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Prince William: Born to be King: An Intimate Portrait
Book
His face is recognized the world over, his story is well known. But what is Prince William really...
Jamie (131 KP) rated The Handmaid's Tale - Season 1 in TV
Jul 15, 2017
Phenomenal casting (4 more)
Changes to the plot add more to the characters and world of Gilead
Gorgeous technicolor visuals
Retains the dark tone of it's source material
Wonderful original soundtrack
June's character is changed in a way that goes against one of the original messages of the book (1 more)
Soundtrack sometimes included pop songs that were jarring and obnoxiously loud
Adds new depth to an already incredible story
I LOVE The Handmaid's Tale. Both the book and now the television show. The show is stunningly beautiful in terms of it's visuals and soundtrack. The casting was outstanding, it is everything I ever wanted from an adaptation of this marvelous book.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
The story is changed in some pretty big ways in an attempt to modernize the story. The setting has been changed to what seems like the present day in a more integrated United States. The television show added extra plot lines, giving more attention to some of the side characters and giving us their points of view seamlessly, something that would have been difficult and confusing in a written format. I loved seeing more of the side characters and with it, seeing Gilead be fully fleshed out and more terrifying than I ever could have imagined. It was wonderful seeing the story expanded to include the infertility epidemic, the fall of the United States, the protests and gradual rise of the nation of Gilead.
I was hesitant at first when I saw images of a young Commander and Serena Joy but the casting couldn't be more on point. Yvonne Strahovski is a powerhouse that really embodies Serena Joy, making her both a sympathetic and terrifying character. Elizabeth Moss, Samira Wiley, Ann Dowd, Alexis Bledel, and Madeline Brewer all deserve some serious praise for the way that they made all of their characters come alive.
An unfortunate casualty from the book were the changes to June's character, who went from being a disoriented every woman who did not recognize freedom when she had it and tragically lost everything. She wasn't ever meant to be the "hero," not like her mother or Moira who were outspoken feminists. This was an intentional set up in the book to be a cautionary tale of the importance of being vigilant and fighting to preserve one's autonomy. The June in the show on the other hand IS our hero, the fact that there is a season two means that we will have the resistance and the story will become more of your stereotypical dystopia where good will prevail and evil will always lose. It's not necessarily a bad thing, but it's a pretty standard plot that gets recycled over and over.
What the story added where the book was extremely bleak was that tiny glimmer of hope. Hope that Gilead won't last and that the bonds of family and friendship can overcome seemingly insurmountable odds. Be prepared to cry and those with triggers will probably have difficulty digesting some of the content in the show. The story doesn't shy away from difficult topics and the brutality can be startling.
Gareth von Kallenbach (980 KP) rated Mr. & Mrs. Smith (2005) in Movies
Aug 14, 2019
Not since the film The War of the Roses has the silver screen portrayed marital discord in such as humorous and violent fashion as it does in Mr. and Mrs. Smith.
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
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2017 has been an extraordinary year for women as they’ve come together in an unprecedented show of...
Ivana A. | Diary of Difference (1171 KP) rated The Other Mrs Miller in Books
Oct 2, 2020
The Other Mrs Miller is a great mystery to help you out on a boring day. But if you are looking for the dark and twisty masterpiece to blow your mind, I’m afraid this is not it…
Phoebe Miller is married to a man she doesn’t love. He is a psychotherapist and Phoebe feels he constantly analyses her. She doesn’t work because her father was rich. And when he died, women started to tell their stories of all the terrible things he did. All Phoebe wants to do is hide in her house. But she feels constantly watched and notices a car parked on her street almost every day. And then there are these new neighbours that are clearly hiding something. Should she be worried?
There were a lot of relationships in this book that I had an issue with:
- the husband that treats his wife as a study subject
- the wife that treats her husband as garbage
- the new relationship between a man with the IQ of a three-year-old and a woman that has no clue of what she wants
- the unknown sister who would rather threaten you or kill you, than come and tell you she is your sister
- the overprotective mother who doesn’t let her child speak
A very different, and at times, confusing plot. Interesting beginning and introduction, followed by a boring section in the book. A bit of tiny action, and then a slow paced stage again. And finally, an epilogue with a lot of pressure, many characters and a lot of mystery. Very satisfying, until the very last chapter, where the author turns everything around with another small twist, and here I am, sitting on my sofa, with the Kindle in my hand, thinking: THIS IS NOT RIGHT.
A final twist, without any buildup, or any hints, without making any sense or adding to the story in any way. I wish the author or their editor just deleted that last bit. Disappointing.
I did enjoy the whole book, but the very end left me with a bad after-taste and I can’t give it more than these three stars. Amazing mystery, but ahh, if I could just forget about that last chapter.
If you love mysteries, I am still recommending this. You might enjoy it more than I did.
Phoebe Miller is married to a man she doesn’t love. He is a psychotherapist and Phoebe feels he constantly analyses her. She doesn’t work because her father was rich. And when he died, women started to tell their stories of all the terrible things he did. All Phoebe wants to do is hide in her house. But she feels constantly watched and notices a car parked on her street almost every day. And then there are these new neighbours that are clearly hiding something. Should she be worried?
There were a lot of relationships in this book that I had an issue with:
- the husband that treats his wife as a study subject
- the wife that treats her husband as garbage
- the new relationship between a man with the IQ of a three-year-old and a woman that has no clue of what she wants
- the unknown sister who would rather threaten you or kill you, than come and tell you she is your sister
- the overprotective mother who doesn’t let her child speak
A very different, and at times, confusing plot. Interesting beginning and introduction, followed by a boring section in the book. A bit of tiny action, and then a slow paced stage again. And finally, an epilogue with a lot of pressure, many characters and a lot of mystery. Very satisfying, until the very last chapter, where the author turns everything around with another small twist, and here I am, sitting on my sofa, with the Kindle in my hand, thinking: THIS IS NOT RIGHT.
A final twist, without any buildup, or any hints, without making any sense or adding to the story in any way. I wish the author or their editor just deleted that last bit. Disappointing.
I did enjoy the whole book, but the very end left me with a bad after-taste and I can’t give it more than these three stars. Amazing mystery, but ahh, if I could just forget about that last chapter.
If you love mysteries, I am still recommending this. You might enjoy it more than I did.
Lyndsey Gollogly (2893 KP) rated So Close ( Blacklist 1) in Books
Apr 26, 2024
77 of 220
Book
So close ( Blacklist 1)
By Sylvia Day
⭐️⭐️⭐️⭐️
The one you believe isn't always the one you can trust...
Widower Kane Black is still ruinously married to his late wife, Lily. Grief has hollowed him… until he sees a woman with his wife’s inimitable beauty on the streets of Manhattan. He whisks her up to his towering penthouse, protectively under guard, nestling her in dark opulence where Lily’s memory is a possessive beguiling force.
Aliyah, Kane’s mother, deals in science. There are too many questions, too few answers, and too much at stake. “Lily” has dangerous control over Kane and there can be only one queen on the throne.
Amy, Kane’s sister-in-law, has been bloodied by deceit and betrayal, and she’s devolving into murderous rage. She’s paid too high a price and now intends to claim what she’s owed.
Three women, linked by buried secrets, circle the man who unquestioningly accepts the return of his beloved long-dead wife. Kane is happier than he’s ever been, and he’ll do anything to stay that way.
This was different to what I expected. First of all I think I’ve been starved of news from the Crosses and it was nice to catch up on them a little. This is was messed up family all being played by a devious mother trying to control her sons. Amy is completely vindictive and horrid but is it a product of what these men and the mother in law from hell have done or is she naturally that way? When you read this and learn about Lily I wasn’t expecting the answer and yes I had a WTF moment! The book was good and I did enjoy it but I think the last 10 chapters are what made me give it 4⭐️ instead of 3.
Book
So close ( Blacklist 1)
By Sylvia Day
⭐️⭐️⭐️⭐️
The one you believe isn't always the one you can trust...
Widower Kane Black is still ruinously married to his late wife, Lily. Grief has hollowed him… until he sees a woman with his wife’s inimitable beauty on the streets of Manhattan. He whisks her up to his towering penthouse, protectively under guard, nestling her in dark opulence where Lily’s memory is a possessive beguiling force.
Aliyah, Kane’s mother, deals in science. There are too many questions, too few answers, and too much at stake. “Lily” has dangerous control over Kane and there can be only one queen on the throne.
Amy, Kane’s sister-in-law, has been bloodied by deceit and betrayal, and she’s devolving into murderous rage. She’s paid too high a price and now intends to claim what she’s owed.
Three women, linked by buried secrets, circle the man who unquestioningly accepts the return of his beloved long-dead wife. Kane is happier than he’s ever been, and he’ll do anything to stay that way.
This was different to what I expected. First of all I think I’ve been starved of news from the Crosses and it was nice to catch up on them a little. This is was messed up family all being played by a devious mother trying to control her sons. Amy is completely vindictive and horrid but is it a product of what these men and the mother in law from hell have done or is she naturally that way? When you read this and learn about Lily I wasn’t expecting the answer and yes I had a WTF moment! The book was good and I did enjoy it but I think the last 10 chapters are what made me give it 4⭐️ instead of 3.
The Savage Garden
Book
The lights here are all dark and vixens pull men into the shadows. Hers was a tale as old as...
romance
Erika (17788 KP) rated Twelve Nights at Rotter House in Books
Oct 31, 2020
This book has stuck with me. I read Ocker's non-fiction book @Cursed Objects: Strange but True Stories of the World's Most Infamous Items, the other day, so I decided to try out his novel.
In the first chapter, we find out that the original title of the book was 13 nights, rather than 12. So, obviously, something happened. The main character is a travel writer (like the author), and a skeptic (like the author), who decides to spend 13 nights in a supposedly haunted house.
There were hints, dropped throughout, as to what is actually happening, various movie and book references. Crimson Peak was the most obvious one.
After one night spent alone, the author's best friend comes to visit. There's some unspoken thing that happened a year ago, that's not all that hard to figure out. When things begin to happen, screams, apparitions, etc, the author explains them away. He is a skeptic after all.
The woman character/ghost, has a head that's split down the middle... wonder what that symbolizes.
Towards the end, the author gradually unravels. The end, with the twist... Honestly, I have mixed feelings about it. That's why I just rated this as ok. It was entertaining, and haunted me for about three days,
In the first chapter, we find out that the original title of the book was 13 nights, rather than 12. So, obviously, something happened. The main character is a travel writer (like the author), and a skeptic (like the author), who decides to spend 13 nights in a supposedly haunted house.
There were hints, dropped throughout, as to what is actually happening, various movie and book references. Crimson Peak was the most obvious one.
After one night spent alone, the author's best friend comes to visit. There's some unspoken thing that happened a year ago, that's not all that hard to figure out. When things begin to happen, screams, apparitions, etc, the author explains them away. He is a skeptic after all.
The woman character/ghost, has a head that's split down the middle... wonder what that symbolizes.
Towards the end, the author gradually unravels. The end, with the twist... Honestly, I have mixed feelings about it. That's why I just rated this as ok. It was entertaining, and haunted me for about three days,
Hazel (1853 KP) rated The Storyteller in Books
Dec 7, 2018
This is my Book of the Month for May 2014. You can check out and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/87410836442
Jodi Picoult is the bestselling author of numerous novels, with <i>My Sister’s Keeper</i> being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, <i>The Storyteller</i>, which quite possibly could be her best yet.
Arguably, <i>The Storyteller</i> does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. <i>The Storyteller</i> contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in <i>The Storyteller</i>, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
<i>The Storyteller</i> is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
Jodi Picoult is the bestselling author of numerous novels, with <i>My Sister’s Keeper</i> being the most well known, perhaps. All of her stories are well written although it is still possible to notice improvements in the writing over the years right up until now with her latest, <i>The Storyteller</i>, which quite possibly could be her best yet.
Arguably, <i>The Storyteller</i> does not quite read as a Jodi Picoult novel is known to. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story contains neither. <i>The Storyteller</i> contains a combination of past and present - the main focus being on the Holocaust.
Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25 year old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years surely Sage would no longer need the help of the group? However she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.
It is through the grief group that Sage meets an elderly man, Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.
Whilst, Josef recounts his experience of being part of the Nazi party, another account is also given. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element to the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day, and trying to locate ex-Nazi members in order for them to be punished by the government.
One thing to praise Picoult for, not just in <i>The Storyteller</i>, but also in all her novels is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written is such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!
<i>The Storyteller</i> is an amazing, beautiful book, which is not purely an enjoyable read. It informs, shocks and stays with you for a long time. You will question your own morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior from themselves?
A Fish Supper and a Chippy Smile: Love, Hardship and Laughter in a South East London Fish-and-Chip Shop
Book
'Oi, Hilda, the sign outside says you're frying today but I ain't seeing nothing done in ere!' The...