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Movie Metropolis (309 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Jun 10, 2019
The Transformers of the superhero genre
It feels like eons ago that Batman v Superman was announced as a genuine movie. Way back in 2007 there was a poster that seemed to signify DC Comic’s plans in I am Legend, but fans just thought of it as a pipedream.
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
Kristy H (1252 KP) rated The Cutaway in Books
Feb 13, 2018
Virginia Knightly is a busy TV news producer. She's constantly juggling a million stories, cultivating her on-air talent, and appeasing whatever news director has been currently assigned to "revamp" her station and raise ratings. It's a typical day for Virginia when she sees a flyer come across her desk for a missing woman. But something in the woman's eyes in the fuzzy black and white poster haunt Virginia, and she becomes oddly attached to the case of Evelyn "Evie" Carney, a young, married lawyer who disappeared after dining with her husband (and informing him she wanted a divorce). It seems as if the DC police are more involved in Evie's case than Virginia would expect: perhaps even the Department of Justice. What happened to Evie, and is Virginia safe looking into her disappearance?
This seems to be yet another novel where I'm a bit of the minority here, but I just could not get into this one. The premise seemed intriguing (and of course, it was compared to all the popular thrillers du jour, which really doesn't do books favors these days). At times, I almost gave up on this book, which is not like me. First of all, instead of just focusing on the plot of Evie's disappearance, there is a ton (I mean a ton) of time focused on the in-fighting and arguing at the news station, which majorly detracts from the actual mystery plot. I found it juvenile and irritating. Because of this, quickly, I didn't like or care for any of the characters or their relationships whatsoever. Unfortunately, that never really changed. So much seemed to be going on in the book (including Virginia's own personal relationships: with the lead cop investigating Evie's case, her father, the main talent at the station) but so little of it related to Evelyn and her disappearance. A lot of loose ends never seemed to be tied up. I often found myself cringing at the dialogue.
It's sad, because, at times, the actual plot relating to Evelyn is good. I continually found myself wishing there was more of it. There's also a lot of telling versus showing, but I did find myself getting into the various pieces related to Evie. (It certainly makes you hope nothing bad ever happens to you, between the issues at the police department and various levels of justice.) I enjoyed that the story was set in a familiar location for me (Washington, DC). I did guess many of the main plot points, which was a little disappointing, including something you could see coming from the beginning of the story. The whole thing is so convoluted, with so many personal entanglements thrown in, that it's hard to believe at times. Virginia's obsession over Evie's disappearance is strange, and although a rather unbelievable reason will be given near the end, you spend the entire wondering why she's so fanatical. Apparently, while working in news, Kovac covered the Chandra Levy story, and you can see that in this tale at times. This is definitely a first novel, and there are glimmers of hopes for a second. Unfortunately, this one just wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This seems to be yet another novel where I'm a bit of the minority here, but I just could not get into this one. The premise seemed intriguing (and of course, it was compared to all the popular thrillers du jour, which really doesn't do books favors these days). At times, I almost gave up on this book, which is not like me. First of all, instead of just focusing on the plot of Evie's disappearance, there is a ton (I mean a ton) of time focused on the in-fighting and arguing at the news station, which majorly detracts from the actual mystery plot. I found it juvenile and irritating. Because of this, quickly, I didn't like or care for any of the characters or their relationships whatsoever. Unfortunately, that never really changed. So much seemed to be going on in the book (including Virginia's own personal relationships: with the lead cop investigating Evie's case, her father, the main talent at the station) but so little of it related to Evelyn and her disappearance. A lot of loose ends never seemed to be tied up. I often found myself cringing at the dialogue.
It's sad, because, at times, the actual plot relating to Evelyn is good. I continually found myself wishing there was more of it. There's also a lot of telling versus showing, but I did find myself getting into the various pieces related to Evie. (It certainly makes you hope nothing bad ever happens to you, between the issues at the police department and various levels of justice.) I enjoyed that the story was set in a familiar location for me (Washington, DC). I did guess many of the main plot points, which was a little disappointing, including something you could see coming from the beginning of the story. The whole thing is so convoluted, with so many personal entanglements thrown in, that it's hard to believe at times. Virginia's obsession over Evie's disappearance is strange, and although a rather unbelievable reason will be given near the end, you spend the entire wondering why she's so fanatical. Apparently, while working in news, Kovac covered the Chandra Levy story, and you can see that in this tale at times. This is definitely a first novel, and there are glimmers of hopes for a second. Unfortunately, this one just wasn't for me.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 03/21/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Joe Goodhart (27 KP) rated Wonder Woman & Justice League Dark: The Witching Hour in Books
Nov 30, 2020
Marvel continues to push me away, as the comics market is littered with bad editorial decisions and choices. With me, all it has succeeded in doing was alienating me and reminding me of how much I love DC (despite the trainwreck of lateness that is DOOMSDAY CLOCK)... especially the character of Superman!
That said, I have been playing catch-up with a number of titles, as I try to determine which ones I will specifically be subscribed to on Comixology. Besides the Bendis-helmed SUPERMAN books, I am also leaning toward JUSTICE LEAGUE DARK as the next one to add to the list. It was with the conclusion of WW & JLD: THE WITCHING HOUR that the decision to add JLD to my subscription list was cemented!
I knew of Tynion's name prior to undertake the reading of it. Not really familiar to his writing style, just that his name carries a lot of weight in the comic world. Having witnessed his writing here, I can see where that aforementioned "weight" comes from. Seriously, this was a solid read, from beginning to end!
I feel that Zatanna is a character that most people don't seem to get write, which seems odd unto itself. However, here, she was frikkin' brilliant! Strong-willed, with a good heart and moral compass. I wasn't sure how I would like her without her token "top hat, coattails and fishnets", but I did (partly due also to recent mental changes on my part, as I find myself looking at the female characters, in both the DC Universe as well as Marvel, as more than just "fanboy eye candy")! With Tynion's writing, as well as the uber-talents of Jesus Merino, Amanuela Lupachino, Alvaro Martinez Bueno, Fernando Blanco and Miguel Mendonca on art, Zee was truly in good hands!
Swamp Thing was another who I wasn't sure how he would be handled by someone other than Alan Moore (who, whether he's a kook now or not now, was still one of the best ST writers, outside of ST's creator, Len Wein). My fears and initial apprehension were quickly dispelled, as Tynion, along with the aforementioned artists on this story, turned out out one hell of a good Earth Elemental! I even found myself warming to the faux floral dreds that Swampy was sportin'!
Besides my excitement at how well Zee and ST were handled, the rest of the players, including Wonder Woman, were written well, with attention given to have them be more than just comic tropes. All the characters contributed to making this a tense, magic-heavy story, with ramifications carrying over into the JLD regular series.
And one last thing.. Circe. Not really a spoiler, just mentioning her. I always thought her character was kinda meh, especially the garb she had been given over the years. However, here, Tynion did awesome things with her, writing (and dressing) in a manner that would not be out of place in SANDMAN! Soooo COOL!!!
Look, if you like your brain to be crushed by angst and characters who keep getting rebooted what seems like every/every other year, then, by all means, continue to ride the Marvel Trainwreck. If you want a story you can sink your teeth into, then look no further. This truly one I can not recommend enought!
That said, I have been playing catch-up with a number of titles, as I try to determine which ones I will specifically be subscribed to on Comixology. Besides the Bendis-helmed SUPERMAN books, I am also leaning toward JUSTICE LEAGUE DARK as the next one to add to the list. It was with the conclusion of WW & JLD: THE WITCHING HOUR that the decision to add JLD to my subscription list was cemented!
I knew of Tynion's name prior to undertake the reading of it. Not really familiar to his writing style, just that his name carries a lot of weight in the comic world. Having witnessed his writing here, I can see where that aforementioned "weight" comes from. Seriously, this was a solid read, from beginning to end!
I feel that Zatanna is a character that most people don't seem to get write, which seems odd unto itself. However, here, she was frikkin' brilliant! Strong-willed, with a good heart and moral compass. I wasn't sure how I would like her without her token "top hat, coattails and fishnets", but I did (partly due also to recent mental changes on my part, as I find myself looking at the female characters, in both the DC Universe as well as Marvel, as more than just "fanboy eye candy")! With Tynion's writing, as well as the uber-talents of Jesus Merino, Amanuela Lupachino, Alvaro Martinez Bueno, Fernando Blanco and Miguel Mendonca on art, Zee was truly in good hands!
Swamp Thing was another who I wasn't sure how he would be handled by someone other than Alan Moore (who, whether he's a kook now or not now, was still one of the best ST writers, outside of ST's creator, Len Wein). My fears and initial apprehension were quickly dispelled, as Tynion, along with the aforementioned artists on this story, turned out out one hell of a good Earth Elemental! I even found myself warming to the faux floral dreds that Swampy was sportin'!
Besides my excitement at how well Zee and ST were handled, the rest of the players, including Wonder Woman, were written well, with attention given to have them be more than just comic tropes. All the characters contributed to making this a tense, magic-heavy story, with ramifications carrying over into the JLD regular series.
And one last thing.. Circe. Not really a spoiler, just mentioning her. I always thought her character was kinda meh, especially the garb she had been given over the years. However, here, Tynion did awesome things with her, writing (and dressing) in a manner that would not be out of place in SANDMAN! Soooo COOL!!!
Look, if you like your brain to be crushed by angst and characters who keep getting rebooted what seems like every/every other year, then, by all means, continue to ride the Marvel Trainwreck. If you want a story you can sink your teeth into, then look no further. This truly one I can not recommend enought!
Nick Friesen (96 KP) rated Suicide Squad (2016) in Movies
Jul 18, 2017
Margot Robbie's Harley Quinn (2 more)
Will Smith is Actually a Great Deadshot
The Two Seconds Batman is Involved
Weak Story (3 more)
Terrible Villain
PG-13 was an Underwhelming Choice
Most of the Characters are Forgettable
A Half-Assed Suicide (Squad) Attempt
After the success of Deadpool six months prior, an R-Rated anti-hero action movie that pushed the envelope, Suicide Squad just felt weak. The movie about DC's most famous rogues should have took a chance on an R rating as well. There's just something not quite right with these characters participating in a (mostly) family friendly romp. They fight black, faceless zombies, sort-of curse, and sometimes make lame jokes along the way. Along with that, there's too many characters crammed into the movie without any previous introduction or characterization. At the very least, Harley and the Joker should have been in an entire Batman movie before the Suicide Squad movie happened, if not Deadshot as well. Instead we get a miniature helping of Batman versus these foes in the early minutes of the movie, and then this ragtag group of baddies is thrown together to fight an evil bigger than themselves without much in the way of good storytelling. It's sad, really, because these characters are compelling in their own right. If DC really wants to have a cohesive movie universe, they need to slow down and build the movie versions of these characters before slapping them all together and expecting people to care. That, or at least give these awesome anti-heroes an equally awesome antagonist to square off with; the Enchantress is just lame.
RəX Regent (349 KP) rated The Lego Batman Movie (2017) in Movies
Feb 19, 2019
Batman reigns supreme. Dark, Gothic, self important egotist with serious commitment issues. The Lego Batman Movie could have been little more than a cash in on a popular character from the 2014 surprise hit, The Lego Movie (2014), but instead we get a film which would seem to cement the future of this spoof, family entertainment franchise.
The “Real” Batman, as we all know, is struggling along the rest of hid Justice League pals to break back in to big leagues, but as long a Marvel are ruling the box office this is an uphill task, but here we have a movie and franchise which is limitless in its possibilities, plotting and imagination as anything and everything can be pulled out for the bag for the most entertaining, if not bizarre mash ups imaginable.
Not just limiting himself to DC, director, Chris McKay of Robot Chicken fame, other movies and toys of all ages can band together to create these plots but that said, these are not just cynical product placements, they are taken from the minds of the audience, whether they be three years old or 80, as Batman is himself referenced to be in this film.
Also, drawing on Batman’s long and lavish history as much as possible, we have it all, from the earliest comics, theatrical serials, every previous feature film and a few new twists to be thrown in at will. In short, this is as much fun as you can imagine and it lives up to its potential if not surpassing it from the opening black frames to the final credit.
Recommended for all the family whether you are Batman fans or not.
The “Real” Batman, as we all know, is struggling along the rest of hid Justice League pals to break back in to big leagues, but as long a Marvel are ruling the box office this is an uphill task, but here we have a movie and franchise which is limitless in its possibilities, plotting and imagination as anything and everything can be pulled out for the bag for the most entertaining, if not bizarre mash ups imaginable.
Not just limiting himself to DC, director, Chris McKay of Robot Chicken fame, other movies and toys of all ages can band together to create these plots but that said, these are not just cynical product placements, they are taken from the minds of the audience, whether they be three years old or 80, as Batman is himself referenced to be in this film.
Also, drawing on Batman’s long and lavish history as much as possible, we have it all, from the earliest comics, theatrical serials, every previous feature film and a few new twists to be thrown in at will. In short, this is as much fun as you can imagine and it lives up to its potential if not surpassing it from the opening black frames to the final credit.
Recommended for all the family whether you are Batman fans or not.
Brecoles Nine (16 KP) rated Aquaman (2018) in Movies
Mar 13, 2019
The Aquaman
Contains spoilers, click to show
Aquaman has never been my favorite hero among DC Comics. Nor have I ever liked him. Once I saw Justice League with Jason Mamoa cast as Arthur Curry/Aquaman, I fell in love with this representation of the character. The movie kept my attention the entire two and a half hours, the scenes were big and beautiful. Mamoa was the perfect choice for the role, everything just fits well with each other. The casting for the entire film was brilliant. There were bits and pieces in the film that my wife and I were sort of chuckling at, not as in humor but more so the designs of some things. (I tagged this review with spoilers because of this.) Arthur finds his mother in the center of the Earth and she explains he has to go fight a big monster to get the ancient trident he so desperately needs, pretty standard superhero stuff right? Arthur does all that stuff, he comes back up and in this beautiful, cinematic scene he's standing there looking at Mera and his Mother, it reveals the "Aquaman Suit." Now, the original Aquaman suit was an orange and green scaled onesie. Which this new suit definitely is, just more metal and pointy parts to it. It was hard to take the suit seriously, and maybe it was because the entire movie we were so used to seeing Jason Mamoa shirtless, that seeing his torso covered was just strange. Other than a few choice designs in the movie, it was amazing, it was great, it was entertaining. I highly recommend watching it if you haven't already.
LeftSideCut (3776 KP) rated Shazam! (2019) in Movies
May 14, 2019 (Updated Dec 15, 2019)
A refreshing, and often humourous entry into the otherwise troubled DCEU
Contains spoilers, click to show
I went into Shazam! with low expectations, after not being particularly taken with the majority of past DCEU films.
I left feeling pretty positive about the whole goofy experience.
As with most DC material, the film starts on a fairly dark note, introducing us to a young Dr Sivana (a truly old school super villain, dating all the way back to the late 30s).
After a bit of back story as to why he gets all villainy, the movie wastes no time introducing us to Billy Batson (Asher Angel) and the rest of his foster family, and the movie succeeds in making all of the younger characters likable.
After a bit of comic book magic, we're eventually acquainted with the true power of Shazam!
Zachary Levi absolutely shines as he clearly relishes in playing this goofy, excitable teenager trapped in the body of a God. He bounces back and forth with Jack Dylan Grazer pretty well, and for the most part the relentless stream of jokes land nicely.
The film starts to waiver slightly towards the end, as the story hurtles towards a standard comic book movie CGI showdown, with a by the numbers comic book movie performance from Mark Strong, and some sketchy CGI cloud monsters, but it's hard not to grin with the surprise introduction of the Shazam! family (something I would surely expect from a sequel).
Shazam! also struggles at times to balance it's humour with it's more serious beats, but for the most part is an enjoyable origin story that the whole family can enjoy.
I left feeling pretty positive about the whole goofy experience.
As with most DC material, the film starts on a fairly dark note, introducing us to a young Dr Sivana (a truly old school super villain, dating all the way back to the late 30s).
After a bit of back story as to why he gets all villainy, the movie wastes no time introducing us to Billy Batson (Asher Angel) and the rest of his foster family, and the movie succeeds in making all of the younger characters likable.
After a bit of comic book magic, we're eventually acquainted with the true power of Shazam!
Zachary Levi absolutely shines as he clearly relishes in playing this goofy, excitable teenager trapped in the body of a God. He bounces back and forth with Jack Dylan Grazer pretty well, and for the most part the relentless stream of jokes land nicely.
The film starts to waiver slightly towards the end, as the story hurtles towards a standard comic book movie CGI showdown, with a by the numbers comic book movie performance from Mark Strong, and some sketchy CGI cloud monsters, but it's hard not to grin with the surprise introduction of the Shazam! family (something I would surely expect from a sequel).
Shazam! also struggles at times to balance it's humour with it's more serious beats, but for the most part is an enjoyable origin story that the whole family can enjoy.
Suswatibasu (1702 KP) rated Black Panther (2018) in Movies
Mar 10, 2018 (Updated Mar 10, 2018)
Strong representation for a change
Hooray for Hollywood for finally making a film in which black people are portrayed as strong and advanced individuals, and more strikingly - an alternative vision of an Africa uncolonised.
In comparison to the other representative blockbuster @Wonder Woman (2017), Black Panther had a less two dimensional villain, and a more developed plot.
Instead of an evil Nazi general or a God of War, who have no other reason to destroy humanity but for the sake of it, Killimonger, played by Michael B. Jordan, is understandably troubled living in destitute conditions as an African American fighting an oppressive system.
His anger manifests in his sense of entitlement, of a life that was stolen from him, and feeling betrayed by those in power who could have rescued him. It is similar to the relationship between Professor X and Magneto in the X-Men series where there is still a deep respect between the two and the attempt to solve humanity's problems in differing ways. Here, Marvel continues to excel in story-telling where DC falls behind.
T'challa is also fallible, he is human after all, and so he shows his vulnerability during one-on-one combats, unlike Wonder Woman who is an all powerful weapon to fight the gods. Here, the women in Black Panther surpass other superhero movies as generals, warriors and activists with more than a love interest type role, although some characters played both.
And while I'm not actually a massive fan of the genre - it is a cultural feat to watch diversity on the screens, which is why I'll continue to like Wonder Woman, while profoundly admiring Black Panther. #WakandaForever
In comparison to the other representative blockbuster @Wonder Woman (2017), Black Panther had a less two dimensional villain, and a more developed plot.
Instead of an evil Nazi general or a God of War, who have no other reason to destroy humanity but for the sake of it, Killimonger, played by Michael B. Jordan, is understandably troubled living in destitute conditions as an African American fighting an oppressive system.
His anger manifests in his sense of entitlement, of a life that was stolen from him, and feeling betrayed by those in power who could have rescued him. It is similar to the relationship between Professor X and Magneto in the X-Men series where there is still a deep respect between the two and the attempt to solve humanity's problems in differing ways. Here, Marvel continues to excel in story-telling where DC falls behind.
T'challa is also fallible, he is human after all, and so he shows his vulnerability during one-on-one combats, unlike Wonder Woman who is an all powerful weapon to fight the gods. Here, the women in Black Panther surpass other superhero movies as generals, warriors and activists with more than a love interest type role, although some characters played both.
And while I'm not actually a massive fan of the genre - it is a cultural feat to watch diversity on the screens, which is why I'll continue to like Wonder Woman, while profoundly admiring Black Panther. #WakandaForever
Louise (64 KP) rated Burned and Broken in Books
Jul 2, 2018
I was provided a copy of this book from the publisher, my opinions are honest and my own.
Mark Hardie’s debut novel is set in Essex following our main protagonists DS Frank Pearson, DC Catherine Russell and young girl called Donna. DI Sean Carragher has been found burned to death in his car and Donna’s best friend Alicia was found dead in an underpass. Could these two deaths be connected? That’s the job for Pearson Russell to find out!
Starting off the book was very slow-paced, difficult to follow and the writing was very descriptive…maybe too much. The timeline of the book felt very jumpy and the POV’s would switch without so much as a warning. The first part of the book was setting the scene and some of the characters I felt unnecessary and were there just to fill a few more pages. The second half of the book was a lot better and Hardie get’s in to the flow of things. The ending was ok, but there wasn’t enough suspense in the book. I wasn’t excited to find out ‘whodunnit’.
This isn’t a bad book, especially for a debut but there is a lot of Police/Crime books out on the market and this doesn’t really stand out.
I believe there is going to be more books that continue following Pearson and Russell on more investigations. I might read them to see how Mark Hardie’s writing develops.
If you are a fan of Crime/Mystery novels..still check this out as though it wasn’t for me.. you may love it.
Mark Hardie’s debut novel is set in Essex following our main protagonists DS Frank Pearson, DC Catherine Russell and young girl called Donna. DI Sean Carragher has been found burned to death in his car and Donna’s best friend Alicia was found dead in an underpass. Could these two deaths be connected? That’s the job for Pearson Russell to find out!
Starting off the book was very slow-paced, difficult to follow and the writing was very descriptive…maybe too much. The timeline of the book felt very jumpy and the POV’s would switch without so much as a warning. The first part of the book was setting the scene and some of the characters I felt unnecessary and were there just to fill a few more pages. The second half of the book was a lot better and Hardie get’s in to the flow of things. The ending was ok, but there wasn’t enough suspense in the book. I wasn’t excited to find out ‘whodunnit’.
This isn’t a bad book, especially for a debut but there is a lot of Police/Crime books out on the market and this doesn’t really stand out.
I believe there is going to be more books that continue following Pearson and Russell on more investigations. I might read them to see how Mark Hardie’s writing develops.
If you are a fan of Crime/Mystery novels..still check this out as though it wasn’t for me.. you may love it.
Sarah (7799 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 10, 2020
Better than Suicide Squad
I'm going to get in a lot of trouble for watching this film. I promised my friend we'd watch it when she finishes her night shifts in 2 weeks, but I was in the mood for watching something a little less intensely serious and more brainless, and this is pretty much what I got.
I hated Suicide Squad. Seriously I gave it a 2, so the best thing I can say is that this is at least a lot better than that. Mainly down to Margot Robbie and her endearing and enigmatic take on Harley. She was the best thing about Suicide Squad and it's the same here. She's the star of the show and brings a lot of the humour and fun. I did feel like a lot of the other female characters were sidelined more than they should have been which is a shame especially as the film is called Birds of Prey, and I'm really not sure what was going on with Ewan McGregor's over the top slimy gangster.
The plot is entertaining enough, the fight scenes and the soundtrack played along side them are very well done and it was these that mainly kept me going throughout - these are some pretty kickass women. When the action dropped and especially when Harley wasn't in a scene, it soon began to get very dull and tiresome.
Whilst overall this definitely isn't the best DC film (indeed the Wonder Woman 1984 trailer shown before this looked a lot more exciting), it's miles better than Suicide Squad and rather a relief not to see Jared Leto's Joker again.
I hated Suicide Squad. Seriously I gave it a 2, so the best thing I can say is that this is at least a lot better than that. Mainly down to Margot Robbie and her endearing and enigmatic take on Harley. She was the best thing about Suicide Squad and it's the same here. She's the star of the show and brings a lot of the humour and fun. I did feel like a lot of the other female characters were sidelined more than they should have been which is a shame especially as the film is called Birds of Prey, and I'm really not sure what was going on with Ewan McGregor's over the top slimy gangster.
The plot is entertaining enough, the fight scenes and the soundtrack played along side them are very well done and it was these that mainly kept me going throughout - these are some pretty kickass women. When the action dropped and especially when Harley wasn't in a scene, it soon began to get very dull and tiresome.
Whilst overall this definitely isn't the best DC film (indeed the Wonder Woman 1984 trailer shown before this looked a lot more exciting), it's miles better than Suicide Squad and rather a relief not to see Jared Leto's Joker again.
