"David Lean is always known for his big productions. Lawrence of Arabia, The Bridge on the River Kwai . . . But I’m particularly fond of some of his smaller, black-and-white films. And Oliver Twist is an extraordinary piece of work."

"Carol Reed was a brilliant director and a sweet man, but he was not a one-man band like David Lean; he required a strong, patient producer who loved him, as my Uncle Alex did, and a gifted screenwriter, which Alex found for him in the novelist Graham Greene, as well as an art director of genius—my father. He was at his best surrounded by talented people who loved him, who were virtual family, and that shows in his best films, Odd Man Out, The Fallen Idol, and The Third Man. One unusual aspect of Carol’s gifts was that he was among the rare directors good at working with children—go watch The Third Man and you will be astonished at the brilliant inclusion of the ghastly little boy who accuses Holly Martins of murder. Most of the great directors hate working with animals or children, but Carol—himself the illegitimate son of the great Edwardian actor and theatrical producer Sir Herbert Beerbohm Tree—had a natural sympathy and understanding of children. He was in fact childlike himself—hence his choice, later in life, to make a film of the musical Oliver!—and this shows in his direction of Bobby Henrey in this, another of those English films in which good manners manage to hide passion and even murder, except in the alarmingly clear view of a child. Ralph Richardson, dear Ralph, is at his best in the role of the butler."