Search
Search results
liveBPM - Beat Detector
Music and Utilities
App
Sharpen your sense of time! liveBPM is the tempo monitoring tool for drummers, bands and DJs. It...
Gareth von Kallenbach (980 KP) rated Tomb Raider (2018) in Movies
Jun 19, 2019
The third film in the “Tomb Raider” film series has arrived and much like
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
Bob Mann (459 KP) rated Army of Thieves (2021) in Movies
Nov 4, 2021
“Did He Just Say Gulp?”
I have Covid-19, and am confined to quarters. So time to catch up on some streaming films. New on Netflix is “Army of Thieves”, a quirky prequel, of sorts, to Zac Snyder’s “Army of the Dead“.
Plot Summary:
Sebastian Schlencht-Wöhnert (Matthias Schweighöfer) is a geek obsessed with the work of legendary safe-manufacturer Hans Wagner whose magnum opus was a series of four intricate safes named after the four parts of his namesake’s Ring cycle: The Rhinegold, The Valkyrie, Siegfried and Götterdämmerung.
Seeking more the glory of cracking the legendary safes (rather than the riches within), high-class jewel-thief Gwendoline (Nathalie Emmanuel) teams with Sebastian to crack the three known safes (in Paris, Prague and St Moritz) before they are officially ‘retired’. Together with Korina (Ruby O. Fee), muscle-man Brad (Stuart Martin) and getaway driver Rolph (Guz Khan) the gang try to stay one step ahead of obsessed Interpol agent Delacroix (Jonathan Cohen).
Certification:
US: TV-MA. UK: 15.
Talent:
Starring: Matthias Schweighöfer, Nathalie Emmanuel, Ruby O. Fee, Stuart Martin, Guz Khan, Jonathan Cohen.
Directed by: Matthias Schweighöfer.
Written by: Shay Hatten (from a story by Shay Hatten and Zack Snyder).
“Army of Thieves” Review: Positives:
I really wasn’t expecting much from this offering. For me, the character of Dieter in “Army of the Dead” was an annoyingly quirky comedy character in a zombie-actioner that you just wanted to punch in the face…. repeatedly. But in contrast, this Dieter-centric film is deliberately quirky throughout and it just all worked for me. Under his own direction, Schweighöfer’s Sebastian/Dieter becomes a genuinely quirky, lovelorn and loveable loser that you want to root for.
The look and feel of the film is utterly glorious. The wonderful cinematography by Bernhard Jasper makes the introduction to the European locations feel Bond-like and the combination of Production Design and Special Effects make the safe-cracking scenes tense, dynamic and beautiful to watch. It’s all nicely rounded off by a quirky Steve Mazzaro / Hans Zimmer score.
Shay Hatten’s script delivers a nice balance of action and exposition. It actually – shock horror – takes time to flesh out some character behind the generic heist-movie stereotypes. Setting the movie in the same timeline as the emerging Nevada zombie-apocalypse as “Army of the Dead” is neat: (although those expecting extensive zombie-action will feel short-changed). And having the Las Vegas safe as the mythical Götterdämmerung is a nice touch. Above all – “SURPRISE!!!” – the script surpassed the essential six-laughs test.
The acting is above par, with Schweighöfer putting in a fabulous turn and the stunningly beautiful Nathalie Emmanuel (best known for being Ramsey in the Fast and Furious series) gets to be a lot more than mere window-dressing here. Stuart Martin is notable here for looking astonishingly like Hugh Jackman…. I mean, really, they could be twins.
Negatives:
I mean, honestly, there are more holes in this story than a St Moritz swiss-cheese. Why would all of the safes, owned by different private institutions, be being “decommissioned” due to a Zombie outbreak on the other side of the world? Can the Interpol team really be that incompetent? And however clever he is, I don’t buy that you can open safes like that!
Although I liked the balance of the script overall, the story is pretty simplistic and linear.
Summary Thoughts on “Army of Thieves”
Sometimes a little movie appears that surprises and delights you, and this was one of those for me. It’s not big and it’s not clever. But it is very nicely made, thoroughly entertained me and was – for me – way better than its source movie. A recommended watch on Netflix.
Plot Summary:
Sebastian Schlencht-Wöhnert (Matthias Schweighöfer) is a geek obsessed with the work of legendary safe-manufacturer Hans Wagner whose magnum opus was a series of four intricate safes named after the four parts of his namesake’s Ring cycle: The Rhinegold, The Valkyrie, Siegfried and Götterdämmerung.
Seeking more the glory of cracking the legendary safes (rather than the riches within), high-class jewel-thief Gwendoline (Nathalie Emmanuel) teams with Sebastian to crack the three known safes (in Paris, Prague and St Moritz) before they are officially ‘retired’. Together with Korina (Ruby O. Fee), muscle-man Brad (Stuart Martin) and getaway driver Rolph (Guz Khan) the gang try to stay one step ahead of obsessed Interpol agent Delacroix (Jonathan Cohen).
Certification:
US: TV-MA. UK: 15.
Talent:
Starring: Matthias Schweighöfer, Nathalie Emmanuel, Ruby O. Fee, Stuart Martin, Guz Khan, Jonathan Cohen.
Directed by: Matthias Schweighöfer.
Written by: Shay Hatten (from a story by Shay Hatten and Zack Snyder).
“Army of Thieves” Review: Positives:
I really wasn’t expecting much from this offering. For me, the character of Dieter in “Army of the Dead” was an annoyingly quirky comedy character in a zombie-actioner that you just wanted to punch in the face…. repeatedly. But in contrast, this Dieter-centric film is deliberately quirky throughout and it just all worked for me. Under his own direction, Schweighöfer’s Sebastian/Dieter becomes a genuinely quirky, lovelorn and loveable loser that you want to root for.
The look and feel of the film is utterly glorious. The wonderful cinematography by Bernhard Jasper makes the introduction to the European locations feel Bond-like and the combination of Production Design and Special Effects make the safe-cracking scenes tense, dynamic and beautiful to watch. It’s all nicely rounded off by a quirky Steve Mazzaro / Hans Zimmer score.
Shay Hatten’s script delivers a nice balance of action and exposition. It actually – shock horror – takes time to flesh out some character behind the generic heist-movie stereotypes. Setting the movie in the same timeline as the emerging Nevada zombie-apocalypse as “Army of the Dead” is neat: (although those expecting extensive zombie-action will feel short-changed). And having the Las Vegas safe as the mythical Götterdämmerung is a nice touch. Above all – “SURPRISE!!!” – the script surpassed the essential six-laughs test.
The acting is above par, with Schweighöfer putting in a fabulous turn and the stunningly beautiful Nathalie Emmanuel (best known for being Ramsey in the Fast and Furious series) gets to be a lot more than mere window-dressing here. Stuart Martin is notable here for looking astonishingly like Hugh Jackman…. I mean, really, they could be twins.
Negatives:
I mean, honestly, there are more holes in this story than a St Moritz swiss-cheese. Why would all of the safes, owned by different private institutions, be being “decommissioned” due to a Zombie outbreak on the other side of the world? Can the Interpol team really be that incompetent? And however clever he is, I don’t buy that you can open safes like that!
Although I liked the balance of the script overall, the story is pretty simplistic and linear.
Summary Thoughts on “Army of Thieves”
Sometimes a little movie appears that surprises and delights you, and this was one of those for me. It’s not big and it’s not clever. But it is very nicely made, thoroughly entertained me and was – for me – way better than its source movie. A recommended watch on Netflix.
Merissa (13749 KP) rated Journey (The Chosen One Trilogy #2) in Books
Apr 15, 2023
This is the second in The Chosen One trilogy and picks up where Crossover finished. You are straight back in the action with Hayden and Jasper as they fight for what they believe in and against being used by someone else. The choices that Hayden has to make never become easier but as a person, she grows and becomes more comfortable with the decisions she has to make. Jasper is by her side, supporting her in everything she does and I pity the person who tries to come between them.
This is very well-written although the perspective changes from Hayden to Jasper without warning which I personally found a bit jarring. However, saying that, it was good to get Jasper's perspective on things so I liked it, but a title or note at the beginning of each chapter would have made it smoother in my opinion.
The plot advances swiftly and time skips over 'dead time' occasionally as the plot moves forward. the character development is good and I am looking forward to learning more about the bond between Hayden and Alex, the bond between the Queen and the cats etc. So much information is given to you in this book and yet I am still left wanting more. I need the third book in this fabulous series!
In short, this is a brilliant book that shows the depth and sacrifice entailed with deep and enduring love. I love the world-building and the characters and can't wait to reimmerse myself in Hayden's world. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
This is very well-written although the perspective changes from Hayden to Jasper without warning which I personally found a bit jarring. However, saying that, it was good to get Jasper's perspective on things so I liked it, but a title or note at the beginning of each chapter would have made it smoother in my opinion.
The plot advances swiftly and time skips over 'dead time' occasionally as the plot moves forward. the character development is good and I am looking forward to learning more about the bond between Hayden and Alex, the bond between the Queen and the cats etc. So much information is given to you in this book and yet I am still left wanting more. I need the third book in this fabulous series!
In short, this is a brilliant book that shows the depth and sacrifice entailed with deep and enduring love. I love the world-building and the characters and can't wait to reimmerse myself in Hayden's world. Highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
Mark @ Carstairs Considers (2478 KP) rated Wuthering Kites in Books
Sep 5, 2018
How Did the Corpse Get Into Emmy's Shop?
Emmy Adler has just moved into the apartment above her kite shop. That's why she hears the scream when Stella, her part time employee, goes to open the store that morning. Stella has found a dead body in the middle of the shop's floor. Neither of the women recognize the victim, and the police aren't certain who she was either. Who could the victim be? Why was she in Emmy's locked shop in the middle of the night? And who killed her?
There are some fun twists to this mystery early on, but the pacing does lag a time or two before Emmy figures everything out. Once she does, we are in for a wonderful climax. I missed one or two of the series characters, but others were there to step in and keep us entertained. Naturally, the book has plenty of new characters, and they were well developed, making them good suspects in the case. One of the returning characters in this book does spoil some events from the previous book. I loved seeing this character again, but you might want to read book two in the series before you pick this one up. Unlike the first two in the series, this one is coming out as an ebook only, but fans of the series will be thrilled to see these characters again.
There are some fun twists to this mystery early on, but the pacing does lag a time or two before Emmy figures everything out. Once she does, we are in for a wonderful climax. I missed one or two of the series characters, but others were there to step in and keep us entertained. Naturally, the book has plenty of new characters, and they were well developed, making them good suspects in the case. One of the returning characters in this book does spoil some events from the previous book. I loved seeing this character again, but you might want to read book two in the series before you pick this one up. Unlike the first two in the series, this one is coming out as an ebook only, but fans of the series will be thrilled to see these characters again.
Awix (3310 KP) rated Unearthly Stranger (1964) in Movies
Nov 9, 2018
Slightly bonkers British sci-fi B-movie isn't quite as good as some people would have you believe, but scores heavily for sheer weirdness, ingenuity, and the cult credentials of its cast. A project to achieve spaceship-free space-travel by unlocking the hidden powers of the human brain is being hampered by the fact that anyone who makes a breakthrough turns up dead with their brain exploded from the inside - could there possibly be foul play involved? Top boffins Davidson and Lancaster think so, but their investigations lead them to Davidson's beautiful new wife, who is a whizz in the kitchen but has no pulse, never blinks, and scares off small children at a hundred paces...
Dingbat attempt at knocking off Quatermass and Village of the Damned; may be a very distant ancestor of films like Under the Skin, but not the kind they talk about. Once you get past all the silliness, which is actually delivered with impressive conviction ('May I come to your house and anaesthetise your wife, so we can see if she is real or an illusion?'), there are a few reasonably eerie moments and curious insights into 60s gender politics - the viewpoint throughout is that of middle-aged white guys, with the women all wives or secretaries. The film is too daft for its sexist overtones to be really offensive. By no means a great movie but fun to watch if you're in the right mood.
Dingbat attempt at knocking off Quatermass and Village of the Damned; may be a very distant ancestor of films like Under the Skin, but not the kind they talk about. Once you get past all the silliness, which is actually delivered with impressive conviction ('May I come to your house and anaesthetise your wife, so we can see if she is real or an illusion?'), there are a few reasonably eerie moments and curious insights into 60s gender politics - the viewpoint throughout is that of middle-aged white guys, with the women all wives or secretaries. The film is too daft for its sexist overtones to be really offensive. By no means a great movie but fun to watch if you're in the right mood.
The Hilarious World of Depression
7.0
Rate It
Podcast
A show about clinical depression... with laughs? Well, yeah. Depression is an incredibly common and...
Tom Chaplin recommended Tapestry by Carole King in Music (curated)
Remote Mouse
Utilities and Business
App
Remote Mouse turns your iPhone, iPad or Apple Watch into a wireless user-friendly remote control for...
Remote Mouse for iPad
Utilities
App
Remote Mouse turns your iPhone, iPad or iPod into a wireless user-friendly remote control for your...