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Ivana A. | Diary of Difference (1171 KP) rated The Half Sister in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for The Half Sister by Sandie Jones. Thank you to the team at Pan Macmillan, for sending me a copy in exchange for an honest review.
About The Author:
I have heard a lot about Sandie Jones, but I haven’t read any books by her prior to The Half Sister. Sandie Jones has worked as a freelance journalist for over twenty years, and has written for publications including the Sunday Times, Woman’s Weekly and the Daily Mail. She lives in London with her husband and three children. The Other Woman is her debut novel.
Synopsis:
I need to mention that the original synopsis of the book may be a bit misleading. Lauren and Kate are two sisters, but they don’t get along too well and their relationship is complicated.
Kate is a reporter, married to lovely Mark, and going through many rounds of IVF treatment, hoping to start a family. Kate had a very close relationship with her father until the day he died, but was never too close to her sister Lauren and their mother, Rose.
Lauren, on the other hand, is a full time mom of three, with a demanding and overprotective husband. She is very close to her mum, and had a complicated relationship with her father, never forgiving him for understanding her in the past.
One day, while Kate, Lauren and their mum are having their usual Sunday roast, a woman knocks on their door and drops a bombshell. Jess claims to be their half-sister.
This allegation is met with denial - how could she be a secret daughter of their father. Their mother is devastated, Lauren is not surprised, and Kate doesn’t believe Jess at all. But as more secrets start to unravel, no one can know who to trust anymore…
My Thoughts:
I loved the idea of this book, even though I am not too big of a fan of domestic mysteries and drama. My impressions were that this would’ve been more psychological thriller, but I was in the wrong. However, despite this, the book is really surprisingly well-written and kept me on my toes until the very end.
The lives of Lauren and Kate in particular were very well written. I can imagine people being able to easily relate to their struggles. The difference between the two sisters is like night and day. I loved the fact that this book was not sugar coating this, and it didn’t end it with a “happily ever after”. Instead, it ended with “we know we are different, and we are working to fix our relationship in its natural course”.
The story about how Jess comes into their lives, and the whole DNA situation was extremely not believable. As well as the fact that doing another DNA test at the beginning of the novel would have solved all assumptions, rather than people believing hearsay and creating more drama. However, I am also aware that drama was needed to keep the story going, so I can’t hold a grudge.
The ending was predictable half-way through the book. Some scenes are completely unnecessary and make the story more complicated. There are many triggering moments in this book. Cheating, domestic violence and abuse, both physical and emotional and abortion. This book may also trigger people that have had difficult relationships with their parents and/or siblings.<br/><br/>Even though not a favorite thriller, I enjoyed this book and recommend it to everyone that loves domestic thrillers. It is a fast-paced read, and the plot twists are juicy.
About The Author:
I have heard a lot about Sandie Jones, but I haven’t read any books by her prior to The Half Sister. Sandie Jones has worked as a freelance journalist for over twenty years, and has written for publications including the Sunday Times, Woman’s Weekly and the Daily Mail. She lives in London with her husband and three children. The Other Woman is her debut novel.
Synopsis:
I need to mention that the original synopsis of the book may be a bit misleading. Lauren and Kate are two sisters, but they don’t get along too well and their relationship is complicated.
Kate is a reporter, married to lovely Mark, and going through many rounds of IVF treatment, hoping to start a family. Kate had a very close relationship with her father until the day he died, but was never too close to her sister Lauren and their mother, Rose.
Lauren, on the other hand, is a full time mom of three, with a demanding and overprotective husband. She is very close to her mum, and had a complicated relationship with her father, never forgiving him for understanding her in the past.
One day, while Kate, Lauren and their mum are having their usual Sunday roast, a woman knocks on their door and drops a bombshell. Jess claims to be their half-sister.
This allegation is met with denial - how could she be a secret daughter of their father. Their mother is devastated, Lauren is not surprised, and Kate doesn’t believe Jess at all. But as more secrets start to unravel, no one can know who to trust anymore…
My Thoughts:
I loved the idea of this book, even though I am not too big of a fan of domestic mysteries and drama. My impressions were that this would’ve been more psychological thriller, but I was in the wrong. However, despite this, the book is really surprisingly well-written and kept me on my toes until the very end.
The lives of Lauren and Kate in particular were very well written. I can imagine people being able to easily relate to their struggles. The difference between the two sisters is like night and day. I loved the fact that this book was not sugar coating this, and it didn’t end it with a “happily ever after”. Instead, it ended with “we know we are different, and we are working to fix our relationship in its natural course”.
The story about how Jess comes into their lives, and the whole DNA situation was extremely not believable. As well as the fact that doing another DNA test at the beginning of the novel would have solved all assumptions, rather than people believing hearsay and creating more drama. However, I am also aware that drama was needed to keep the story going, so I can’t hold a grudge.
The ending was predictable half-way through the book. Some scenes are completely unnecessary and make the story more complicated. There are many triggering moments in this book. Cheating, domestic violence and abuse, both physical and emotional and abortion. This book may also trigger people that have had difficult relationships with their parents and/or siblings.<br/><br/>Even though not a favorite thriller, I enjoyed this book and recommend it to everyone that loves domestic thrillers. It is a fast-paced read, and the plot twists are juicy.
Andy K (10823 KP) rated The Nightingale (2018) in Movies
Dec 11, 2019
Brutal and beautiful
In 1825 Tasmania, a young wife and mother experiences brutal atrocity against her family by the British soldiers in her midst. With her entire world shattered, the battered and broken young woman embarks on a quest for revenge. Not thinking clearly through her grief, she decides to escapade through the harsh and unforgiving countryside with only a native guide to show her the way and maybe catch those who have violated her world. Haunted by the images of her recent past, Clare is tortured by what she remembers, but needs to persevere for her wits to remain intact.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
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LeftSideCut (3776 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Dec 9, 2020
The Man Who Killed Hitler and Then the Bigfoot is a fantasticly B-Movie style title, hiding a genuinely touching and quite beautiful character drama.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.
Gareth von Kallenbach (980 KP) rated Deuce Bigalow: European Gigolo (2005) in Movies
Aug 14, 2019
Europe. The very name brings up images of rich traditions, centuries-old stunning architecture, fine cuisine, historic artwork, and of course culture and sophistication. Europe has endured wars, plagues, and hordes of unruly soccer fans and has remained intact. Perhaps its greatest challenge is about to arrive in the form of Deuce Bigalow, pool cleaner, fish lover, and male Gigolo.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
ClareR (5864 KP) rated Last One at the Party in Books
Mar 14, 2021
I started reading this after dinner one evening, so reasonably late in the day, and then carried on reading until I went to bed. I really should have left an hour of non-reading time before attempting to sleep, because every time I closed my eyes I could see corpses and people dying horrible deaths. Which is strange, because books with this kind of content don’t usually bother me. I think it was the humour that made it seem more normal, more believable. And I can’t deny that reading it whilst we’re actually living through a pandemic might have added that extra bit of “Oh my god - could this actually happen??!!”
I liked that there weren’t zombies or something reminiscent of Mad Max - I think I’ve seen loads of those kinds of books before, and whilst I’ve been known to enjoy them as well, it was nice to have something a bit different. This is a breath of fresh air. Or at least as fresh as it can be with the imagined stink of millions of decaying Britons on the streets and in their homes (I’m not even exaggerating) 🤢
I liked that the main character didn’t have the answer to everything - or in fact, to anything - but she muddles along, making mistakes and learning from them.
This book isn’t wildly exciting, in that the zombie hordes are absent, and no one is being strapped to the front of a 4X4, and I loved that about it. The main character is a ‘normal’ woman, trying her best to stay alive at the end of the world. She’s a great character, she seems so approachable, and even though she probably wouldn’t agree, someone I’d be happy to spend time with. Even though I’d probably be a rotting corpse. Nice.
I’d really recommend this book, it’s definitely not your run-of-the-mill apocalypse story!!
I liked that there weren’t zombies or something reminiscent of Mad Max - I think I’ve seen loads of those kinds of books before, and whilst I’ve been known to enjoy them as well, it was nice to have something a bit different. This is a breath of fresh air. Or at least as fresh as it can be with the imagined stink of millions of decaying Britons on the streets and in their homes (I’m not even exaggerating) 🤢
I liked that the main character didn’t have the answer to everything - or in fact, to anything - but she muddles along, making mistakes and learning from them.
This book isn’t wildly exciting, in that the zombie hordes are absent, and no one is being strapped to the front of a 4X4, and I loved that about it. The main character is a ‘normal’ woman, trying her best to stay alive at the end of the world. She’s a great character, she seems so approachable, and even though she probably wouldn’t agree, someone I’d be happy to spend time with. Even though I’d probably be a rotting corpse. Nice.
I’d really recommend this book, it’s definitely not your run-of-the-mill apocalypse story!!
Micky Barnard (542 KP) rated A Court of Thorns and Roses in Books
Mar 2, 2019
Fall down the rabbit hole with this series
This was everything it promised to be by those who recommended it and its the first book I've read by Sarah J. Maas. I have to say, that it is exquisitely written.
The premise for the book is a beauty and the beast tale. Feyre is a young woman, from a family that once had wealth and position but brought to poverty and near starvation by bad debts. The setting is fantastical, with humans and fairies living in the same lands with a wall separating their kinds. Feyre has become the hunter in her family, keeping them just about fed. It is a stark life with no pleasure. One day she kills a wolf who was one of the fairie. She knew this, but still went ahead. Now Tamlin has arrived from the land of the High Fairie to pursue revenge with her life lived in his lands. This is a twisty, completely absorbing tale. The creatures are light and dark, scary and warm and the relationships are so compelling. The culmination of this tale is utterly unpredictable and it is left wide open for the next book. I cannot wait to read more.
Audio update: this was brought to life most wonderfully by Jennifer Ikeda. I got even more from the story and characters through audio. I even developed a sympathy for Rhysand.
The premise for the book is a beauty and the beast tale. Feyre is a young woman, from a family that once had wealth and position but brought to poverty and near starvation by bad debts. The setting is fantastical, with humans and fairies living in the same lands with a wall separating their kinds. Feyre has become the hunter in her family, keeping them just about fed. It is a stark life with no pleasure. One day she kills a wolf who was one of the fairie. She knew this, but still went ahead. Now Tamlin has arrived from the land of the High Fairie to pursue revenge with her life lived in his lands. This is a twisty, completely absorbing tale. The creatures are light and dark, scary and warm and the relationships are so compelling. The culmination of this tale is utterly unpredictable and it is left wide open for the next book. I cannot wait to read more.
Audio update: this was brought to life most wonderfully by Jennifer Ikeda. I got even more from the story and characters through audio. I even developed a sympathy for Rhysand.
ClareR (5864 KP) rated Time After Time in Books
Dec 9, 2022
Time After Time is a heartwarming and entertaining read about acceptance and not settling for second best.
Tabby works in a second hand shop and one day tries on a ring that she has taken a shine to - and is instantly transported back to the 1980’s. Her life becomes more interesting as she makes a new friend and sees her beloved 1980’s in the flesh.
In 2022, Tabby feels stifled. Her long term boyfriend, David, has a very fixed, old fashioned idea of what “his woman” should be doing with her time (cooking for him and having children seem to feature highly). And back at her family home, Tabby’s father drops a bombshell that leaves her mother reeling.
The characters are lovely (except the chauvinist David, of course!), Tabby could be a bit ‘ditsy’ at times, but that tended to add to her charm.
I do feel that more could have been done with the time travel aspect, but I think that’s more the science fiction fan in me (and the book would probably have needed to be a lot longer) - no one else reading on the Pigeonhole seemed to have the same opinion! In fact I do realise that the limited sci-Fi element may well make it more appealing to a lot of readers.
I really did enjoy this - a perfect summer read - or a winter read to remind you of the better weather!
Tabby works in a second hand shop and one day tries on a ring that she has taken a shine to - and is instantly transported back to the 1980’s. Her life becomes more interesting as she makes a new friend and sees her beloved 1980’s in the flesh.
In 2022, Tabby feels stifled. Her long term boyfriend, David, has a very fixed, old fashioned idea of what “his woman” should be doing with her time (cooking for him and having children seem to feature highly). And back at her family home, Tabby’s father drops a bombshell that leaves her mother reeling.
The characters are lovely (except the chauvinist David, of course!), Tabby could be a bit ‘ditsy’ at times, but that tended to add to her charm.
I do feel that more could have been done with the time travel aspect, but I think that’s more the science fiction fan in me (and the book would probably have needed to be a lot longer) - no one else reading on the Pigeonhole seemed to have the same opinion! In fact I do realise that the limited sci-Fi element may well make it more appealing to a lot of readers.
I really did enjoy this - a perfect summer read - or a winter read to remind you of the better weather!
Bong Mines Entertainment (15 KP) rated Just Friends - Single by Virginia To Vegas in Music
Jun 17, 2019
Virginia To Vegas (Derik Baker) is a singer-songwriter based in Toronto, Canada. Not too long ago, he released a lovely pop tune, entitled, “Just Friends”.
“Maybe, we can go get lost tonight. At least we know that we gave it a try. So why don’t we go out and get a drink in the West End? Smoke a cigarette and talk sh*t about exes. Take a couple of shots and see where the night ends. Stop pretending that we’re just friends.” – lyrics
‘Just Friends’ tells an interesting tale of two friends, a guy, and a girl. Apparently, the guy doesn’t want to be in the friend zone and wants to be more than just a friend to the woman he adores.
Later, he reminds her that one day in the back of a taxi she wanted to kiss him. But due to their friendship, she didn’t.
‘Just Friends’ contains a relatable storyline, ear-welcoming vocals, and danceable instrumentation scented with an electro-pop fragrance.
After being discovered on YouTube, Virginia to Vegas signed to Wax Records in 2013. Since then, he has received critical acclaim and several platinum certifications.
In 2018, he expanded his reach internationally, co-writing the single “IDWK” with blackbear and DVBBS.
https://www.bongminesentertainment.com/virginia-to-vegas-just-friends/
“Maybe, we can go get lost tonight. At least we know that we gave it a try. So why don’t we go out and get a drink in the West End? Smoke a cigarette and talk sh*t about exes. Take a couple of shots and see where the night ends. Stop pretending that we’re just friends.” – lyrics
‘Just Friends’ tells an interesting tale of two friends, a guy, and a girl. Apparently, the guy doesn’t want to be in the friend zone and wants to be more than just a friend to the woman he adores.
Later, he reminds her that one day in the back of a taxi she wanted to kiss him. But due to their friendship, she didn’t.
‘Just Friends’ contains a relatable storyline, ear-welcoming vocals, and danceable instrumentation scented with an electro-pop fragrance.
After being discovered on YouTube, Virginia to Vegas signed to Wax Records in 2013. Since then, he has received critical acclaim and several platinum certifications.
In 2018, he expanded his reach internationally, co-writing the single “IDWK” with blackbear and DVBBS.
https://www.bongminesentertainment.com/virginia-to-vegas-just-friends/