Search
Search results
Michelle Monoghan recommended Animal Kingdom (2010) in Movies (curated)
Mark @ Carstairs Considers (2204 KP) rated A Simple Murder (Will Rees, #1) in Books
Feb 9, 2020
Simple Time but Complex Murder
It’s 1795, and Will Rees has spent the last few years as a traveling weaver while grieving his wife. He’s left his son and his Maine farm in the care of his sister and her husband, but his most recent trip home leads to the discovery that they’ve been abusing that trust, and his son, David, has run away to a Shaker community over a day’s travel away. Will goes to try to repair their relationship only to find himself involved in a murder. One of the Shaker women has been killed in their community, and the Elders have asked Will to find the killer. His problem, however, is that he is an outsider. Will anyone trust him enough to share the information he needs to solve the case?
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
Darren (1599 KP) rated Alien 3 (1992) in Movies
Jun 20, 2019
Story: How do you follow up two of the best sci-fi films or all time? This struggles to keep up with the atmosphere created in the first two. It offers nothing new to the series either. As a stand-alone film this would struggle to be a good sci-fi thriller. It’s only positive I can think of were a couple of surprise deaths. (5/10)
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/
Movie Metropolis (309 KP) rated Alien: Covenant (2017) in Movies
Jun 11, 2019
Bigger isn't always better
Ridley Scott’s Alien prequel Prometheus wasn’t as warmly received as the veteran director had hoped for upon its release in 2012. In pitching the film for the coveted 12A market, Scott lost the majority of what made his 1979 masterpiece, rated 18, such an epic adventure.
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
So, five years on, Scott returns with a follow-up that aims to answer those irritating questions that Prometheus left us with. But is Alien: Covenant a return to form for the series? Or yet another damp squib?
Bound for a remote planet on the far side of the galaxy, crew members (Katherine Waterston, Billy Crudup, Danny McBride) of the colony ship Covenant discover a distress signal from what they believe to be an uncharted paradise. While there, they meet David (Michael Fassbender), the synthetic survivor of the doomed Prometheus expedition. However, this new mysterious world soon turns dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.
In Covenant, Scott has tried to take the series back to its horror roots. This is a gory and at times difficult film to stomach, but it just isn’t scary. Despite gaining a 15 certification from the BBFC, Covenant feels like Prometheus on steroids – it’s certainly bigger and in many ways better than its predecessor, but it fails to move this ailing franchise in any new direction.
Naturally, character development takes a backseat here, as it does with many films in the genre, but Scott cleverly casts his characters as loving couples, which raises the emotion once the inevitable bloodshed starts to occur.
That cast is most definitely Covenant’s strongest suit. Prometheus had a distinctly unlikeable roster of characters that didn’t gel together. Here, the way they interact is believable and each of the couplings has a degree of chemistry that helps give their deaths some emotional heft.
Katherine Waterston channels Sigourney Weaver to some extent and makes a good leading lady and Danny McBride’s Tennessee is an excellent presence in an against-type performance from the comedian. However, Michael Fassbender’s portrayal of androids Walter and David is exceptional.
To look at, this is by far the best film in the series. Scott has crafted a detailed, haunting world that emits a damp, grey colour palate. The action is expertly shot, but this is to be expected from a director with decades in the industry. Even the Covenant ship itself feels more grounded in reality when compared to the technology of the Prometheus.
Unfortunately, once the remaining crew arrive ‘safely’ back onboard the Mother ship, things start to unravel rapidly. The film takes far too long to land on the uncharted planet meaning that the final act is rushed and this is a real shame considering the middle 45 minutes feature some of the best sequences in the entire series.
It is nice to see our favourite movie extra-terrestrial’s back in the confines of a spaceship, and the CGI used to bring them to life means they move with a fluidity like never before, but there just isn’t enough of it. It needs more Xenomorph.
Elsewhere, Jed Kurzel’s beautiful score lifts the film in its first half, becoming deeply unnerving and claustrophobic in its second. The change in tone is obvious and helps signify the optimism of the crew as they land, compared with the terror as those that remain leave the planet.
Overall, Alien: Covenant improves on Prometheus in the sense that it feels like a true Alien film, rather than a half-baked idea to cash in on the franchise. Unfortunately, a poor final act, a lack of new direction and yet another frustratingly open story means we still may not get the answers we so desperately want until the inevitable sequel arrives in a few years time.
https://moviemetropolis.net/2017/05/12/bigger-isnt-always-better-alien-covenant-review/
Zuky the BookBum (15 KP) rated I am missing in Books
Mar 15, 2018
<b>3.5 stars</b> but Im rounding up to 4 because I liked more than I disliked.
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
My first impression of this book, before I even picked it up was this: oh no. Firstly, Netgalley is pretty useless at telling you when a book is part way through a series, so I didnt initially realise this was the <b>EIGHTH</b> book in a series, secondly this is over 500 pages. I often find mystery thrillers over 400 pages are dragged out and could really be around 300 pages long with some good editing. But I was pleasantly surprised.
This is my first taste of the David Raker series, as mentioned above, but it was so easy going into this one with no background information about him as a character. The book got straight on with the storyline of The Lost Man and didnt dwell too often on his life or characters he had a past with. I think when you get so deep into a series as to have 8 books, the new ones you come out with do need to be as close to a standalone as possible.
As for the 500+ page issue, I do think there could have been some bits cut out to make it a little shorter. There was quite a bit of repetition of what had happened just previously, like at the beginning of a new TV episode where is does a short re-cap. I also found some of the conversation tedious and skimmed them. There was a lot of
<b><i><blockquote>And so then what happened? I asked. He didnt move.
Tell me what happened, I pushed to get an answer, but he kept his head down and didnt say anything.
Are you going to tell me what happened? I wanted to force an answer out of him but I didnt want to rush him. This time he moved slightly to look at me, but still he didnt say anything.</blockquote></b></i>
which, as you can imagine, gets a bit annoying when you come across several conversations like this. Other than these few little issues with the writing, I thought the rest of it was very good and that Weaver is a talented writer!
When it comes to the story, my feelings are really conflicted (Im probably going to put some spoiler tags in my GR review if you want to read something that goes into a little more detail because this is probably going to be vague). What initially drew me to this book was the idea that a man is missing himself he has no memory of where he comes from or of who he is so he hires a PI to find him. What we get from that is a twisty, journey into the history of this mans life and how that led him to be washed up on UK shores.
Admittedly, this is one hell of a ride. Its fast paced and exciting, but its also quite convoluted and towards the end where the big reveals are coming thick and fast, it gets a little ridiculous.
I liked this one but I couldnt quite believe it, and so couldnt get myself into it as much as I would have liked to. It starts off very chilling and intriguing but it gradually gets into lets make this as crazy as we can.
<i>Thanks to Netgalley and Penguin Michael Joseph for giving me the opportunity to read this in exchange for an honest review.</i>
Chris Sawin (602 KP) rated Avatar (2009) in Movies
Jun 20, 2019
Jake Sully (Sam Worthington) is your typical jarhead from the military other than the fact that he doesn't have the use of his legs, but him being in a wheelchair doesn't seem to slow him down at all. Jake is the type of soldier to shoot first and ask questions later while his twin brother was more of the scientific type, but Jake's life takes an unexpected turn when his brother is killed. Jake is asked to step into his brother's shoes, so to speak, and take his spot in the Avatar project. The project requires him to travel to Pandora, a planet that takes nearly six years to get to, and to try to learn the ways of the natives there, the Na'vi.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.
Incredible technology has been developed that enables users to transfer their human essence into the body of a Na'vi avatar that they've raised from a DNA injected fetus and transfer back again. Parker Selfridge (Giovanni Ribisi) runs the project currently taking place on Pandora, who is after a resource known as unobtanium that could be the answer to the energy crisis back on Earth. A sacred tree that acts as the Na'vi's central base rests on top of the largest unobtanium deposits in Pandora. When Jake begins being trusted by the Na'vi race, a deal is made that he'll get his legs back if he can somehow convince the Na'vi people to leave. However, Jake begins to realize how spectacular their world really is, that the Na'vi people are more than just "blue monkeys," and begins to feel like his time in the avatar body is more genuine than when he wakes up. He begins to wonder if he's fighting for the wrong side.
The first feature film from director James Cameron (director of the first two Terminator films, Aliens, and Titanic) in 12 years that promised some of the most groundbreaking special effects to ever hit the screen is finally here. This film's ad campaign has been insane with clips and behind the scenes featurettes showing up online left and right while TV spots were nearly on every major channel. Is there any way a film could live up this kind of hype? The short answer is yes.
Avatar starts off rather slowly with the main human characters and the world of Pandora being introduced to us. Then there's the technology on the human side that needs its fair amount of screen time. Needless to say, it takes a good while for things to really get rolling. Character development is never a bad thing to accomplish early on. It makes it that much easier to establish an emotional connection when things get rough later on, which is exactly what this film does. Plus, when the war finally does happen, it's well worth the wait. Although, the emotional connection didn't seem as strong as it should have been or as strong as previous Cameron films. Once things took a turn for the worst, the emotions were there but it just seemed like it should have had a stronger connection given the duration of the film along with the time, effort, and money put into making this film as great as it is.
The special effects are pretty mind blowing. James Cameron has practically given life to this extravagant world and the marvelous creatures that inhabit it. The majority of the film looks realistic even though nearly every scene relies heavily on CGI. A feat not many CGI-heavy films have been able to pull off and none to the extent that this film has. There's a scene where Jake is attacked by a group of viperwolves and another scene where Jake learns to ride a direhorse that look incredibly genuine. To make something like people with blue skin or a horse that has an anteater head with six legs look real is an accomplishment worth being proud of. The technology used in the film by the humans is pulled off so flawlessly that it seems like it could come to fruition in the real world tomorrow.
Sam Worthington continues his trend of exceptional performances, as well. While Zoey Saldana, Sigourney Weaver, Giovanni Ribisi, and Joel David Moore all have their shining moments, Worthington steals the spotlight and rightfully so since he's the lead. His dry humor and struggle to do what's right are one of the most enjoyable factors in watching the film (other than the special effects, of course). Worthington was really the only redeeming factor of Terminator: Salvation and looks to put in another strong performance in next year's Clash of the Titans.
While the film has superb action sequences (the thanator chase and leonopteryx chase were amazing in IMAX), nearly flawless CGI, and strong performances from the cast, the film still had its flaws. The story is probably the weakest aspect of the film. It's pretty thin and predictable, but that is probably the last thing on the minds of most of the moviegoing audience. With South Park mocking the film last month by calling the film, "Dances With Smurfs," and the film being called, "Dances With Wolves in space," nearly all across the net, the similarities of those two comparisons are certainly there. While the Smurf one is a bit of a stretch, Dances With Wolves in space seems almost accurate as a nutshell review. The nearly three hour duration may also be a factor for some while 3D and IMAX versions of the film may be a problem for those who had problems with a film like Cloverfield. Seeing the film in IMAX, going back for future viewings of the film in 3D and 2D seems like a good idea just to compare since the IMAX version didn't feel like the definitive version. Would it have the same effect in digital 3D showings? What about regular showings? Shelling out $15 when you could spend half of that is something to take into consideration when seeing a film that was sold out nearly its entire opening weekend.
James Cameron's Avatar was well worth the wait and certainly lives up to the hype. Its special effects are certainly the best to be featured in any film to date as these vibrant creatures nearly jump to life because of the effects alone. The performances are top notch and the action sequences certainly live up to James Cameron's reputation. Despite all this, the emotional connection between the audience and the characters didn't seem quite as strong as some of the other films this year. Up, Where the Wild Things Are, and even Moon were able to establish a stronger connection. So while the film is exceptional, it isn’t the best film of 2009 which is probably a shock to some.