According to Yes
8.0
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Dawn French, number one bestselling author of A Tiny Bit Marvellous and Oh Dear Silvia, returns with...
The Winter Ghosts
7.3
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In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie...
Mend the Living
Maylis de Kerangal and Jessica Moore
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Shortlisted for the Wellcome Book Prize 2017. Longlisted for the Man Booker International Prize...
Oyster: A Gastronomic History
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Drew Smith's Oyster: A Gastronomic History offers readers a global view of the oyster, tracing its...
Heather Cranmer (2721 KP) rated Oh Dear Silvia in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I love Dawn French! I think she is such a funny woman!! I was so happy to have won a copy of her fiction book entitled Oh Dear Silvia from Goodreads. However, once I started reading the book, it became apparent that I wasn't going to enjoy it.
Silvia is in a coma after falling from a balcony and hitting her head. Throughout her time in hospital, she is visited by family, her best friend, her ex-husband, her nurse, and her cleaner. Each has their own story to tell however odd it may be. Throughout this book, we will find out about who Silvia is.
The title of this book really works. After reading the book, I would say it definitely fits well with the story.
The cover of this book is quite bland. The tree on the cover of the book does have significance, but it's just rather boring. It wouldn't entice me to pick up this book to see what it's about. Surely, the cover could've been a bit more decorative.
The setting takes place mostly in suite 5 which is Silvia's room in hospital. The world building is alright. The memories of each visitor help set the story.
I found the pacing of Oh Dear Silvia to be extremely and painfully slow. At some points, I found myself skim reading the especially boring parts. I couldn't wait for this book to be over. There's not even one bit in this book where the pacing picks up. There's no real plot in this book, so there's definitely no plot twists. The pacing definitely lets this book down.
The dialogue is comedic at times which I found to be a small reprieve from the slowness of this book. Ed's dialogue really bored me.
The characters are well-developed which I found to be a relief. Each chapter of the book is told by someone who knows Silvia. The main characters that have their own chapters being Ed, Cat, Jo, Cassie, Winnie, and Tia. Ed is by far the most boring character that could ever be in a book. All he mostly talks about is his boring trees. Whilst I did find him to be a well-developed character, I found him extremely dull and found myself wishing that he'd just stop talking. Winnie and Tia were my favourite characters. Winnie has a big heart, and it really comes across in this book. Tia is from Indonesia so has a hard time pronouncing Silvia's surname which always made me laugh!! I found Tia and Jo to be the characters that brought the humour, and they delivered! Cat is the high strung character, and Cassie is the angry daughter. Each character has a unique personality. Well done to Dawn French for making each character unique! Through each of the characters' stories, we learn more and more about Silvia.
Even with the strong character personalities and comedic timing, this book still fell flat. I felt that this book was missing a plot. Oh Dear Silvia comes across more as a memoir about Silvia then anything else.
I wouldn't recommend this book to anyone except those who need help falling asleep. Dawn French is great, but this book just didn't do it for me.
Bonkers: My Life in Laughs
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Medicine Non-fiction
18th century Paris was a place of great uncertainty - and this book has echoes of Dickensian London. It’s so much more than that though. Not only do we get some wonderful descriptions of the sights, sounds and smells of Paris at the time, we also get to look at Edward Carey’s beautiful pictures. I say beautiful, they’re pictures that portray people in their sometimes beautiful ugliness (that’s a thing, right?).
The life that Little lives! I hadn’t known any of the background of Madame Tussaud, and to be honest, with the way her formative years went, I’m astonished that she survived to old age. The Paris of the French Revolution was a dangerous place, and Little had come to know some dangerous people.
I don’t want to say anything else. It would be a shame for me to reveal any of the (what were to me) big surprises. This is a startling, moving, frustrating, emotional, bizarre, glorious journey through the French years of Madame Tussaud’s life. It was recommended to me by book blogger @yearsofreading, and I’m so glad I listened to her. Now I recommend that if you haven’t read this book, and you’ve read my review this far, go out and read it. You won’t regret it!
David McK (3191 KP) rated Death on the Nile (2022) in Movies
Apr 10, 2022
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.