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Forest of a Thousand Lanterns
Forest of a Thousand Lanterns
Julie C. Dao | 2017 | Science Fiction/Fantasy
8
7.5 (4 Ratings)
Book Rating
A fun blend of Fairy Tales and Asian mythology.
You know I love my Fairy Tales! Especially re-imagining the villains. Forest of a Thousand Lanterns is an Asian take on the evil queen from Snow White. The author is a Vietnamese American, and this is her debut novel. She has quite skillfully woven a new origin story for the wicked stepmother in a fantasy land heavily influenced by East Asian mythology and culture. I don't know enough about the individual countries' mythologies to tell you if the influences come specifically from Vietnam, or more generically from the area. I know that their beliefs can vary pretty wildly by locale.

That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.

There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.

There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!

If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
They Shall Not Grow Old (2018)
They Shall Not Grow Old (2018)
2018 | Documentary, History, War
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.

The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.

These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).

It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.

Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.

But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.

3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.

Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.

I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:

Peace

At last O Lord the Day has come,

And hushed is now the noise of guns.

Peace is proclaimed over land and sea,

Our heartfelt thanks we give to Thee.

I thank thee Father for Thy care,

That thou hasn’t answered all my prayers.

This day I see in manhood’s strength,

The Peace we longed for, come at length.

O may my future actions be,

Worthy of all Thy care to me.

Let me forget not Thy Great Love,

Remembering chums who live Above.

I.G.H. 11/11/1918, France.
  
Arrival (2016)
Arrival (2016)
2016 | Drama, Mystery, Sci-Fi
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.

What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?

From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.

Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.

Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.

Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.

When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.

In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.

Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.

https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/