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KatieLouCreate (162 KP) rated Pushing Daisies - Season 1 in TV
Jan 9, 2018
Favourite TV Series
This has to be one of my all time favourite television series. The story follows Ned, a man who can bring the dead back to life. But only for a minute. Any longer and something else has to die in their place. If he touches thelay person/thing again, they will die again. Forever.
This is all well for the private investigator, Emerson Cod who accidently discovered Ned's abilities. The two of them solve crime and split the earnings between them.
However, one day Emerson and Ned are given the task to find out who murdered a woman on a cruise. The women just so happens to be Ned's childhood sweetheart Charlotte Charles. Can he keep her alive for only a minute? Or will he succumb to his selfish want of needed company and love.
The series appears to be light hearted and playful. However, this contrasts with the darkness of what is actually happening. Two men solving murder mysteries.
It is humorous and playful, often using metaphors and quirky language in the characters dialogue. Overall, it is a refreshing watch compared to other television series. I highly reccomend if you like lighthearted romance, murder mysteries with laugh out loud humour.
This is all well for the private investigator, Emerson Cod who accidently discovered Ned's abilities. The two of them solve crime and split the earnings between them.
However, one day Emerson and Ned are given the task to find out who murdered a woman on a cruise. The women just so happens to be Ned's childhood sweetheart Charlotte Charles. Can he keep her alive for only a minute? Or will he succumb to his selfish want of needed company and love.
The series appears to be light hearted and playful. However, this contrasts with the darkness of what is actually happening. Two men solving murder mysteries.
It is humorous and playful, often using metaphors and quirky language in the characters dialogue. Overall, it is a refreshing watch compared to other television series. I highly reccomend if you like lighthearted romance, murder mysteries with laugh out loud humour.
TB
The Beauty of Us: A Fusion Novel
Book
New York Times bestselling author Kristen Proby delivers another sizzling novel in her delectable...
ClareR (5726 KP) rated Two Women in Rome in Books
Jun 15, 2021
Two Women in Rome is a truly captivating story set in two time periods. In the present day, Lottie is an archivist working in Rome who comes across a painting once owned by an English woman called Nina who died in the late 1970’s. The painting appears to be valuable, painted in the fifteenth century.
Lottie also finds Nina’s journal in her personal effects, and the more of it she reads, the more she wants to find out about her life.
I loved the details about Rome in both timelines - I’ve visited Rome and loved it. The strong female characters were also a big plus point for me. Lottie is a head archivist, she really knows what she’s doing and is confident in her abilities. Nina is also an assertive woman - she is often in new situations that many would find themselves floundering in (Ok, that sounds really vague, but I don’t want to give anything away!)
This is a book about secrets: about keeping them, and what happens when they are revealed - both good and bad. This isn’t a book that goes fast and hard in its revelations. Quite opposite in fact, and probably why I liked it so much. I love a well told story, and I really felt that I knew the women in this because of that feeling of not being rushed through the story.
There’s a fair amount of Italian politics in this, some of which I had never known about, so that was another plus point. I hadn’t realised that Italy had had quite such a tumultuous political life for so long after World War Two. The novel has a great mix of themes, actually: secrets, history, politics, life in Rome, betrayal, guilt. I think I’m becoming a bit of an Elizabeth Buchan fan because I really enjoyed her last book The Museum of Broken Promises, as well. Both books are set in Europe, with the aftereffects of great political upheavals, ostensibly going back to World War Two. This book is well worth reading - I’d definitely recommend it.
Many thanks to The Pigeonhole and NetGalley for my copy of this book.
Lottie also finds Nina’s journal in her personal effects, and the more of it she reads, the more she wants to find out about her life.
I loved the details about Rome in both timelines - I’ve visited Rome and loved it. The strong female characters were also a big plus point for me. Lottie is a head archivist, she really knows what she’s doing and is confident in her abilities. Nina is also an assertive woman - she is often in new situations that many would find themselves floundering in (Ok, that sounds really vague, but I don’t want to give anything away!)
This is a book about secrets: about keeping them, and what happens when they are revealed - both good and bad. This isn’t a book that goes fast and hard in its revelations. Quite opposite in fact, and probably why I liked it so much. I love a well told story, and I really felt that I knew the women in this because of that feeling of not being rushed through the story.
There’s a fair amount of Italian politics in this, some of which I had never known about, so that was another plus point. I hadn’t realised that Italy had had quite such a tumultuous political life for so long after World War Two. The novel has a great mix of themes, actually: secrets, history, politics, life in Rome, betrayal, guilt. I think I’m becoming a bit of an Elizabeth Buchan fan because I really enjoyed her last book The Museum of Broken Promises, as well. Both books are set in Europe, with the aftereffects of great political upheavals, ostensibly going back to World War Two. This book is well worth reading - I’d definitely recommend it.
Many thanks to The Pigeonhole and NetGalley for my copy of this book.
ClareR (5726 KP) rated The Dream Weavers in Books
Apr 25, 2021
The Dream Weavers is an historical fiction novel, with one foot in Saxon Mercia and the other in modern day Hereford. There’s a touch of the supernatural as well - all the better to see the past with. And I loved reading it.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
Mark @ Carstairs Considers (2204 KP) rated Around the World in 80 Days in Books
Apr 11, 2022
The Original Race Around the World
Phileas Fogg, a wealthy gentleman of the 1870’s, is a man of exacting routine until one day, when he makes a wager with some acquaintances at his club. With his bet that he can travel around the world in 80 days, he is off, shocking his new man servant, Passepartout, who was looking for a quiet job. Things get even trickier when they catch the attention of Detective Fix, who thinks Fogg might be the bank robber everyone is on the alert for. Will Fogg win his bet?
I’d heard about this book for years and was finally inspired to read it. I found it mixed, at least to what I am used to these days. The journey itself is uneven, with some areas more prominently featured than others, like the time spent in America. My biggest problem was the characters, who are paper thin. As a result, it took me a while to really get invested. Unfortunately, the thinnest of the lot is the sole woman in the book. There are a couple of complications that today’s readers will view as dated stereotypes, but they were real issues the world was dealing with at the time (or at least one of them was something that happened consistently, unfortunately). I did get caught up in the story at times, and I appreciated how the climax was set up early on. I’m glad I’ve finally read it, but the end result was only average.
I’d heard about this book for years and was finally inspired to read it. I found it mixed, at least to what I am used to these days. The journey itself is uneven, with some areas more prominently featured than others, like the time spent in America. My biggest problem was the characters, who are paper thin. As a result, it took me a while to really get invested. Unfortunately, the thinnest of the lot is the sole woman in the book. There are a couple of complications that today’s readers will view as dated stereotypes, but they were real issues the world was dealing with at the time (or at least one of them was something that happened consistently, unfortunately). I did get caught up in the story at times, and I appreciated how the climax was set up early on. I’m glad I’ve finally read it, but the end result was only average.
Fully Involved
Book
Katie Garrett is madly in love with her dashing firefighter husband, Andy. When he is diagnosed with...
Contemporary Romance
Heather Cranmer (2721 KP) created a post
Mar 4, 2022
That Thing You Do with Your Mouth: The Sexual Autobiography of Samantha Matthews as Told to David Shields
Book
In That Thing You Do With Your Mouth, actress and voice-over artist Samantha Matthews offers--in the...
Lee (2222 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 25, 2019 (Updated Oct 27, 2019)
A worthy successor to Judgement Day
Terminator: Dark Fate is the sixth movie in a franchise which has now been around for 35 years. The first sequel, Judgement Day back in 1991, is widely regarded by many as one of the greatest movie sequels of all time and for me it still holds up as an incredible piece of movie entertainment to this day. Since then, the following sequels have all failed to live up to that high standard in my opinion and, despite some interesting ideas and execution, have been largely forgettable. For one thing, I don’t even remember if I’ve actually seen 2015 movie Genisys or not! Now though, with James Cameron back onboard with writing/producing duties and directed by Deadpool director Tim Miller, Dark Fate has been pitched as the natural successor to Judgement Day that we never got. The trailer certainly gave off that impression and, for the first time in years, I was actually excited about seeing a Terminator movie again.
Dark Fate gets its shock twist out of the way right off the bat, before launching into approximately 20 minutes of non-stop, heart pounding action as we are introduced to both the new Terminator and the protector sent from the future to try and prevent him. Straight away, Dark Fate certainly feels like the kind of Terminator movie we love, playing more like an homage at times in a similar way to how Star Wars: The Force Awakens felt like A New Hope. Wow, it's a promising start!
Our protector this time round is Grace (Mackenzie Davis), a human soldier who has received some cybernetic enhancements to her body. She has been sent back from an alternate future to the one portrayed in Judgement Day - that future is now dead, thanks to the efforts of Sarah and John Connor in that movie, along with Arnold Schwarzenegger's T-800. However, humans clearly can't stop meddling with AI technology and the result, some 40 years from now, is the birth of 'Legion'. Our world has subsequently been destroyed, humans are being hunted and killed, but the remaining survivors are fighting back hard.
Those survivors have sent Grace back to protect a young, unsuspecting Mexican woman named Dani (Natalia Reyes), a factory worker whose job is becoming redundant thanks to the introduction of robot automation(!). Her importance to the future of humanity isn't immediately made clear, but the fact that war is currently raging around her while she is both hunted and protected, is good enough reason for now. The Terminator hunter Dani is being chased by is a Rev 9 (played by Gabriel Luna), similar to the T1000 of Judgement Day in that it has a liquid skin, able to replicate any human it comes into contact with or transform its body into various sharp weapons. But also, with the added bonus of being able to separate that liquid skin from its metal endoskeleton, doubling down on the threat level and providing two very different Terminators to fight off at the same time.
But when all seems lost, a guardian angel in the form of Sarah Connors arrives on the scene, packing guns, rocket launchers and grenades and generally being a real badass. Turns out Sarah has spent the last twenty years or so hunting down any cyborgs that decide to venture into our time from the future and she joins forces with Grace in order to protect Dani at all costs. It's great to have Linda Hamilton back as Sarah Connor, and she is once again a strong and effective presence in the movie. Grace and Dani prove to be just as tough as Sarah though, both mentally and physically, but it's Mackenzie Davis that stands out for me as being particularly impressive. All 3 of them form a pretty formidable, badass trio as they go on the run to get as far away from the Terminator as possible.
It's no secret if you've seen the trailers that Arnie is back, and his arrival later in the movie introduces yet more nostalgia and a good injection of humour. His presence and purpose is explained well, feeling believable, not like a cheap cash-in, and it's great to have Arnie and Linda Hamilton back together as a team, even if it feel like a handing over of the baton to a new bunch of heroes.
The action builds to an impressive finale, continuing the homage to the original movies, but still managing to feel fresh and original, and for me Dark Fate definitely feels a worthy successor to Judgement Day. There's certainly a possibility of further sequels following this and while I had an absolute blast with this movie, part of me hopes that they'll leave well alone now and just end the series on a real high.
Dark Fate gets its shock twist out of the way right off the bat, before launching into approximately 20 minutes of non-stop, heart pounding action as we are introduced to both the new Terminator and the protector sent from the future to try and prevent him. Straight away, Dark Fate certainly feels like the kind of Terminator movie we love, playing more like an homage at times in a similar way to how Star Wars: The Force Awakens felt like A New Hope. Wow, it's a promising start!
Our protector this time round is Grace (Mackenzie Davis), a human soldier who has received some cybernetic enhancements to her body. She has been sent back from an alternate future to the one portrayed in Judgement Day - that future is now dead, thanks to the efforts of Sarah and John Connor in that movie, along with Arnold Schwarzenegger's T-800. However, humans clearly can't stop meddling with AI technology and the result, some 40 years from now, is the birth of 'Legion'. Our world has subsequently been destroyed, humans are being hunted and killed, but the remaining survivors are fighting back hard.
Those survivors have sent Grace back to protect a young, unsuspecting Mexican woman named Dani (Natalia Reyes), a factory worker whose job is becoming redundant thanks to the introduction of robot automation(!). Her importance to the future of humanity isn't immediately made clear, but the fact that war is currently raging around her while she is both hunted and protected, is good enough reason for now. The Terminator hunter Dani is being chased by is a Rev 9 (played by Gabriel Luna), similar to the T1000 of Judgement Day in that it has a liquid skin, able to replicate any human it comes into contact with or transform its body into various sharp weapons. But also, with the added bonus of being able to separate that liquid skin from its metal endoskeleton, doubling down on the threat level and providing two very different Terminators to fight off at the same time.
But when all seems lost, a guardian angel in the form of Sarah Connors arrives on the scene, packing guns, rocket launchers and grenades and generally being a real badass. Turns out Sarah has spent the last twenty years or so hunting down any cyborgs that decide to venture into our time from the future and she joins forces with Grace in order to protect Dani at all costs. It's great to have Linda Hamilton back as Sarah Connor, and she is once again a strong and effective presence in the movie. Grace and Dani prove to be just as tough as Sarah though, both mentally and physically, but it's Mackenzie Davis that stands out for me as being particularly impressive. All 3 of them form a pretty formidable, badass trio as they go on the run to get as far away from the Terminator as possible.
It's no secret if you've seen the trailers that Arnie is back, and his arrival later in the movie introduces yet more nostalgia and a good injection of humour. His presence and purpose is explained well, feeling believable, not like a cheap cash-in, and it's great to have Arnie and Linda Hamilton back together as a team, even if it feel like a handing over of the baton to a new bunch of heroes.
The action builds to an impressive finale, continuing the homage to the original movies, but still managing to feel fresh and original, and for me Dark Fate definitely feels a worthy successor to Judgement Day. There's certainly a possibility of further sequels following this and while I had an absolute blast with this movie, part of me hopes that they'll leave well alone now and just end the series on a real high.