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AJaneClark (3975 KP) rated The Surgeon (Rizzoli & Isles, #1) in Books
Oct 2, 2019 (Updated Nov 24, 2019)
Rizzoli no isles
In Boston, there’s a killer on the loose. A killer who targets lone women, who breaks into their apartments and performs terrifying ritualistic acts of torture on his victims before finishing them off. His surgical skills lead police to suspect he is a physician - a physician who, instead of saving lives, takes them.
But as homicide detective Thomas Moore and partner Jane Rizzoli begin there investigation, they make a startling discovery. Closely linked to these killings is Catherine Cordell, a beautiful medic with a mysterious past. Two years ago she was subjected to a horrifying rape and attempted murder but shot her attacker dead. Now she is being targeted by this new killer who appears to know all about her past, her work at the Pilgrim Medical Center and where she lives. The man she believes she killed seems to be stalking her once again, and this time he knows exactly where to find her...
Gerritsen, has a way of writing that draws you in and keeps hold of you until the story comes to a natural close. It’s not drawn out in any of sense of the word, just long enough to hold the suspense. With some gruesome details dotted throughout, and an account of sexism is the homicide unit of Boston PD, it’s a great introduction to Rizzoli.
But as homicide detective Thomas Moore and partner Jane Rizzoli begin there investigation, they make a startling discovery. Closely linked to these killings is Catherine Cordell, a beautiful medic with a mysterious past. Two years ago she was subjected to a horrifying rape and attempted murder but shot her attacker dead. Now she is being targeted by this new killer who appears to know all about her past, her work at the Pilgrim Medical Center and where she lives. The man she believes she killed seems to be stalking her once again, and this time he knows exactly where to find her...
Gerritsen, has a way of writing that draws you in and keeps hold of you until the story comes to a natural close. It’s not drawn out in any of sense of the word, just long enough to hold the suspense. With some gruesome details dotted throughout, and an account of sexism is the homicide unit of Boston PD, it’s a great introduction to Rizzoli.
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Tourist 3D Van Simulator Reception to a novel era of Tourist 3D Van Simulator. Engage in leisure...
Mark @ Carstairs Considers (2165 KP) rated A Book Club to Die For in Books
Nov 3, 2022
Exclusive Book Clubs Lead to Murder
Tru Becket has been invited to speak at the exclusive Arete Society, a book club that has waiting lists to join. In fact, her friend Flossie is one of those waiting to get in, and she has come with Tru in order to plead her case. The meeting winds up being canceled, however, when Tru finds the group’s president dead in the kitchen. The police think that Hazel, this month’s hostess, snapped and killed the victim, but Tru doesn’t think so. Can she come up with an alternative suspect?
This book is a variation on the locked room mystery, and I have come to realize how much I enjoyed those added twists to the story. A couple of things were obvious early on, but overall, this was still a compelling mystery with suspects strong enough to keep you engaged. The series regulars are all here and are fantastic as well. There are some regulars who can get annoying, but they were kept in the background and added to the fun. And this book is fun. I laughed more than I had at the first two. One sub-plot in particular made me laugh every time it popped up. If you are looking for a light mystery, this is one you’ll enjoy.
This book is a variation on the locked room mystery, and I have come to realize how much I enjoyed those added twists to the story. A couple of things were obvious early on, but overall, this was still a compelling mystery with suspects strong enough to keep you engaged. The series regulars are all here and are fantastic as well. There are some regulars who can get annoying, but they were kept in the background and added to the fun. And this book is fun. I laughed more than I had at the first two. One sub-plot in particular made me laugh every time it popped up. If you are looking for a light mystery, this is one you’ll enjoy.
Mark @ Carstairs Considers (2165 KP) rated Christmas Cocoa and a Corpse in Books
Nov 8, 2022
Murder Leaves Behind Spilled Cocoa
It’s the week before Christmas, and business is booming at Robbie’s restaurant, Pans ‘N Pancakes. However, not everyone is in a festive mood. Local businessman Jed Greenburg is found dead on the sidewalk while he was out walking a Chocolate lab puppy, the spilled contents of a mug of Robbie’s special hot chocolate blend next to him. What happened?
It’s no surprise to me that I enjoyed this novella. Several of the series regulars are away for the holiday, which actually works out very well since this is a novella. We are able to focus on the characters important to mystery. Robbie’s boyfriend’s family are actually key to the events as they unfold, and it was great to get to know them a little better. The mystery was strong, and I enjoyed watching it unfold. As always, the scenes in the restaurant made my mouth water, and I am now craving breakfast foods. Fortunately, the novella includes a couple of recipes, including a special hot chocolate recipe.
NOTE: This story is a novella, roughly 100 pages, and was originally part of the novella collection Christmas Cocoa Murder. If you have that book, there is no need to buy this ebook. If you haven’t read the story, now is the time to sit back and enjoy this Christmas mystery.
It’s no surprise to me that I enjoyed this novella. Several of the series regulars are away for the holiday, which actually works out very well since this is a novella. We are able to focus on the characters important to mystery. Robbie’s boyfriend’s family are actually key to the events as they unfold, and it was great to get to know them a little better. The mystery was strong, and I enjoyed watching it unfold. As always, the scenes in the restaurant made my mouth water, and I am now craving breakfast foods. Fortunately, the novella includes a couple of recipes, including a special hot chocolate recipe.
NOTE: This story is a novella, roughly 100 pages, and was originally part of the novella collection Christmas Cocoa Murder. If you have that book, there is no need to buy this ebook. If you haven’t read the story, now is the time to sit back and enjoy this Christmas mystery.
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
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An extensive overhaul of the app is now complete, making a 4.5/5 star app even better! This upgrade...
Ian McCulloch recommended Reprise Collection by Frank Sinatra in Music (curated)
Tim McGuire (301 KP) rated Eli (2019) in Movies
Nov 2, 2019
360. Eli. I dug it! I went in blind with this one. Saw new release horror on Netflix, I said yes please. So it starts out with a Bubble Boy senario, 500 dolla!! You want 500 dolla?? Sorry. Little Eli has some issues, he has to live in a bubble, due to an auto-immune disorder. If he breathes air, he dead. Luckily his parents care and find him a doctor thats doing some off the grid experimental stuff, oh and the hospital they take him to seems to be haunted, no biggie. While there, the treatments well just seem to be making him worse, but to help him through feeling like crap he meets, this random redhead that seems to only come out at night befriends him, and supports him when he starts to feel things aren't right. Stranger Things have happened... ;) And the longer Eli stays, the worse he feels, but he also knows that something ain't right, and maybe he's not sick at all? Maybe the doctor wants to kill him, his parents?? But...why???? Pretty creepy flick. Didn't know what to expect so I liked the outcome. I say, do. Filmbufftim on FB
ClareR (5674 KP) rated The Whistling in Books
Aug 3, 2023
Elspeth Swansome is escaping her past in Edinburgh and taking up a post as a nanny on the remote Scottish island of Skelthsea (it’s fictional, but I would really want to visit it if it was real!).
Elspeth is going to nanny Mary, a child who is clearly suffering from trauma. Her twin, William, is dead and her former nanny has disappeared. Elspeth is told that if she can’t get Mary to talk, she will be institutionalised.
I loved this - it’s the right kind of spooky, and you can’t beat a haunted house: lullabies are sung by someone who isn’t there, poppets keep appearing in random rooms, and whistling can be heard at night. It all added up to a book that sent shivers down my spine!
The characters were sometimes likeable, menacing, disconcerting and some most definitely had something to hide!
I listened to this on Audible, and the narrator, Lois Chimimba, kept me glued to my headphones. Her different accents were all spot on, and helped me to tell the different characters apart. I was never confused as to ‘who’ was speaking.
The tension built and built to the climactic ending - a truly delicious ghost story!
Elspeth is going to nanny Mary, a child who is clearly suffering from trauma. Her twin, William, is dead and her former nanny has disappeared. Elspeth is told that if she can’t get Mary to talk, she will be institutionalised.
I loved this - it’s the right kind of spooky, and you can’t beat a haunted house: lullabies are sung by someone who isn’t there, poppets keep appearing in random rooms, and whistling can be heard at night. It all added up to a book that sent shivers down my spine!
The characters were sometimes likeable, menacing, disconcerting and some most definitely had something to hide!
I listened to this on Audible, and the narrator, Lois Chimimba, kept me glued to my headphones. Her different accents were all spot on, and helped me to tell the different characters apart. I was never confused as to ‘who’ was speaking.
The tension built and built to the climactic ending - a truly delicious ghost story!
Leanne Crabtree (480 KP) rated Obscura Burning in Books
Jan 12, 2021
3.5 stars.
I love the cover of this. It's very sci-fi-y and drew my attention straight away before I even read the synopsis.
So I found this to be a bit confusing with the continuous switching between realities and it took me a while to get used to it, especially keeping up with how all the other characters interacted with Kyle between the two realities he was living. In one people are alive who should have been dead, in the other he was friends with a girl who treated him like crap in the former. Another strange fact is that while he's in one alternate universe, he continues to function in the other, so he zips back and forth and can be in the middle of doing something that he then doesn't remember starting.
The girl I just mentioned above, Mya, tries to help Kyle figure out what's happening by taking him to a scientist/professor who did a paper on multiverses. In the "Danny's dead" world, I really like her, she's friendly and fun, while in "Shira's dead" world, well, she's not. (I think I got that right...)
As for Danny and Shira, I don't think I was a fan of them from the start. I'm not sure why, maybe it was because we never really saw enough of them, or the them before the fire that injured/killed them. But by the end, I definitely didn't like them.
The writing style was easy to get into and I kinda devoured the book when I finally just sat back and let myself read it without any distractions.
Don't be put off with it having a gay relationship in it, there's nothing overtly graphic between Danny and Kyle, just references, it doesn't go into great detail. It doesn't go into detail with Kyle's female relationships either.
This was probably a little too sci-fi for me; alternate universes? Erm...not really my thing but I did enjoy it. If you like sci-fi and mystery then you'll probably like this.
I love the cover of this. It's very sci-fi-y and drew my attention straight away before I even read the synopsis.
So I found this to be a bit confusing with the continuous switching between realities and it took me a while to get used to it, especially keeping up with how all the other characters interacted with Kyle between the two realities he was living. In one people are alive who should have been dead, in the other he was friends with a girl who treated him like crap in the former. Another strange fact is that while he's in one alternate universe, he continues to function in the other, so he zips back and forth and can be in the middle of doing something that he then doesn't remember starting.
The girl I just mentioned above, Mya, tries to help Kyle figure out what's happening by taking him to a scientist/professor who did a paper on multiverses. In the "Danny's dead" world, I really like her, she's friendly and fun, while in "Shira's dead" world, well, she's not. (I think I got that right...)
As for Danny and Shira, I don't think I was a fan of them from the start. I'm not sure why, maybe it was because we never really saw enough of them, or the them before the fire that injured/killed them. But by the end, I definitely didn't like them.
The writing style was easy to get into and I kinda devoured the book when I finally just sat back and let myself read it without any distractions.
Don't be put off with it having a gay relationship in it, there's nothing overtly graphic between Danny and Kyle, just references, it doesn't go into great detail. It doesn't go into detail with Kyle's female relationships either.
This was probably a little too sci-fi for me; alternate universes? Erm...not really my thing but I did enjoy it. If you like sci-fi and mystery then you'll probably like this.