's a "twist" in the final scene which I didn't see coming, and which was impressive.

Negatives:
- This is a really strange and disjointed movie. It seems to be trying to be "The Big Short", but is a significant fail. There are numerous quirky scenes, most involving Oldman and Banderas. But there is enough bat-shit crazy stuff in here to make you think that either Sonderbergh, or the writers, or both were on acid. What was with the "Dawn of Man" sequence at the start? And why the anonymisation of the 'hominids'? Lots of bonkers stuff.
- The movie is made up of a series of chapters ("Lessons"), but the connection between the lesson title and the "message" conveyed is loose at best. It's all a bit of a convoluted mess.
- The script seems to assume a school-boy level of knowledge of the subject matter. As a result, some of the explanations of Mssrs, Oldman and Banderas come across as extremely patronising 'mansplaining'.

Summary Thoughts on "The Laundromat": There's a stellar cast involved with this one, and the subject matter in the hands of an Adam McKay could have been compelling. But as it is, it's rather a disjointed mess. It's worth a watch just to see the actors at work. But that's about the long and the short of it. Watch "The Big Short" again instead.

This has been sitting on my Netflix box for a long time without a watch, and this is mostly because the title suggested something completely different (and not of great interest). (Yes, I understand in retrospect that the movie is partially concerned with money laundering!) It was only my wife suggesting we watch it that pushed it onto the list. If it had been titled something like "The Panama Papers" I would have probably watched it sooner!

(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/18/the-laundromat-is-this-the-worst-title-of-any-movie-in-film-history/. Thanks.)
  
The Laundromat (2019)
The Laundromat (2019)
2019 | Drama
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?

Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.

Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.

While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).

Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.

As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.

Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.

Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.

To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.

Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.

Letter Grade A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)