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Fatal Witness (Detective Erika Foster #7)
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How do you find a killer who has destroyed all the evidence? Detective Erika Foster is on a...
Mark @ Carstairs Considers (2510 KP) rated Barbecue Can Be Deadly in Books
Oct 26, 2023
Brisket and Deadly Tension
Sho Tanaka’s sister Jenny is entering a local barbecue competition, and Sho and Levi Blue are going along to show their support. Sho immediately notices all the tension between the other professional contestants. But he isn’t prepared when he and Levi stumble over a dead body. With the evidence pointing to Jenny, Sho is quick to jump into the investigation. Who is cooking up more than barbecue?
Quite often when I start a mystery, it’s easy to see who the victim will be. That wasn’t the case here, which is something I loved. I did feel the pacing was off in the first half, but I still enjoyed the book and was satisfied when we reached the end. I love these characters. They are strong with great relationships. While the book deals with some serious topics, like early onset dementia and prescription drug addiction, it is a comedic mystery, and I laughed quite a few times. The competing tones are balanced perfectly, making for a richer reading experience. It’s going to be a long wait for me until the next in the series comes out. If you haven’t started this series yet, fix that today.
Quite often when I start a mystery, it’s easy to see who the victim will be. That wasn’t the case here, which is something I loved. I did feel the pacing was off in the first half, but I still enjoyed the book and was satisfied when we reached the end. I love these characters. They are strong with great relationships. While the book deals with some serious topics, like early onset dementia and prescription drug addiction, it is a comedic mystery, and I laughed quite a few times. The competing tones are balanced perfectly, making for a richer reading experience. It’s going to be a long wait for me until the next in the series comes out. If you haven’t started this series yet, fix that today.
Mark @ Carstairs Considers (2510 KP) rated Murder at Blackwater Bend in Books
May 13, 2022 (Updated May 13, 2022)
Fishing for Bodies
August 1905 finds American heiress Stella Kendrick and Viscount “Lyndy” Lyndhurst planning their wedding as they get to know each other better. Things hit a snag when they find a dead body in a nearby river one morning while fly fishing. The victim was their neighbor, Lord Fairbrother. He wasn’t a nice man and seemed to have multiple enemies. However, suspicion falls on the local snake catcher, someone that Stella has befriended. Can she and Lyndy figure out what really happened?
I enjoyed the first in the series, but I found this one even better. The story is tight with lots to keep us hooked. I was impressed with how it all came together at the end. I do find Stella’s father horrible at times, which is my only negative. Lyndy’s mother, while still annoying, is more on the amusing side. The rest of the cast is charming, and Lyndy and Stella are wonderful leads. You can’t help but root for them. We get the story from multiple viewpoints, but it is always clear when we are switching things up. I’m already looking forward to finding out what happens to these characters next.
I enjoyed the first in the series, but I found this one even better. The story is tight with lots to keep us hooked. I was impressed with how it all came together at the end. I do find Stella’s father horrible at times, which is my only negative. Lyndy’s mother, while still annoying, is more on the amusing side. The rest of the cast is charming, and Lyndy and Stella are wonderful leads. You can’t help but root for them. We get the story from multiple viewpoints, but it is always clear when we are switching things up. I’m already looking forward to finding out what happens to these characters next.
Mark @ Carstairs Considers (2510 KP) rated The Glass Bottom Hoax in Books
Sep 26, 2024
Undercover on the High Seas
Madison Night is going undercover on a cruise ship. She’s pretending to be a Doris Day impersonator, and her boyfriend, police captain Tex Allen, is going along as her manager. In reality, the two are supposed to be looking into some recent burglaries on board the ship. But they’ve hardly left on the trip before Madison finds a dead body. Have the stakes just been raised?
It was fun to go on this cruise with Madison and Tex. Naturally, we didn’t see as much of the regular characters, but the new characters did help fill in the gaps. Plus, we got to see some growth in Madison and Tex and their relationship. The plot starts strongly. I felt like part of it was a bit of a stretch, but it still mostly worked for me. Likewise, one of the Easter eggs for Doris Day fans was a stretch, but there are some other fun ones. Really, fun is the overall word for this entry in the series. If you are already a fan, you’ll want to book passage on this entry soon.
It was fun to go on this cruise with Madison and Tex. Naturally, we didn’t see as much of the regular characters, but the new characters did help fill in the gaps. Plus, we got to see some growth in Madison and Tex and their relationship. The plot starts strongly. I felt like part of it was a bit of a stretch, but it still mostly worked for me. Likewise, one of the Easter eggs for Doris Day fans was a stretch, but there are some other fun ones. Really, fun is the overall word for this entry in the series. If you are already a fan, you’ll want to book passage on this entry soon.
Mark @ Carstairs Considers (2510 KP) rated Solid Gold Murder in Books
Jul 30, 2025 (Updated Jul 30, 2025)
Second Gold Rush Leads to a Solid Second Mystery
When some guests find real gold flakes at Dee’s motel, it sets off a second gold rush in the area. Among those who show up are Sylvan Burr, a smug tech mogul who is looking to strike it rich again. When someone shoves him down a mine shaft, the question is who didn’t want the man dead. Can Dee figure out what happened?
I love the first book in this series, and I’m happy that this book is a solid follow up. The location is great, one I’d want to visit between murders. The mystery is strong with plenty to keep us guessing. And that’s not to mention several subplots that weave in and out of the story. I do wish we saw more of Jonas, Dee’s new boyfriend, but that’s a minor complaint. The rest of the cast are fun, and the suspects solid. We also get some great laughs. In the way of extras, there are some road trip tips and a recipe. This is another delightful mystery from Ellen Byron. You’ll be glad you picked it up.
I love the first book in this series, and I’m happy that this book is a solid follow up. The location is great, one I’d want to visit between murders. The mystery is strong with plenty to keep us guessing. And that’s not to mention several subplots that weave in and out of the story. I do wish we saw more of Jonas, Dee’s new boyfriend, but that’s a minor complaint. The rest of the cast are fun, and the suspects solid. We also get some great laughs. In the way of extras, there are some road trip tips and a recipe. This is another delightful mystery from Ellen Byron. You’ll be glad you picked it up.
Mark @ Carstairs Considers (2510 KP) rated Resort to Murder in Books
Jul 31, 2025
Who Killed the Developer at Emmy’s Family Resort?
When her life takes an unexpected turn, Emmy Cooper heads to visit her family who runs a resort on the shores of a lake in Wisconsin. When she arrives, she learns that a developer is trying to buy up her family’s land and surrounding land to build a mega resort. While no one is interested in selling, he isn’t taking no for an answer. When he turns up dead on Emmy’s family’s property the morning after a public fight with Emmy’s father, he looks like the prime suspect. Can Emmy clear her dad?
I’ve been hearing lots of good things about this series, and I can see why. The setting is wonderful. It’s one of those places I’d love to visit between murders. The cast of characters are fantastic as well. You can tell just how much they all care for each other. The plot was strong, too, and kept me guessing until we reached the logical climax. Unfortunately, the dialogue was often summarized for us, which pulled me out of the book. I’m still looking forward to visiting this new group of friends again soon.
I’ve been hearing lots of good things about this series, and I can see why. The setting is wonderful. It’s one of those places I’d love to visit between murders. The cast of characters are fantastic as well. You can tell just how much they all care for each other. The plot was strong, too, and kept me guessing until we reached the logical climax. Unfortunately, the dialogue was often summarized for us, which pulled me out of the book. I’m still looking forward to visiting this new group of friends again soon.
Mark @ Carstairs Considers (2510 KP) rated At Death’s Dough in Books
Dec 18, 2025 (Updated Dec 18, 2025)
A Frozen Valentine’s Day
It’s the beginning of February, and Delilah O’Leary is finding the quiet season is quieter than she planned on. She’s hoping for a full restaurant on Valentine’s Day to help carry her through to tourist season again. On one of the restaurant’s days closed, Delilah and her great aunt go out ice fishing, and they make an unexpected discovery - a dead body under the ice. The victim was dressed for scuba diving, but who would dive in the lake in the middle of the winter?
The premise definitely caught my attention, although I found the pacing was uneven. Yes, I could tell the story was being set up, but it felt a bit random to me for a while. Once things really got going, I was hooked, with plenty of excitement, especially in the final quarter. And we did reach a logical conclusion. The characters continue to shine, and I especially appreciated seeing Delilah growing while building her relationship with her boyfriend. And we get another four recipes to enjoy at the end. If you enjoy culinary cozies, you’ll find yourself grabbing all the slices in this series.
The premise definitely caught my attention, although I found the pacing was uneven. Yes, I could tell the story was being set up, but it felt a bit random to me for a while. Once things really got going, I was hooked, with plenty of excitement, especially in the final quarter. And we did reach a logical conclusion. The characters continue to shine, and I especially appreciated seeing Delilah growing while building her relationship with her boyfriend. And we get another four recipes to enjoy at the end. If you enjoy culinary cozies, you’ll find yourself grabbing all the slices in this series.
Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Hazel (2934 KP) rated The Little Grave (Detective Amanda Steele #1) in Books
Jan 17, 2021
I admit I don't read a lot of American crime; I've nothing against it but I just happen to prefer my crime books to be set in the UK however, this one caught my eye and I thought I'd have a bit of a change and, overall, I was very satisfied.
The blurb, as you can see, is a long one and sets the scene very well for this solid start to a new series.
Amanda is a complex character and was difficult to get to like at first but this was understandable given what she has experienced; she did grow on me at the end as she started to work through her grief and the true Amanda came out however, I admit to nearly giving up on her but glad I didn't.
As the blurb says, Amanda is investigating the murder of the man who killed her husband and daughter but can she be objective and why is she getting threatening phone calls telling her to back off? She doesn't of course, otherwise there wouldn't be a book, but this is not a straightforward murder and does it have anything to do with the murder of the man's business partner and an exotic dancer or is it just a coincidence? The closer Amanda gets to finding out, the closer she gets to discovering the answers are closer to home than she could ever imagined.
The plot was great, the pace was good and the characters were explored just enough to wet your appetite to want to get to know them more, particularly Trent, but what I felt was really well explored was the grieving process that Amanda was experiencing. I really got a sense of her total desolation and how little things triggered memories of her dead loved ones and how this impacted on her every waking minute because, let's face it, if you had lost your entire reason for being, I'm sure you'd be the same.
Like I said at the beginning, this is a solid start to a new series and I am looking forward to seeing what comes next.
Many thanks to Bookoutre and NetGalley for my copy in return for an unbiased review.
The blurb, as you can see, is a long one and sets the scene very well for this solid start to a new series.
Amanda is a complex character and was difficult to get to like at first but this was understandable given what she has experienced; she did grow on me at the end as she started to work through her grief and the true Amanda came out however, I admit to nearly giving up on her but glad I didn't.
As the blurb says, Amanda is investigating the murder of the man who killed her husband and daughter but can she be objective and why is she getting threatening phone calls telling her to back off? She doesn't of course, otherwise there wouldn't be a book, but this is not a straightforward murder and does it have anything to do with the murder of the man's business partner and an exotic dancer or is it just a coincidence? The closer Amanda gets to finding out, the closer she gets to discovering the answers are closer to home than she could ever imagined.
The plot was great, the pace was good and the characters were explored just enough to wet your appetite to want to get to know them more, particularly Trent, but what I felt was really well explored was the grieving process that Amanda was experiencing. I really got a sense of her total desolation and how little things triggered memories of her dead loved ones and how this impacted on her every waking minute because, let's face it, if you had lost your entire reason for being, I'm sure you'd be the same.
Like I said at the beginning, this is a solid start to a new series and I am looking forward to seeing what comes next.
Many thanks to Bookoutre and NetGalley for my copy in return for an unbiased review.
Bob Mann (459 KP) rated Coco (2017) in Movies
Sep 29, 2021
An animated masterpiece? I should Coco!
I had no great expectations of this film. In fact, I honestly went to see it solely because – with the lazy multiplex habit of milking films like Jedi, Jumanji and (God help us) Pitch Perfect 3 – this was the only film at my local cinemas that I hadn’t seen. But wow… just wow!
For this is a masterpiece, and with the Oscar nominations released yesterday, it almost seems a crime that it wasn’t included in the Best Picture list (it must surely follow its Golden Globes win and snatch the Best Animated film category… although I admit that “Loving Vincent” clearly looks like it took a lot more work!).
Miguel (voiced by Anthony Gonzalez) lives in the quaint Mexican village of Santa Cecilia with his extended shoe-making family, including his grandmother Abuelita (Renée Victor) and his wizened old great-grandmother Coco (Ana Ofelia Murguía, via a brilliant piece of animation). Coco was a child from a broken home, with music being the cause of all the trouble, and this has led to a multi-generational ban that Abuelita polices with fierce passion. Unfortunately, Miguel “has the music in him”, idolising the – now deceased – singing sensation and matinee idol Ernesto de la Cruz (Benjamin Bratt, “Doctor Strange“). Desperate to perform in the Piazza talent contest, held during the evening of the “Day of the Dead” festival, Miguel takes destiny into his own hands…. which might prove fatal as he is dragged, alive and kicking, into the ‘land of the dead’.
The film is a thing of beauty. Some of the scenes: notably the candlelit graveyard, the “petal bridge” and the first sight of the land of the dead are done with such majesty and art that they take your breath away. Literally jaw dropping! (Try to make sure you see it on the big screen). So there are similarities here with “Blade Runner 2049” which also had images that could easily grace the walls of any art gallery in the world.
Where the film deviates from “Blade Runner” though is the original story by Lee Unkrich (who also directs), Adrian Molina (who co-directs), Jason Katz and Matthew Aldrich. Whereas the sci-fi reboot was a bit flaccid, story-wise, Coco develops in a surprisingly non-linear way. The story you think you are on suddenly does unexpected switchbacks and gets very deep indeed.
Deep? But this is a kids film right? Well, no, not really. Sure it has a lot of fun skeleton action, in the style of the re-constituting Olaf from “Frozen”, and a cute but mangy dog with a ridiculously long tongue. But the themes exposed here are FAR from childish. They encompass family, ambition, work/life balance, death and remembrance in such a fashion that parents exposing the film to young kids (I would think, up to 7 or 8 years old) should be ready with sensitive answers to “Mummy/Daddy, why…” questions so as to avoid significant anxiety and nightmares. The relationship between Miguel and his grandmother Abuelita, switching from violent outbursts to sudden loving hugs, might – I think – also confuse and disturb young children. Its UK certificate is “PG”, not “U”, for good reason.
So be prepared to cry. If you are anything like me, there will be a point in this film where you are desperately trying to recall the faces and voices of all of those people in your life that you have lost over the years. And some of the final jolts in this film will leave you almost as drained (almost!) as the start of “Up”.
As befits the subject matter there is a great score, with a mariachi feel, by Michael Giacchino, including a nice rendition of “When You Wish Upon A Star” over the Disney castle production logo. And there are some great songs, including the pivotal “Remember Me” which is now Oscar nominated.
Passport control at Heathrow was never like this.
Watch out for some nice cameo voice performances as well: Cheech Marin (from Cheech and Chong) plays the ‘border control’ officer, and Pixar regular John Ratzenberger (Hamm in “Toy Story”) turns up again playing Juan Ortodoncia, a character whose dentist fondly remembers him (LOL)!
With John Lasseter recently dragged into the #metoo scandal, and taking 6 months off to ponder on his “missteps”, one hopes this will not knock Pixar off its track too much. For with this evidence the studio shouldn’t keep trying to milk existing “Incredibles” and “Toy Story” franchises, but come up with more original entertainments like this. Because, for me, this rises into my top-three favourite Pixar films of all time (along with Toy Story and Wall-E).
For this is a masterpiece, and with the Oscar nominations released yesterday, it almost seems a crime that it wasn’t included in the Best Picture list (it must surely follow its Golden Globes win and snatch the Best Animated film category… although I admit that “Loving Vincent” clearly looks like it took a lot more work!).
Miguel (voiced by Anthony Gonzalez) lives in the quaint Mexican village of Santa Cecilia with his extended shoe-making family, including his grandmother Abuelita (Renée Victor) and his wizened old great-grandmother Coco (Ana Ofelia Murguía, via a brilliant piece of animation). Coco was a child from a broken home, with music being the cause of all the trouble, and this has led to a multi-generational ban that Abuelita polices with fierce passion. Unfortunately, Miguel “has the music in him”, idolising the – now deceased – singing sensation and matinee idol Ernesto de la Cruz (Benjamin Bratt, “Doctor Strange“). Desperate to perform in the Piazza talent contest, held during the evening of the “Day of the Dead” festival, Miguel takes destiny into his own hands…. which might prove fatal as he is dragged, alive and kicking, into the ‘land of the dead’.
The film is a thing of beauty. Some of the scenes: notably the candlelit graveyard, the “petal bridge” and the first sight of the land of the dead are done with such majesty and art that they take your breath away. Literally jaw dropping! (Try to make sure you see it on the big screen). So there are similarities here with “Blade Runner 2049” which also had images that could easily grace the walls of any art gallery in the world.
Where the film deviates from “Blade Runner” though is the original story by Lee Unkrich (who also directs), Adrian Molina (who co-directs), Jason Katz and Matthew Aldrich. Whereas the sci-fi reboot was a bit flaccid, story-wise, Coco develops in a surprisingly non-linear way. The story you think you are on suddenly does unexpected switchbacks and gets very deep indeed.
Deep? But this is a kids film right? Well, no, not really. Sure it has a lot of fun skeleton action, in the style of the re-constituting Olaf from “Frozen”, and a cute but mangy dog with a ridiculously long tongue. But the themes exposed here are FAR from childish. They encompass family, ambition, work/life balance, death and remembrance in such a fashion that parents exposing the film to young kids (I would think, up to 7 or 8 years old) should be ready with sensitive answers to “Mummy/Daddy, why…” questions so as to avoid significant anxiety and nightmares. The relationship between Miguel and his grandmother Abuelita, switching from violent outbursts to sudden loving hugs, might – I think – also confuse and disturb young children. Its UK certificate is “PG”, not “U”, for good reason.
So be prepared to cry. If you are anything like me, there will be a point in this film where you are desperately trying to recall the faces and voices of all of those people in your life that you have lost over the years. And some of the final jolts in this film will leave you almost as drained (almost!) as the start of “Up”.
As befits the subject matter there is a great score, with a mariachi feel, by Michael Giacchino, including a nice rendition of “When You Wish Upon A Star” over the Disney castle production logo. And there are some great songs, including the pivotal “Remember Me” which is now Oscar nominated.
Passport control at Heathrow was never like this.
Watch out for some nice cameo voice performances as well: Cheech Marin (from Cheech and Chong) plays the ‘border control’ officer, and Pixar regular John Ratzenberger (Hamm in “Toy Story”) turns up again playing Juan Ortodoncia, a character whose dentist fondly remembers him (LOL)!
With John Lasseter recently dragged into the #metoo scandal, and taking 6 months off to ponder on his “missteps”, one hopes this will not knock Pixar off its track too much. For with this evidence the studio shouldn’t keep trying to milk existing “Incredibles” and “Toy Story” franchises, but come up with more original entertainments like this. Because, for me, this rises into my top-three favourite Pixar films of all time (along with Toy Story and Wall-E).