Search
Search results
Nadya R (9 KP) rated The Nightingale in Books
Jul 2, 2018
I am speechless. I finished the book 15 minutes ago, but I am still staring in the wall and tears are falling down my cheeks. It’s been a while since I’ve been that touched by a book. This story and this two sisters turn upside down the idea of the women’s role in WWII.
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Gareth von Kallenbach (980 KP) rated Fighting with My Family (2019) in Movies
Jul 2, 2019
Wrestling sure has changed since its heyday back in the 80’s. Believe it or not, back in those days there were many people who believed it was real, the wrestlers themselves would use razor blades to cut their faces to further the illusion. Big names like Andre’ the Giant, Sargent Slaughter and Hulk Hogan dominated the scenes and Hulkamania was all the rage. Wrestling these days still has characters larger than life who wage good versus evil battles against one another. Although now the focus is not only on what happens in the ring, but the characters and personas that present themselves outside the ring. Fighting with My Family, written and directed by Stephen Merchant (writer for The Office and Extras), takes us on a young woman’s rise from a family wrestling league to one of the youngest female stars to be featured in WWE.
Saraya “Paige” Bevis (Florence Pugh) alongside her brother Zak “Zodiac” Bevis (Jack Lowden) and parents (Nick Frost / Lena Headey) are a family run wrestling team. Trying to make a name for themselves they run a small gym in Norwich, England. Training up-and-coming wrestlers and putting on shows for the locals in hopes of a shot at the big time. One fateful evening, while Zak’s far more conservative girlfriend and her parents are over for dinner, a call comes from the WWE that will change both of their lives.
Saraya and Zak are offered an opportunity to compete against others for a chance to join similar hopefuls in Florida for a chance to be the next big thing. As one would expect, the competition is fierce and at the end of the day, only Saraya is chosen for a chance to go to America. The choice to take her and not her brother results in a sibling rivalry that neither would have anticipated when they were both trying out. Ultimately Saraya must choose to go forward with her dream or stay with her family, and while the choice is not easy, there wouldn’t be much of a film if she chose to stay. So, begins Saraya’s journey to show that she has not only the skills and strength, but the heart to succeed.
Fighting with My Family is a movie that has a tremendous amount of heart even if there is little interest in its source material. While it certainly does focus on wrestling as the key component, it could have easily been replaced with any other sport and had the same heart-warming success. This is not a movie only about the wild world of professional wrestling, but about one woman who must overcome her own self-doubts and insecurities to succeed. It’s a film about not only believing in yourself (even when others do not) but pushing yourself to follow your dreams no matter how difficult the road to achieving them turns out to be. The film reminds us that we should not simply take everything at face value, and that sometimes judging a book by it’s cover can prevent us from the magic that is held in the pages underneath.
The superior cast connects with the viewers on many levels. Whether its Jack Lowden’s portrayal of a man who worked hard only to fall short of his dreams, to Florence Pugh’s portrayal of Paige, a woman who constantly struggles with her choice and whether wrestling is her dream or simply the dream her parents pushed upon her. As always Vince Vaughn does an outstanding job delivering not only on the comedic aspects of the film, but also when tasked at delivering a more serious tone. This is a movie that will have you cheering for each character, and even applauding throughout.
Even though wrestling was a huge part of growing up, spanning everything from action figures to video games, I’ve never considered myself to be a wrestling fan. For those of you who are instantly looking to forego this movie because of the wrestling content, I’d ask you to reconsider. Fighting with My Family is so much more than simply a “wrestling movie”, and while it likely won’t convert you into being a die hard wrestling fan at the end, you might just be surprised at how much you take away from it when you leave the theater. You’ll laugh, you’ll cry, you’ll cheer (at least that’s what all the viewers did at the screening I attended) and can you really say that about many movies these days?
Saraya “Paige” Bevis (Florence Pugh) alongside her brother Zak “Zodiac” Bevis (Jack Lowden) and parents (Nick Frost / Lena Headey) are a family run wrestling team. Trying to make a name for themselves they run a small gym in Norwich, England. Training up-and-coming wrestlers and putting on shows for the locals in hopes of a shot at the big time. One fateful evening, while Zak’s far more conservative girlfriend and her parents are over for dinner, a call comes from the WWE that will change both of their lives.
Saraya and Zak are offered an opportunity to compete against others for a chance to join similar hopefuls in Florida for a chance to be the next big thing. As one would expect, the competition is fierce and at the end of the day, only Saraya is chosen for a chance to go to America. The choice to take her and not her brother results in a sibling rivalry that neither would have anticipated when they were both trying out. Ultimately Saraya must choose to go forward with her dream or stay with her family, and while the choice is not easy, there wouldn’t be much of a film if she chose to stay. So, begins Saraya’s journey to show that she has not only the skills and strength, but the heart to succeed.
Fighting with My Family is a movie that has a tremendous amount of heart even if there is little interest in its source material. While it certainly does focus on wrestling as the key component, it could have easily been replaced with any other sport and had the same heart-warming success. This is not a movie only about the wild world of professional wrestling, but about one woman who must overcome her own self-doubts and insecurities to succeed. It’s a film about not only believing in yourself (even when others do not) but pushing yourself to follow your dreams no matter how difficult the road to achieving them turns out to be. The film reminds us that we should not simply take everything at face value, and that sometimes judging a book by it’s cover can prevent us from the magic that is held in the pages underneath.
The superior cast connects with the viewers on many levels. Whether its Jack Lowden’s portrayal of a man who worked hard only to fall short of his dreams, to Florence Pugh’s portrayal of Paige, a woman who constantly struggles with her choice and whether wrestling is her dream or simply the dream her parents pushed upon her. As always Vince Vaughn does an outstanding job delivering not only on the comedic aspects of the film, but also when tasked at delivering a more serious tone. This is a movie that will have you cheering for each character, and even applauding throughout.
Even though wrestling was a huge part of growing up, spanning everything from action figures to video games, I’ve never considered myself to be a wrestling fan. For those of you who are instantly looking to forego this movie because of the wrestling content, I’d ask you to reconsider. Fighting with My Family is so much more than simply a “wrestling movie”, and while it likely won’t convert you into being a die hard wrestling fan at the end, you might just be surprised at how much you take away from it when you leave the theater. You’ll laugh, you’ll cry, you’ll cheer (at least that’s what all the viewers did at the screening I attended) and can you really say that about many movies these days?
Aunt Flo Period Tracker: Simple Menstrual Calendar
Health & Fitness and Lifestyle
App
The Aunt Flo Period Tracker is bold, honest, and humorous! Aunt Flo says what women really think...
Whatchareadin (174 KP) rated The Girl He Used to Know in Books
Jun 21, 2019
Annika Rose is a beautiful woman living in downtown Chicago. She is 32 years old and she is pretty happy with her life. When she is reunited with Jonathan, her first boyfriend who had disappeared from her life 10 years ago, her world is turned upside down. She has grown so much since the last time she saw Jonathan, but she still has feelings for him. When they decide to give things another try, Annika and Jonathan learn more about themselves and each other than ever before. Will love win this time, and is Annika really different from the girl he used to know.
Thank you to St. Martin's Press and Heros & Heartbreakers for the opportunity to read and review this book.
I've said it many times on my social media while reading this book, that I devoured it. This book grabs you right from the start and draws you in for the long haul. Full of things that will make you laugh, make you cry and even make you gasp. Once I started reading this book I couldn't put it down. I had to find out what was going to happen.
In the story you find out that Annika is a little quirky and that is because she is on the Autism Spectrum. I could really relate to this part of the story, since I have a child on the spectrum myself. There are some people who will accept the quirky habits and learn more about the person and there are others who are cruel and who just won't understand.
The story starts when Jonathan runs into Annika after 10 years in the grocery store. The story flashes back and forth from current day, which is 2001 in the book, to 10 years previously when Jonathan and Annika first met and the development of their relationship. I think this is a book everyone will enjoy.
Thank you to St. Martin's Press and Heros & Heartbreakers for the opportunity to read and review this book.
I've said it many times on my social media while reading this book, that I devoured it. This book grabs you right from the start and draws you in for the long haul. Full of things that will make you laugh, make you cry and even make you gasp. Once I started reading this book I couldn't put it down. I had to find out what was going to happen.
In the story you find out that Annika is a little quirky and that is because she is on the Autism Spectrum. I could really relate to this part of the story, since I have a child on the spectrum myself. There are some people who will accept the quirky habits and learn more about the person and there are others who are cruel and who just won't understand.
The story starts when Jonathan runs into Annika after 10 years in the grocery store. The story flashes back and forth from current day, which is 2001 in the book, to 10 years previously when Jonathan and Annika first met and the development of their relationship. I think this is a book everyone will enjoy.
Forever This Time (Heartbreaker #1)
7.0
Rate It
Book
The perfect woman.The perfect wife. As a celebrity, everyone believes that Shay Gardener’s life...
Contemporary Romance Series
This is both a very unique and fairly faithful retelling of the classic Beauty and the Beast fairytale. Hunted takes place in Russia and our main character Yeva (Beauty) is a huntress. She is headstrong, kind, caring, has a bit of a temper and can be vengeful - but overall I quite liked her character.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Bob Mann (459 KP) rated Murder on the Orient Express (2017) in Movies
Sep 29, 2021
You’ll never guess who dunnit…
There’s a big problem with Kenneth Branagh’s 2017 filming of the Hercule Poirot-based murder mystery…. and that’s the 1974 Sidney Lumet classic featuring Albert Finney in the starring role. For that film was so memorable – at least, the “who” of the “whodunnit” (no spoilers here) was so memorable – that any remake is likely to be tarnished by that knowledge. If you go into this film blissfully unaware of the plot, you are a lucky man/woman. For this is a classic Agatha Christie yarn.
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
The irascible, borderline OCD, but undeniably great Belgian detective, Poirot, is dragged around the world by grateful police forces to help solve unsolvable crimes. After solving a case in Jerusalem, Poirot is called back to the UK with his mode of transport being the famous Orient Express. Trapped in the mountains by an avalanche, a murder is committed and with multiple suspects and a plethora of clues it is up to Poirot to solve the case.
Branagh enjoys himself enormously as Poirot, sporting the most distractingly magnificent facial hair since Daniel Day-Lewis in “The Gangs of New York”. The moustache must have had its own trailer and make-up team!
Above all, the film is glorious to look at, featuring a rich and exotic colour palette that is reminiscent of the early colour films of the 40’s. Cinematography was by Haris Zambarloukos (“Mamma Mia” and who also collaborated with Branagh on “Thor) with lots of innovative “ceiling down” shots and artful point-of-view takes that might be annoying to some but which I consider as deserving of Oscar/BAFTA nominations.
The pictures are accompanied by a lush score by Patrick Doyle (who also scored Branagh’s “Thor”). Hats off also to the special effects crew, who made the alpine bridge scenes look decidedly more alpine than where they were actually filmed (on a specially made bridge in the Surrey Hills!).
All these technical elements combine to make the film’s early stages look and feel truly epic.
And the cast… what a cast! Dame Judi Dench (“Victoria and Abdul“); Olivia Coleman (“The Lobster“); Johnny Depp (“Black Mass“); Daisy Ridley (“Star Wars: The Force Awakens“); Penélope Cruz (“Zoolander 2“); Josh Gad (Olaf!); Derek Jacobi (“I, Claudius”); Willem Dafoe (“The Great Wall“) and Michelle Pfeiffer (“mother!“). A real case again of an “oh, it’s you” film again at the cinema – when’s the last time we saw that?
It’s also great to see young Lucy Boynton, so magnificent in last year’s excellent “Sing Street“, getting an A-list role as the twitchy and disturbed countess.
With all these ingredients in the pot, it should be great, right? Unfortunately, in my view, no, not quite. The film’s opening momentum is really not maintained by the screenplay by Michael Green (“Blade Runner 2049“; “Logan“). At heart, it’s a fairly static and “stagey” piece at best, set as it is on the rather claustrophobic train (just three carriages… on the Orient Express… really?). But the tale is made even more static by the train’s derailment in the snow. Branagh and Green try to sex up the action where they can, but there are lengthy passages of fairly repetitive dialogue. One encounter in particular between Branagh and Depp seems to last interminably: you wonder if the problem was that the director wasn’t always looking on to yell “Cut”!
All this leads to the “revelation” of the murderer as being a bit of an anticlimactic “thank heavens for that” rather than the gasping denouement it should have been. (Perhaps this would be different if you didn’t know the twist).
However, these reservations aside, it’s an enjoyable night out at the flicks, although a bit of a disappointment from the level of expectation I had for it. I can’t be too grumpy about it, given it’s a return to good old-fashioned yarn-spinning at the cinema, with great visuals and an epic cast. And that has to be good news.
For sure, Branagh does make for an amusing and engaging Poirot, even if his dialogue did need some ‘tuning in’ to. There was a suggestion at the end of the film that we might be seeing his return in “Death on the Nile” – the most lush and decorous of Peter Ustinov’s outings – which I would certainly welcome. He will have to find another 10 A-list stars though to decorate the boat, which will be a challenge for casting!
Gareth von Kallenbach (980 KP) rated Brick Mansions (2014) in Movies
Aug 6, 2019
3 weeks ago, I had never heard of this movie. I happened upon the commercial as I was watching TV
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
Louise (64 KP) rated A Thousand Nights in Books
Jul 2, 2018
I received a copy of this book from NetGalley in exchange for my honest review.
Lo – Melkhiin is the king of the desert and has had 300 wives that have lived for no longer than a month – he has a reputation and all girls and women that are at a marriageable age are worried they will be the next one. No one is safe! No one knows what happens to these women and how they see their death it just happens.
The king now roams the villages for a new wife, a nameless young woman beautifies herself so that the king chooses her over her sister and the other women in her village and other towns across the desert.
Our nameless heroine is determined to live for more than a day, with her fearless courage and bravery she tells the king stories of the love she has for her family and the way of life.
First of all the cover for this book is beautiful, with a purple ribbon which is referenced in the story. It is one of the most beautiful books that I own.
So to the actual story itself, I have not read the original version of A thousand and one nights so unfortunately I cannot compare. The book is set in the desert, which you get a feel for but I don’t think it’s described at it’s best. In this book the female protagonist doesn’t have a name, actually pretty much everyone has no name apart from 3 people who included Lo-Melkhiin himself, which is annoying, I like to be able to have a name and then I can imagine what they look like.
The female protagonist is brave, courageous, stong and wise despite her upbringing, her and her sister have this indestructible bond between them, even though they are half sisters they are like twins and do anything for one another without question… its unconditional love.
Unfortunately I didn’t feel any connection with the characters in this book, it could be that they had no names or personalities whatsoever! It lacked in character development.
There wasn’t any romance in this book at all so if you’re not really a fan of lovey dovey this is the book for you. There wasn’t much action apart from the last 20 pages or so, if you’re expecting wars and fighting it’s not going to happen
The names that were used to describe her stepmum so to speak and grandfather was tiresome e.g. my sisters mother and my fathers fathers father got really annoying, I was literally rolling my eyes every time I read it (enough already) It took the enjoyment out of reading it for me, even if it is the way they speak.
I haven’t read a persian story folklore book before, so it was a new experience, the writing is very beautiful and the relationship with the sisters is done well. This was an enjoyable read but could have been done better.
I rated this 3.5 out of 5 stars
Lo – Melkhiin is the king of the desert and has had 300 wives that have lived for no longer than a month – he has a reputation and all girls and women that are at a marriageable age are worried they will be the next one. No one is safe! No one knows what happens to these women and how they see their death it just happens.
The king now roams the villages for a new wife, a nameless young woman beautifies herself so that the king chooses her over her sister and the other women in her village and other towns across the desert.
Our nameless heroine is determined to live for more than a day, with her fearless courage and bravery she tells the king stories of the love she has for her family and the way of life.
First of all the cover for this book is beautiful, with a purple ribbon which is referenced in the story. It is one of the most beautiful books that I own.
So to the actual story itself, I have not read the original version of A thousand and one nights so unfortunately I cannot compare. The book is set in the desert, which you get a feel for but I don’t think it’s described at it’s best. In this book the female protagonist doesn’t have a name, actually pretty much everyone has no name apart from 3 people who included Lo-Melkhiin himself, which is annoying, I like to be able to have a name and then I can imagine what they look like.
The female protagonist is brave, courageous, stong and wise despite her upbringing, her and her sister have this indestructible bond between them, even though they are half sisters they are like twins and do anything for one another without question… its unconditional love.
Unfortunately I didn’t feel any connection with the characters in this book, it could be that they had no names or personalities whatsoever! It lacked in character development.
There wasn’t any romance in this book at all so if you’re not really a fan of lovey dovey this is the book for you. There wasn’t much action apart from the last 20 pages or so, if you’re expecting wars and fighting it’s not going to happen
The names that were used to describe her stepmum so to speak and grandfather was tiresome e.g. my sisters mother and my fathers fathers father got really annoying, I was literally rolling my eyes every time I read it (enough already) It took the enjoyment out of reading it for me, even if it is the way they speak.
I haven’t read a persian story folklore book before, so it was a new experience, the writing is very beautiful and the relationship with the sisters is done well. This was an enjoyable read but could have been done better.
I rated this 3.5 out of 5 stars
