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It's Murder, My Son (Mac Faraday Mystery #1)
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“An exciting mystery with plenty of intriguing and enigmatic characters, It's Murder, My Son...
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Daniel Boyd (1066 KP) rated Shazam! (2019) in Movies
Apr 9, 2019 (Updated Apr 9, 2019)
Good Fun
Being the big ol' geek that I am, I usually know the source material of the superhero movie I am going to see pretty well. Shazam is an exception to this, - other than the infamous Captain Marvel/Shazam copyright battle between Marvel and DC's lawyers over the years and the fact that he is a teenage boy who transforms into a grown man who looks like Superman with a similar power set, - I don't know much about the character. Watching Shazam, I was more so reminded of a Mark Millar comic called Superior, which bears multiple plot similarities to Shazam, to the point that I am surprised that DC have never attempted to sue Millar for blatant plagiarism.
In a word, Shazam is fun. I enjoyed my time with it and I would see it again. I enjoyed seeing Mark Strong hamming it up as the movie's villain and Zachary Levi did a great job in the titular role. Also, his chemistry with Jack Dylan Grazer's character was a huge highlight of the film for me. The SFX were on point for the most part other than the fairly cartoony representations of the 7 deadly sins monsters. There was also a charming, dumb, pure, innocence to the movie that really shone through the entire thing.
My biggest issue with the movie was Asher Angel as Billy Batson when he's not Shazam. Not necessarily because he is a bad actor or anything, but more because of how he chose to play the role. He came across as broody and introspective, almost the total opposite of how Zachary Levi came across as Shazam with his over the top playfulness and silly puns. This discrepancy was prevalent to the point where the illusion that these two actors were playing the same character was entirely broken and it was as if they were just playing two totally different characters with entirely opposite personalities that were just never in the same room. I feel like a bit of smoothing out could have been done between the actors to come to a compromise where they could both deliver their respective lines while believably playing the same character.
Also, something that you should probably know going in is that this is a comedy with lessons about family and responsibility before it is a Superhero/Action movie. It does make sense within the context of the film that there are no epic action scenes as Billy is just an untrained everyday kid that has been given a bunch of amazing powers that he is still getting to grips with, but don't expect any mind-blowing action scenes on par with MCU movies etc. Even though I guess it makes sense that there wasn't anything too impressive in terms of action scenes, I was left a little bit unfulfilled as I left the theatre that the film felt more insistent on showing us tender family moments rather than huge scale superhero battles.
Overall, Shazam is dumb fun. Don't think too hard about it and you will almost certainly have a great time watching it. I am glad that the fun factor of DC films seems to be on the up and they have dropped the dour tone of their Batman/Superman stories set up by Zack Snyder and they seem to have almost totally abandoned the idea of following in Marvel's footsteps of tying movies together in order to lead up to a team up blockbuster. This move seems to be for the best and is what they should have been doing from the start rather than trying to win a losing battle and play catch up with a franchise that has been building for an entire decade at this point.
In a word, Shazam is fun. I enjoyed my time with it and I would see it again. I enjoyed seeing Mark Strong hamming it up as the movie's villain and Zachary Levi did a great job in the titular role. Also, his chemistry with Jack Dylan Grazer's character was a huge highlight of the film for me. The SFX were on point for the most part other than the fairly cartoony representations of the 7 deadly sins monsters. There was also a charming, dumb, pure, innocence to the movie that really shone through the entire thing.
My biggest issue with the movie was Asher Angel as Billy Batson when he's not Shazam. Not necessarily because he is a bad actor or anything, but more because of how he chose to play the role. He came across as broody and introspective, almost the total opposite of how Zachary Levi came across as Shazam with his over the top playfulness and silly puns. This discrepancy was prevalent to the point where the illusion that these two actors were playing the same character was entirely broken and it was as if they were just playing two totally different characters with entirely opposite personalities that were just never in the same room. I feel like a bit of smoothing out could have been done between the actors to come to a compromise where they could both deliver their respective lines while believably playing the same character.
Also, something that you should probably know going in is that this is a comedy with lessons about family and responsibility before it is a Superhero/Action movie. It does make sense within the context of the film that there are no epic action scenes as Billy is just an untrained everyday kid that has been given a bunch of amazing powers that he is still getting to grips with, but don't expect any mind-blowing action scenes on par with MCU movies etc. Even though I guess it makes sense that there wasn't anything too impressive in terms of action scenes, I was left a little bit unfulfilled as I left the theatre that the film felt more insistent on showing us tender family moments rather than huge scale superhero battles.
Overall, Shazam is dumb fun. Don't think too hard about it and you will almost certainly have a great time watching it. I am glad that the fun factor of DC films seems to be on the up and they have dropped the dour tone of their Batman/Superman stories set up by Zack Snyder and they seem to have almost totally abandoned the idea of following in Marvel's footsteps of tying movies together in order to lead up to a team up blockbuster. This move seems to be for the best and is what they should have been doing from the start rather than trying to win a losing battle and play catch up with a franchise that has been building for an entire decade at this point.
Movie Metropolis (309 KP) rated X-Men: Days of Future Past (2014) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
More DC than Marvel
Bryan Singer’s return to the X-Men franchise comes at the perfect time both for the series and its director.
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
Daniel Boyd (1066 KP) rated Aquaman (2018) in Movies
Jan 8, 2019 (Updated Jan 8, 2019)
Wishy Washy
I was excited to see this movie after hearing the glowing reviews and praise it was getting. I am also a fan of Jason Momoa and James Wan, so I was really hoping for this to be at least as good as Wonder Woman. Also, being a long time fan of DC Comics, I really want to see them find their footing cinematically and I thought that this could finally be the start of that. Unfortunately I left the cinema feeling pretty underwhelmed.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
The movie opens by telling the story of how Aquaman's parents came to meet and fall in love, even though they are from vastly different worlds. This whole sequence is brilliant and I was totally on-board for what was to come afterwards. Sadly, this opening sequence is by far the best part of the entire movie. From this point on it descends into a mediocre action adventure flick with story elements very reminiscent of Thor and Black Panther, (two movies that are vastly superior to this one.)
From a direction standpoint, it is clear that James Wan knows how to visually capture a scene in the most beautiful and intriguing way possible, which is especially evident during the trench sequence. His direction during all of the action sequences is great, with Nicole Kidman's trident work in the opening scene and the rooftop sequence with Black Manta, Mera and Aquaman being the highlights. I don't think that my issue with this movie is due to the direction lacking in any aspect. The only questionable choice in my opinion, was the choice to shoot the big Black Manta scene in broad daylight. It just looked slightly naff and would have came across much better if shot in darker conditions at night.
Nor do I think that it is the fault of any of the cast members. I think that Momoa does a great job in the title role and he looks incredible in the full on Aquaman suit, (which I don't think many other actors could legitimately pull off.) I think that Patrick Wilson did a decent job as the evil slightly cheesy power hungry half brother of Aquaman. I also enjoyed Willem Dafoe, Dolph Lundgren and Nicole Kidman in each of their scenes.
I think that the major culprit in this movie feeling a bit forced at times, is the lazy script that the actors had to work with. Almost every scene plays out in the exact same way; with the characters that we are following turning up to a new location, meeting up with a character, (usually Willem Dafoe,) listening to them spout a bunch of expositional dialogue and then mid sentence bad guys will attack and an explosion will go off cutting the conversation short. Then we will get a well shot action sequence with super dynamic cinematography, then the characters will figure out where they need to go next, they will go to the next location and the process will be rinsed and repeated for the duration of the movie.
Overall, Aquaman is not a bad superhero movie, there is a lot of fun to be had here with the badass action sequences. Unfortunately the lazy script holds the movie back from being as good as the glowing reviews told me it would be and out of the DC solo movies, - this, Man of Steel and Wonder Woman, - this is probably the worst of the three.
PS. Although I don't think that the movie in general was up to the highest level of quality, the CGI is objectively breath-taking in every scene and I totally agree with James Wan that it is nothing short of an atrocity that the SFX team on this movie have been snubbed for this year's Oscars ceremony.
Audrey Miller moves from New York City to Washington, DC after receiving a dream job offer at a museum--running their social media accounts. She rents an apartment sight unseen and finds herself in a creepy English basement unit, with a faulty lock and watched constantly by her landlord's sketchy nephew. She feels isolated, as she only knows two people in the city--her old college friend, Cat, now a busy lawyer, and her former boyfriend, Nick, whom she broke up with when she moved to New York. But on Audrey's Instagram, she presents a bright and perfect life. For that, she's rewarded with over a million followers, constant comments, and free items from brands. She shares everything with her fans--pictures, her locations, her thoughts, and more. Little does she know that there's someone out there who has been soaking up those thoughts for years, since Audrey started her first blog. And now that Audrey has moved to his city, he's determined it is fate. He's going to use advice garnered on the dark web to make Audrey his--no matter what.
The first word I can think of to describe this book is "menacing." It's definitely creepy at times, but it mostly projects a sinister feel, as Audrey's stalker--who tells bits and pieces of his side in a POV entitled "Him"--moves closer and closer into her private world. Our other two POVs are Audrey herself and her friend Cat, her socially inept lawyer friend, who begs Audrey to move in with her as Audrey's own apartment becomes increasingly unsafe.
"But the internet can reveal just as much as it can obfuscate."
It's hard not to compare this book to Caroline Kepnes' YOU. But the portions from "Him" are slim, and I just didn't find the narration as creepy and engaging as Joe's. When I read YOU, I literally felt watched, the book was so convincing. This book feels more like a cautionary tale about oversharing on social media.
And in that facet, it does a great job. Our friend Audrey: she shares it all. Instagram stories, photos, and more. Audrey getting her daily coffee? On insta. Her latest exercise class? Shared. And, of course, her move from New York City to Washington, DC is carefully catalogued. It's easy, we realize, to track Audrey's precise location and schedules. But Audrey seems blissfully unaware, living for the adoration the internet provides her. And it gets you thinking, wondering how much we all share across social media. And why...
"Comments from my followers were hands down my favorite part of living my life on the internet... With a million friends at the palm of your hand, how could anyone ever feel truly alone?"
Audrey goes through a lot in this book, but she's not always easy to like. There are no real likeable characters here. The power is in the escalating narrative. As incidents pile up against Audrey (remember: menacing!), you are kept guessing. There's a handful of characters who could be "Him," and Barber does a good job of letting you wonder who it could be. I would settle on someone and then something would happen, and I'd start to waver, changing my mind.
I really liked the commentary on social media and oversharing, combined with the need to be liked, even if virtually. And while the character of "Him" didn't have the personality I really wanted in his sections, they did capture his desperation and his seeming lack of understanding that what he was doing was wrong.
The ending for this one was rather bizarre and bit tough to swallow. I saw some of it coming and it all happened a little quickly after all the buildup. It was definitely twisty, though! Overall, this was a very captivating thriller--perhaps not as deep as I had hoped, but definitely worth a read. 3.5 stars, rounded up here.
The first word I can think of to describe this book is "menacing." It's definitely creepy at times, but it mostly projects a sinister feel, as Audrey's stalker--who tells bits and pieces of his side in a POV entitled "Him"--moves closer and closer into her private world. Our other two POVs are Audrey herself and her friend Cat, her socially inept lawyer friend, who begs Audrey to move in with her as Audrey's own apartment becomes increasingly unsafe.
"But the internet can reveal just as much as it can obfuscate."
It's hard not to compare this book to Caroline Kepnes' YOU. But the portions from "Him" are slim, and I just didn't find the narration as creepy and engaging as Joe's. When I read YOU, I literally felt watched, the book was so convincing. This book feels more like a cautionary tale about oversharing on social media.
And in that facet, it does a great job. Our friend Audrey: she shares it all. Instagram stories, photos, and more. Audrey getting her daily coffee? On insta. Her latest exercise class? Shared. And, of course, her move from New York City to Washington, DC is carefully catalogued. It's easy, we realize, to track Audrey's precise location and schedules. But Audrey seems blissfully unaware, living for the adoration the internet provides her. And it gets you thinking, wondering how much we all share across social media. And why...
"Comments from my followers were hands down my favorite part of living my life on the internet... With a million friends at the palm of your hand, how could anyone ever feel truly alone?"
Audrey goes through a lot in this book, but she's not always easy to like. There are no real likeable characters here. The power is in the escalating narrative. As incidents pile up against Audrey (remember: menacing!), you are kept guessing. There's a handful of characters who could be "Him," and Barber does a good job of letting you wonder who it could be. I would settle on someone and then something would happen, and I'd start to waver, changing my mind.
I really liked the commentary on social media and oversharing, combined with the need to be liked, even if virtually. And while the character of "Him" didn't have the personality I really wanted in his sections, they did capture his desperation and his seeming lack of understanding that what he was doing was wrong.
The ending for this one was rather bizarre and bit tough to swallow. I saw some of it coming and it all happened a little quickly after all the buildup. It was definitely twisty, though! Overall, this was a very captivating thriller--perhaps not as deep as I had hoped, but definitely worth a read. 3.5 stars, rounded up here.
Arduino Simulator 2X - Learn and DIY Safely
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Arduino is a trademark by Arduino LLC / arduino.cc This APP is not official and not supported by...
Arduino Simulator - Learn and DIY Safely
Education and Reference
App
Arduino is a trademark by Arduino LLC / arduino.cc This APP is not official and not supported by...
LeftSideCut (3776 KP) rated Zack Snyder's Justice League (2021) in Movies
Mar 18, 2021 (Updated Mar 19, 2021)
Contains spoilers, click to show
First of all, it's a damn miracle that this even exists at all. A once mythical cut that just seemed like a fabricated idea from Snyder fans who couldn't quite except that Justice League (2017) was awful. It's no secret that the theatrical cut was riddled with issues, and of course, personal tragedy, that resulted in a messy final product. This extended cut aimed to restore Snyder's original vision, and right the wrongs of what came before, and it mostly succeeds.
I still believe that the DCEU should have invested in solo movies for all it's big players before tackling a huge event like this, but there comes a time where I have to accept that that isn't what happened, so I watched this with that in mind, and left my bitterness at the door.
Zack Snyder's Justice League is undeniably a far superior, and vastly different beast to its predecessor. The 4 hour+ runtime gives the narrative plenty of breathing space, and allows the audience to connect with these characters properly. The biggest benefactor of this is Cyborg. A character that was more or less tossed to the side before, is given so much backstory, that he is now an integral part of the films emotional core. The Flash is another character that hugely benefits. Whereas before he was relegated to comedy relief and almost useless in the grand scheme of things, here, he's a young man who grows throughout the story from a joker, into an instrumental part of saving the world. The balance between all of these characters is well done actually - Batman doesn't feel like a waste, Wonder Woman is back to being a raging badass instead of moping over Steve Trevor - All of the League members feel important, and each bring their own strengths. They are portrayed as an effective team.
Main antagonist Steppenwolf is much better realised. He visually looks a hundred times better than whatever the fuck we got back in 2017, and he feels like an actual threat. His evil scheme makes sense this time around whereas before it was an ill explained mess. It feels like the stakes are high.
The set pieces we get are pretty spectacular. The new stuff is a treat to watch, and the familiar stuff has been reworked so well. The action heavy scenes involving Steppenwolf in Themyscira, and when the League first take him on below Striker Island are absolutely thrilling. In the original cut, I'd argue that the scene immediately following Superman's revival was the most exciting in terms of action, but here, it's probably the most lackluster in comparison. It's spaced out nicely, and the screenplay is incredibly engaging. The humour is seldom but funny when it happens, and the more emotional moments are well executed. All of this combined results in a story that never feels like a drag. The four hours flew by pretty quickly, and it's all complimented by a wonderful music score.
In terms of wider DC material, there's a whole wealth of stuff for comic fans to enjoy - Darkseid using his angular beams, the introduction of Ryan Choi aka The Atom, Martian Manhunter, and the extended Knightmare sequence where Batman and The Joker converse about events that have happened in the past. All good stuff that makes the DCEU finally feel like a connected narrative.
Overall, Zack Snyder's Justice League does a pretty damn good job at delivering an event movie that is bittersweet. It's great to see Snyder's original vision realised (although I can understand how it may not have resonated with a wider audience - it's most definitely a movie for fans of DC comics), but it's all a setup for a sequel that will probably never happen, which is a great shame. This is what happens when studios stick their ore in too much!
Final note - it makes me really happy that Alfred addresses Superman as 'Master Kent'.
I still believe that the DCEU should have invested in solo movies for all it's big players before tackling a huge event like this, but there comes a time where I have to accept that that isn't what happened, so I watched this with that in mind, and left my bitterness at the door.
Zack Snyder's Justice League is undeniably a far superior, and vastly different beast to its predecessor. The 4 hour+ runtime gives the narrative plenty of breathing space, and allows the audience to connect with these characters properly. The biggest benefactor of this is Cyborg. A character that was more or less tossed to the side before, is given so much backstory, that he is now an integral part of the films emotional core. The Flash is another character that hugely benefits. Whereas before he was relegated to comedy relief and almost useless in the grand scheme of things, here, he's a young man who grows throughout the story from a joker, into an instrumental part of saving the world. The balance between all of these characters is well done actually - Batman doesn't feel like a waste, Wonder Woman is back to being a raging badass instead of moping over Steve Trevor - All of the League members feel important, and each bring their own strengths. They are portrayed as an effective team.
Main antagonist Steppenwolf is much better realised. He visually looks a hundred times better than whatever the fuck we got back in 2017, and he feels like an actual threat. His evil scheme makes sense this time around whereas before it was an ill explained mess. It feels like the stakes are high.
The set pieces we get are pretty spectacular. The new stuff is a treat to watch, and the familiar stuff has been reworked so well. The action heavy scenes involving Steppenwolf in Themyscira, and when the League first take him on below Striker Island are absolutely thrilling. In the original cut, I'd argue that the scene immediately following Superman's revival was the most exciting in terms of action, but here, it's probably the most lackluster in comparison. It's spaced out nicely, and the screenplay is incredibly engaging. The humour is seldom but funny when it happens, and the more emotional moments are well executed. All of this combined results in a story that never feels like a drag. The four hours flew by pretty quickly, and it's all complimented by a wonderful music score.
In terms of wider DC material, there's a whole wealth of stuff for comic fans to enjoy - Darkseid using his angular beams, the introduction of Ryan Choi aka The Atom, Martian Manhunter, and the extended Knightmare sequence where Batman and The Joker converse about events that have happened in the past. All good stuff that makes the DCEU finally feel like a connected narrative.
Overall, Zack Snyder's Justice League does a pretty damn good job at delivering an event movie that is bittersweet. It's great to see Snyder's original vision realised (although I can understand how it may not have resonated with a wider audience - it's most definitely a movie for fans of DC comics), but it's all a setup for a sequel that will probably never happen, which is a great shame. This is what happens when studios stick their ore in too much!
Final note - it makes me really happy that Alfred addresses Superman as 'Master Kent'.
Emma @ The Movies (1786 KP) rated Zack Snyder's Justice League (2021) in Movies
Apr 2, 2021
Contains spoilers, click to show
The Snyder Cut sets up so much for future Justice League adventures, and those things would have been good... but the film absolutely didn't need to be this long to still do that, some of the scenes were so drawn out that it became painful. (I like Jason Momoa getting hit with buckets of water as much as the next person, but even I didn't need that full scene of him standing on the dock in the waves. At one point I wondered if they'd shot extra footage for an aftershave commercial.)
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html
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