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Lee (2222 KP) rated Train to Busan (2016) in Movies
Jul 27, 2017
Zombies on a train!
Taking the very simple concept of ‘zombies on a train’, this isn’t just one of the best zombie movies I’ve ever seen, it’s one of the best movies I’ve seen in recent years – period!
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.
This South Korean movie doesn’t waste much time in setting the scene – a banker agrees to take his daughter by train to visit her mother in Busan. But as the train pulls out of the station, a zombie epidemic breaks out. And the last person to rush through the closing train doors appears to be a little bit unwell…
The epidemic quickly spreads throughout the train and those who are left must act quickly to seal off the carriages and try to work out how to make it to their loved ones who they’ve become separated from in other carriages. Like 28 days later, or World War Z, our zombies move quickly and aren’t afraid to climb all over each other in their ravenous pursuit of the living, piling themselves up against glass walls and doors in order to break through, then continuing to chase with broken, contorted limbs. In an interesting twist though, these zombies work on their sense of sight a lot more than smell or hearing, something which works to the advantage of the living as the train rockets through dark tunnels for minutes at a time.
As the living quickly start dwindling in numbers, we’re left with a pretty good and varied selection of characters. Among them – our hero and his young daughter, a man and his pregnant wife, a bunch of high school kids, a couple of elderly sisters and a selfish businessman who’s out for himself. After a brief stop at a supposedly safe station turns out to be overrun by hordes of zombies, the survivors barely make it back onto the train and continue on their way to Busan, rumoured to be a safe haven.
Aside from the highly enjoyable zombie action, there’s plenty of human emotion and sadness, along with some great performances from all involved. This is a highly innovative and serious enjoyable thrill ride and I cannot recommend it enough.
Hazel (1853 KP) rated Janna of Castle Ambrose in Books
Sep 10, 2019
Janna of Castle Ambrose is the first book in The Serpent Riders series by the versatile Jordan Elizabeth. Set in the fictional land of Hamlin, Janna, who lives in Castle Ambrose, loses her father, brother and sister when an usurper invades the kingdom and slaughters hundreds of people. From then on, Janna has vows that the new king will be destroyed, however, it is not until she is 18 and discovers two of her friends are alive and imprisoned in the capital city that Janna finds the will-power to escape her tattered home and put the world to rights.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
Hancock's Half Hour: 20 Episodes of the Classic BBC Radio Comedy Series: Series 5
Alan Simpson, Sid James, Ray Galton and Tony Hancock
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The complete fifth series of the legendary BBC Radio comedy series starring Tony Hancock. Created by...
Sammy Davis Jr.: A Personal Journey with My Father
Tracey Davis and Nina Bunche Pierce
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Nicknamed Mr. Show Business, Sammy Davis Jr. was a consummate performer who sang, danced, and acted...
An Uncommon Protector
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Overwhelmed by the responsibilities of running a ranch on her own, Laurel Tracey decides to hire a...
Gifts for the Season: Winter & Christmas MM Charity Anthology
Garrett Leigh, RJ Scott, Felice Stevens, Annabeth Albert, Eli Easton, Annabelle Jacobs, V.L. Locey, A.E. Via, Amber Kell, Posy Roberts, Suki Fleet, Clare London, Joanna Chambers, Lane Hayes and Alex Jane
8.0
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All proceeds donated to The Trevor Project - you can find out about the wonderful things they do...
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WarFriends: PvP Shooter Game
Games
7.5
Rate It
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Battle it out against friends and real-world opponents in WarFriends, the action packed real-time...
Goddess in the Stacks (553 KP) rated Forest of a Thousand Lanterns in Books
Jan 11, 2018
A fun blend of Fairy Tales and Asian mythology.
You know I love my Fairy Tales! Especially re-imagining the villains. Forest of a Thousand Lanterns is an Asian take on the evil queen from Snow White. The author is a Vietnamese American, and this is her debut novel. She has quite skillfully woven a new origin story for the wicked stepmother in a fantasy land heavily influenced by East Asian mythology and culture. I don't know enough about the individual countries' mythologies to tell you if the influences come specifically from Vietnam, or more generically from the area. I know that their beliefs can vary pretty wildly by locale.
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Bob Mann (459 KP) rated They Shall Not Grow Old (2018) in Movies
Sep 28, 2021
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
Roald Dahl's Marvellous Medicine
Book
Most people know Roald Dahl as a famous write of children's books and adult short stories, but few...
Lisa-Lou (28 KP) Aug 7, 2017