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Goddess in the Stacks (553 KP) rated Forest of a Thousand Lanterns in Books
Jan 11, 2018
A fun blend of Fairy Tales and Asian mythology.
You know I love my Fairy Tales! Especially re-imagining the villains. Forest of a Thousand Lanterns is an Asian take on the evil queen from Snow White. The author is a Vietnamese American, and this is her debut novel. She has quite skillfully woven a new origin story for the wicked stepmother in a fantasy land heavily influenced by East Asian mythology and culture. I don't know enough about the individual countries' mythologies to tell you if the influences come specifically from Vietnam, or more generically from the area. I know that their beliefs can vary pretty wildly by locale.
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
WarFriends: PvP Shooter Game
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7.5
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Battle it out against friends and real-world opponents in WarFriends, the action packed real-time...
Bob Mann (459 KP) rated They Shall Not Grow Old (2018) in Movies
Sep 28, 2021
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
Roald Dahl's Marvellous Medicine
Book
Most people know Roald Dahl as a famous write of children's books and adult short stories, but few...
The Christian Soldier: The Life of Lt. Col. Bernard William Vann, V.C., M.C. and Bar, Croix De Guerre Avec Palmes
Book
Lieutenant Colonel the Rev Bernard William Vann, VC, MC & Bar, Croix de Guerre avec palme, was one...
Taichi Panda 3: Dragon Hunter
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App
Before the world was populated with taichi masters, there existed two dragons borne from the sun and...
Movie Metropolis (309 KP) rated Arrival (2016) in Movies
Jun 11, 2019
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
RəX Regent (349 KP) rated Downfall (Der Untergang) (2004) in Movies
Feb 19, 2019
The true story of the last days of NAZI Germany, focusing on Hitler and his cohorts as they sought refuge on his Berlin Bunker and is chronicled here with such honesty.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Connor Sheffield (293 KP) rated Vikings - Season 1 in TV
May 15, 2017
Historically Accurate in terms of culture (2 more)
Doesn't hold back on the gore and grim nature of Vikings
Great Character development
A Historically accurate fantasy series
Vikings was a show that I didn't begin watching until it was already 3 seasons in. However it is a show that I instantly fell in love with because it was very different from any show like it.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Darren (1599 KP) rated Thirteen Days (2000) in Movies
Aug 26, 2019
Verdict: History Lesson
Story: Thirteen Days starts like a normal day in the Kennedy administration, his assistant Kenny O’Donnell (Costner) joins the President John F Kennedy (Greenwood), his brother Robert F Kennedy (Culp) and advisers from every side for an emergency meeting.
The meeting is called to discuss the appearance of nuclear warheads in Cuba, believing Russia are moving to a closer position which could destroy large parts of America in minutes. What follows in Kenny trying to help JFK make the smartest decision, despite how many different people are advising with multiply options, all leading to one of the most intense stand offs in military history.
Thoughts on Thirteen Days
Characters – Kenny O’Donnell is the assistant advisor to the President, he gives him advice which would see him make decisions which would support the image of the President and the country instead of agree with the fast track answers which would see America go to war, he is the man that people turn to if they are not prepared to challenge the President’s decisions. President John F Kennedy is the man in the middle of the situation, the man that needs to make the final decision after taking on all the advice from his experts, he wants to remain in control of the situation to the best of his ability. Robert F Kennedy is one of the men advising his brother, he knows how John thinks and knows how the help him make the right decisions to remain calm and in control. We do have plenty of different advisors who are trying to offer a plan to what could make this stand off end quicker.
Performances – Kevin Costner is always entertaining to watch in a political movie, this is no different as he plays the pivot to everything going on. Bruce Greenwood as the President is great to watch through the film, with the whole cast looking like they would have been the people they are playing.
Story – The story here follows the events around the Cuba Mission Crisis, from the point of view of the Americans. This does break down to be a political thriller that does keep us on edge as we see all the potential ideas that were thrown out which could have seen the world in a different place if different outcomes had been used, while this is a 2 hour story, we only focus on the different ideas, which is interesting to see. Each person could have their own agenda which could show the mindset of the public during the events. We could have more intense moments, but it just doesn’t really do that much more, which doesn’t display just how dangerous the event could have been.
History – This is a big historical moment and it does show how the people in power were put on panic station when the events started to unfold.
Settings – The film uses the political settings for the most part, which does show us just how the people stayed together through the events of the crisis.
Scene of the Movie – Putting the Admiral in his place.
That Moment That Annoyed Me – We could have had more intense sequences.
Final Thoughts – This is an interesting look at one of the biggest stand offs in modern history, we do see how it could have gone very differently and how everything unfolded.
Overall: Interesting look at history.
Story: Thirteen Days starts like a normal day in the Kennedy administration, his assistant Kenny O’Donnell (Costner) joins the President John F Kennedy (Greenwood), his brother Robert F Kennedy (Culp) and advisers from every side for an emergency meeting.
The meeting is called to discuss the appearance of nuclear warheads in Cuba, believing Russia are moving to a closer position which could destroy large parts of America in minutes. What follows in Kenny trying to help JFK make the smartest decision, despite how many different people are advising with multiply options, all leading to one of the most intense stand offs in military history.
Thoughts on Thirteen Days
Characters – Kenny O’Donnell is the assistant advisor to the President, he gives him advice which would see him make decisions which would support the image of the President and the country instead of agree with the fast track answers which would see America go to war, he is the man that people turn to if they are not prepared to challenge the President’s decisions. President John F Kennedy is the man in the middle of the situation, the man that needs to make the final decision after taking on all the advice from his experts, he wants to remain in control of the situation to the best of his ability. Robert F Kennedy is one of the men advising his brother, he knows how John thinks and knows how the help him make the right decisions to remain calm and in control. We do have plenty of different advisors who are trying to offer a plan to what could make this stand off end quicker.
Performances – Kevin Costner is always entertaining to watch in a political movie, this is no different as he plays the pivot to everything going on. Bruce Greenwood as the President is great to watch through the film, with the whole cast looking like they would have been the people they are playing.
Story – The story here follows the events around the Cuba Mission Crisis, from the point of view of the Americans. This does break down to be a political thriller that does keep us on edge as we see all the potential ideas that were thrown out which could have seen the world in a different place if different outcomes had been used, while this is a 2 hour story, we only focus on the different ideas, which is interesting to see. Each person could have their own agenda which could show the mindset of the public during the events. We could have more intense moments, but it just doesn’t really do that much more, which doesn’t display just how dangerous the event could have been.
History – This is a big historical moment and it does show how the people in power were put on panic station when the events started to unfold.
Settings – The film uses the political settings for the most part, which does show us just how the people stayed together through the events of the crisis.
Scene of the Movie – Putting the Admiral in his place.
That Moment That Annoyed Me – We could have had more intense sequences.
Final Thoughts – This is an interesting look at one of the biggest stand offs in modern history, we do see how it could have gone very differently and how everything unfolded.
Overall: Interesting look at history.