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Carma (21 KP) rated Moonlight Over Manhattan in Books
Jun 17, 2019
Do one thing every day that scares you. I think that is the best advice we could give ourselves on a daily basis. How many times have we just went status quo and always wondered what if. Harriet Knight is status quo. She is an average girl, with an average life, with average problems. But the month between Thanksgiving and Christmas she decides to challenge herself daily. No more status quo, start living outside the box. The plan is going worse than expected though and then she finds herself on the internet dating site date from hell. The best way she can think of to end said date is to jump out of the bathroom window. That is how we meet Harriet.
Harriet is a dog walker/pet sitter along with her twin sister Fliss. The started their own company and it has really taken off. Her sister has recently moved out of their apartment to live in the Hamptons with Seth (read Holiday in the Hamptons, you won’t regret it). Harriet finds herself alone for the first time in a very long time. After jumping out the bathroom window she heads to the ER to get her ankle checked and in walks Dr. Ethan Black.
Ethan Black is all ER all the time. He puts his very heart and soul in to his daily life and enjoys going to work everyday. Maybe the reason his marriage failed is because he puts 100% into his job. 100% means 0% left over for anything else. He is quite happy in his every day routine until his sister calls with an emergency. He'll do anything for his sister, well maybe anything.
Harriet agrees to change locations for one of her customers because an emergency takes them out of town. Her regular client "Madi" is staying with her “uncle”, a busy doctor, and needs to get her daily walk there instead of home. Harriet and Ethan meet again and realize they need each other to navigate this new normal. Can Ethan still put his heart and soul into work, but make a relationship work. Can Harriet realize she is great the way she is and "challenge Harriet" is a perfect way to get the happy ever after she craves.
I loved Harriet, more than any single main female character I can think of for a while. She is an every woman, self-conscience, has a stutter, awkward, shy. Being a dog walker/pet sitter myself I feel like Harriet (minus the stutter but just as awkward). I also loved revisiting the O’Neil family in Vermont. The way the author paints the scenery each and every time, makes me want to jump in the car and head to Vermont immediately. One of the other things I enjoy about Sarah Morgan novels is the English phrases that inevitably make their way into the writing. There are usually 3 or 4 common English phrases that don’t quite translate to US actions. I enjoy finding them though, and if not immediately known how they translate, finding the answer. None are every so strange though that it affects the flow of the story.
Even though I received this book in exchange for an honest review, it is another great novel from Sarah Morgan, as if I expected anything less. I am adding this to my From Manhattan with Love shelf immediately, hope you do the same right now.
Harriet is a dog walker/pet sitter along with her twin sister Fliss. The started their own company and it has really taken off. Her sister has recently moved out of their apartment to live in the Hamptons with Seth (read Holiday in the Hamptons, you won’t regret it). Harriet finds herself alone for the first time in a very long time. After jumping out the bathroom window she heads to the ER to get her ankle checked and in walks Dr. Ethan Black.
Ethan Black is all ER all the time. He puts his very heart and soul in to his daily life and enjoys going to work everyday. Maybe the reason his marriage failed is because he puts 100% into his job. 100% means 0% left over for anything else. He is quite happy in his every day routine until his sister calls with an emergency. He'll do anything for his sister, well maybe anything.
Harriet agrees to change locations for one of her customers because an emergency takes them out of town. Her regular client "Madi" is staying with her “uncle”, a busy doctor, and needs to get her daily walk there instead of home. Harriet and Ethan meet again and realize they need each other to navigate this new normal. Can Ethan still put his heart and soul into work, but make a relationship work. Can Harriet realize she is great the way she is and "challenge Harriet" is a perfect way to get the happy ever after she craves.
I loved Harriet, more than any single main female character I can think of for a while. She is an every woman, self-conscience, has a stutter, awkward, shy. Being a dog walker/pet sitter myself I feel like Harriet (minus the stutter but just as awkward). I also loved revisiting the O’Neil family in Vermont. The way the author paints the scenery each and every time, makes me want to jump in the car and head to Vermont immediately. One of the other things I enjoy about Sarah Morgan novels is the English phrases that inevitably make their way into the writing. There are usually 3 or 4 common English phrases that don’t quite translate to US actions. I enjoy finding them though, and if not immediately known how they translate, finding the answer. None are every so strange though that it affects the flow of the story.
Even though I received this book in exchange for an honest review, it is another great novel from Sarah Morgan, as if I expected anything less. I am adding this to my From Manhattan with Love shelf immediately, hope you do the same right now.
Lottie disney bookworm (1056 KP) rated Promises and Pixie Dust in Books
Jun 17, 2021
Thank you to the gorgeously talented Elle and Robin for granting me the opportunity to read their beautiful book in exchange for an honest review.
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Bong Mines Entertainment (15 KP) rated The Juice: Vol. 1 by Emotional Oranges in Music
Jun 21, 2019
Emotional Oranges is an enigmatic outfit based in Los Angeles, California. Not too long ago, they released a music video for their “Good to Me” single, which is featured on their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
“I say, what I don’t know. What I don’t know can’t hurt me no more. You play outta control and you never worry about letting me know. The things that you hide, my girls think I’m crazy. Say I’m wasting all my time. Still, I’m hitting up your line.” – lyrics
The Danilo Parra-directed audiovisual explores the artistry of partnership while playing with various mediums from pottery and dance to showcase romanticism.
The narrative tells an interesting tale of a young woman who shares a problematic relationship with her promiscuous young beau.
One day, she catches him involved in an unfaithful sexual act, which prompts her to state in furious anger that she no longer wants to be with him.
But, she’s too in love with him to let go. Also, she has said that she was leaving one too many times, only to return shortly afterward.
Even though he cheats on her, she’s still optimistic about their relationship and hopes he will start being good to her.
“This video deals with the haunting feeling of losing someone you’re truly connected to. When an intimate relationship between two people is very strong, they begin to solidify together. And when that type of tight bond is psychically separated, the spirit is still there and continues to be connected. Pottery and the idea of building something with your hands felt like the perfect visual representation of our message.” – Emotional Oranges
‘Good to Me’ contains a relatable storyline and ear-welcoming vocals. Also, it possesses groovy instrumentation flavored with electro-pop and modern dance elements.
Get acquainted with Emotional Oranges’ music by streaming their “The Juice: Vol. 1” EP.
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Darren (1599 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 24, 2019
Thoughts on Terminator: Dark Fate
Characters – Dani is the sweet Mexican girl that keeps her family organized with everyday events, making sure her father gets to appointments and her brother joins her for work, her family means everything to her. When Grace turns up, she finds her perfect life ruined, when she needs to go on the run with her from a Terminator, not knowing why a normal young woman has been targeted, she will learn her importance to the future and learn skills alone the way. The only negative side for Dani, is that we don’t learn enough about her before the events happen, it is hard to figure out just how old she is too. Sarah Connor hasn’t stopped hunting Terminators, she is prepared for them all and saves the day, she knows how to stay off the radar, well for the most part one giant plot hole with her talk here, but is a bitter hard as nails woman. The Terminator has many surprises this time, he helps, gets plenty of laughs and as always will fight the superior model. The bad Terminator can fuse with anything it touches, being able to break into more than one threat and isn’t going to stop for anything, he is relentless and on a similar mission focused level as the first two villainous Terminators. Grace is the enhanced soldier sent back to protect Dani, she does need to be kept alive with medicine, proving to be a different level of protection then we have seen before, she has all the human traits, she has lived, fought and battled through the future and knows why she is here and how important this mission is.
Performances – First we will go through the returning cast, Linda Hamilton is wonderful to watch, not only is she perfect here, she lets the new cast members shine, which was one of the weakness of a film that did the same trick, Halloween. Arnold Schwarzenegger gives his best action performance since his return to acting, not only does he still have the fighting down, he has got perfect dead pan comedy down too. Mackenzie Davis might well have just made her an action star for years to come here, giving a performance that could be a star making one. Natalia Reyes does everything right for her character, it isn’t her performance that lets her down, it is certain developments in her character that hold her back. Gabriel Luna as the new Terminator is great too, it is nice they picked a lesser known actor, because a big name would have shifted focus on them instead of a faceless killer.
Story – The story here follows a young Mexican woman that has been targeted by a Terminator, for a reason she doesn’t know, she has a super soldier and Sarah Connor to protect her, as she learns about a future, where like Sarah Connor, she will have a big part to play in the war against the machines. This is a sequel that feels like it has re-imagined the original, mixed with the second one, this is all good because having a new face that needs to learn their part in the future is what makes Terminator different in story, the idea that technology has moved on, also helps this story unfold nicely showing us just how much we are going to see. For a story that is 2 hours long, this barely feels that long if we are being honest and by the end you will be wanting to see more, because even though we have returning characters, they don’t feel thrown in like Arnie’s in the last film.
Action/Sci-Fi – The action here is massive, this shows some great teamwork from the stunt teams too, the fights are people bashing the hell out of an indestructible robot, which means we can hit harder and it not look stupid, while we might have a couple too many cuts during them though. The sci-fi idea has moved on from previous films, which shows us just how much could change in the future, the war will always be coming.
Settings – The film does use the settings are a plot point, where it is, we need to get here, then here, via here, all but the final battle seems simple enough locations.
Special Effects – The effects for the most part are wonderful, there are a few questionable moments, but when you see the Terminator get hit, the metal exposing, doesn’t look out of place.
Scene of the Movie – Opening Chase.
That Moment That Annoyed Me – There is one on the nose reference to gun control in America.
Final Thoughts – This is an enjoyable action movie that brings the Terminator back to life for everybody to enjoy, this is bar far the best Terminator movie since Judgement Day.
Overall: Excellent Movie.
Rating
Characters – Dani is the sweet Mexican girl that keeps her family organized with everyday events, making sure her father gets to appointments and her brother joins her for work, her family means everything to her. When Grace turns up, she finds her perfect life ruined, when she needs to go on the run with her from a Terminator, not knowing why a normal young woman has been targeted, she will learn her importance to the future and learn skills alone the way. The only negative side for Dani, is that we don’t learn enough about her before the events happen, it is hard to figure out just how old she is too. Sarah Connor hasn’t stopped hunting Terminators, she is prepared for them all and saves the day, she knows how to stay off the radar, well for the most part one giant plot hole with her talk here, but is a bitter hard as nails woman. The Terminator has many surprises this time, he helps, gets plenty of laughs and as always will fight the superior model. The bad Terminator can fuse with anything it touches, being able to break into more than one threat and isn’t going to stop for anything, he is relentless and on a similar mission focused level as the first two villainous Terminators. Grace is the enhanced soldier sent back to protect Dani, she does need to be kept alive with medicine, proving to be a different level of protection then we have seen before, she has all the human traits, she has lived, fought and battled through the future and knows why she is here and how important this mission is.
Performances – First we will go through the returning cast, Linda Hamilton is wonderful to watch, not only is she perfect here, she lets the new cast members shine, which was one of the weakness of a film that did the same trick, Halloween. Arnold Schwarzenegger gives his best action performance since his return to acting, not only does he still have the fighting down, he has got perfect dead pan comedy down too. Mackenzie Davis might well have just made her an action star for years to come here, giving a performance that could be a star making one. Natalia Reyes does everything right for her character, it isn’t her performance that lets her down, it is certain developments in her character that hold her back. Gabriel Luna as the new Terminator is great too, it is nice they picked a lesser known actor, because a big name would have shifted focus on them instead of a faceless killer.
Story – The story here follows a young Mexican woman that has been targeted by a Terminator, for a reason she doesn’t know, she has a super soldier and Sarah Connor to protect her, as she learns about a future, where like Sarah Connor, she will have a big part to play in the war against the machines. This is a sequel that feels like it has re-imagined the original, mixed with the second one, this is all good because having a new face that needs to learn their part in the future is what makes Terminator different in story, the idea that technology has moved on, also helps this story unfold nicely showing us just how much we are going to see. For a story that is 2 hours long, this barely feels that long if we are being honest and by the end you will be wanting to see more, because even though we have returning characters, they don’t feel thrown in like Arnie’s in the last film.
Action/Sci-Fi – The action here is massive, this shows some great teamwork from the stunt teams too, the fights are people bashing the hell out of an indestructible robot, which means we can hit harder and it not look stupid, while we might have a couple too many cuts during them though. The sci-fi idea has moved on from previous films, which shows us just how much could change in the future, the war will always be coming.
Settings – The film does use the settings are a plot point, where it is, we need to get here, then here, via here, all but the final battle seems simple enough locations.
Special Effects – The effects for the most part are wonderful, there are a few questionable moments, but when you see the Terminator get hit, the metal exposing, doesn’t look out of place.
Scene of the Movie – Opening Chase.
That Moment That Annoyed Me – There is one on the nose reference to gun control in America.
Final Thoughts – This is an enjoyable action movie that brings the Terminator back to life for everybody to enjoy, this is bar far the best Terminator movie since Judgement Day.
Overall: Excellent Movie.
Rating
Chris Sawin (602 KP) rated A Clockwork Orange (1971) in Movies
Jun 15, 2019
Alex DeLarge (Malcolm McDowell) is your average eighteen year old boy...if by average, you mean he fully embraces the old ultraviolence and wanders the streets with his three droogs causing havoc and doing whatever he likes; skipping school, breaking and entering, rape, and assault is just another average day in Alex's life. However, when a planned rape turns into an "accidental" murder, things start to turn fowl for Alex. His droogs turn on him and he winds up being caught by the police. He is then taken to a correctional facility where he spends the next few years, puts on the front that he's fully embraced the bible and that he's now a changed man. But when word makes round of the experimental Ludovico treatment, Alex realizes his chance at freedom and jumps through the proper hoops to get out of the penitentiary he finds himself in and get into the experimental facility where he can be "cured."
Alex is promised that he'll be a free man within a fortnight. The treatment consists of a drug known as Serum 114 being injected into the patient before making them sit through short films such as a man being beaten to a pulp, a woman being the sexual victim of several men, and a Nazi concentration camp film set to the soundtrack of Beethoven's ninth symphony. Alex begins to feel sick during the films and the doctors insist that it's part of the cure. Alex's love for music and Beethoven in general become one of the adverse effects of the treatment as the ninth symphony has the same effect on Alex as the urge to beat or rape someone would. Alex soon comes to realize that you can never go home again and that being a free man isn't all it's cracked up to be, especially after a treatment such as this.
It took 37 years after its initial theatrical release and 24 years of being alive on this planet (the original viewing of this film was in 2008) to finally get around to seeing A Clockwork Orange. The film starts and it makes the viewer feel like they've missed something entirely that everyone else already knows about, but as the film unravels it snowballs into a unique vision of cinema. There are shades of Altered States in A Clockwork Orange, but A Clockwork Orange feels much more polarizing in its presentation in comparison. Stanley Kubrick tries to shine this spotlight of beauty onto the most heinous of actions as the film’s classical score becomes the soundtrack to ferocious and almost inhuman desires. This is Kubrick’s adaptation of the 1962 novel of the same name written by Anthony Burgess and it’s incredible how the film is able to remain captivating over a two hour period.
The film has a stunning restoration on the two-disc Blu-ray anniversary edition. Kubrick always had a brilliant eye when it came to perspective and camera placement; the majority of that could be contributed to Kubrick’s frequent collaborations with cinematographer John Alcott. The long hallway shots and close-ups on memorably haunting facial expressions are some of the most significant scenes in the film. A Clockwork Orange is loaded with vibrant colors that make every frame jump off the screen despite the film nearing half a century in age. This was the first film to take advantage of Dolby Digital surround sound, which contributes to the film sounding as good as it does.
Even with Stanley Kubrick as director, A Clockwork Orange wouldn’t be the same without Malcolm McDowell. McDowell fits the Alex DeLarge role as perfectly as Robert Downey Jr fits Tony Stark; these actors are these characters. The speeches McDowell gives in the film along with how traumatized he is after the treatment process are two of the biggest takeaways after viewing the film. This was one of McDowell’s first on-screen roles, which is surprising given how enthralling he is. You will never think of, “Singin’ in the Rain,” the same way again after viewing A Clockwork Orange.
A Clockwork Orange is a unique expedition into insanity no matter how you look at it. The dialogue is unusual and the characters are this fantastic blend of bizarre and diabolical, but the film is consistently engrossing and never seems to lag. Prior to 1986, the A Clockwork Orange novel was published in the US without its final chapter and that’s the version of the film Kubrick adapted. Anthony Burgess praised Kubrick’s version of the film despite this, which is more than what Stephen King did with Kubrick’s adaptation of The Shining. Every shot in A Clockwork Orange grabs your attention largely in part to how it’s presented or the colors that leap off the screen. The novel is written in a way that’s difficult to read and that often translates on-screen. Like most of Kubrick’s work, A Clockwork Orange is for a specific audience. It is perhaps what Malcolm McDowell is known best for and probably shouldn’t be recommended to just anyone since it would likely soar over a modern day moviegoer. This isn’t the type of film to have on in the background while you text or play games on your phone. Ultraviolence is something you have to embrace and give your undivided attention to.
This is viewed by some as one of the greatest sci-fi films ever by some, but it isn’t any less pretentious than the rest of Stanley Kubrick’s work. A Clockwork Orange is mesmerizing with a performance from Malcolm McDowell that leaves a long lasting impact, but its affinity to utilize difficult to decipher jargon, nonstop innuendo being slammed into your face, and overuse of animalistic violence shackles the film from being more appealing to a wider audience. From a personal standpoint, A Clockwork Orange is one of Kubrick's best but it's easy to understand why it wouldn't be for everyone.
Alex is promised that he'll be a free man within a fortnight. The treatment consists of a drug known as Serum 114 being injected into the patient before making them sit through short films such as a man being beaten to a pulp, a woman being the sexual victim of several men, and a Nazi concentration camp film set to the soundtrack of Beethoven's ninth symphony. Alex begins to feel sick during the films and the doctors insist that it's part of the cure. Alex's love for music and Beethoven in general become one of the adverse effects of the treatment as the ninth symphony has the same effect on Alex as the urge to beat or rape someone would. Alex soon comes to realize that you can never go home again and that being a free man isn't all it's cracked up to be, especially after a treatment such as this.
It took 37 years after its initial theatrical release and 24 years of being alive on this planet (the original viewing of this film was in 2008) to finally get around to seeing A Clockwork Orange. The film starts and it makes the viewer feel like they've missed something entirely that everyone else already knows about, but as the film unravels it snowballs into a unique vision of cinema. There are shades of Altered States in A Clockwork Orange, but A Clockwork Orange feels much more polarizing in its presentation in comparison. Stanley Kubrick tries to shine this spotlight of beauty onto the most heinous of actions as the film’s classical score becomes the soundtrack to ferocious and almost inhuman desires. This is Kubrick’s adaptation of the 1962 novel of the same name written by Anthony Burgess and it’s incredible how the film is able to remain captivating over a two hour period.
The film has a stunning restoration on the two-disc Blu-ray anniversary edition. Kubrick always had a brilliant eye when it came to perspective and camera placement; the majority of that could be contributed to Kubrick’s frequent collaborations with cinematographer John Alcott. The long hallway shots and close-ups on memorably haunting facial expressions are some of the most significant scenes in the film. A Clockwork Orange is loaded with vibrant colors that make every frame jump off the screen despite the film nearing half a century in age. This was the first film to take advantage of Dolby Digital surround sound, which contributes to the film sounding as good as it does.
Even with Stanley Kubrick as director, A Clockwork Orange wouldn’t be the same without Malcolm McDowell. McDowell fits the Alex DeLarge role as perfectly as Robert Downey Jr fits Tony Stark; these actors are these characters. The speeches McDowell gives in the film along with how traumatized he is after the treatment process are two of the biggest takeaways after viewing the film. This was one of McDowell’s first on-screen roles, which is surprising given how enthralling he is. You will never think of, “Singin’ in the Rain,” the same way again after viewing A Clockwork Orange.
A Clockwork Orange is a unique expedition into insanity no matter how you look at it. The dialogue is unusual and the characters are this fantastic blend of bizarre and diabolical, but the film is consistently engrossing and never seems to lag. Prior to 1986, the A Clockwork Orange novel was published in the US without its final chapter and that’s the version of the film Kubrick adapted. Anthony Burgess praised Kubrick’s version of the film despite this, which is more than what Stephen King did with Kubrick’s adaptation of The Shining. Every shot in A Clockwork Orange grabs your attention largely in part to how it’s presented or the colors that leap off the screen. The novel is written in a way that’s difficult to read and that often translates on-screen. Like most of Kubrick’s work, A Clockwork Orange is for a specific audience. It is perhaps what Malcolm McDowell is known best for and probably shouldn’t be recommended to just anyone since it would likely soar over a modern day moviegoer. This isn’t the type of film to have on in the background while you text or play games on your phone. Ultraviolence is something you have to embrace and give your undivided attention to.
This is viewed by some as one of the greatest sci-fi films ever by some, but it isn’t any less pretentious than the rest of Stanley Kubrick’s work. A Clockwork Orange is mesmerizing with a performance from Malcolm McDowell that leaves a long lasting impact, but its affinity to utilize difficult to decipher jargon, nonstop innuendo being slammed into your face, and overuse of animalistic violence shackles the film from being more appealing to a wider audience. From a personal standpoint, A Clockwork Orange is one of Kubrick's best but it's easy to understand why it wouldn't be for everyone.
Gareth von Kallenbach (980 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Darren (1599 KP) rated 96 Minutes (2012) in Movies
Jun 20, 2019
Story: 96 Minutes starts by introducing us to all the characters involved, we have Lena (Serratos) a young woman questioning her relationship choice, Raymond (Martin) working hard at school and a job for Duane (Oyelowo), Kevin (Trautmann) an angry young man who doesn’t enjoy his life where his mother has caused problems, Dre (Ross) a young man that is finally achieving his grades but won’t leave his past behind him and Carley (Snow) a student that is studying law. All of this is leads to a carjacking gone wrong.
The carjacking includes an injured Lena being cared for by Carley after Kevin gets into the mind-set of trying to impress the local gang that Dre gets dragged into supporting his friend.
96 Minutes is a drama thriller that shows the effects of one wrong moment in life, we see how these four people are trying to start something in their lives but when they clash each person’s life will be changed. The film shows how the four characters are average everyday people that shows us how easily anyone could fall into the events. The story does bounce between showing us the normal lives of our characters and the carjacking which shows the character’s mind-sets are through each situation. This is a very powerful drama that is very good to watch.
Actor Review
Brittany Snow: Carley is the law student that is about to graduate but without her father seeing the important part of her life. She finds herself on the wrong end of a carjacking where she must tend to the wounds Lena has received. Brittany showed she can pull off a serious role to go against her more commercial roles.carley
Christian Serratos: Lena is a fellow student that is having an awful day when she discovers her boyfriend is seeing someone else, she then wrecks her car and just wanting to go home she finds herself injured during a carjacking. Christian is great in this role even with half of the film she finds herself injured.
J Michael Trautmann: Kevin is an angry young man who lives with his constantly abused mother while trying to impress the local gang. He is good friends with Dre who tries to calm him down but this only leads to him jacking Carley’s car putting Dre’s future at risk too. J is also great in this role showing how easily young men can be pushed into committing crimes.
Evan Ross: Dre is a young man from the wrong neighbourhood who has achieved something by graduating and wants to show Kevin the future he could one day have. He ends up being the driver in the carjacking but wants to do the right thing. Evan gives us a great performance where he shines through.dre
Support Cast: 96 Minutes has a supporting cast that really works well with our main four characters.
Director Review: Aimee Lagos – Aimee gives us a powerful drama that keeps us on edge wondering what is happens next.
Thriller: 96 Minutes keeps us wondering what will happen to our characters next as the story unfolds.
Settings: 96 Minutes shows the two worlds clashing with two boys coming from the wrong side of town trying to make their own future while the girls show where the next stage will be.
Suggestion: 96 Minutes is one I think everyone should watch at least once. (Watch)
Best Part: Performances are brilliant.
Worst Part: Jumping between the two sometimes comes off confusing.
Believability: Inspired by true events.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 33 Minutes
Tagline: Out of options. Out of control. Out of time.
Overall: Brilliant drama that really sucks you in to see one life changing events.
https://moviesreview101.com/2016/05/31/96-minutes-2011/
The carjacking includes an injured Lena being cared for by Carley after Kevin gets into the mind-set of trying to impress the local gang that Dre gets dragged into supporting his friend.
96 Minutes is a drama thriller that shows the effects of one wrong moment in life, we see how these four people are trying to start something in their lives but when they clash each person’s life will be changed. The film shows how the four characters are average everyday people that shows us how easily anyone could fall into the events. The story does bounce between showing us the normal lives of our characters and the carjacking which shows the character’s mind-sets are through each situation. This is a very powerful drama that is very good to watch.
Actor Review
Brittany Snow: Carley is the law student that is about to graduate but without her father seeing the important part of her life. She finds herself on the wrong end of a carjacking where she must tend to the wounds Lena has received. Brittany showed she can pull off a serious role to go against her more commercial roles.carley
Christian Serratos: Lena is a fellow student that is having an awful day when she discovers her boyfriend is seeing someone else, she then wrecks her car and just wanting to go home she finds herself injured during a carjacking. Christian is great in this role even with half of the film she finds herself injured.
J Michael Trautmann: Kevin is an angry young man who lives with his constantly abused mother while trying to impress the local gang. He is good friends with Dre who tries to calm him down but this only leads to him jacking Carley’s car putting Dre’s future at risk too. J is also great in this role showing how easily young men can be pushed into committing crimes.
Evan Ross: Dre is a young man from the wrong neighbourhood who has achieved something by graduating and wants to show Kevin the future he could one day have. He ends up being the driver in the carjacking but wants to do the right thing. Evan gives us a great performance where he shines through.dre
Support Cast: 96 Minutes has a supporting cast that really works well with our main four characters.
Director Review: Aimee Lagos – Aimee gives us a powerful drama that keeps us on edge wondering what is happens next.
Thriller: 96 Minutes keeps us wondering what will happen to our characters next as the story unfolds.
Settings: 96 Minutes shows the two worlds clashing with two boys coming from the wrong side of town trying to make their own future while the girls show where the next stage will be.
Suggestion: 96 Minutes is one I think everyone should watch at least once. (Watch)
Best Part: Performances are brilliant.
Worst Part: Jumping between the two sometimes comes off confusing.
Believability: Inspired by true events.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 33 Minutes
Tagline: Out of options. Out of control. Out of time.
Overall: Brilliant drama that really sucks you in to see one life changing events.
https://moviesreview101.com/2016/05/31/96-minutes-2011/
Bong Mines Entertainment (15 KP) rated Lie to Me - Single by Veronica Fusaro in Music
Jun 17, 2019
Veronica Fusaro is a 22-year-old singer-songwriter from Thun, Switzerland. Not too long ago, she released a music video for her “lie to me” single.
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
Darren (1599 KP) rated Dixieland (2015) in Movies
Jul 25, 2019
Story: One Last Score starts as young man Kermit (Zylka) is release from prison and returning to the preverbal wrong side of the tracks where the families struggle to make ends meet. He returns home to his mother Arletta (Hill) who wants him to stay out of trouble, his neighbour Rachel (Keough) who is working to help care for her sick mother, with her latest job being as a stripper.
Kermit and Rachel strike up a friendship for the bonding of their own struggles, supporting each other through this tough time. This brings Kermit back to the life of crime, the one he promised to star away from in an attempt to escape the dead-end town with Rachel.
Thoughts on One Last Score
Characters – Kermit is the former criminal that returns to his trailer park home to try and rebuild his life, he wants to be a barber, but is drawn back into his life of crime as he falls in love with Rachel and the two want to escape their dead-end town. Rachel is trying to help her mother paying for medical bills which leads her to a life of stripping, the two bond and plan to escape this life and start over.
Performances – Chris Zylka is good in the leading role, he works well with Riley as we see just how desperate his makes his character feel in what seems like a hopeless situation. Riley Keough shows her talent in this role as the woman that is left with her back against the wall.
Story – The story here shows the tough lives people can be living in America with little money, we see how two people that have turned to a life they didn’t want try to make ends meet in an attempt to escape this style of living. This shows us how another side of America lives which isn’t the side that gets shown enough, the side that are forced into lives they can’t handle, that are dangerous and at times illegal. The pace of the story is slow, but that does help the final pay off in the story which makes you think at times.
Crime – The crime world that Kermit is going into is only scratched on the surface, while we know he doesn’t want to be deeper in, this shows us how on the lines he wants to be to survive.
Settings – The film shows us with the settings the poorer parts of America, the ones living in the trailer parks trying just to get by each day, this helps us understand the characters struggles.
Scene of the Movie – The Lake.
That Moment That Annoyed Me – The strange interviews through the movie, while I understand it reflects real life people, we lose something about the characters we are following.
Final Thoughts – This is a slow burning story that shows the tough times in America, it shows the desperation for two people to escape in a job they would never want to do, but must do.
Overall: Bleak view on America
Kermit and Rachel strike up a friendship for the bonding of their own struggles, supporting each other through this tough time. This brings Kermit back to the life of crime, the one he promised to star away from in an attempt to escape the dead-end town with Rachel.
Thoughts on One Last Score
Characters – Kermit is the former criminal that returns to his trailer park home to try and rebuild his life, he wants to be a barber, but is drawn back into his life of crime as he falls in love with Rachel and the two want to escape their dead-end town. Rachel is trying to help her mother paying for medical bills which leads her to a life of stripping, the two bond and plan to escape this life and start over.
Performances – Chris Zylka is good in the leading role, he works well with Riley as we see just how desperate his makes his character feel in what seems like a hopeless situation. Riley Keough shows her talent in this role as the woman that is left with her back against the wall.
Story – The story here shows the tough lives people can be living in America with little money, we see how two people that have turned to a life they didn’t want try to make ends meet in an attempt to escape this style of living. This shows us how another side of America lives which isn’t the side that gets shown enough, the side that are forced into lives they can’t handle, that are dangerous and at times illegal. The pace of the story is slow, but that does help the final pay off in the story which makes you think at times.
Crime – The crime world that Kermit is going into is only scratched on the surface, while we know he doesn’t want to be deeper in, this shows us how on the lines he wants to be to survive.
Settings – The film shows us with the settings the poorer parts of America, the ones living in the trailer parks trying just to get by each day, this helps us understand the characters struggles.
Scene of the Movie – The Lake.
That Moment That Annoyed Me – The strange interviews through the movie, while I understand it reflects real life people, we lose something about the characters we are following.
Final Thoughts – This is a slow burning story that shows the tough times in America, it shows the desperation for two people to escape in a job they would never want to do, but must do.
Overall: Bleak view on America