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No Echo in the Sky
Book
No Echo in the Sky is a delightfully written book where Harald Penrose draws on personal experiences...
Silent Landscape at Gallipoli: The Battlefields of the Dardanelles, One Hundred Years on
Book
In our first book, we explored the impact of the fighting on the landscape of the Western Front -...
Ross (3284 KP) rated Malice: Book One of the Faithful and the Fallen in Books
Dec 1, 2017
The action (1 more)
The hints of the epic story still to come
The number of characters and places to try and remember (1 more)
A little long and derivative
This book, the first in a series of four, chronicles the beginning hints at the coming God-War, a time when the forces of good and evil will battle for the world (pretty standard fantasy fayre), with prophecies unfolding and battles for thrones.
The book moves between different character PoVs, which is fairly common these days, but I found some of the characters to be indistinguishable. For the first third of the book, if the PoV was Camlin, Kastell or Veradis I struggled to remember who he was or what he had been doing. This did start to improve around the halfway mark, but it is quite a slog at times to remember the events preceding this chapter.
The bulk of the book, however, follows Corban, a young blacksmith's son hoping to become a warrior some day, but is stuck working his da's forge, helping stablemaster Gar or apprenticing to healer Brina. His development over the book is well told, he doesn't suddenly become a master swordsman but at the same time we don't have to sit through chapter after chapter of him learning sword forms (Rand al Thor could learn a lot from Corban!).
Along the way, Corban has also become friends with a wild wolven (giant wolves hunted near extinction), whom he raised from a pup. Yes, exactly like the Stark children in GoT. Leave it.
The political intrigue and manoeuvring throughout the book is great as events seeming to be based on one king/queen's ambitions actually turn out to be based on another's treachery.
The battle scenes are well told and believable without the main characters always escaping unscathed.
The book finished with a number of deceptions uncovered and the main group of characters fleeing for their lives, with more secrets to be uncovered.
The book moves between different character PoVs, which is fairly common these days, but I found some of the characters to be indistinguishable. For the first third of the book, if the PoV was Camlin, Kastell or Veradis I struggled to remember who he was or what he had been doing. This did start to improve around the halfway mark, but it is quite a slog at times to remember the events preceding this chapter.
The bulk of the book, however, follows Corban, a young blacksmith's son hoping to become a warrior some day, but is stuck working his da's forge, helping stablemaster Gar or apprenticing to healer Brina. His development over the book is well told, he doesn't suddenly become a master swordsman but at the same time we don't have to sit through chapter after chapter of him learning sword forms (Rand al Thor could learn a lot from Corban!).
Along the way, Corban has also become friends with a wild wolven (giant wolves hunted near extinction), whom he raised from a pup. Yes, exactly like the Stark children in GoT. Leave it.
The political intrigue and manoeuvring throughout the book is great as events seeming to be based on one king/queen's ambitions actually turn out to be based on another's treachery.
The battle scenes are well told and believable without the main characters always escaping unscathed.
The book finished with a number of deceptions uncovered and the main group of characters fleeing for their lives, with more secrets to be uncovered.
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Narcos: Pablo's Adventure
Games
App
Plata o Plomo ! Narcos: Pablo's Adventure is the perfect game for everyone who loves to play...
RR
Running Recon: A Photo Journey with SOG Special Ops Along the Ho Chi Minh Trail
Book
A combination memoir and combat photography book, Running Recon reflects both the author's...
The Captain's Pet (Alien Slave Masters #1)
8.0
Rate It
Book
When a distant planet’s ownership is in dispute, conquering aliens turn defiant human males into...
Science Fiction MM Erotic Romance BDSM
The Ludicrous Laws of Old London
Book
London abounds with all manner of ludicrous laws, and not all of these curious statutes have been...
Emma @ The Movies (1786 KP) rated Ant-Man and the Wasp (2018) in Movies
Sep 25, 2019
Yes Infinity War was good... but for me, Ant-Man And The Wasp was better. Yes IW was epic and devastating, but out of the two I didn't have any quibbles about this one. The CGI was what really did it for me. In IW Thanos' minions looked terrible, even when you take into consideration that they're aliens. But seeing the CGI in the flashback scenes in this one I was impressed at how real it all looked.
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
This is another film that makes me wish companies would think before they make their trailers. Fallout showed you a trailer that makes it look like Cavill is fighting Cruise and gives away a plot point that, at that point in the actual film, isn't certain. Fallen Kingdom shows you the shot of our giant aquatic friend playing with surfers, which in the actual movie doesn't happen until the closing scenes. In one of the Ant-Man trailers we see what amounts to the end of credits scene... yes there are things that are added to fit with the MCU timeline, but I don't feel like that really makes any difference to the situation. I also think that they should have left the shrinking building out of the trailers to give that a bigger impact in the release.
As far as the movies of the MCU go there are definitely some that are on the funnier side, and this fits that bill. Paul Rudd is obviously still a little goofy, and has an amazing montage sequence as he battles with his last few days of house arrest. But the real comedic star of this for me was Michael Peña. Lovable and an absolute gem. His face when he gets his hands on the Hot Wheels case... kid in a candy store. I truly hope that he survived the dusting of Infinity War. Pipe dreams I know, but I'm hoping he makes it through so he can Neville Longbottom Thanos.
To briefly cover the mid credit scene, which obviously left me with my jaw dropped a bit. There's one thing I'm wondering about, Scott says... "our new ghost friend"... now initially you'd think that he's talking about Ava, but she went off separately at the end of the film and it's got to take a fairly long time to make a new Quantum Tunnel, so could he be talking about someone else?
I still don't quite understand the decision to release this after IW considering the film itself is based before in the timeline, the only thing requiring it to be that way were the after credit scenes. Bit of a shame as I feel like after the epic nature of IW this has suffered as it's not on the same world ending and story completing level
Gareth von Kallenbach (977 KP) rated The 5th wave (2016) in Movies
Jun 19, 2019
Films about invaders from space have been a staple of film and television since the golden age of cinema. Playing on many Cold War fears in the aftermath of W.W.II, aliens bent on destruction has been an enduring staple of cinematic culture.
In the new film “The 5th Wave” which is based on the book of the same name, Chloe Grace Moretz plays Cassie, a teen who has her entire life turned upside down by the arrival of a mysterious craft. A few days after the arrival of “the Others” as they are known, a pulse wipes out all electronics on the planet. This is soon followed by tsunamis and earthquakes as well as disease and death.
Cassie along with her father and brother find shelter but their community is soon disrupted by the arrival of the military who say that the invaders are now amongst them and posing as humans.
The military under the leadership of Colonel Vosch (Liev Schreiber) has a plan to train the children to spot and defeat the alien invaders thus setting in motion the main conflict of the film. The secondary story consists of Cassie attempting to reunite with her family and her relationship with a mysterious stranger named Evan (Alex Roe).
The film is clearly aimed at a young adult market and as such I was able to spot the big twist in the film a long ways off as the clues were blatantly obvious to me. That being said, the film is better than you might expect and being the first chapter in a trilogy of books does set up the possibilities of sequels.
The dialogue and acting is pretty groan inducing at times, but again, remember the target audience, the film should entertain and it is nice to see Moretz deliver a solid performance in what in many ways could have been a limited role.
While it is not going to make you forget “The Hunger Games” anytime soon, the film is still a decent escape for those willing to overlook the flaws.
http://sknr.net/2016/01/22/the-5th-wave/
In the new film “The 5th Wave” which is based on the book of the same name, Chloe Grace Moretz plays Cassie, a teen who has her entire life turned upside down by the arrival of a mysterious craft. A few days after the arrival of “the Others” as they are known, a pulse wipes out all electronics on the planet. This is soon followed by tsunamis and earthquakes as well as disease and death.
Cassie along with her father and brother find shelter but their community is soon disrupted by the arrival of the military who say that the invaders are now amongst them and posing as humans.
The military under the leadership of Colonel Vosch (Liev Schreiber) has a plan to train the children to spot and defeat the alien invaders thus setting in motion the main conflict of the film. The secondary story consists of Cassie attempting to reunite with her family and her relationship with a mysterious stranger named Evan (Alex Roe).
The film is clearly aimed at a young adult market and as such I was able to spot the big twist in the film a long ways off as the clues were blatantly obvious to me. That being said, the film is better than you might expect and being the first chapter in a trilogy of books does set up the possibilities of sequels.
The dialogue and acting is pretty groan inducing at times, but again, remember the target audience, the film should entertain and it is nice to see Moretz deliver a solid performance in what in many ways could have been a limited role.
While it is not going to make you forget “The Hunger Games” anytime soon, the film is still a decent escape for those willing to overlook the flaws.
http://sknr.net/2016/01/22/the-5th-wave/