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BankofMarquis (1832 KP) rated Cold War (2018) in Movies
Feb 15, 2019
A meditation on love
There are some movies that I can bang the review out the moment I leave the theater (for example, ANY movie starring Dwayne "The Rock" Johnson). There are other films that I need to sit with for a few days and sort out my feelings and thoughts about them. Such is the case with the Polish film COLD WAR.
I am an "Oscar completist" and, thus, needed to see this film, not because I am a big fan of foreign films or because I am culturally literate, but because the Director of this film, Pawel Pawlikowski, was nominated for an Oscar for Best Director.
And I'm glad I saw this film, for COLD WAR is a rich, thoughtful, meditation on love and sacrifice that is full of mood and emotion. This film was conceived, written and directed by Pawlikowski and it shows on the screen. There is much heart on display here. It is said that Pawlikowski patterned the two lead characters after the tumultuous relationship of his parents (he even gave them his parents name), so I gotta think there is some knowledge and depth to these characters and their situations that resonate.
I walked into this film not knowing much about the plot or characters and this actually worked in the favor of the film, so I won't say much about it now except to say that this film follows the characters Zula (Joanna Kulig) and Wiktor (Tomasz Kot) as they experience life and love in Poland in the years just following WWII, the "Cold War" years.
As far as the acting goes, both Kulig and Kot are strong and they share a rich chemistry with each other. The film crackled when these two personalities were on the screen together and didn't crackle when they weren't together, so that must say something for their performances. Anyone else on the screen is "fine" (read: forgettable) in service of the plot and the two leads.
But, make no mistake, this film is a Director's film and Pawlikowski deserves the Academy Award nomination he received. The scenes are lush, and very "European" (lots of shots of still objects with a single viola playing in the background). The film was shot in black and white and this really helps the "behind the Iron Curtain" feel of things.
This film was also nominated for Best Foreign Language Film, and I think it has a good shot for that award (Pawlikowski is, I feel, a long shot for his award). Which makes this film worth seeing, just know you are getting a Polish language film, centered on two characters, with lots of long, lingering "beauty" shots setting up environment and feel. Don't expect fast pacing and action.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
I am an "Oscar completist" and, thus, needed to see this film, not because I am a big fan of foreign films or because I am culturally literate, but because the Director of this film, Pawel Pawlikowski, was nominated for an Oscar for Best Director.
And I'm glad I saw this film, for COLD WAR is a rich, thoughtful, meditation on love and sacrifice that is full of mood and emotion. This film was conceived, written and directed by Pawlikowski and it shows on the screen. There is much heart on display here. It is said that Pawlikowski patterned the two lead characters after the tumultuous relationship of his parents (he even gave them his parents name), so I gotta think there is some knowledge and depth to these characters and their situations that resonate.
I walked into this film not knowing much about the plot or characters and this actually worked in the favor of the film, so I won't say much about it now except to say that this film follows the characters Zula (Joanna Kulig) and Wiktor (Tomasz Kot) as they experience life and love in Poland in the years just following WWII, the "Cold War" years.
As far as the acting goes, both Kulig and Kot are strong and they share a rich chemistry with each other. The film crackled when these two personalities were on the screen together and didn't crackle when they weren't together, so that must say something for their performances. Anyone else on the screen is "fine" (read: forgettable) in service of the plot and the two leads.
But, make no mistake, this film is a Director's film and Pawlikowski deserves the Academy Award nomination he received. The scenes are lush, and very "European" (lots of shots of still objects with a single viola playing in the background). The film was shot in black and white and this really helps the "behind the Iron Curtain" feel of things.
This film was also nominated for Best Foreign Language Film, and I think it has a good shot for that award (Pawlikowski is, I feel, a long shot for his award). Which makes this film worth seeing, just know you are getting a Polish language film, centered on two characters, with lots of long, lingering "beauty" shots setting up environment and feel. Don't expect fast pacing and action.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (977 KP) rated Ant-Man and the Wasp (2018) in Movies
Jun 19, 2019
Following the unexpected and shocking moments from “Avengers: Infinity War”, fans eagerly awaited the next Marvel Studios film for any type of clues as to what will happen next when the next Avengers film arrives next summer. “Ant-Man and the Wasp”, is set before the events of “Avengers: Infinity War”, and finds Scott Lang (Paul Rudd) under home confinement thanks to a plea deal he took for siding with Captain America in “Captain America: Civil War”.
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
The years of being at home have driven Scott to find creative ways to entertain himself when his friend Luis (Michael Pena) and his daughter Cassie are not around. Scott is nearing the end of his isolation but knows F.B.I. Agent Woo (Randall Park), is waiting for him to slip up and with a possible twenty year prison term in the balance, he is not eager to make any mistakes.
Scott is also on the outs with Hope (Evangeline Lilly) and her father Hank (Michael Douglas) as it is revealed he took the Ant-Man suit and took part in the Civil War without their permission.
Fate intervenes when a strange dream causes Scott to contact Hope who in turn takes a reluctant Scott along with her to get to the bottom of the dream. Scott is naturally reluctant as he is days away from freedom and being discovered out and about and consorting with his wanted former associates would not be good for his eventual freedom.
A shady tech dealer named Sonny Burch (Walton Goggins) and a dangerous new adversary named “Ghost” (Hannah John-Kamen) also complicate matters and force Scott, Hope, and Hank to contend with issues all around them as the race against time on an urgent mission while trying to stay away from Woo and his team.
The film is a bit slow getting started but it does have some great character moments as well as humor around the build-up to the action sequences. The action when it comes mixes some great visual FX with some humor as Hope and Scott jump between everyday items at various sizes to face the threats presented to them. The cast works very well with one another and there are some great moments that will likely become favorites for fans of the characters and Marvel.
The Ghost is a rather interesting choice as an adversary as we do not have an individual bent on conquest, revenge, mass destruction, or accumulating power and wealth. While it may seem odd to have a more down to earth and relatable villain in a Marvel film, it does continue a recent trend of showing of adversaries who are complex, harder to define, and sympathetic much like The Winter Soldier.
There are two scenes in the credits which are very important to the continuity of the Marvel Universe and with “Captain Marvel” due in March 2019, it will likely get fans whipped into overdrive thinking about the possibilities they present.
“Ant-Man and the Wasp” is not as epic in scale as some of the past Marvel films, but thanks to a likeable cast and some timely humor, it should keep fans happy until the next chapter in the series.
http://sknr.net/2018/06/27/ant-man-and-the-wasp/
Murder Comes to Call
10.0
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The lean years following World War I can lead to desperate acts--even in the quiet English village...
Andy K (10821 KP) rated Wonder Woman (2017) in Movies
Dec 10, 2017
The casting of Gal Gadot (1 more)
The correct spirit and mood for the film/character
Finally seeing Wonder Woman for the first time, I am torn between joining the film's praise bandwagon and complaining about another stupid villain. While I certainly don't want to go back to the cheesy Bane, Poisin Ivy, Mr. Freeze days of old, I also am not a big fan of the generic CGI villain, in this case Ares, God of War. I would think they could come up with a happy medium using The Dark Knight as a basis for a complex, grounded human character.
As for Wonder Woman herself, I thought Gal Gadot was amazing in personality, spirit, and the physical embodiment of Wonder Woman as a modern, yet retro female superhero.
Unfortunately, the film's historical setting and perspective has already been done better in the first Captain America film, but had to be the way they did it to make it close to the comic book origin of the character. The scene where Wonder Woman emerges on the battlefield was very strong as you, the viewer, had been anticipating this moment throughout the first half of the film.
The use of CGI during some of the fight scenes with the Nazi soldiers was poor and looked very false. Even when she jumped great distances, I thought that looked fake and was more believable in a Hulk film or even the Wonder Woman TV series from the 1970s.
I also sorely missed an appearance by the original Wonder Woman, Lynda Carter. They have said they will have her in the next film. They had better. 😊
Overall, I enjoyed the film more than most recent superhero flicks, but in 10 years, won't all these films just start to run together?
As for Wonder Woman herself, I thought Gal Gadot was amazing in personality, spirit, and the physical embodiment of Wonder Woman as a modern, yet retro female superhero.
Unfortunately, the film's historical setting and perspective has already been done better in the first Captain America film, but had to be the way they did it to make it close to the comic book origin of the character. The scene where Wonder Woman emerges on the battlefield was very strong as you, the viewer, had been anticipating this moment throughout the first half of the film.
The use of CGI during some of the fight scenes with the Nazi soldiers was poor and looked very false. Even when she jumped great distances, I thought that looked fake and was more believable in a Hulk film or even the Wonder Woman TV series from the 1970s.
I also sorely missed an appearance by the original Wonder Woman, Lynda Carter. They have said they will have her in the next film. They had better. 😊
Overall, I enjoyed the film more than most recent superhero flicks, but in 10 years, won't all these films just start to run together?
The Bleikovat Event
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